{"id":11858,"date":"2021-11-04T19:59:30","date_gmt":"2021-11-04T17:59:30","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=11858"},"modified":"2021-12-10T15:17:26","modified_gmt":"2021-12-10T13:17:26","slug":"ugne-dievaite-pusiausvyros-ritmo-paieskos","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2021\/11\/04\/ugne-dievaite-pusiausvyros-ritmo-paieskos\/","title":{"rendered":"Ugn\u0117 Dievait\u0117. Pusiausvyros ritmo paie\u0161kos"},"content":{"rendered":"

Ugn\u0117 Dievait\u0117 \u2013 profesionali \u0161ok\u0117ja ir choreograf\u0117, jau daugiau nei de\u0161imtmet\u012f gyvenanti Ispanijoje, ta\u010diau aktyviai kurianti ir Lietuvoje. Su menininke kalbam\u0117s jai ypatingu laiku: Ugn\u0117s \u0161eimoje pagaus\u0117jimas \u2013 tik prie\u0161 por\u0105 dien\u0173 sulaukta antrojo s\u016bnaus. Br\u0119stant naujai gyvybei, \u012f pasaul\u012f paleisti buvo ruo\u0161iamas ir paskutinius trejus metus tarp Lietuvos ir Ispanijos kurtas \u0161okio filmas \u201e500 moons\u201c, kuriame per judes\u012f ir simbolius ie\u0161koma kelio \u012f tikr\u0105j\u012f \u201ea\u0161\u201c. Pokalbis su projekto autore apie k\u016brybinio proceso i\u0161\u0161\u016bkius, palyd\u0117tus m\u0117nulio cikl\u0173 ir moteri\u0161kumo manifestacij\u0173.<\/strong><\/p>\n

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\u012e \u0161okio scen\u0105 sugr\u012f\u017eti ne \u012fprastu \u0161ok\u0117jos, ar choreograf\u0117s amplua, bet \u0161okio filmo autor\u0117s. Pandemijos rezultatas, ar nauja k\u016brybin\u0117 kryptis? <\/strong><\/p>\n

\u0160io projekto kelias itin \u012fdomus tuo, kad jis vyst\u0117si ir keit\u0117si kartu su dideliais poky\u010diais m\u016bs\u0173 gyvenimuose. Pra\u0117jus daugma\u017e m\u0117nesiui po projekto starto a\u0161 su\u017einojau, kad laukiuosi. Buvo laikas, kai akivaizd\u017eiai \u0161okome trise. Ruden\u012f gim\u0117 mano s\u016bnus, o \u0161okio partner\u0117 Natalia Garc\u00eda Graus persikraust\u0117 i\u0161 Madrido gyventi \u012f Briusel\u012f. Pamat\u0117me, kad d\u0117l skirting\u0173 gyvenimo ritm\u0173 ir poreiki\u0173 nei\u0161eis dirbti toliau. Ie\u0161kojau kitos \u0161ok\u0117jos, radau Manon Siv Duquesnay. B\u016btent tada, kai tur\u0117jome prad\u0117ti repetuoti, at\u0117jo pandemija, viskas u\u017estrigo, Manon i\u0161sikraust\u0117 i\u0161 Madrido. Kai po pirmojo karantino ribojimai atlaisv\u0117jo, kalb\u0117jom\u0117s su Natalia apie jos galimyb\u0119 gr\u012f\u017eti prie projekto. Praeit\u0105 ruden\u012f v\u0117l repetavome kartu, ta\u010diau \u017eiem\u0105 d\u0117l v\u0117l \u012fsi\u0161\u0117lusios pandemijos negal\u0117jome t\u0119sti repeticij\u0173. Galiausiai nusprend\u0117me, kad baland\u017eio m\u0117nes\u012f tur\u0117jusios \u012fvykti premjeros teks atsisakyti.<\/p>\n

Jaut\u0117m\u0117s pavarg\u0119 nuo tiek bandym\u0173 ir pastang\u0173 \u012fgyvendinti projekt\u0105 spektaklio forma. Prad\u0117jome kalb\u0117tis apie formato keitim\u0105, ir projektas, kuris vis\u0105 laik\u0105 buvo kuriamas kaip \u0161okio spektaklis, virto \u0161okio filmu. Ties\u0105 sakant, esu d\u0117kinga \u0161iam pos\u016bkiui, nes nesu niekada susid\u016brusi su filmo k\u016brimu ir tai virto didele motyvacija ir akstinu patyrin\u0117ti ir i\u0161bandyti \u0161i\u0105 man nauj\u0105 srit\u012f, kas buvo i\u0161ties \u012fdomi ir turtinga patirtis. Kai gal\u0117jome gr\u012f\u017eti prie repeticij\u0173, adaptavome jau turim\u0105 spektaklio med\u017eiag\u0105 trumpametra\u017eiam \u0161okio filmui.<\/p>\n

