{"id":10296,"date":"2021-02-11T13:33:55","date_gmt":"2021-02-11T11:33:55","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=10296"},"modified":"2021-02-11T13:53:44","modified_gmt":"2021-02-11T11:53:44","slug":"auksiniu-scenos-kryziu-komisija-pasiklydo-zanruose-atmestos-sokio-filmu-paraiskos","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2021\/02\/11\/auksiniu-scenos-kryziu-komisija-pasiklydo-zanruose-atmestos-sokio-filmu-paraiskos\/","title":{"rendered":"\u201eAuksini\u0173 scenos kry\u017ei\u0173\u201c komisija pasiklydo \u017eanruose? Atmestos \u0161okio film\u0173 parai\u0161kos"},"content":{"rendered":"
\n

Art\u0117jant pavasariui scenos men\u0173 bendruomen\u0117je kasmet prasideda auk\u0161\u010diausi\u0173 Lietuvoje \u0161ios srities meno apdovanojim\u0173 \u2013 \u201eAuksini\u0173 scenos kry\u017ei\u0173\u201c \u2013 nominacij\u0173 laukimas. Ta\u010diau apdovanojimams parai\u0161kas \u0161iemet teik\u0119 \u0161okio film\u0173 k\u016br\u0117jai jau sulauk\u0117 \u017eini\u0173 i\u0161 Kult\u016bros ministerijos \u2013 \u201eAuksini\u0173 scenos kry\u017ei\u0173\u201c komisija nusprend\u0117 nevertinti \u0161i\u0173 k\u016brini\u0173.\u00a0Kaip nutiko, kad \u0161ok\u012f \u012f ekranus perk\u0117l\u0119 ir taip pandeminiais 2020-aisiais prie naujos kult\u016bros realyb\u0117s prisitaik\u0119 \u0161okio srities menininkai neteko teis\u0117s tapti lygiaver\u010diais apdovanojim\u0173 konkurso dalyviais?<\/p>\n

\"\"<\/a>
\nAkimirka i\u0161 filmo \u201eMA 108\u201c. Id\u0117ja ir \u012fk\u016bnijimas Erika Vizbarait\u0117<\/em><\/p>\n

Svarbu pabr\u0117\u017eti, kad apdovanojimams pateikti \u0161okio filmai sulauk\u0117 ne neigiamo \u201eAuksini\u0173 scenos kry\u017ei\u0173\u201c komisijos \u012fvertinimo, o atmetimo dar prie\u0161 vertinant parai\u0161kas. Kult\u016bros ministerijos lai\u0161kuose \u0161okio film\u0173 k\u016br\u0117jams nurodytas argumentas \u2013 \u0161okio filmai yra video, o ne scenos meno k\u016briniai. Bet ar tikrai? Vis\u0173 pirma, \u0161okio film\u0173 k\u016brimas Lietuvoje finansuojamas per Lietuvos kult\u016bros tarybos \u0160okio, o ne Kino srities program\u0105. \u0160okio film\u0173 recenzijas taip pat ra\u0161o scenos men\u0173, o ne kino kritikai. Verta pa\u017evelgti ir \u012f \u017eanro istorij\u0105.<\/p>\n

\"\"<\/a>
\nAkimirka i\u0161 \u0161okio filmo \u201e\u017daidimas baigtas\u201c. Vilniaus miesto \u0161okio teatro \u201eLow Air\u201c k\u016brybin\u0117 komanda<\/em><\/p>\n

