{"id":12305,"date":"2022-02-03T18:30:05","date_gmt":"2022-02-03T16:30:05","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=12305"},"modified":"2022-02-03T18:31:00","modified_gmt":"2022-02-03T16:31:00","slug":"filmas-kaip-laukimas-500-moons","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/","title":{"rendered":"Filmas kaip laukimas: \u201e500 MOONS\u201c"},"content":{"rendered":"

Ugn\u0117s Dievait\u0117s \u201e500 MOONS\u201c \u2013 i\u0161skirtin\u0117s estetin\u0117s \u0161varos jausm\u0105 keliantis \u0161okio filmas. Tai ne sterilus, bet grynas darbas, suteikiantis galimyb\u0119 labai artimai, net intymiai susiliesti su filmo pasauliu. Stambus planas, \u012f garso takel\u012f inkrustuotas kv\u0117pavimas, atviras moteri\u0161kumo temos i\u0161skleidimas pritraukia k\u016brin\u012f taip arti, kad jauti jo puls\u0105 ir \u017emogi\u0161kus virpesius. \u017dinodami choreograf\u0117s, \u0161ok\u0117jos po\u017ei\u016br\u012f \u012f \u0161iandienos vakariet\u0117s moters b\u016bt\u012f ir jos kritik\u0105 XXI am\u017eiaus sociumui, moter\u012f vis dar pakuojan\u010diam \u012f patogi\u0105 pakuot\u0119, filme galime \u012f\u017evelgti prie\u0161inim\u0105si dirbtinai sukurtoms normoms, atsidavim\u0105 laukiniam jausmui, m\u0117nulio ciklams. Kitaip tariant, gr\u012f\u017eim\u0105 \u012f save.<\/p>\n

\"\"<\/a><\/p>\n

Filmo dramaturgija\u00a0 paprasta: regime dviej\u0173 moter\u0173 (\u0161ok\u0117jos Ugn\u0117 Dievait\u0117 ir Natalia Garcia Graus) kelion\u0119 per skirtingus etapus, i\u0161 mi\u0161ko tankm\u0117s \u012f lauk\u0173 laisv\u0119. I\u0161 suvar\u017eyt\u0173, susipynusi\u0173 koj\u0173 \u012f atvir\u0105 erdv\u0119, kurioje niekas nekliudo \u017eengti \u017eingsnio ir neu\u017estoja horizonto. Archetipin\u0117 ir nusp\u0117jama jud\u0117jimo trajektorija (i\u0161 ni\u016brumos \u2013 \u0161viesos link), kaip, beje, ir jau gerokai pabod\u0119s mi\u0161ko kaip vidinio pasiklydimo analogijos motyvas, u\u017e akies kli\u016bna tik tol, kol analizuoji k\u016brin\u012f protu. Vis d\u0117lto ilgainiui atsitrauki nuo loginio m\u0105stymo, ir neju\u010dia ima smelktis poj\u016btis, kad vis art\u0117ji prie meno k\u016brinio realyb\u0117s, imi reg\u0117ti \u0161viesos atspind\u017eius odoje, gali beveik paliesti audini\u0173 fakt\u016br\u0105, kone u\u017e\u010diuopti augal\u0173 tekst\u016br\u0105, pajausti v\u0117j\u0105 \u017eolynuose ir kv\u0117pavimo tankum\u0105. Tai \u2013 vis\u0173 pirma gausiai naudojamo stambaus plano ir intuityvaus, darnaus garso takelio (kinematografas Mikas Zabulionis, kompozitorius Vidal) poveikis. Vis\u0173 antra, man regis, \u017ei\u016brov\u0105 artyn prisitraukia ir Ugn\u0117s pasirinkimas filmuoti film\u0105 ir jame \u0161okti dar nesulaukus k\u016bdikio gimimo, o b\u016btent u\u017efiksuojant esam\u0105 ret\u0105 k\u016bno b\u016bkl\u0119 \u2013 n\u0117\u0161tum\u0105.<\/p>\n

\"\"<\/a><\/p>\n

Teatre ir \u0161okyje n\u0117\u0161tumas paprastai slepiamas. Moteris, b\u016bdama tokioje pad\u0117tyje, atsitraukia nuo veiklos kaip nebetinkama vaidmeniui ar k\u016briniui. Tuo metu ji, es\u0105, turinti u\u017esidaryti namuose ir susitvarkyti, o kai vaikas nebekels problem\u0173, kai gr\u012f\u0161 k\u016bno formos ir i\u0161 kr\u016btin\u0117s, at\u0117jus \u017eindymo laikui, nebekaps\u0117s pieno la\u0161ai, bus galima pareiti ir kurti toliau. Tai \u2013 realyb\u0117, nepaisanti individualios moters savijautos ir unikali\u0173 poreiki\u0173.<\/p>\n

