{"id":10451,"date":"2021-02-22T15:24:53","date_gmt":"2021-02-22T13:24:53","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=10451"},"modified":"2021-04-01T17:10:43","modified_gmt":"2021-04-01T14:10:43","slug":"dirbkit-juokites-kurkit-bet-paskutini-zodi-tars-realybe","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2021\/02\/22\/dirbkit-juokites-kurkit-bet-paskutini-zodi-tars-realybe\/","title":{"rendered":"Dirbkit, juokit\u0117s, kurkit, bet paskutin\u012f \u017eod\u012f tars realyb\u0117"},"content":{"rendered":"

Tai ne tavo sapnas<\/em>, spektaklio pavadinimu \u00a0deklaruoja Vilma Pitrinait\u0117. Prie\u0161 per\u017ei\u016br\u0105 buvau \u012fsitikinusi, kad loginis kirtis krenta ant \u201ene tavo\u201c, pa\u017eymint, jog susidursime su k\u016br\u0117jos pas\u0105monei priklausan\u010diomis patirtimis, kurias steb\u0117ti dera i\u0161 \u0161alies, pama\u017eu pa\u017e\u012fstant k\u016br\u0117j\u0105, o ne save joje. Ta\u010diau kai \u017ei\u016br\u0117jau spektakl\u012f, \u00a0kirtis mano galvoje per\u0161oko \u012f \u201etai \u2013 ne sapnas\u201c. Ironi\u0161kas, netgi tragikomi\u0161kas V. Pitrinait\u0117s k\u016brinys \u2013 tai antiutopijos, kurioje \u0161iuo metu gyvename, refleksija.<\/p>\n

Pandemija daugum\u0105 m\u016bs\u0173 \u012fst\u016bm\u0117 \u012f s\u0105lygas, kuriose ne visuomet pakanka laiko ir erdv\u0117s pergalvoti, k\u0105 naujo per \u0161\u012f laikotarp\u012f su\u017einojome apie save bei artimuosius, kokius m\u016bs\u0173 pa\u010di\u0173 ir aplink esan\u010di\u0173j\u0173 charakterius ir polinkius atskleid\u0117 susiklos\u010diusi situacija. Tod\u0117l \u012f k\u016br\u0117j\u0173 sprendimus karantinui nepasibaigus vie\u0161ai reflektuoti savo patirtis \u017ei\u016briu \u012ftariai \u2013 platesnio konteksto savirefleksijos, galin\u010dios \u017ei\u016brovams pasi\u016blyti ka\u017ek\u0105, ko jie patys neb\u016bt\u0173 patyr\u0119 (arba savyje atrad\u0119), paprastai gimsta v\u0117liau, \u012fgijus laiko atstum\u0105.<\/p>\n

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Kita vertus, gali b\u016bti, kad \u0161i\u0105 tem\u0105 V. Pitrinait\u0117s spektaklyje sureik\u0161minu d\u0117l asmenini\u0173 patir\u010di\u0173 \u2013 s\u0117d\u0117jimo u\u017esidarius ir bandymo i\u0161likti socialiai aktyvia arba \u012ftikinti save, jog pauz\u0117 nuo tokio aktyvumo gali i\u0161eiti \u012f naud\u0105. Kitu atveju, tik\u0117tina, daugiau reik\u0161m\u0117s teik\u010diau k\u016br\u0117jos nurodytai mai\u0161tinink\u0117s temai. \u201eTai ne tavo sapnas\u201c apra\u0161yme mai\u0161tas \u012fvardintas k\u016brinio i\u0161eities ta\u0161ku, o karantinas \u2013 k\u016brybos aplinkyb\u0117mis. Manau, \u00a0\u012fvyko atvirk\u0161\u010diai. Mai\u0161taudama prie\u0161 priverstines scenos men\u0173 k\u016br\u0117j\u0173 atostogas, V. Pitrinait\u0117 susik\u016br\u0117 s\u0105lygas dirbti. O \u0161tai kelion\u0117 \u012f save ir siekis i\u0161laikyti ry\u0161\u012f su pasauliu u\u017epild\u0117 k\u016brinio turin\u012f.<\/p>\n

