{"id":11696,"date":"2021-09-23T19:23:13","date_gmt":"2021-09-23T16:23:13","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=11696"},"modified":"2021-09-23T19:24:01","modified_gmt":"2021-09-23T16:24:01","slug":"priartinti-tikrove","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/","title":{"rendered":"Priartinti tikrov\u0119"},"content":{"rendered":"

Kai kalb\u0117jom\u0117s su \u0161ok\u0117ju Dariumi Stankevi\u010diumi, jis prisimin\u0117 choreograf\u0117s Ievos Kuni\u0161kis kadaise i\u0161tart\u0105 fraz\u0119: festivalis \u201eNaujasis Baltijos \u0161okis\u201c \u2013 tai \u0161ok\u0117j\u0173 Kal\u0117dos. Kai galvoju apie \u0161i\u0173 met\u0173 festival\u012f, \u0161vent\u0117s su asmeni\u0161kumais<\/em> jausmas vis\u0173 pirma ir ateina \u012f galv\u0105. Matau visus jame \u0161okusi\u0173j\u0173 veidus po vien\u0105, matau kiekvieno k\u016bno motorik\u0105 ir atmosfer\u0105, ir i\u0161 j\u0173 vis\u0173 susideda viena \u0160iuolaikinio \u0161okio vigilija. Ne miesto fiesta, ne fejerija, o b\u016btent veidai ir k\u016bnai, po vien\u0105 ir po du, nuogo miesto fone. Be dekoracij\u0173 ir rekvizito: tik anapus jie ir \u0161iapus mes, lyg susirink\u0119 pa\u017ei\u016br\u0117ti vieni kitiems \u012f akis i\u0161 arti.<\/p>\n

Mano \u0161okio vakarien\u0119 \u0161iais metais u\u017ebaig\u0117 du solo darbai: baltarusio Igorio Shugaleevo \u201e375 0908 2334 \/ Asmuo, kuriam skambinate, \u0161iuo metu nepasiekiamas\u201c ir lietuv\u0117s Vilmos Pitrinait\u0117s \u201eTai ne tavo sapnas\u201c. Abu jie dr\u0105siai eina prie realyb\u0117s ir j\u0105 pjauna. Ir abu sau leid\u017eia neu\u017esiimin\u0117ti \u017ei\u016brovo lepinimu: jie yra nepavald\u016bs auditorijos l\u016bkes\u010diams, ir jiems \u012f tai, kad \u010dia eina<\/em> Kal\u0117dos, nusispjaut. Man jie \u2013 du kal\u0117diniai mai\u0161tininkai, mai\u0161t\u0105 keliantys b\u016btent savo nepavaldumu \u0161vent\u0117s logikai. Kol Vilma drebina sienas su protesto prie\u0161 ar-tik-ne-visk\u0105 energija, Igoris be skrupul\u0173 atidengia \u017eiauri\u0105 realyb\u0119 ir kvie\u010dia apie j\u0105 pasikalb\u0117ti. Nes likti vienu du<\/em> su realybe jam \u2013 per sunku.<\/p>\n

\"\"<\/a>
\nIgor Shugaleev, \u201e375 0908 2334 \/ Asmuo, kuriam skambinate, \u0161iuo metu nepasiekiamas\u201c. Dmitrijaus Matvejevo nuotraukos<\/em><\/p>\n

\u201e375 0908 2334 \/ Asmuo, kuriam skambinate, \u0161iuo metu nepasiekiamas\u201c yra performansas, kurio svarbiausia dalimi tampa sadistini\u0173 Baltarusijos re\u017eimo elgesio b\u016bd\u0173 su suimtaisiais atkartojimas. Igor Shugaleev pasakoja apie k\u016bno pozas, kuriose suimtieji ver\u010diami nejud\u0117dami i\u0161b\u016bti valand\u0173 valandas. I\u0161sirink\u0119s vien\u0105 i\u0161 poz\u0173, menininkas kvie\u010dia laisvu noru \u012f \u0161\u012f k\u016bn\u0173 i\u0161bandym\u0105 prisijungti \u017ei\u016brovus. Ir \u0161ie jungiasi. Kas scenoje, kas \u2013 nenorintys eksponuotis \u2013 sal\u0117s gale. Sustingusieji vienodose pozose nemato, kaip eina laikas \u2013 kiek liko to, kas \u0161iuo atveju yra menas. Ties\u0105 pasakius, b\u016btent vaik\u0161\u010diodama po tamsi\u0105j\u0105 sal\u0117s dal\u012f, kurioje atsit\u016bp\u0119 ir susik\u0117l\u0119 rankas vir\u0161 galvos empatij\u0105 baltarusiams rei\u0161k\u0117 kuklesnieji \u017ei\u016brovai, patyriau tikr\u0105 performanso \u0161iurp\u0105: ne per emocing\u0105 istorij\u0105, ne per k\u016bni\u0161kai rai\u0161k\u0173 scenos vaizd\u0105, o per paprast\u0105 ir niekam nematom\u0105 atskir\u0173 \u017emoni\u0173 nusilenkim\u0105 tiems, kurie i\u0161 ties\u0173 ken\u010dia. Ir b\u016btent \u010dia at\u0117jo mintis, kad jeigu ir esu ma\u010diusi prasmingesni\u0173 tikrov\u0117s ir meno susikirtim\u0173, tuomet neatsimenu.<\/p>\n

