{"id":10714,"date":"2021-04-27T13:47:06","date_gmt":"2021-04-27T10:47:06","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=10714"},"modified":"2021-04-28T12:58:33","modified_gmt":"2021-04-28T09:58:33","slug":"aira-nagineviciute-kurinyje-kvestionuojam-laika-ir-ieskom-dialogo-tarp-pasauliu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2021\/04\/27\/aira-nagineviciute-kurinyje-kvestionuojam-laika-ir-ieskom-dialogo-tarp-pasauliu\/","title":{"rendered":"Aira Naginevi\u010di\u016bt\u0117: \u201eK\u016brinyje kvestionuojam laik\u0105 ir ie\u0161kom dialogo tarp pasauli\u0173\u201c"},"content":{"rendered":"

\u0160okis ir karantinas \u2013 lyg nesuderinam\u0173 charakteri\u0173 pora. Vis d\u0117lto \u0161okio teatras AIROS per karantin\u0105 viltingai repetavo ir, vos atsirado galimyb\u0117, gyvai \u017ei\u016brovams pristato spektakl\u012f ALKIS. Baland\u017eio 29 d. \u2013 gegu\u017e\u0117s 1 d. Vilniuje \u201eD\u016bm\u0173 fabrike\u201c septyni \u0161ok\u0117jai, tarp kuri\u0173 ir Auksinio scenos kry\u017eiaus laureatai Goda Laurinavi\u010di\u016bt\u0117, Gytis Ivanauskas, \u0161okio meno organizacijos \u201eBe kompanijos\u201c \u012fk\u016br\u0117jos Agniet\u0117 Lisi\u010dkinait\u0117 ir Greta Grinevi\u010di\u016bt\u0117, kvies publik\u0105 \u012f kelion\u0119. Keliaus \u017ei\u016brovai ne \u012fprastai, bet u\u017edaryti stiklo cilindruose. \u201eProjektu k\u016bnams\u201c k\u016br\u0117j\u0173 vadinamas ALKIS \u2013 intensyvi patirtis su ry\u0161kia garso architekt\u016bra, i\u0161kalbinga erdve ir filosofiniu u\u017etaisu. Spektaklio choreograf\u0117 Aira Naginevi\u010di\u016bt\u0117 ir dramaturg\u0117 Silvija \u010ci\u017eait\u0117-Rudokien\u0117 sako, kad k\u016brinio audin\u012f drauge su visa komanda mezg\u0117 i\u0161 am\u017eino dvasinio alkio, Gilles\u2019o Deleuze\u2019o ir F\u00e9lixo Guattari geism\u0173 filosofijos gij\u0173 ir nenutr\u016bkstam\u0173 \u017emonijos DNR jung\u010di\u0173.<\/p>\n

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\u017di\u016brovai \u0161\u012f spektakl\u012f steb\u0117s stiklo cilindruose! Priemon\u0119 padiktavo spektaklis ar pandeminis kontekstas? Kok\u012f vaidmen\u012f cilindrams numat\u0117te?<\/strong><\/p>\n

Aira Naginevi\u010di\u016bt\u0117<\/em>: ALKYJE niekas n\u0117ra tik techninis sprendimas, kiekviena priemon\u0117 papildo viena kit\u0105 ir vyksta k\u016brybinis gyvosios apykaitos ratas. Cilindrai yra dviej\u0173 pasauli\u0173 dialogui reikalinga priemon\u0117. Pasauliui, kuriame esti \u0161ok\u0117jai, ir pasauliui, kuriame atsiduria \u017ei\u016brovas. Cilindrai \u0161\u012f dialog\u0105 \u012fgalina. Tai lyg povandenin\u0117s vandens kapsul\u0117s, leid\u017eian\u010dios \u017evelgti \u012f vandenyno gyventojus, juos pa\u017einti, galb\u016bt net u\u017emegzti kontakt\u0105.<\/p>\n

Pavadinote darb\u0105 ALKIS. Ko alksta j\u016bs\u0173 spektaklio herojai?<\/strong><\/p>\n

A.N.<\/em>: Alkis yra geismas, k\u016brybos perpetuum mobile<\/em>, b\u016bsena ir instinktas vienu metu. Taip pat tai dvasinis alkis, kai nesustojame ie\u0161koti ka\u017eko, kas mums n\u0117ra atrasta. \u017dmogus yra smalsi, daugiasluoksn\u0117, drauge ir paslaptinga asmenyb\u0117, ir tai j\u012f masina patirti, pa\u017einti, rasti atsakymus \u012f klausimus, kuriuos galb\u016bt netgi ne visada artikuliuojame.<\/p>\n

Kokia filosofin\u0117 med\u017eiaga maitino mint\u012f kuriant \u0161\u012f spektakl\u012f? <\/strong><\/p>\n