Spektaklio prad\u017eiai V. Pitrinait\u0117 pasirinko reper\u0117s \u012fvaizd\u012f, ir tai \u2013 dar viena nuoroda \u012f mai\u0161t\u0105. Reper\u0117 monologu kreipiasi \u012f publik\u0105, komi\u0161kai primindama, kad mes negalime jai atsakyti. Lengvai, su nuostabiai skoningu humoru k\u016br\u0117ja slopina baim\u0119 ir prarastus socialinius \u012fg\u016bd\u017eius, i\u0161 paskutini\u0173j\u0173 tikindama save ir \u017ei\u016brovus, kad norime to ar ne, visi priklausome kokiai nors bendruomenei. Net jei negalime fizi\u0161kai su ja kontaktuoti.<\/p>\n

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Kartodama, kad viskas yra gerai, ir kad panaikinti tokio socialinio padaro kaip \u017emogus bendruomeni\u0161kum\u0105 ne taip paprasta, V. Pitrinait\u0117 paraleliai demonstruoja i\u0161siderinus\u012f organizm\u0105. Nuo\u0161ird\u0173 ir juokinant\u012f kreipim\u0105si \u012f \u017ei\u016brovus nuolat pertraukia \u201enekontroliuojami\u201c persijungimai \u012f kit\u0105 kalb\u0117jimo manier\u0105, ton\u0105, temas, erdv\u0119, kontekst\u0105. Matyti \u0161iuos momentus kol kas nepatogu \u2013 b\u016bsenos kei\u010diasi pernelyg l\u0117tai, justi k\u016br\u0117jos nepasitik\u0117jimas savimi, kuris ekrane primena papras\u010diausiai silpn\u0105 vaidyb\u0105. \u012edomu, kad v\u0117liau matomas k\u016br\u0117jos \u0161okis yra kur kas keistesnis nei bandymas vaidyba laviruoti tarp dviej\u0173 realybi\u0173, ta\u010diau nekelia jokio nepatogumo jausmo \u2013 vien poreik\u012f bes\u0105lygi\u0161kai priimti visk\u0105, k\u0105 si\u016blo V. Pitrinait\u0117s jud\u0117jimas.<\/p>\n

Ta\u010diau \u0161iandien i\u0161jud\u0117ti ne taip paprasta. Spektaklio prad\u017eia puikiai reprezentuoja, k\u0105 pastaruosius metus patiria tiesioginio savo darbo negalintys dirbti menininkai (tiksliau, bet kurios apribotos veiklos profesijos atstovai). \u0160ok\u0117jos ir choreograf\u0117s \u0161okis<\/em> prasideda ne nuo jud\u0117jimo scenoje ar santykio su kitais k\u016bnais bei erdve paie\u0161k\u0173. Jos \u0161okis<\/em> gimsta mintyse ir \u017ei\u016brovus pirmiausia pasiekia \u017eod\u017eiais, j\u0173 kuriamu ritmu, \u017eaismu, nepaliaujamu tek\u0117jimu, s\u0105mon\u0117s sraut\u0105 \u201e\u012fk\u016bnijan\u010diais\u201c repo tekstais. \u017dod\u017eiai V. Pitrinaitei liejasi plasti\u0161kai, augindami nuosekli\u0105 teksto choreografij\u0105. Papras\u010diau tariant \u2013 jai kalbant, ypa\u010d \u2013 bandant repuoti, jautiesi, tarsi steb\u0117tum real\u0173 \u0161ok\u012f.<\/p>\n

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Negaudama atsako i\u0161 kitos gyvos b\u016btyb\u0117s, V. Pitrinait\u0117 pama\u017eu pasiduoda realybei \u2013 pradeda \u0161nek\u0117tis su savimi. Tod\u0117l spektakl\u012f \u201eTai ne tavo sapnas\u201c pirmiausia vadinu kelione \u012f save, bandant \u201ei\u0161traukti\u201c i\u0161 sav\u0119s k\u016bryb\u0105. Tiksliau \u2013 tokio proceso pa\u017einimu, nuoseklia jo anatomijos analize, kuri\u0105 nei\u0161vengiamai pertraukin\u0117ja alogi\u0161ki (nes pas\u0105moningi) vaizdiniai. Vienas pavyzd\u017ei\u0173 \u2013 \u00a0reper\u0117s \u012fvaizd\u012f ekrane per akimirk\u0105 pakei\u010dia meditacijai pasiruo\u0161usios, vien g\u0117li\u0173 vainikais prisidengusios V. Pitrinait\u0117s fig\u016bra. Ji nuolat \u0161m\u0117k\u0161\u010dioja, skambant pirmajai spektaklio dainai (muzikos autoriai \u2013 \u201eJesus works untill 3\u201c ir V. Pitrinait\u0117) \u2013 odei savo kambariui, kuriame \u017eod\u017eiai \u201ev\u0117l mano kambarys\u201c tampa meditacine mantra.<\/p>\n

