{"id":12405,"date":"2022-03-29T12:37:00","date_gmt":"2022-03-29T09:37:00","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=12405"},"modified":"2022-03-30T13:14:15","modified_gmt":"2022-03-30T10:14:15","slug":"nesibaigiantis-tyrimas-pagal-liza-baliasnaja-ir-grete-smitaite-bitesdance22","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/03\/29\/nesibaigiantis-tyrimas-pagal-liza-baliasnaja-ir-grete-smitaite-bitesdance22\/","title":{"rendered":"Nesibaigiantis tyrimas pagal Liz\u0105 Baliasnaj\u0105 ir Gr\u0117t\u0119 \u0160mitait\u0119: \u0160okio tyrin\u0117jimo platforma \u201ebit\u0117s\u201c"},"content":{"rendered":"

\u0160iais metais format\u0105 ir krypt\u012f atnaujinusi \u0161okio tyrin\u0117jimo platforma \u201ebit\u0117s\u201c menininkus pakviet\u0117 kalb\u0117tis nesibaigian\u010dio tyrimo tema. Platformos kurator\u0117s, \u0161okio meninink\u0117s Liza Baliasnaja ir Gr\u0117t\u0117 \u0160mitait\u0117 sako, kad nesibaigiantis tyrimas atsiperka, o perm\u0105styti \u0161i\u0105 tem\u0105 nepakenkt\u0173 kiekvienam menininkui. Apie tyrim\u0105, \u201ebit\u0117sdance\u201822\u201c bei platformoje dalyvaujan\u010dius menininkus, kalb\u0117jom\u0117s su kurator\u0117mis.<\/strong><\/p>\n

Apie nauj\u0105 sumanym\u0105 ir pasikalb\u0117kime: tyrin\u0117jimo platformoje tyrin\u0117jate pat\u012f tyrim\u0105. Ar tai yra savoti\u0161kas gr\u012f\u017eimas prie \u0161akn\u0173? <\/em><\/strong><\/p>\n

Liza Baliasnaja: <\/strong>Kartu su Gr\u0117te\u00a0 siek\u0117me kad \u0161i platforma pasi\u016blyt\u0173 kiek daugiau, nei resursus. Nor\u0117josi sukurti erdv\u0119, kurioje mes gal\u0117tume pakviesti dalyvius kartu m\u0105styti apie tai, k\u0105 gal\u0117t\u0173 reik\u0161ti tyrimas \u0161iandien.\u00a0 Susikaupti ne ties ka\u017ekokiais individualiais projektais, ar k\u0105 menininkai gali sukurti per du m\u0117nesius, bet k\u0105 gal\u0117tume atrasti.\u00a0 Steng\u0117m\u0117s ap\u010diuopti ilgesn\u0119 meninink\u0173 k\u016brybos trajektorij\u0105: pasinaudoti\u00a0 \u201ebit\u0117sdance\u201922\u201c kaip galimybe m\u0105styti apie tai, k\u0105 jie nor\u0117t\u0173 toliau tyrin\u0117ti, kurti. \u012e \u0161i\u0105 platform\u0105 si\u016blome pa\u017ei\u016br\u0117ti kaip \u012f k\u016br\u0117j\u0173 meninio vystymosi dal\u012f.<\/p>\n

D\u0117stau Lietuvos muzikos ir teatro akademijoje (LMTA), pasteb\u0117jau, kad dabartinei student\u0173 kartai tyrimai i\u0161 ties\u0173 yra \u012fdom\u016bs. Tod\u0117l nusprend\u0117me orientuotis \u012f jaunus menininkus.<\/p>\n

Gr\u0117t\u0117 \u0160mitait\u0117: <\/strong>Noriu papasakoti vien\u0105 i\u0161 patir\u010di\u0173, paskatinusi\u0173 galvoti apie nesibaigiant\u012f tyrim\u0105<\/em>. Kai su Liza prad\u0117jome formuluoti platformos vizij\u0105, kaip tik dirbau su 250 litr\u0173 slime\u2019u[1]<\/a> Doris Uhlich k\u016brinyje \u201eGootopia\u201c Vienoje. Mes, \u0161ok\u0117jai, \u0161iam pasirodymui atlikti, tur\u0117jome i\u0161likti nuolat smals\u016bs, i\u0161tisai tiriantys \u2013 slime\u2019as kaip med\u017eiaga\u00a0 yra\u00a0 nesuvaldoma ir mes nuolat tur\u0117jome prie jos taikytis, kisti su ja. Prad\u0117jau suvokti, kad i\u0161silaikyti prie\u0161 \u017ei\u016brov\u0105 ir nepamesti spektaklio tem\u0173, yra i\u0161\u0161\u016bkis. Supratau, kad\u00a0 be galo noriu\u00a0 dirbti su klausimais, neapsimetin\u0117dama,\u00a0 kad \u012f juos turiu atsakymus. Man buvo \u012fdomu, ar ir kitiems likti su klausimais (kaip sako amerikie\u010di\u0173 autor\u0117 Donna Harraway – \u201estaying with the trouble\u201c[2]<\/a>) yra svarbu? Ar nesame retkar\u010diais (o gal ir labai da\u017enai) \u012fkalinti \u012fsivaizdavimo, kad visk\u0105 turime \u017einoti ir i\u0161spr\u0119sti, o visos \u017einios ir sprendimai mus turi pasiekti iki premjeros? Tada iki kitos ir dar vienos premjeros…<\/p>\n