\"\"<\/a><\/p>\n

B\u016btent d\u0117l \u0161ios stigmos Ugn\u0117s Dievait\u0117s k\u016brinys man pirmiausia yra dr\u0105sos \u017eingsnis: \u0161okti su k\u016bdikiu \u012fs\u010diose, \u012fam\u017einti ypating\u0105 moters gyvenimo laik\u0105 kaip legal\u0173, nebeg\u0117dinti ir nebesidangstyti, o atvirai suteikti teis\u0119 n\u0117\u0161\u010diam k\u016bnui i\u0161likti menin\u0117s rai\u0161kos pilnatv\u0117je \u2013 toki\u0105 misij\u0105 atlieka \u201e500 MOONS\u201c. \u0160io laikotarpio sakralizavimui choreograf\u0117 renkasi sukurti besilaukian\u010dio k\u016bno kaip augal\u0173 skulpt\u016bros \u012fvaizd\u012f. Filme pati Ugn\u0117, aps\u010diai ir gausiai apkai\u0161yta ryk\u0161teni\u0173, \u0161ermuk\u0161ni\u0173, hortenzij\u0173, liep\u0173 \u0161akel\u0117mis, lyg pulsuodama \u0161oka vidury pievos, tarytum b\u016bt\u0173 pasiekusi dar ne derliaus, bet aktyviausio lapojimo ir \u017eyd\u0117jimo laik\u0105. Lyg b\u016bt\u0173 kamienas, pilnas gyvyb\u0117s, vis d\u0117lto sunkiai gl\u0117byje, pa\u017eastyse, tarp koj\u0173 laikantis ve\u0161li\u0173 augal\u0173 na\u0161t\u0105.<\/p>\n

\"\"<\/a><\/p>\n

\u0160i gamtin\u0117 ir drauge labai k\u016bni\u0161ka, choreografi\u0161ka skulpt\u016bra \u2013 man auk\u0161\u010diausias filmo ta\u0161kas, gamtos ir meno susijungimo kulminacija. \u0160iame filme apskritai gamta, kitaip nei daugelyje kit\u0173 \u0161okio film\u0173, n\u0117ra tik gra\u017eus atvirukas k\u016bnui \u012fr\u0117minti: \u010dia nat\u016bral\u016bs tyrai yra med\u017eiaga, \u0161altinis buvimui autenti\u0161ku. Nuo gamtos abi \u0161ok\u0117jos atsispiria ir per j\u0105 sav\u0119s klauso, atsi\u017evelgdamos \u012f jos ritmus juda. Ir vis d\u0117lto tai \u2013 ne \u017eem\u0117s<\/em> menas, o k\u016bno<\/em> kaip to, kuris per \u017eem\u0119 juda savaip, meninis koncentratas. Ugn\u0117s tikslas \u2013 susitelkti \u012f nat\u016bral\u0173 k\u016bno jud\u0117jim\u0105 per etapus, ciklus, patirtis, erdves ir pasitraukti i\u0161 nat\u016bralum\u0105 niokojan\u010dio \u0161iuolaikinio miest\u0173 ritmo \u2013 kaip tik \u0161iuose skulpt\u016bri\u0161kuose kadruose virsta tikrove: vietomis k\u016bno per augalus nebesimato, lyg b\u016bt\u0173 nebesvarbu matytis. Kitaip nei miestuose, kur matymasis yra privalomas.<\/p>\n

\"\"<\/a><\/p>\n

Natalia Garcia Graus k\u016brinyje labiau susitelkusi \u012f vidin\u0117s kovos jausm\u0105: jis akivaizdus ne tik jos k\u016bno rai\u0161koje, bet ir \u012ftaigioje veido mimikoje, net plauk\u0173 kritime. Jei Ugn\u0117s kuriamai Jai b\u016bdinga savoti\u0161ka ramyb\u0117 ir dvasinio stuburo tvirtumas, Natalia\u2019os Ji turi daugiau savistabos, tarsi jud\u0117jimas jai pirmiausia b\u016bt\u0173 gili savianaliz\u0117, ir tik tada \u2013 karingumo i\u0161rai\u0161ka. Drauge jos abi \u2013 tarsi akylos viena kitos steb\u0117tojos ir saugotojos, einan\u010dios per skirtingus moters gyvenimo etapus, ta\u010diau susijungian\u010dios per tas pa\u010dias samanas, t\u0105 pa\u010di\u0105 ra\u017eien\u0105, saul\u0117s kritimo kamp\u0105 ir, \u017einoma, kv\u0117pavim\u0105, ciklus, mus-visas-unikalias-ir-tas-pa\u010dias.<\/p>\n

\"\"<\/a><\/p>\n

Visas filmas man pilnas laukimo: kol baigsis mi\u0161kas, kol pasisuks saul\u0117s \u0161viesa, kol augaluose \u012fvytas k\u016bnas i\u0161laisv\u0117s, kol gims tas, kurio buvimas filme matomas tik i\u0161 pasikeitusio pilvo odos reljefo. Ypatinga filmo pabaiga: stambus planas priart\u0117ja iki tokio lygio, kad galime sekti nuo drabu\u017eio atsispindin\u010dios saul\u0117s \u0161viesos mirg\u0117jim\u0105 ant odos, fiksuoti vis kylan\u010di\u0105 rank\u0173 \u012ftamp\u0105 ir gird\u0117ti vis tank\u0117jant\u012f kv\u0117pavim\u0105. Akimirksniu nukrintanti \u012ftampa net ir \u017ei\u016brovui savaime atpalaiduoja k\u016bn\u0105: ir kaip tik \u010dia supranti, kad film\u0105 jau \u017ei\u016br\u0117jai nebe akimis, o plau\u010diais, poj\u016b\u010diais, raumenimis.<\/p>\n