\u201eVienas pirm\u0173j\u0173 video men\u0105 \u0161okyje prad\u0117jo naudoti postmodernaus \u0161okio pradininkas Merce\u00b4as Cunninghamas\u201c, \u2013 komentuoja \u0161okio kritik\u0117 ir dramaturg\u0117 Ingrida Gerbutavi\u010di\u016bt\u0117. \u201eEksperimentiniai XX a. septintojo de\u0161imtme\u010dio ir v\u0117liau sukurti Cunninghamo \u0161okio k\u016briniai vaizdo kamerai \u2013 tai \u0161okio film\u0173 pirmtakai. Per kelis de\u0161imtme\u010dius jo ir v\u0117liau kit\u0173 choreograf\u0173 sukurtos \u012fvairios \u0161okio film\u0173 atmainos laikomos inovatyviais meno k\u016briniais. \u0160i\u0173 stilistin\u0119 \u012fvairov\u0119 pabr\u0117\u017eian\u010di\u0173 termin\u0173 kaip moving-picture dance, screen dance, video dance, dance for camera, film dance, cine dance<\/em> ir kt. vertimo \u012f lietuvi\u0173 kalb\u0105 vis dar neturime.\u201c Anot I. Gerbutavi\u010di\u016bt\u0117s, Merce\u00b4o Cunninghamo \u201eVariations V\u201c (1966), Yvonne\u2018os Rainer \u201eHand Movie\u201c (1966), trup\u0117s DV8 Physical Theater \u201eDead Dreams of Monochrome Man\u201c (1990) ir \u201eEnter Aschilles\u201c (1995), visa eil\u0117 Matso Eko Cullbergo baleto trup\u0117s balet\u0173 televizijai, Williamo Forsythe\u2018o \u201eOne Flat Thing, Reproduced\u201c (2006) ir kt. yra chrestomatiniai \u0161okio film\u0173 pavyzd\u017eiai. Apie juos mokoma ne kino, bet \u0161okio istorijos paskaitose, nes ir meno \u017eanras pirmoje vietoje \u010dia yra \u0161okis, o ne kinas, pirmiausia kuriama choreografin\u0117 id\u0117ja ir kompozicija, o ne kinematografinis naratyvas. \u201eLabai apmaudu, kad Auksini\u0173 scenos kry\u017ei\u0173 komisijos nariai, \u0161okio video mene ne\u012f\u017evelgia tarpdisciplini\u0161kumo, \u017eanr\u0173 vystymo ir j\u0173 kismo svarbos visam Lietuvos kult\u016bros ir meno laukui. Sakydami, kad \u201e\u0161okio filmai n\u0117ra \u0161okis\u201c, scenos men\u0173 kritikai parodo savo \u0161okio istorijos \u017eini\u0173 tr\u016bkum\u0105, nesuvokia \u0161okio meno k\u016brybos princip\u0173 ir lieka u\u017esisklend\u0119 tradicini\u0173 form\u0173 s\u0105vokomis, \u2013 teigia I. Gerbutavi\u010di\u016bt\u0117.<\/p>\n

\"\"<\/a>
\nAkimirka i\u0161 projekto \u201e\u0160okis plius miestas\u201c. Re\u017e. Jevgenij Tichonov<\/em><\/p>\n

\u0160okio srit\u012f \u201eAuksini\u0173 scenos kry\u017ei\u0173\u201c komisijoje atstovaujanti Silvija \u010ci\u017eait\u0117-Rudokien\u0117 sako nesutinkanti su komisijos sprendimu nevertinti \u0161okio film\u0173. \u201eManau, komisija negali prisiimti galios pozicijos nuspr\u0119sti, kas yra ir kas n\u0117ra scenos meno \u017eanras. Gal\u0173 gale, tai yra ilgas procesas, \u012f kur\u012f \u012fsitraukia praktikai, teoretikai, mokslininkai, tyr\u0117jai, k\u016br\u0117jai,\u201c \u2013 teigia S. \u010ci\u017eait\u0117-Rudokien\u0117.<\/p>\n

Anot jos, pagrindo i\u0161 vertinam\u0173 darb\u0173 i\u0161braukti \u0161okio video n\u0117ra net vadovaujantis Profesionaliojo scenos meno \u012fstatymo apibr\u0117\u017eimu. Jame ra\u0161oma: \u201eProfesionaliojo scenos meno k\u016brinys \u2013 pasitelkiant erdvinius, garsinius elementus ir (ar) judes\u012f sukurtas originalus auk\u0161to meistri\u0161kumo ir meninio lygio k\u016brinys \u2013 spektaklis, koncertas ar kitas renginys.\u201c \u201e\u0160okio kritikai ir Lietuvos \u0161okio k\u016br\u0117jai \u0161okio video traktuoja kaip vien\u0105 \u0161okio meno \u017eanr\u0173, tad kaip komisija gali \u012f tai neatsi\u017evelgti? Retorinis klausimas, bet ar komisija yra galinti apspr\u0119sti \u017eanrus ir principus?\u201c \u2013 svarsto S. \u010ci\u017eait\u0117-Rudokien\u0117.<\/p>\n

\"\"<\/a>
\nAkimirka i\u0161 projekto \u201e\u0160okis plius miestas\u201c. K\u016brybin\u0117 komanda: Vytautas Ja\u0161auskas, \u0160eiko \u0161okio teatras<\/em><\/p>\n