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Tai \u2013 itin turtingo turinio scena, reziumuojanti prievol\u0117s likti namuose tragedij\u0105 ir absurd\u0105. Sumontuotas klipas primena sapn\u0105, kuriame viskas vyksta grei\u010diau nei \u012fprastai, kuriame ne visada supranti, ar esi steb\u0117tojas i\u0161 \u0161alies, ar aktyvus dalyvis, kuriame nesp\u0117ji suvokti savo emocij\u0173, ta\u010diau kartais nevalingai nusijuoki ar nusimeni. Visgi tai \u2013 ne sapnas. D\u0117\u017eut\u0117s dyd\u017eio (t\u0105 suprantame, greta atsid\u016brus \u017emogaus rankai) kambario transformacijos, i\u0161 jo i\u0161imant ir \u012fdedant baldus, taip pat jo teritorijoje \u017eaid\u017eiant santykius vyro ir moters pavidalo l\u0117l\u0117mis, bei pagreitint\u0105 proces\u0105 iliustruojanti besisukanti dainuojan\u010dios pusnuog\u0117s V. Pitrinait\u0117s fig\u016br\u0117l\u0117 \u012fteikia puok\u0161t\u0119 pas\u0105mon\u0119 veikian\u010di\u0173 karantino \u201eg\u0117rybi\u0173\u201c. Matome, kaip nedidelis kambarys tampa visu pasauliu, kuris gresia sustoti, jei patys savo d\u0117\u017eut\u0117se nieko nekeisime. L\u0117li\u0173 fig\u016bros tampa ironi\u0161ku komentaru skaud\u017eiam \u017emoni\u0173 s\u0105ly\u010dio draudimui \u2013 juk plastmas\u0117s, prie\u0161ingai nei kv\u0117puojan\u010di\u0173 ir jau\u010dian\u010di\u0173 organizm\u0173, gyvybei pavojus negresia (b\u016bti daiktu lengviau nei b\u016bti \u017emogumi). Galiausiai \u2013 besisukanti k\u016br\u0117jos fig\u016br\u0117l\u0117 \u012fk\u016bnija atsiskyrim\u0105 nuo pasaulio, poj\u016bt\u012f, kad esame ten, kur visuomet buvome, ta\u010diau nebepriklausome tai erdvei. Ir kaip juokingai bandome save \u012ftikinti, kad viskas gerai, man patinka esamos s\u0105lygos, i\u0161pe\u0161iu i\u0161 j\u0173 geriausia, k\u0105 galiu.<\/p>\n

\u201eTai ne tavo sapnas\u201c varomoji j\u0117ga \u2013 \u012fprasto pagrindo (ry\u0161io su publika) netek\u0119s k\u016brybinis procesas, gyvyb\u0119 semiantis tik i\u0161 k\u016br\u0117jos vaizduot\u0117s. Jo metu fizi\u0161kai neprieinami nei bendrak\u016br\u0117jai, nei reik\u0161mingos scenografijos detal\u0117s, nei socialin\u0117s patirtys, paprastai inspiruojan\u010dios meno k\u016brinius. Tokiomis \u00a0aplinkyb\u0117mis \u00a0pati k\u016bryba tampa mai\u0161tu prie\u0161 sistem\u0105, reikalaujan\u010di\u0105 laikinai (?) pakeisti savo \u012fpro\u010dius.<\/p>\n

