{"id":12270,"date":"2022-01-21T15:08:08","date_gmt":"2022-01-21T13:08:08","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=12270"},"modified":"2022-01-21T15:08:55","modified_gmt":"2022-01-21T13:08:55","slug":"skesti-kompromisuose","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/","title":{"rendered":"Sk\u0119sti kompromisuose"},"content":{"rendered":"

Pereinamieji laikotarpiai turb\u016bt yra sunkiausia, kas gali i\u0161tikti. Ilgesn\u012f laik\u0105 apsistoj\u0119 viename ta\u0161ke (b\u016btume kalno vir\u0161\u016bn\u0117je, gilioje duob\u0117je ar bet kur tarp j\u0173) jau\u010diam\u0117s saugiai, nes b\u016bti pa\u017e\u012fstamoje, patikrintoje vietoje yra stabilu. Poky\u010diai yra jud\u0117jimas, vadinasi \u2013 ka\u017ekas nestabilaus; jau nekalbant, kad jud\u0117jimo rezultato paprastai ne\u012fmanoma numanyti.<\/p>\n

Tokioje situacijoje atsid\u016br\u0117 valstybinis dain\u0173 ir \u0161oki\u0173 ansamblis \u201eLietuva\u201c, met\u0173 pabaigoje parod\u0119s premjer\u0105 \u201eSi\u016bbuojanti \u017eem\u0117\u201c. Pirm\u0105 kart\u0105 spektakl\u012f ansamblyje stat\u0117 \u0161iuolaikinio \u0161okio choreograf\u0117s ir choreografai: re\u017eisavo Agnija \u0160eiko ir Lina Puod\u017eiukait\u0117-Lanauskien\u0117, choreografij\u0105 k\u016br\u0117 Sigita Jura\u0161kait\u0117-Bau\u017eien\u0117, Raimonda Gudavi\u010di\u016bt\u0117, Niels Claes ir Mantas \u010cerneckas. Darbo su \u0161iuo k\u016briniu procesas gal\u0117jo i\u0161 komforto zonos i\u0161judinti ir pastatymo komand\u0105, ir \u012fvairi\u0173 pom\u0117gi\u0173 \u017ei\u016brovus. Komand\u0105, nes skirting\u0173 kryp\u010di\u0173 ir patir\u010di\u0173 meninink\u0173 bendradarbiavimas reikalauja nuolatini\u0173 kompromis\u0173 su asmenine scenos meno samprata. \u017di\u016brovus, nes \u201eSi\u016bbuojanti \u017eem\u0117\u201c grei\u010diausiai nepatenkins nei tautinio meno m\u0117g\u0117j\u0173, nei \u0161iuolaikinio \u0161okio myl\u0117toj\u0173.<\/p>\n

\"\"<\/a>
\nNuotrauk\u0173 autorius M. Vit\u0117nas<\/em><\/p>\n

\u201eSi\u016bbuojanti \u017eem\u0117\u201c yra pirmas \u201eLietuvos\u201c spektaklis, kur\u012f ma\u010diau gyvai (kadaise per televizij\u0105 teko \u017ei\u016br\u0117ti An\u017eelikos Cholinos statyt\u0105 spektakl\u012f \u201eZmones:)\u201c), ta\u010diau tautiniai \u0161okiai man n\u0117ra nepa\u017e\u012fstama erdv\u0117 \u2013 juos \u0161okau dvylika met\u0173 besimokydama mokykloje. Tai buvo m\u0117g\u0117j\u0173 kolektyvas, tad stipriai nustebau spektaklyje pama\u010diusi, jog didel\u0117 dalis judesi\u0173 ir choreografini\u0173 sprendim\u0173 profesionaliame k\u016brinyje prakti\u0161kai nesiskiria nuo to, k\u0105 teko mokytis ar steb\u0117ti Dain\u0173 \u0161ven\u010di\u0173 Ansambli\u0173 vakaruose (kur \u201eLietuvos\u201c \u0161ok\u0117jai visuomet atlikdavo solo partijas, supami moksleivi\u0173 ir student\u0173 kolektyv\u0173). \u017dinoma, lengv\u0105 profesionali\u0173 \u0161ok\u0117j\u0173 atlikim\u0105, skland\u017eius sukinius, tiesias linijas ir nedingstan\u010dias \u0161ypsenas n\u0117ra kaip palyginti su moksleiviais, kuri\u0173 daliai b\u016breliai buvo prievol\u0117. Ta\u010diau choreografiniai \u201eSi\u016bbuojan\u010dios \u017eem\u0117s\u201c sprendimai nepaprastai pana\u0161\u016bs \u012f tai, su kuo pa\u010diai teko susidurti prie\u0161 daugiau nei de\u0161imtmet\u012f.<\/p>\n