\"\"<\/a><\/p>\n

Ta\u010diau \u0161iuo atveju kalbu apie paveik\u0173 realyb\u0117s \u012f\u0117jim\u0105 \u012f men\u0105. O kalb\u0117ti apie paties meno b\u016bkl\u0119 \u0161iame performanse \u2013 labai sunku: visi\u0161kai suri\u0161tos laisvo kritinio m\u0105stymo rankos. Negali m\u0105styti apie j\u012f kaip apie meno k\u016brin\u012f \u2013 gryn\u0105 dokumentin\u012f performans\u0105, nes Igor Shugaleev tikslu pasirenka ne k\u016bn\u0105 kaip i\u0161rai\u0161k\u0105, bet ry\u0161io mezgim\u0105, paguodos jo tautai paie\u0161k\u0105. \u010cia net nuskamba gyvas klausimas \u201eKas nori apsikabinti?\u201c (kur\u012f i\u0161 ties\u0173 traktuojame kaip kas nori apkabinti baltarusi\u0173 taut\u0105?<\/em>). Ir jei \u0161iame fone kyla kritinei galvai \u012fprastai kylan\u010di\u0173 kritini\u0173 min\u010di\u0173, tuomet tarsi rei\u0161kia, kad esi nejautrus ir nenori apkabinti. Bet nesu, ir noriu \u2013 juos visus. Vis d\u0117lto, jei dr\u012fstu vertinti tai kaip meno k\u016brin\u012f, kaip tik tokia ai\u0161ki aukos pozicija ir u\u017ekem\u0161a menines arterijas. Taip, performanso \u017eanrui \u012fprasta tur\u0117ti artim\u0105 ry\u0161\u012f su socialine realybe ir politiniu identitetu; komunikuoti ne estetin\u0119 \u017einut\u0119, bet tyrin\u0117ti meno \/ k\u016bno galimybes kirsti sociopolitin\u0117s tikrov\u0117s sien\u0105.<\/p>\n

\"\"<\/a><\/p>\n

Ta\u010diau emocingi pasakojimai, lydintys vis\u0105 performans\u0105, nori nenori veikia manipuliatyviai. Ir tik nutrynus klausim\u0173 \/ atsakym\u0173 serij\u0105 ir palikus suimt\u0173j\u0173 pozose valandai sustingusius \u0161ok\u0117jo ir \u017ei\u016brov\u0173 k\u016bnus, u\u017egri\u016bna pati \u0161ito siaubo kvintesencija, o \u012f kit\u0105 k\u016bn\u0105 reaguojantis savas k\u016bnas patenka \u012f nepakeliam\u0105 empati\u0161k\u0105 klajon\u0119. B\u016btent steb\u0117ti k\u016bnus, \u0161e\u0161\u0117lius, \u0161viesas, virp\u0117jim\u0105, k\u016bn\u0173 nebegal\u0117jim\u0105<\/em> ir atvirk\u0161\u010diai \u2013 i\u0161buvim\u0105 iki galo yra \u0161io performanso stiprioji pus\u0117. Kuriai visai nereikia nei pagalbos, nei paguodos: u\u017ekalb\u0117dami \u017eod\u017eiais, u\u017eversdami klausimais, klausydami atsakym\u0173, i\u0161 k\u016bn\u0173 atimame j\u0173 teis\u0119 kalb\u0117ti. O ji vis d\u0117lto \u2013 jei norime \u017ei\u016br\u0117ti \u012f tai kaip \u012f \u0161okio k\u016brin\u012f \u2013 pjauna giliau.<\/p>\n