\u201e500 moons\u201c \u2013 i\u0161 kur tokia filmo pavadinimo matematika? <\/strong><\/p>\n

Pavadinimo id\u0117ja kilo remiantis tuo, kad moters ciklas anks\u010diau buvo lyginimas su vienu m\u0117nulio ciklu, kuris trunka dvide\u0161imt a\u0161tuonias dienas. Mes apskai\u010diavome, kiek per gyvenim\u0105 moteris i\u0161gyvena toki\u0173 cikl\u0173 ir apytiksliai gavome skai\u010di\u0173 500. Beje, kai moteris laukiasi, \u012fprastai laukimas skai\u010duojamas m\u0117nesiais, bet gydytojai nustato gimdymo dat\u0105 pagal de\u0161imt m\u0117nulio cikl\u0173.<\/p>\n

Tai filmas, kuris judesio kalba atskleid\u017eia patirtis moters k\u016bne. Jis \u0161oka biologiniu ritmu: savijauta, emocijos ir mintys nuolat kei\u010diasi. Tai tarsi mirtis ir atgimimas, nuolat besikartojanti b\u016bsenos kaita, kuri man, kaip moteriai k\u016br\u0117jai, leid\u017eia prabilti apie tai autenti\u0161kai ir \u012ftikinamai.<\/p>\n

\"\"<\/a><\/p>\n

Filmo heroj\u0117s Ugn\u0117 ir Natalia labai skirtingos: tamsi ir \u0161viesi, vyresn\u0117 ir jaunesn\u0117… Ar gal\u0117tumei charakterizuoti \u0161iuos persona\u017eus detaliau? <\/strong><\/p>\n

Kai projekto prad\u017eioje prad\u0117jau ie\u0161koti \u0161okio partner\u0117s mintyse nusipie\u0161iau, kad mano judesys bus daugiau plasti\u0161kas, mink\u0161tas, tekantis. \u0160okti kartu pakvie\u010diau judesio prasme prie\u0161ing\u0105 \u0161ok\u0117j\u0105, cirko atlik\u0117j\u0105 Natalia, kurios judesys atleti\u0161kas, labiau geometrinis, a\u0161trus. \u0160iuo atveju man buvo svarbu i\u0161orinis efektas: kaip m\u016bs\u0173 k\u016bnai vizualiai atrodo kartu, kaip atspindi m\u016bs\u0173 skirtingus charakterius, temperament\u0105. I\u0161ori\u0161kai\u00a0 skirtingos, bet mus vienija prigimtinis tikslas rasti saugi\u0105 erdv\u0119, kurioje gal\u0117tume ramiai \u0161okti savo gyvenimo \u0161ok\u012f.<\/p>\n

15 minu\u010di\u0173 trukm\u0117s filmo naratyvas susideda i\u0161 keturi\u0173 dali\u0173. Pagal koki\u0105 re\u017eis\u016brin\u0119 logik\u0105 sud\u0117lioti \u0161ie paveikslai? <\/strong><\/p>\n

Visos keturios dalys susijusios su moters ir gamtos i\u0161gyvenamais ciklais – per\u0117jimais i\u0161 vienos b\u016bsenos \u012f kit\u0105. Pirmoji \u2013 \u017eiemos letargas, i\u0161 kurio sunku prisiversti pabusti. Visi \u017einome t\u0105 b\u016bsen\u0105 kai u\u017epl\u016bsta sunkios mintys, o k\u016bnas nenori pakl\u016bsti dienos ritualams. \u0160ioje dalyje svarbus elementas kojos \u2013 jos pinasi, taip tarsi i\u0161duodamos mieguist\u0105, sapni\u0161k\u0105 b\u016bsen\u0105. Antroji\u00a0 dalis \u2013 reikia<\/em> eiti, reikia<\/em> veikti. \u010cia Natalia turi \u012fd\u0117ti pastang\u0173 kovoje su vidiniais demonais. Tre\u010dioji – palaipsnis moteri\u0161kos prigimties i\u0161silaisvinimas i\u0161 var\u017ean\u010di\u0173 fizini\u0173 ir psichologini\u0173 pan\u010di\u0173. Paskutinioji scena kalba apie \u0161iomis dienomis ypa\u010d nagrin\u0117jam\u0105 meil\u0117s sau<\/em> fenomen\u0105, kur\u012f a\u0161 mieliau pavadin\u010diau individualios pusiausvyros paie\u0161komis. Tai savo ribas pa\u017einusi\u0173 moter\u0173 \u012fsigalinimas, \u017einan\u010di\u0173, kada reikia sustoti, pasir\u016bpinti savimi, apsiginti. Juk meil\u0117 sau \u2013 tai ir jautrumo bei ribotumo pri\u0117mimas.<\/p>\n

Sugr\u012f\u017ekime \u012f tre\u010di\u0105j\u0105 scen\u0105. Kinematografi\u0161kai jautrus ir kartu gaivali\u0161kas paveikslas stebint\u00a0 \u017eolynais apkai\u0161yt\u0105 Tave, judan\u010di\u0105 lietuvi\u0161koje pievoje. S\u0117ja, branda, gyvyb\u0117\u2026<\/strong><\/p>\n