—
\nProjekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Ugn\u0117s Dievait\u0117s \u201e500 MOONS\u201c \u2013 i\u0161skirtin\u0117s estetin\u0117s \u0161varos jausm\u0105 keliantis \u0161okio filmas. Tai ne sterilus, bet grynas darbas, suteikiantis galimyb\u0119 …<\/p>\n","protected":false},"author":2,"featured_media":12014,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nFilmas kaip laukimas: \u201e500 MOONS\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Filmas kaip laukimas: \u201e500 MOONS\u201c - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Ugn\u0117s Dievait\u0117s \u201e500 MOONS\u201c \u2013 i\u0161skirtin\u0117s estetin\u0117s \u0161varos jausm\u0105 keliantis \u0161okio filmas. Tai ne sterilus, bet grynas darbas, suteikiantis galimyb\u0119 ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2022-02-03T16:30:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-02-03T16:31:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/12\/IMG_20211025_170139.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2304\" \/>\n\t<meta property=\"og:image:height\" content=\"955\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/12\/IMG_20211025_170139.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/12\/IMG_20211025_170139.jpg\",\"width\":2304,\"height\":955},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/\",\"name\":\"Filmas kaip laukimas: \\u201e500 MOONS\\u201c - Lithuanian Dance Centre\",\"isPartOf\":{\"@id\":\"https:\/\/dance.lt\/new\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/#primaryimage\"},\"datePublished\":\"2022-02-03T16:30:05+00:00\",\"dateModified\":\"2022-02-03T16:31:00+00:00\",\"author\":{\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\"},\"breadcrumb\":{\"@id\":\"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/#breadcrumb\"},\"inLanguage\":\"lt-LT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dance.lt\/new\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Filmas kaip laukimas: \\u201e500 MOONS\\u201c\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\",\"name\":\"dance\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/#personlogo\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"caption\":\"dance\"},\"url\":\"https:\/\/dance.lt\/new\/author\/dance\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Filmas kaip laukimas: \u201e500 MOONS\u201c - Lithuanian Dance Centre","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/","og_locale":"lt_LT","og_type":"article","og_title":"Filmas kaip laukimas: \u201e500 MOONS\u201c - Lithuanian Dance Centre","og_description":"Ugn\u0117s Dievait\u0117s \u201e500 MOONS\u201c \u2013 i\u0161skirtin\u0117s estetin\u0117s \u0161varos jausm\u0105 keliantis \u0161okio filmas. Tai ne sterilus, bet grynas darbas, suteikiantis galimyb\u0119 ...","og_url":"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/","og_site_name":"Lithuanian Dance Centre","article_published_time":"2022-02-03T16:30:05+00:00","article_modified_time":"2022-02-03T16:31:00+00:00","og_image":[{"width":2304,"height":955,"url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/12\/IMG_20211025_170139.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"dance","Est. reading time":"4 minut\u0117s"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/dance.lt\/new\/#website","url":"https:\/\/dance.lt\/new\/","name":"Lithuanian Dance Centre","description":"LDC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dance.lt\/new\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"lt-LT"},{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/#primaryimage","inLanguage":"lt-LT","url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/12\/IMG_20211025_170139.jpg","contentUrl":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2021\/12\/IMG_20211025_170139.jpg","width":2304,"height":955},{"@type":"WebPage","@id":"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/#webpage","url":"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/","name":"Filmas kaip laukimas: \u201e500 MOONS\u201c - Lithuanian Dance Centre","isPartOf":{"@id":"https:\/\/dance.lt\/new\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/#primaryimage"},"datePublished":"2022-02-03T16:30:05+00:00","dateModified":"2022-02-03T16:31:00+00:00","author":{"@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252"},"breadcrumb":{"@id":"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/#breadcrumb"},"inLanguage":"lt-LT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dance.lt\/new\/2022\/02\/03\/filmas-kaip-laukimas-500-moons\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dance.lt\/new\/en\/"},{"@type":"ListItem","position":2,"name":"Filmas kaip laukimas: \u201e500 MOONS\u201c"}]},{"@type":"Person","@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252","name":"dance","image":{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/#personlogo","inLanguage":"lt-LT","url":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","caption":"dance"},"url":"https:\/\/dance.lt\/new\/author\/dance\/"}]}},"_links":{"self":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/12305"}],"collection":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/comments?post=12305"}],"version-history":[{"count":2,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/12305\/revisions"}],"predecessor-version":[{"id":12307,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/12305\/revisions\/12307"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media\/12014"}],"wp:attachment":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media?parent=12305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/categories?post=12305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/tags?post=12305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}