Lietuvos \u0161okio informacijos centro vadov\u0117 Gintar\u0117 Masteikait\u0117 teigia, kad li\u016bdniausia \u0161ioje situacijoje yra tai, jog atmesti k\u016briniai, kurie tapo vienu i\u0161 Lietuvos \u0161okio bendruomen\u0117s stipryb\u0117s ir k\u016brybi\u0161kumo \u012frodymu pandeminiame laikotarpyje. \u201e2020-aisiais, d\u0117l visiems suprantam\u0173 prie\u017eas\u010di\u0173, dauguma \u0161okio meninink\u0173 netur\u0117jo galimyb\u0117s kurti ir pristatyti tradicin\u0117s formos \u0161okio spektakli\u0173. Vedami ne tik savo u\u017esidegimo, bet ir Lietuvos kult\u016bros tarybos skatinimo ie\u0161koti nauj\u0173 form\u0173 ir sprendim\u0173, \u0161ok\u0117jai ir choreografai k\u0117l\u0117 savo k\u016bryb\u0105 \u012f ekranus. Vien tarptautiniame \u0161iuolaikinio \u0161okio festivalyje \u201eNaujasis Baltijos \u0161okis\u201c buvo pristatyta 11 \u0161okio film\u0173, kurie sulauk\u0117 vir\u0161 50 t\u016bkstan\u010di\u0173 per\u017ei\u016br\u0173 bei geriausi\u0173 kritik\u0173 \u012fvertinimo. Taip pat sukurti nauji projekto \u201e\u0160okis plius miestas\u201c \u0161okio video k\u016briniai. Manau, \u0161ie k\u016br\u0117jai turi teis\u0119 b\u016bti \u012fvertinti \u0161okio meno kontekste.\u201c<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Art\u0117jant pavasariui scenos men\u0173 bendruomen\u0117je kasmet prasideda auk\u0161\u010diausi\u0173 Lietuvoje \u0161ios srities meno apdovanojim\u0173 \u2013 \u201eAuksini\u0173 scenos kry\u017ei\u0173\u201c \u2013 nominacij\u0173 laukimas. …<\/p>\n","protected":false},"author":2,"featured_media":10297,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\n\u201eAuksini\u0173 scenos kry\u017ei\u0173\u201c komisija pasiklydo \u017eanruose? Atmestos \u0161okio film\u0173 parai\u0161kos - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2021\/02\/11\/auksiniu-scenos-kryziu-komisija-pasiklydo-zanruose-atmestos-sokio-filmu-paraiskos\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eAuksini\u0173 scenos kry\u017ei\u0173\u201c komisija pasiklydo \u017eanruose? 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Atmestos \u0161okio film\u0173 parai\u0161kos - Lithuanian Dance Centre","og_description":"Art\u0117jant pavasariui scenos men\u0173 bendruomen\u0117je kasmet prasideda auk\u0161\u010diausi\u0173 Lietuvoje \u0161ios srities meno apdovanojim\u0173 \u2013 \u201eAuksini\u0173 scenos kry\u017ei\u0173\u201c \u2013 nominacij\u0173 laukimas. ...","og_url":"https:\/\/dance.lt\/new\/2021\/02\/11\/auksiniu-scenos-kryziu-komisija-pasiklydo-zanruose-atmestos-sokio-filmu-paraiskos\/","og_site_name":"Lithuanian Dance Centre","article_published_time":"2021-02-11T11:33:55+00:00","article_modified_time":"2021-02-11T11:53:44+00:00","og_image":[{"width":4814,"height":2778,"url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/02\/\u0160okis-plius-miestas_re\u017e.-Jevgenij-Tichonov_kadras.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"dance","Est. reading time":"4 minut\u0117s"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/dance.lt\/new\/#website","url":"https:\/\/dance.lt\/new\/","name":"Lithuanian Dance Centre","description":"LDC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dance.lt\/new\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"lt-LT"},{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/2021\/02\/11\/auksiniu-scenos-kryziu-komisija-pasiklydo-zanruose-atmestos-sokio-filmu-paraiskos\/#primaryimage","inLanguage":"lt-LT","url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/02\/\u0160okis-plius-miestas_re\u017e.-Jevgenij-Tichonov_kadras.jpg","contentUrl":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/02\/\u0160okis-plius-miestas_re\u017e.-Jevgenij-Tichonov_kadras.jpg","width":4814,"height":2778},{"@type":"WebPage","@id":"https:\/\/dance.lt\/new\/2021\/02\/11\/auksiniu-scenos-kryziu-komisija-pasiklydo-zanruose-atmestos-sokio-filmu-paraiskos\/#webpage","url":"https:\/\/dance.lt\/new\/2021\/02\/11\/auksiniu-scenos-kryziu-komisija-pasiklydo-zanruose-atmestos-sokio-filmu-paraiskos\/","name":"\u201eAuksini\u0173 scenos kry\u017ei\u0173\u201c komisija pasiklydo \u017eanruose? 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