\u0160i scena atsirado ie\u0161kant kaip jud\u0117t\u0173 k\u016bnas, var\u017eomas i\u0161orini\u0173 element\u0173. Nusimesdamas na\u0161t\u0105, jis eigoje pradeda laisv\u0117ti. Tai metafora, kalbanti apie visk\u0105, kas nepatogu, kas neleid\u017eia i\u0161siskleisti moters laukinei prigim\u010diai patriarchalinio paveldo fone. Turime pripa\u017einti, kad nors pasiek\u0117me daug laisv\u0117s, bet kai kuriose srityse moters at\u017evilgiu dar vis taikoma daug seksizmo etike\u010di\u0173, \u017eenklinan\u010di\u0173 m\u016bs\u0173 k\u016bnus, elgesio ir aprangos kodus.\u00a0 Kalbu apie dalykus, su kuriais susiduriame kasdien, skatindama mok\u0117ti juos atpa\u017einti, reflektuoti ir stengtis d\u0117l savo vidini\u0173 tro\u0161kim\u0173 realizavimo.<\/p>\n

\"\"<\/a><\/p>\n

Psicholog\u0117, \u0161ok\u0117ja ir mama \u2013 kaip \u0161ie vaidmenys \u012ftakojo Tavo pusiausvyros paie\u0161kas? <\/strong><\/p>\n

Labiausiai kei\u010dia tapimas motina. I\u0161 \u0161ok\u0117jos perspektyvos galiu pasakyti, kad k\u016bnas juda visi\u0161kai kitaip, kitu ritmu, kitu tempu. Taip pat n\u0117\u0161tumas formuoja kitok\u012f po\u017ei\u016br\u012f \u012f moter\u012f \u2013 tavo kaip moters identitetas pama\u017eu blanksta, po truput\u012f asmenin\u012f gyvenim\u0105 u\u017epildo vaikas. Profesiniame kelyje da\u017eniausiai tave u\u017emir\u0161ta\u00a0 ir tai t\u0119siasi gana ilgai, tol, kol v\u0117l gali netrukdomai imtis veikl\u0173. Visgi manau svarbiausia, kad \u0161iuolaikin\u0117s moterys turi galimyb\u0119 pasirinkti, ko nori jos, susid\u0117lioti savo prioritetus be g\u0117dos ir kalt\u0117s jausmo \u2013 ar tai b\u016bt\u0173 \u0161eima, ar karjera, ar kt. Taip ir su\u00a0 \u201e500 moons\u201c, nors j\u012f \u012fgyvendinti buvo \u012fvairiausi\u0173 trukd\u017ei\u0173 ir nepatogum\u0173, o spektaklis pakeit\u0117 pavidal\u0105 \u012f film\u0105, ta\u010diau atkakliai pasirinkau t\u0119sti, ir jis man pad\u0117jo i\u0161laikyti savo kaip k\u016br\u0117jos identitet\u0105, i\u0161likti\u00a0 savimi. \u0160okti n\u0117\u0161\u010diai, b\u016bnant kitoje k\u016bno realyb\u0117je, yra ypatinga ir stipri patirtis. Man faktas, kad abu mano s\u016bn\u016bs \u0161oko kartu su manimi \u0161iame projekte, atrodo truput\u012f magi\u0161kas, ir tai jam suteikia visi\u0161kai nauj\u0173 atspalvi\u0173.<\/p>\n

\"\"<\/a><\/p>\n

\u0160okio filmo 500 MOONS online<\/em> premjera – lapkri\u010dio 5, 6 ir 7 dienomis nuo 20 iki 23 val, spaud\u017eiant \u0161i\u0105 nuorod\u0105: <\/strong>https:\/\/youtu.be\/xDjkipRznlQ<\/strong><\/a><\/p>\n

arba einant \u012f YouTube—>Ugne Dievaite—>500 MOONS<\/strong><\/p>\n

Daugiau informacijos: <\/strong>https:\/\/m.facebook.com\/events\/278487914193403<\/strong><\/a><\/p>\n

Projekt\u0105 i\u0161 dalies finansuoja Lietuvos kult\u016bros taryba<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Ugn\u0117 Dievait\u0117 \u2013 profesionali \u0161ok\u0117ja ir choreograf\u0117, jau daugiau nei de\u0161imtmet\u012f gyvenanti Ispanijoje, ta\u010diau aktyviai kurianti ir Lietuvoje. Su menininke …<\/p>\n","protected":false},"author":2,"featured_media":11862,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nUgn\u0117 Dievait\u0117. Pusiausvyros ritmo paie\u0161kos - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2021\/11\/04\/ugne-dievaite-pusiausvyros-ritmo-paieskos\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ugn\u0117 Dievait\u0117. 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