{"id":11796,"date":"2021-10-21T18:44:18","date_gmt":"2021-10-21T15:44:18","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=11796"},"modified":"2021-10-21T18:45:49","modified_gmt":"2021-10-21T15:45:49","slug":"protestas-su-tusciu-lapu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2021\/10\/21\/protestas-su-tusciu-lapu\/","title":{"rendered":"Protestas su tu\u0161\u010diu lapu"},"content":{"rendered":"

\u0160okio eskiz\u0105 \u201eHands Up\u201c \u0161ok\u0117ja ir choreograf\u0117 Agniet\u0117 Lisi\u010dkinait\u0117 parod\u0117 \u201eNaujojo Baltijos \u0161okio\u201c lietuvi\u0161koje programoje prie\u0161 daugiau nei metus. Tuomet \u012f vir\u0161\u0173 pakeltos rankos, gal\u0117j\u0119 reik\u0161ti pasidavim\u0105, palaikym\u0105, pagalbos pra\u0161ym\u0105, etc. (bet b\u016btinai k\u0105 nors \u2013 tai nebuvo vien estetin\u0117 priemon\u0117), taip pat \u2013 balti da\u017eai, kuriais apsita\u0161k\u0117 meninink\u0117, ne vienam \u017ei\u016brovui siejosi su tuomet tik prasid\u0117jusiais protestais Baltarusijoje. Brandintas laikotarpiu, kai visame pasaulyje \u017emon\u0117s aktyviai rei\u0161k\u0117 ar mok\u0117si reik\u0161ti savo pozicij\u0105 gatv\u0117se, \u0161okio vyksmu pavadintas \u201eHands Up\u201c tapo bendresne protest\u0173 kult\u016bros iliustracija.<\/p>\n

\"\"<\/a>
\nG. \u017daltauskait\u0117s nuotraukos<\/em><\/p>\n

Nors puikiai suprantu, kaip svarbu matyti pasaul\u012f toliau savo dar\u017eo rib\u0173, paprastai skepti\u0161kai \u017ei\u016briu \u012f meno k\u016briniuose demonstruojam\u0105 susir\u016bpinim\u0105 toli nuo m\u016bs\u0173 esan\u010diais \u012fvykiais. Nesuprantu, k\u0105 tokie veiksmai kei\u010dia: \u012ftakos realioms situacijoms jie neturi, o \u017ei\u016brovams da\u017eniau lieka egzotika nei tampa erdve susitapatinimui ar savirefleksijai. Tod\u0117l itin adekvatus pasirod\u0117 A. Lisi\u010dkinait\u0117s sprendimas \u201eHand Up\u201c tem\u0105 prapl\u0117sti iki protesto s\u0105vokos, o aktualijas panaudoti kaip pagauli\u0105 iliustracij\u0105.<\/p>\n

Kaune \u201eHands Up\u201c prasid\u0117jo vart\u0173 arkoje, pakeliui \u012f \u201eAURA+\u201c erdv\u0119. \u010cia A. Lisi\u010dkinait\u0117 tyliai u\u017era\u0161in\u0117jo plakatus, kuriuose buvo galima pamatyti liberalesnio m\u0105stymo \u017emon\u0117ms artimas pozicijas: u\u017e moters laisv\u0119 rinktis, k\u0105 daryti su savo k\u016bnu, u\u017e skiepus, u\u017e laisv\u0119 nesl\u0117pti savo seksualin\u0117s orientacijos, u\u017e pasidid\u017eiavim\u0105 savo etnin\u0117mis \u0161aknimis, prie\u0161 rasizm\u0105, prie\u0161 kar\u0105 ir t. t. At\u0117jus laikui pasigirdo k\u016br\u0117jos balso \u012fra\u0161as, ai\u0161kinantis pakelt\u0173 \u012f vir\u0161\u0173 rank\u0173 daugiaprasmi\u0161kum\u0105 ir kviet\u0119s pasiruo\u0161ti eisenai: pasirinkti vien\u0105 i\u0161 u\u017era\u0161yt\u0173 plakat\u0173, tu\u0161\u010di\u0105 plakat\u0105, eiti pakeltomis rankomis arba sekti paskui nieko nedeklaruojant. Ap\u0117j\u0119 rat\u0105 visi gr\u012f\u017eo \u012f t\u0105 pat\u012f kiem\u0105, sus\u0117do sal\u0117je ir keliolika minu\u010di\u0173 steb\u0117jo A. Lisi\u010dkinait\u0117s \u0161ok\u012f scenoje, \u012f kuri\u0105 projektuota k\u0105 tik vykusios eisenos filmuota med\u017eiaga. \u201eHands Up\u201c sujung\u0117 realyb\u0117s simuliacij\u0105 ir menin\u012f vyksm\u0105. O tai sufleruoja pozicij\u0105: socialinis aktyvumas k\u016bryboje ne ma\u017eiau svarbus nei jos menin\u0117 vert\u0117.<\/p>\n