Silvija \u010ci\u017eait\u0117-Rudokien\u0117<\/em>: Dialogas ir savoti\u0161kas disputas u\u017esimezg\u0117 su Gilles\u2019o Deleuze\u2019o ir F\u00e9lixo Guattari filosofija, anti-oedipus<\/em> teorija, kurioje pas\u0105monei suteikiama savoti\u0161ka materiali kapitalistin\u0117 b\u016bsena. \u0160iuo atveju reikia atsisakyti freudi\u0161ko libidi\u0161ko geismo, ir geism\u0105 suvokti kaip santyk\u012f su pasauliu, kuris sukuria \u0161izofreni\u0161k\u0105 sociumo aplink\u0105. Tod\u0117l \u017evelgiame \u012f pasaul\u012f, jame gyvenan\u010dius veik\u0117jus tarsi \u012f vien\u0105 organizm\u0105, ta\u010diau ir kaip \u012f daug skirting\u0173 l\u0105steli\u0173, kurios, jei dekonstruoji, veikia pavieniui, bet bendrai ma\u0161inerijai reikia veikimo drauge. Ilgas k\u016brybinis ir id\u0117jinis dialogas vyko tarp visos k\u016brybin\u0117s komandos, drauge geriant arbat\u0105 ir su Deleuze\u2019u bei Guattari.<\/p>\n

Premjeros vyks \u201eD\u016bm\u0173 fabrike\u201c. Spektaklis sufleravo \u0161i\u0105 erdv\u0119?<\/strong><\/p>\n

A.N.:<\/em> Spektaklyje erdv\u0117 yra viena i\u0161 b\u016btin\u0173j\u0173 ir savaranki\u0161kai daran\u010di\u0173 \u012ftak\u0105 l\u0105steli\u0173 bendrajam k\u016brinio organizmui. Kitaip tariant, tai n\u0117ra tik vieta parodyti k\u016briniui, tai vieta, kuri veikia pat\u012f k\u016brin\u012f. Reikalinga erdv\u0117, kurioje septyni\u0173 atlik\u0117j\u0173 vyksmo t\u0117km\u0117s susidurt\u0173 su 15 perregim\u0173 cilindr\u0173, o \u0161ie yra ir vieta \u017ei\u016brovams b\u016bti, ir scenografijos elementas. \u201eD\u016bm\u0173 fabriko\u201c aplinka suteik\u0117 prielaidas \u0161iam dialogui.<\/p>\n

Sakot, kad ALKIS \u2013 \u201e<\/strong>klausim\u0173 pripildyta kelion\u0117 be vienalaiki\u0173 atsakym\u0173\u201c. Raineris Marija Rilke \u201eLai\u0161ke jaunam poetui\u201c maldauja \u201epab\u016bti su klausimais\u201c. Ar klausimai n\u0117ra tai, kas ir pasmerkia nuolat jaustis alkanam? <\/strong><\/p>\n

A.N.:<\/em> Klausimai mus ver\u010dia ie\u0161koti atsakym\u0173, o atsakymai kelti klausimus. Tai am\u017einasis gyvenimo variklis, o gyvenimas ir k\u016bryba juk susipina. Tad Rilke \u0161iuo atveju irgi labai tinka tiek \u012f \u017ei\u016brov\u0173, tiek \u012f veik\u0117j\u0173 kompanij\u0105 ar bent jau pris\u0117sti prie diskusij\u0173 stalo.<\/p>\n

Gal kurdamos ALK\u012e bent priart\u0117jot prie koki\u0173 atsakym\u0173? <\/strong><\/p>\n

A.N.<\/em>: Priart\u0117jome prie dar daugiau klausim\u0173.<\/p>\n

Kalbate, kad \u017emogi\u0161koji b\u016btis prasideda net ne motinos \u012fs\u010diose, bet jau nuo pirmosios asmenyb\u0117s \u017dem\u0117je. Kai taip \u017ei\u016bri, apima jausmas, kad pasauly am\u017einai gyvena vienas ir tas pats \u017dmogus. Kuris niekur nepajuda. Kurio klausimai ir alkanumai vis tie patys. Galiu tik\u0117tis spektaklyje sutikti ir save, ir savo propromo\u010diut\u0119?<\/strong><\/p>\n

A.N.:<\/em> K\u016brinyje mes kvestionuojame pat\u012f laik\u0105, tad gal papulsime \u012f laiko tunel\u012f, kuriame rasime ko nesitik\u0117jome. Juk \u017emogus n\u0117ra pavienis vakuume atsirad\u0119s organizmas. M\u016bs\u0173 DNR yra kodas, kuris kuriamas jungiant prie\u0161 tai buvusius kodus.<\/p>\n

S.\u010c.R.<\/em>: M\u016bs\u0173 tradicijas ir kult\u016br\u0105 veikia kolektyvin\u0117 pas\u0105mon\u0117 ir antropologinio \u017emogaus egzistencija, tad ar mes kiekvienas galime sakyti, kad esu tik \u201ea\u0161\u201c ir nieko daugiau? Kvie\u010diame k\u016brin\u012f steb\u0117ti atvira \u0161irdimi bei atviru protu, tuomet neabejotinai galima sutikti ir propromo\u010diut\u0119.<\/p>\n

U\u017esimenat apie bandym\u0105 pabudinti \u017emogi\u0161kum\u0105, u\u017euot miegojus tobulumo miegu. Anks\u010diau laiko pa\u017eadinti miegaliai b\u016bna pikti. Kod\u0117l matot prasm\u0119 budinti? <\/strong><\/p>\n