Tikriausiai t\u0105 galima pagr\u012fsti spektaklio tematika. I\u0161 principo spektaklis sud\u0117liotas i\u0161 vizualiai efekting\u0173 masini\u0173 scen\u0173 (v\u0117l prisimenu Dain\u0173 \u0161vent\u0119), \u012f kurias \u012fsiterpia duetai (daugiausiai vyr\u0173 ir moter\u0173 meil\u0117s scenos). Program\u0117l\u0117je esan\u010diame apra\u0161e skaitome apie lyri\u0161kos tautin\u0117s kult\u016bros ir ne visuomet esteti\u0161kai patrauklaus \u0161iuolaikinio meno kry\u017ekel\u0119, o viena \u201eSi\u016bbuojan\u010dios \u017eem\u0117s\u201c linij\u0173 paremta \u201eLietuvos\u201c \u012fk\u016br\u0117jo Jono \u0160vedo istorija bei dienora\u0161\u010diais. Vadinasi, \u0161abloni\u0161ki judesiai ir scenos gali b\u016bti reikalingos, iliustruojant lietuvi\u0173 tautin\u0117s kult\u016bros pagrindus, ansamblio prad\u017eios laikotarpio \u0161okius. Drauge sunku patik\u0117ti, kad daugyb\u0117s met\u0173 istorij\u0105 turin\u010dio profesionalaus valstybinio kolektyvo nariams \u012fdomu rodyti \u0161ablonus spektaklyje, kurio turinys, regis, nesiremia gilesne savirefleksija.<\/p>\n

\"\"<\/a><\/p>\n

Galb\u016bt susidaro \u012fsp\u016bdis, kad i\u0161 principo kritikuoju tautin\u012f men\u0105, ta\u010diau taip n\u0117ra. Bandau u\u017e\u010diuopti, kod\u0117l \u201eSi\u016bbuojan\u010dioje \u017eem\u0117je\u201c \u0161iuolaikin\u0117 ir tautin\u0117 stilistikos veikia kiekviena sau tiek choreografijos (judesius paprasta priskirti kuriam nors stiliui, beveik n\u0117ra tarpini\u0173 variant\u0173), tiek atlikimo at\u017evilgiu. Tautiniai \u0161okiai \u2013 tai istorinis menas, kurio judesiai susiformavo labai seniai. Juose svarbu tikslumas, sinchroni\u0161kas atlikimas, vienas planas, ai\u0161k\u016bs charakteriai, parodomosios emocijos, pakili nuotaika ir jokio konflikto arba jis kuo nuosaikesnis. \u0160iuolaikiniame \u0161okyje technika yra pagrindas, o ne meno esm\u0117, jam b\u016bdinga improvizacija, daugiaplaniai persona\u017eai, filosofinio pagrindo siu\u017eetas, da\u017enai gimstantis analizuojant \u0161ok\u0117j\u0173 santyk\u012f su savo k\u016bnais bei aplinka. \u201eSi\u016bbuojan\u010dioje \u017eem\u0117je\u201c \u0161iuolaikinio \u0161okio elementai atliekami su tokiu santykiu, kokio reikalauja tautin\u0117 stilistika, tod\u0117l rezultatas glumina. Kiekviename t\u0119stiniame judesyje atsiranda akcentai, kuriuos atlik\u0117jai d\u0117lioja ne prasm\u0117s, o judesio intensyvumo at\u017evilgiu. Koks beb\u016bt\u0173 scenos turinys, \u0161ok\u0117jai i\u0161laiko lengvai plevenan\u010dius, jautrius, nekintan\u010dius persona\u017eus; po\u017ei\u016bris \u012f tai, kas atliekama, taip pat nekinta. Tod\u0117l galiausiai matome spektakl\u012f, kuris jau neb\u0117ra tautinis \u0161okis, bet dar n\u0117ra ir \u0161iuolaikinis. Tarpdisciplini\u0161kumas b\u016bt\u0173 nuostabus, jei pa\u010diai atlik\u0117j\u0173 komandai jis b\u016bt\u0173 nat\u016bralus ir suprantamas.<\/p>\n