\"\"<\/a><\/p>\n

Vilmos Pitrinait\u0117s \u201eTai ne tavo sapnas\u201c, vis\u0173 pirma sukurtas online performanso formatu, atne\u0161tas \u012f scen\u0105 n\u0117 kiek nenukent\u0117jo: atvirk\u0161\u010diai \u2013 desperacijos, i\u0161tinkan\u010dios saviizoliacijoje, tema i\u0161plito \u012f miest\u0105 ir sociopolitik\u0105. \u0160iandienin\u0117s protest\u0173 ir miting\u0173 realyb\u0117s fone atsid\u016br\u0119s performansas \u012fgauna netik\u0117t\u0105 dimensij\u0105 ir, to nesiekdamas, virsta menine replika vie\u0161am visuomenini\u0173 klausim\u0173 svarstymui aik\u0161t\u0117se. Aktualiausia verte \u010dia tampa saviironija ir svarstomo objekto neri\u0161lumas: mai\u0161tas \u010dia keliamas ne norint ka\u017ek\u0105 i\u0161spr\u0119sti, bet norint spr\u0119sti ir tuo maksimaliai m\u0117gautis.<\/p>\n

\"\"<\/a>
\nVilma Pitrinait\u0117, \u201eTai ne tavo sapnas\u201c. Dmitrijaus Matvejevo nuotraukos<\/em><\/p>\n

Man ry\u0161kiausia performanso tema tapo kritika sociumo l\u016bkes\u010diams ir poreikiams, kuriuos turi tenkinti menas. Atlik\u0117ja savo srautine scenine s\u0105mone kelia mai\u0161t\u0105 ne tiek prie\u0161 visuomenines taisykles, kiek prie\u0161 neoliberali\u0105 k\u016bryb\u0105: kai kuri, kad vien\u0105 po kito generuotum produktus, kurie b\u016bt\u0173 suvartoti ir i\u0161kart u\u017eleist\u0173 viet\u0105 kitiems. Palaipsniui i\u0161 t\u016bkstan\u010di\u0173 \u017eod\u017ei\u0173 re\u017eimo pereidama \u012f absoliutaus k\u016bno mode\u2019\u0105, atlik\u0117ja \u017ei\u016brovus \u012fveda \u012f beveik trans\u0105 vien tam, kad prisitraukt\u0173 juos arti ir priverst\u0173 galiausiai at\u0161okti. Nes ji \u010dia \u2013 ne tam, kad mes tur\u0117tume kaip praleisti vakar\u0105: ji leid\u017eia sau b\u016bti eksponatu, paveikslu, produktu, kuriam ner\u016bpi, ar \u012f j\u012f \u017ei\u016brima, ar jis perkamas, ar festivalinis, ar fejerverkinis.<\/p>\n

\"\"<\/a><\/p>\n

Nors \u0161ok\u0117ja performanse atsisako ka\u017ek\u0105 reik\u0161ti ir \u017ei\u016brovams pataria neie\u0161koti prasm\u0117s, rei\u0161kia ji labai daug. Paradoksalu, bet man jau pati Vilmos psichofizin\u0117 energija yra meno objektas: ji gali nedaryti nieko \u2013 o nustoti \u012f j\u0105 \u017ei\u016br\u0117ti negali. Ji yra varomoji j\u0117ga net nevarydama. Ir b\u016bdamas \u0161ios nuo nieko nepriklausomos j\u0117gos liudininkas, neju\u010dia susim\u0105stai: ar spektaklis yra tikrov\u0117, ir jei taip, tai kieno? Ar tai mes at\u0117jome \u012f autenti\u0161k\u0105 ir tarsi ne mums skirt\u0105 \u0161ok\u0117jos tikrov\u0119, ar tai ji at\u0117jo \u012f m\u016bs\u0173 penktadienio vakar\u0105? Bet jeigu ji deklaratyviai atsisako b\u016bti vartojama kaip meno k\u016brinys \u2013 tuomet kas pas k\u0105 ir ko \u010dia at\u0117jo?<\/p>\n

\"\"<\/a><\/p>\n

Lieka ai\u0161ku tik tai, kad \u0161itoje ne\u017einia-kieno-tikrov\u0117je i\u0161 pagrind\u0173 drums\u010diama miesto ramyb\u0117, nuo dugno atkeliamos sociopolitin\u0117s nuos\u0117dos, pl\u016bsta berib\u0117 energija, kuri i\u0161 hiperaktyvaus ry\u0161io k\u016brimo galiausiai nueina \u012f visi\u0161k\u0105 atsitraukim\u0105. Vilmos Pitrinait\u0117s nereikia suprasti \u2013 j\u0105 reikia jausti visu k\u016bnu, o jausti, reaguoti, \u012fkv\u0117pti, i\u0161kv\u0117pti \u010dia \u2013 t\u016bkstan\u010diai galimybi\u0173.<\/p>\n

Du mai\u0161tininkai, u\u017ebaig\u0119 \u0161i\u0173 met\u0173 \u201eNauj\u0105j\u012f Baltijos \u0161ok\u012f\u201c, eksponavo kardinaliai skirtingos prigimties k\u016bni\u0161kus pavidalus; ta\u010diau abu jie savoti\u0161kai primin\u0117 apie tikrov\u0119, kuri laukia, kai baigiasi\u2026 Kal\u0117dos.<\/p>\n