\"\"<\/a><\/p>\n

Nesu linkusi kvestionuoti meno k\u016brinio, spektaklio ir pan. s\u0105vok\u0173, ta\u010diau turiu pripa\u017einti, kad eisenos metu intensyviai svars\u010diau, kur gl\u016bdi \u0161io proceso meni\u0161kumas. Atsakym\u0105 radau: pirmosios \u201eHands Up\u201c dalies menin\u0119 vert\u0119 nulemia dalyviai \u2013 tiek keliaujantys su A. Lisi\u010dkinaite, tiek atsitiktinai atsid\u016br\u0119 jos kelyje. Tam, kad eisena tur\u0117t\u0173 poveik\u012f, reikalinga bent viena s\u0105lyga: nuo\u0161ird\u017eiai \u012fsijaut\u0119 \u017ei\u016brovai, leid\u017eiantys plakatuose nurodytoms pozicijoms ir\/ar eisenos formai pa\u017eadinti savo pa\u010di\u0173 vaizduot\u0119, arba \u2013 kaip gatv\u0117s teatre \u2013 aktyvi aplinkini\u0173 reakcija \u012f eisen\u0105 (deja, penktadienio vakar\u0105 Kaunas buvo ne\u012ftik\u0117tinai tu\u0161\u010dias). Frustracija ie\u0161kant atsakymo, matyt, l\u0117m\u0117 d\u017eiaugsm\u0105 pris\u0117dus sal\u0117je, kur vis\u0105 atsakomyb\u0119 u\u017e menin\u012f veiksm\u0105 prisi\u0117m\u0117 k\u016br\u0117ja. Papra\u0161iusi \u017ei\u016brov\u0173 pakelti rankas \u012f vir\u0161\u0173, ji pati prad\u0117jo pama\u017eu jud\u0117ti, tapdama pozicijas i\u0161rei\u0161kian\u010di\u0173 \u017eenkl\u0173 rinkiniu. I\u0161 prad\u017ei\u0173 jos rankose keit\u0117si tarptautin\u0117s simbolikos \u017eenklai. Paskui \u012fsijung\u0117 visas k\u016bnas, kartoj\u0119s protestuotoj\u0173 judesius (tai, k\u0105, kaip atlik\u0117ja \u012fsivaizduoja, patiria smurtu pasibaigusi\u0173 protest\u0173 dalyviai), o galb\u016bt band\u0119s i\u0161reik\u0161ti savijaut\u0105, kuri\u0105 meninink\u0117 pati patyr\u0117 protestuose. \u0160i rai\u0161ka pagrind\u0117 pirmosios dalies poreik\u012f: \u201eHands Up\u201c pozicionuoja men\u0105 kaip politin\u012f, socialin\u012f rei\u0161kin\u012f, gimstant\u012f i\u0161 to, su kuo menininkai ir visi kiti susiduria kasdienyb\u0117je. O j\u0173 kasdienyb\u0117 tarpsta ten pat, kur ir vis\u0173 kit\u0173, net ir spektakli\u0173 ne\u017ei\u016brin\u010di\u0173j\u0173: gatv\u0117se, namuose, \u012fstaigose, informacijos sklaidos priemon\u0117se.<\/p>\n

\"\"<\/a><\/p>\n

Ry\u0161kiausiai \u201eHands Up\u201c i\u0161kilo atsakomyb\u0117s u\u017e savo veiksmus tema \u2013 j\u0105 integruoja abi vyksmo dalys. Pirmosios prad\u017eioje nuskamba pasi\u016blymai, kaip dalyvauti eisenoje, ta\u010diau teis\u0117 rinktis paliekama kiekvienam asmeni\u0161kai. Pa\u0117m\u0119 patikusius plakatus, netrunkame pamatyti, kad kitoje j\u0173 pus\u0117je u\u017era\u0161yta prie\u0161inga pozicija tai, kuri\u0105 ketinome i\u0161kelti. Taip suprantame, kad vie\u0161ai deklaruodami savo pozicij\u0105, automati\u0161kai suteikiame platform\u0105 ir prie\u0161ingos pozicijos vie\u0161inimui. Keldami klausimus, dirginame kitaip m\u0105stan\u010dius, skatiname diskusijas, \u012f kurias jungiasi ne tik pritariantys, bet ir stipriai prie\u0161taraujantys, taip pat \u2013 ry\u0161kesn\u0117s\u00a0 pozicijos neturintys \u017emon\u0117s.<\/p>\n