\"\"<\/a><\/p>\n

Nejauku daryti tokias i\u0161vadas apie spektakl\u012f, kuris yra svarbus \u201eLietuvos\u201c \u017eingsnis atsinaujinimo linkme. Pana\u0161ius projektus svarbu skatinti, nes poky\u010diai prasideda nuo ma\u017e\u0173 \u017eingsni\u0173, o valstybin\u0117se \u012fstaigose viskas paprastai u\u017etrunka ypatingai ilgai. Vis d\u0117lto \u0161iame kelyje prasminga pamatyti, kur galima pasistengti labiau, kur suteikti sau daugiau laisv\u0117s, kur pravartu pl\u0117sti kiekvieno atlik\u0117jo asmenines ribas ir geb\u0117jim\u0105 priimti pasaulio \u012fvairov\u0119. Turiu omenyje jokiu b\u016bdu ne vien \u0161ok\u0117jus, bet ir nedaug scenin\u0117s informacijos k\u016bnuose sukaupusius \u201eLietuvos\u201c choro ir orkestro narius.<\/p>\n

\u0160iandien \u201eSi\u016bbuojanti \u017eem\u0117\u201c yra pavyzdys, kaip \u0161iuolaikinio \u0161okio stiliai bando brautis \u012f \u201eLietuv\u0105\u201c, \u012fgyti reik\u0161m\u0119, praturtinti ansamblio k\u016bryb\u0105 formomis ir prasm\u0117mis, ta\u010diau galingi \u012fpro\u010diai ir tradicijos j\u0173 neprisileid\u017eia, nes… nauja stilistika \u012fmeta \u012f proces\u0105, kuris n\u0117ra stabilus, vadinasi \u2013 nesaugus. B\u016btent tok\u012f \u012fsp\u016bd\u012f k\u0117l\u0117 spektaklis: \u017evelgiame \u012f pasaul\u012f, ta\u010diau i\u0161 jo priimame tik tai, kas nekelia dideli\u0173 nepatogum\u0173. \u017dmogi\u0161ka prasme tai suprantama ir verta pagyrimo bei paskatinimo dirbti toliau. Ta\u010diau dabartinis k\u016brybinis rezultatas \u2013 veikiau nesusipratimas.<\/p>\n