—<\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Kai kalb\u0117jom\u0117s su \u0161ok\u0117ju Dariumi Stankevi\u010diumi, jis prisimin\u0117 choreograf\u0117s Ievos Kuni\u0161kis kadaise i\u0161tart\u0105 fraz\u0119: festivalis \u201eNaujasis Baltijos \u0161okis\u201c \u2013 tai …<\/p>\n","protected":false},"author":2,"featured_media":11704,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nPriartinti tikrov\u0119 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Priartinti tikrov\u0119 - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Kai kalb\u0117jom\u0117s su \u0161ok\u0117ju Dariumi Stankevi\u010diumi, jis prisimin\u0117 choreograf\u0117s Ievos Kuni\u0161kis kadaise i\u0161tart\u0105 fraz\u0119: festivalis \u201eNaujasis Baltijos \u0161okis\u201c \u2013 tai ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2021-09-23T16:23:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-23T16:24:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/09\/Igor-Shugaleev21-photo-D.Matvejev\u00a9-1100x708.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1100\" \/>\n\t<meta property=\"og:image:height\" content=\"708\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/09\/Igor-Shugaleev21-photo-D.Matvejev\\u00a9.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/09\/Igor-Shugaleev21-photo-D.Matvejev\\u00a9.jpg\",\"width\":4000,\"height\":2576},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/\",\"name\":\"Priartinti tikrov\\u0119 - Lithuanian Dance Centre\",\"isPartOf\":{\"@id\":\"https:\/\/dance.lt\/new\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/#primaryimage\"},\"datePublished\":\"2021-09-23T16:23:13+00:00\",\"dateModified\":\"2021-09-23T16:24:01+00:00\",\"author\":{\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\"},\"breadcrumb\":{\"@id\":\"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/#breadcrumb\"},\"inLanguage\":\"lt-LT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dance.lt\/new\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Priartinti tikrov\\u0119\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\",\"name\":\"dance\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/#personlogo\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"caption\":\"dance\"},\"url\":\"https:\/\/dance.lt\/new\/author\/dance\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Priartinti tikrov\u0119 - Lithuanian Dance Centre","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/","og_locale":"lt_LT","og_type":"article","og_title":"Priartinti tikrov\u0119 - Lithuanian Dance Centre","og_description":"Kai kalb\u0117jom\u0117s su \u0161ok\u0117ju Dariumi Stankevi\u010diumi, jis prisimin\u0117 choreograf\u0117s Ievos Kuni\u0161kis kadaise i\u0161tart\u0105 fraz\u0119: festivalis \u201eNaujasis Baltijos \u0161okis\u201c \u2013 tai ...","og_url":"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/","og_site_name":"Lithuanian Dance Centre","article_published_time":"2021-09-23T16:23:13+00:00","article_modified_time":"2021-09-23T16:24:01+00:00","og_image":[{"width":1100,"height":708,"url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/09\/Igor-Shugaleev21-photo-D.Matvejev\u00a9-1100x708.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"dance","Est. reading time":"6 minut\u0117s"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/dance.lt\/new\/#website","url":"https:\/\/dance.lt\/new\/","name":"Lithuanian Dance Centre","description":"LDC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dance.lt\/new\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"lt-LT"},{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/#primaryimage","inLanguage":"lt-LT","url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/09\/Igor-Shugaleev21-photo-D.Matvejev\u00a9.jpg","contentUrl":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/09\/Igor-Shugaleev21-photo-D.Matvejev\u00a9.jpg","width":4000,"height":2576},{"@type":"WebPage","@id":"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/#webpage","url":"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/","name":"Priartinti tikrov\u0119 - Lithuanian Dance Centre","isPartOf":{"@id":"https:\/\/dance.lt\/new\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/#primaryimage"},"datePublished":"2021-09-23T16:23:13+00:00","dateModified":"2021-09-23T16:24:01+00:00","author":{"@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252"},"breadcrumb":{"@id":"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/#breadcrumb"},"inLanguage":"lt-LT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dance.lt\/new\/2021\/09\/23\/priartinti-tikrove\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dance.lt\/new\/en\/"},{"@type":"ListItem","position":2,"name":"Priartinti tikrov\u0119"}]},{"@type":"Person","@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252","name":"dance","image":{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/#personlogo","inLanguage":"lt-LT","url":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","caption":"dance"},"url":"https:\/\/dance.lt\/new\/author\/dance\/"}]}},"_links":{"self":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/11696"}],"collection":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/comments?post=11696"}],"version-history":[{"count":2,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/11696\/revisions"}],"predecessor-version":[{"id":11706,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/11696\/revisions\/11706"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media\/11704"}],"wp:attachment":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media?parent=11696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/categories?post=11696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/tags?post=11696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}