A.N.<\/em>: Mes kvie\u010diame \u012f kelion\u0119. O vykstant \u012f kelion\u0119 kartais galima ir \u017eadintuv\u0105 u\u017esistatyti.<\/p>\n

Silvija, esate spektaklio dramaturg\u0117. Kaip su Aira skirst\u0117t\u0117s k\u016brybin\u012f kr\u016bv\u012f? <\/strong><\/p>\n

S.\u010c.R.<\/em>: Dramaturgija man vis dar yra vienas i\u0161 t\u0173 klausim\u0173, \u012f kuriuos atsakym\u0173 neturiu. Darbas su Aira yra kelion\u0117, \u012f kuri\u0105 drauge i\u0161\u0117jom. \u0160\u012fkart man buvo labai artima tema, prasmingi ir prasmingai keliami klausimai ir labai stipri k\u016brybin\u0117 komanda. Tad, visus \u0161iuos i\u0161\u0161\u016bkius sud\u0117jus, mes patyr\u0117me ALK\u012e.<\/p>\n

Koki\u0105 j\u016bs matot naratyvo galimyb\u0119 \u0161okio spektakliuose? Kiek ten reikalingas vientisas pasakojimas? Kiek jo ALKYJE? <\/strong><\/p>\n

S.\u010c.R.<\/em>: Turb\u016bt tiek pat, kiek m\u016bs\u0173 gyvenimuose yra naratyvo. Istorij\u0105 kuria pati egzistencija, ka\u017ein ar beverta dar k\u0105 nors i\u0161kreipti m\u0117ginimais pasakoti. ALKYJE mes kvie\u010diame pa\u017evelgti \u012f vien\u0105 i\u0161 galimybi\u0173, tarsi i\u0161rinkti ir v\u0117l surinkti gyvenim\u0105, patirtis, b\u016bt\u012f. Ar tam reikia naratyvo? Turb\u016bt ne, tam reikia noro. Noro pa\u017einti, atsiverti, i\u0161klausyti, diskutuoti, gal u\u017epykti? Gyventi.<\/p>\n

Silvija, su Aira dirbat ne pirm\u0105 kart\u0105. Pasidalinkit, kod\u0117l choreografei svarbu dirbti su dramaturge? Ir kod\u0117l pasiteisino b\u016btent judviej\u0173 duetas?<\/strong><\/p>\n

S.\u010c.R.<\/em>: Tai pirmas m\u016bs\u0173 bendras k\u016brinys, kuris i\u0161vys dienos \u0161vies\u0105. Kolegialus darbas da\u017enai yra privalumas, vien galimyb\u0117 su ka\u017ekuo pasigin\u010dyti yra vertingas rei\u0161kinys.<\/p>\n

ALKYJE pasirodo septyni ry\u0161k\u016bs \u0161ok\u0117jai. Kod\u0117l pasirinkote b\u016btent \u0161i\u0105 komand\u0105?<\/strong><\/p>\n

A.N.:<\/em> Tai septynios unikalios k\u016brybin\u0117s asmenyb\u0117s, su dalimi dirbame ne pirm\u0105 kart\u0105. \u0160ok\u0117jai su manimi k\u016br\u0117 spektaklio audin\u012f, choreografij\u0105. \u017daviuosi j\u0173 atsidavimu, k\u016brybine branda, dr\u0105sa, profesionalumu.<\/p>\n

\u012esp\u0117jate, kad spektaklyje garsiai gros intensyvi muzika. Kod\u0117l ALKIUI tokia priemon\u0117 buvo svarbi?<\/strong><\/p>\n

A.N.:<\/em> K\u016brinyje muzikos architekt\u016bra yra vienas i\u0161 kertini\u0173 element\u0173. Kompozitorius Darius \u010ciuta suk\u016br\u0117 garso architekt\u016br\u0105, \u012f kuri\u0105 \u012fkeliami \u017ei\u016brovai. U\u017e cilindro esantis pasaulis turi savo atskir\u0105 muzik\u0105.<\/p>\n

— —<\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160okis ir karantinas \u2013 lyg nesuderinam\u0173 charakteri\u0173 pora. Vis d\u0117lto \u0161okio teatras AIROS per karantin\u0105 viltingai repetavo ir, vos atsirado …<\/p>\n","protected":false},"author":2,"featured_media":10719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nAira Naginevi\u010di\u016bt\u0117: \u201eK\u016brinyje kvestionuojam laik\u0105 ir ie\u0161kom dialogo tarp pasauli\u0173\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2021\/04\/27\/aira-nagineviciute-kurinyje-kvestionuojam-laika-ir-ieskom-dialogo-tarp-pasauliu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aira Naginevi\u010di\u016bt\u0117: \u201eK\u016brinyje kvestionuojam laik\u0105 ir ie\u0161kom dialogo tarp pasauli\u0173\u201c - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u0160okis ir karantinas \u2013 lyg nesuderinam\u0173 charakteri\u0173 pora. 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