Nepaisant atkaklaus bandymo i\u0161likti k\u016brybi\u0161kai aktyviai (I do what I want and I will do it for free<\/em>, repuoja V. Pitrinait\u0117, \u201eu\u017ekabindama\u201c senesn\u0119 ir platesn\u0119 problematik\u0105 nei karantino suvar\u017eymai), realyb\u0117 darkart pasiglem\u017eia performanso autor\u0119, galiausiai perkeldama j\u0105 \u012f virtuali\u0105 erdv\u0119 \u2013 i\u0161 kambario baltomis sienomis ji pereina \u012f visi\u0161kai juod\u0105 aplink\u0105. \u010cia k\u016bryba liejasi laisvai, ta\u010diau ne tod\u0117l, kad \u0161ok\u0117ja b\u016bt\u0173 i\u0161laisvinta. Prie\u0161ingai \u2013 ji nebeturi galios priimti spredimus, nes kiekvien\u0105 jos \u017eingsn\u012f riboja techniniai trikd\u017eiai, apibr\u0117\u017etos galimyb\u0117s perduoti informacij\u0105 \u017ei\u016brin\u010diajam, taip pat \u0161altis, atsirad\u0119s d\u0117l gyvo kontakto stygiaus.<\/p>\n

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I\u0161 bet kokiai k\u016brybai atviros erdv\u0117s (papras\u010diausiai tariant \u2013 balto lapo) atlik\u0117ja persikelia \u012f tams\u0105, kurioje virtualios realyb\u0117s garsai, transo b\u016bsen\u0105 iliustruojanti muzika ir greit\u0117jantys ritmai nebeleid\u017eia jai sekti nuosav\u0173 min\u010di\u0173, diktuodami savo taisykles. Mai\u0161to forma i\u0161lieka (apsmuk\u0119 reper\u0117s r\u016bbai, gobtuvas ant galvos), ta\u010diau susid\u016brimas su realybe naikina jo turin\u012f. Persona\u017eas su tuo nesusitaiko, ta\u010diau \u017ei\u016brovui virtualiomis priemon\u0117mis nei\u0161vengiamai transliuojama kitokia \u017einia: aplinkyb\u0117s laimi ir j\u016bs\u0173 nesusitaikymas neturi jokios prasm\u0117s.<\/p>\n

Galb\u016bt keista, kad tiesiogine ir perkeltine prasme \u0161viesaus spektaklio \u00a0\u00a0turinys slopina vilt\u012f. \u00a0Pati prie\u0161 spektakl\u012f tik\u0117jausi patirti nostalgij\u0105, nes dom\u0117jimasis repo kult\u016bra u\u017e\u0117m\u0117 \u017eenkli\u0105 paauglyst\u0117s dal\u012f. Ta\u010diau V. Pitrinait\u0117 puikiai integravo stili\u0173 \u012f k\u016brinio tematik\u0105, tod\u0117l jis tarnavo jos poreikiams, o ne atvirk\u0161\u010diai. Man \u201eTai ne tavo sapnas\u201c tapo eile nei\u0161sipild\u017eiusi\u0173 l\u016bkes\u010di\u0173, nesuteikian\u010dia pagrindo d\u0117l to priekai\u0161tauti. O galb\u016bt \u0161ios b\u016bsenos ir siekta spektakliu, kuriame realyb\u0117 \u012fkyriai pir\u0161tu baksnoja bet kokias V. Pitrinait\u0117s persona\u017eo iniciatyvas.<\/p>\n

—<\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

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Tai ne tavo sapnas, spektaklio pavadinimu \u00a0deklaruoja Vilma Pitrinait\u0117. Prie\u0161 per\u017ei\u016br\u0105 buvau \u012fsitikinusi, kad loginis kirtis krenta ant \u201ene tavo\u201c, …<\/p>\n","protected":false},"author":2,"featured_media":10454,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nDirbkit, juokit\u0117s, kurkit, bet paskutin\u012f \u017eod\u012f tars realyb\u0117 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2021\/02\/22\/dirbkit-juokites-kurkit-bet-paskutini-zodi-tars-realybe\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dirbkit, juokit\u0117s, kurkit, bet paskutin\u012f \u017eod\u012f tars realyb\u0117 - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Tai ne tavo sapnas, spektaklio pavadinimu \u00a0deklaruoja Vilma Pitrinait\u0117. 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