Antroje dalyje tema t\u0119siasi, matant filmuot\u0105 eisenos, kurioje k\u0105 tik dalyvavome, med\u017eiag\u0105. Toje pa\u010dioje scenoje A. Lisi\u010dkinait\u0117s \u0161okis transformuojasi iliustruodamas pozicijas, netapatinamas su jokiais \u012fvykiais (rodomas vidurinis pir\u0161tas, taikos \u017eenklas ir pan., tik neai\u0161kus j\u0173 adresatas), o kiek v\u0117liau, k\u016br\u0117jai rusi\u0161kai papra\u0161ius pakelti rankas \u012f vir\u0161\u0173, sugr\u012f\u017eta \u201eHands Up\u201c prigimtis \u2013 Baltarusijos tema. Tokio konteksto fone matant savo veid\u0105 ir savo veiksmus, paai\u0161k\u0117ja, kaip lengva manipuliuoti vie\u0161ai i\u0161reik\u0161ta pozicija. Nors plakatuose atsispind\u0117jo konkre\u010dios pozicijos, eisenoje surinkta informacija gali b\u016bti pateikiama grind\u017eiant bet kokius veiksmus, bet kokias nuomones. Kitaip sakant, b\u016bdami atviri, nes\u0105moningai atsiveriame ir manipuliacijoms.<\/p>\n

\"\"<\/a><\/p>\n

Paradoksalu, kad viena i\u0161ei\u010di\u0173 (ties\u0105 sakant, b\u016btent \u0161i\u0105 pasirinkau pati) yra ne\u0161ti tu\u0161\u010di\u0105 plakat\u0105 \u2013 balt\u0105 popieriaus lap\u0105, tarsi rei\u0161kiant\u012f, kad palaikau visk\u0105 ir nepalaikau nieko. Turiu pozicij\u0105, bet bandau praslysti niekam neu\u017ekliuvus, nesudarydama s\u0105lyg\u0173 reik\u0161tis tam, kas man nepatinka, leisdama aplinkiniams interpretuoti ir b\u016bti neteisiems. Protesto ir poky\u010di\u0173 prasme tai skamba apgail\u0117tinai, ta\u010diau tai yra pozicija, kurios laikosi daugyb\u0117 \u017emoni\u0173. Esame link\u0119 rodyti, kad turime principus, bet at\u0117jus laikui tvirtai juos atstov\u0117ti, atrandame pakankamai prie\u017eas\u010di\u0173, kod\u0117l netur\u0117tume ki\u0161tis ir prisid\u0117ti, kai sprend\u017eiamos pa\u010di\u0173 i\u0161keltos problemos. M\u016bs\u0173 principai mums patinka tol, kol ka\u017ekas mums neparodo, jog galb\u016bt be nepatenkinto ego nieko daugiau u\u017e j\u0173 ir n\u0117ra.<\/p>\n

\"\"<\/a><\/p>\n

Ta\u010diau \u201eHands up\u201c n\u0117ra protesto kult\u016bros kaip neigiamo rei\u0161kinio kritika. \u0160okio vyksmas tiria protesto i\u0161rai\u0161k\u0105, poveik\u012f, prie\u017eastis, \u012fvaizd\u012f. Tai nepaprastai \u017eenkli\u0161kas k\u016brinys, apie \u017eenklus kalbantis bent i\u0161 dviej\u0173 perspektyv\u0173: kaip apie b\u016bd\u0105 save i\u0161reik\u0161ti ir kaip apie vien\u0105 prie\u017eas\u010di\u0173, atvedan\u010di\u0173 prie konflikt\u0173 ir protest\u0173. Skirtingos \u017eenkl\u0173 sampratos leid\u017eia susikalb\u0117ti t\u0173 pa\u010di\u0173 kult\u016br\u0173 atstovams ir suprie\u0161ina priklausan\u010dius skirtingoms \u2013 bent jau tuos, kurie atsisako suprasti, kad kiti pasaul\u012f interpretuoja skirtingais metodais. O tai paai\u0161kina vien\u0105 pamatini\u0173 \u017emonijos d\u0117sni\u0173:\u00a0 darydami tai, kas mums atrodo teisinga, ka\u017ekam visada b\u016bsime neteis\u016bs.<\/p>\n

— —<\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160okio eskiz\u0105 \u201eHands Up\u201c \u0161ok\u0117ja ir choreograf\u0117 Agniet\u0117 Lisi\u010dkinait\u0117 parod\u0117 \u201eNaujojo Baltijos \u0161okio\u201c lietuvi\u0161koje programoje prie\u0161 daugiau nei metus. Tuomet …<\/p>\n","protected":false},"author":2,"featured_media":11798,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nProtestas su tu\u0161\u010diu lapu - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2021\/10\/21\/protestas-su-tusciu-lapu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Protestas su tu\u0161\u010diu lapu - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u0160okio eskiz\u0105 \u201eHands Up\u201c \u0161ok\u0117ja ir choreograf\u0117 Agniet\u0117 Lisi\u010dkinait\u0117 parod\u0117 \u201eNaujojo Baltijos \u0161okio\u201c lietuvi\u0161koje programoje prie\u0161 daugiau nei metus. 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