—
\nProjekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Pereinamieji laikotarpiai turb\u016bt yra sunkiausia, kas gali i\u0161tikti. Ilgesn\u012f laik\u0105 apsistoj\u0119 viename ta\u0161ke (b\u016btume kalno vir\u0161\u016bn\u0117je, gilioje duob\u0117je ar bet …<\/p>\n","protected":false},"author":2,"featured_media":12274,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nSk\u0119sti kompromisuose - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sk\u0119sti kompromisuose - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Pereinamieji laikotarpiai turb\u016bt yra sunkiausia, kas gali i\u0161tikti. Ilgesn\u012f laik\u0105 apsistoj\u0119 viename ta\u0161ke (b\u016btume kalno vir\u0161\u016bn\u0117je, gilioje duob\u0117je ar bet ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2022-01-21T13:08:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-01-21T13:08:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/01\/270366843_10159964338341383_1303515672250258627_n.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1387\" \/>\n\t<meta property=\"og:image:height\" content=\"1364\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/01\/270366843_10159964338341383_1303515672250258627_n.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/01\/270366843_10159964338341383_1303515672250258627_n.jpg\",\"width\":1387,\"height\":1364},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/\",\"name\":\"Sk\\u0119sti kompromisuose - Lithuanian Dance Centre\",\"isPartOf\":{\"@id\":\"https:\/\/dance.lt\/new\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/#primaryimage\"},\"datePublished\":\"2022-01-21T13:08:08+00:00\",\"dateModified\":\"2022-01-21T13:08:55+00:00\",\"author\":{\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\"},\"breadcrumb\":{\"@id\":\"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/#breadcrumb\"},\"inLanguage\":\"lt-LT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dance.lt\/new\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sk\\u0119sti kompromisuose\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\",\"name\":\"dance\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/#personlogo\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"caption\":\"dance\"},\"url\":\"https:\/\/dance.lt\/new\/author\/dance\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sk\u0119sti kompromisuose - Lithuanian Dance Centre","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/","og_locale":"lt_LT","og_type":"article","og_title":"Sk\u0119sti kompromisuose - Lithuanian Dance Centre","og_description":"Pereinamieji laikotarpiai turb\u016bt yra sunkiausia, kas gali i\u0161tikti. Ilgesn\u012f laik\u0105 apsistoj\u0119 viename ta\u0161ke (b\u016btume kalno vir\u0161\u016bn\u0117je, gilioje duob\u0117je ar bet ...","og_url":"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/","og_site_name":"Lithuanian Dance Centre","article_published_time":"2022-01-21T13:08:08+00:00","article_modified_time":"2022-01-21T13:08:55+00:00","og_image":[{"width":1387,"height":1364,"url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/01\/270366843_10159964338341383_1303515672250258627_n.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"dance","Est. reading time":"5 minut\u0117s"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/dance.lt\/new\/#website","url":"https:\/\/dance.lt\/new\/","name":"Lithuanian Dance Centre","description":"LDC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dance.lt\/new\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"lt-LT"},{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/#primaryimage","inLanguage":"lt-LT","url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/01\/270366843_10159964338341383_1303515672250258627_n.jpg","contentUrl":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/01\/270366843_10159964338341383_1303515672250258627_n.jpg","width":1387,"height":1364},{"@type":"WebPage","@id":"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/#webpage","url":"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/","name":"Sk\u0119sti kompromisuose - Lithuanian Dance Centre","isPartOf":{"@id":"https:\/\/dance.lt\/new\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/#primaryimage"},"datePublished":"2022-01-21T13:08:08+00:00","dateModified":"2022-01-21T13:08:55+00:00","author":{"@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252"},"breadcrumb":{"@id":"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/#breadcrumb"},"inLanguage":"lt-LT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dance.lt\/new\/2022\/01\/21\/skesti-kompromisuose\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dance.lt\/new\/en\/"},{"@type":"ListItem","position":2,"name":"Sk\u0119sti kompromisuose"}]},{"@type":"Person","@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252","name":"dance","image":{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/#personlogo","inLanguage":"lt-LT","url":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","caption":"dance"},"url":"https:\/\/dance.lt\/new\/author\/dance\/"}]}},"_links":{"self":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/12270"}],"collection":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/comments?post=12270"}],"version-history":[{"count":2,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/12270\/revisions"}],"predecessor-version":[{"id":12276,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/12270\/revisions\/12276"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media\/12274"}],"wp:attachment":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media?parent=12270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/categories?post=12270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/tags?post=12270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}