Kalb\u0117damos su Liza prad\u0117jome m\u0105styti apie nesibaigiant\u012f tyrim\u0105<\/em> pirmiausiai kaip atlikimo strategij\u0105 \u2013 kai atlik\u0117jas nuolat dirba su tuo pa\u010diu klausimu: tiek per repeticijas, tiek prie\u0161 \u017ei\u016brov\u0105. Tai paskatino galvoti apie klausimus, kurie nesibaigia, tampa menininko varom\u0105j\u0105\u00a0 j\u0117ga visam gyvenimui. Su Doris Uhlich i\u0161sikalb\u0117jome, kad jeigu randi tok\u012f, kuriuo degi (kuris tau yra \u012fdomus), \u012f j\u012f niekada neatsakysi vienu projektu ar k\u016briniu, jis t\u0119sis. Tad nor\u0117jome burti jaunus, neseniai studijas baigusius \u017emones ir kartu m\u0105styti apie tai, kaip b\u016bt\u0173 galima tirti be pabaigos.<\/p>\n

\u0160ioje tyrin\u0117jim\u0173 platformoje dalyvauja penki k\u016br\u0117jai. Kokios prie\u017eastys juos \u010dia atved\u0117? Papasakokite apie juos.<\/em><\/strong><\/p>\n

Liza Baliasnaja: <\/strong>Nema\u017eai parai\u0161k\u0173 sulauk\u0117me i\u0161 k\u0105 tik baigusi\u0173 studijas k\u016br\u0117j\u0173, ta\u010diau atsirado ir toki\u0173, kurie jau yra sukaup\u0119 nema\u017e\u0105 k\u016brybin\u0119 patirt\u012f. Jie \u017einojo, kad kvie\u010diame jaunus dalyvius, ta\u010diau nepabijojo pabandyti: buvo tikri, kad verta bendradarbiauti su jaunesniais k\u016br\u0117jais.<\/p>\n

Dalyvauja trys\u00a0 menininkai\u00a0 i\u0161 Lietuvos. Elmyra Ragimova, LMTA baigusi bakalauro \u0161okio studijas, daug dirba kaip \u0161okio pedagog\u0117, atlik\u0117ja. Ji ie\u0161ko savaranki\u0161k\u0173 b\u016bd\u0173 kurti. Viktorija Ambrazait\u0117 su Elmyra\u00a0 buvo bendrakurs\u0117s. \u0160iuo metu Viktorija gyvena Stokholme,\u00a0 sta\u017euojasi\u00a0 pas Pavle Heidler \u2013 \u0161ved\u0173 meninink\u0105, ra\u0161ytoj\u0105,\u00a0 aktyvist\u0105. Viktorija\u00a0 domisi ne tik \u0161okio k\u016bryba, bet ir tyrimu bei ra\u0161ymu. Tre\u010diasis dalyvis i\u0161 Lietuvos\u00a0 \u2013 Denisas Kolomyckis, tarpdisciplininio meno bei \u0161okio k\u016br\u0117jas. Jis nusprend\u0117 sustabdyti nema\u017eai savo projekt\u0173 bei susikoncentruoti ties vienu.\u00a0 Denisas at\u0117jo,\u00a0 vedamas klausimo,\u00a0 kur\u012f nori i\u0161siai\u0161kinti pats: k\u0105 ir kaip toliau daryti.<\/p>\n

Gr\u0117t\u0117 \u0160mitait\u0117:<\/strong> Labai smagu matyti, kad vyresni menininkai vertina bendradarbiavim\u0105 su jaunaisiais k\u016br\u0117jais: jaunieji\u00a0 labai smals\u016bs, energingi, nestokoja id\u0117j\u0173 ir yra labai s\u0105\u017einingi \u2013 \u00a0tai tolyg\u016bs meninio dialogo partneriai. \u0160ioje komandoje taip pat yra du nariai i\u0161 u\u017esienio. Belgijoje kuriantis Kevin Fay\u00a0 kil\u0119s i\u0161 USA), jis daug met\u0173 \u0161oka, taip pat\u00a0 reflektuoja ir ra\u0161o. Per paskutinius kelet\u0105\u00a0 met\u0173\u00a0\u00a0 Kevin tyr\u0117\u00a0 patriarchalizmo i\u0161rai\u0161kas angl\u0173 kalboje,\u00a0 nes kalba\u00a0 iki \u0161iol teb\u0117ra patriarchalizmo \u012frankis. Kita dalyv\u0117 i\u0161 u\u017esienio \u2013 Sointu Saraste, baigusi studijas \u201eTrinity Laban\u201c muzikos ir \u0161okio konservatorijoje Londone. Ji\u00a0 studijavo pagal main\u0173 program\u0105 \u010dia, Vilniuje (LMTA), o \u0161iuo metu\u00a0 dalyvauja \u0161okio kvalifikacijos tobulinimo programoje\u00a0 Bolonijoje. Sointu\u00a0 labai domisi choreografija.<\/p>\n

Liza Baliasnaja: <\/strong>Visi programos dalyviai yra labai skirtingi. Norime\u00a0 paskatinti juos tais skirtumais dalytis, kad jie keist\u0173si id\u0117jomis. K\u016br\u0117me intymi\u0105, \u0161ilt\u0105 ir saugi\u0105 erdv\u0119, nes i\u0161 esm\u0117s\u00a0 \u0161iuos du m\u0117nesius esame ma\u017ea bendruomen\u0117.<\/p>\n

\u201eBit\u0117sdance\u201822\u201c programa: kaip atrodo \u0161ie du nesibaigian\u010dio tyrimo m\u0117nesiai? <\/em><\/strong><\/p>\n

Liza Baliasnaja: <\/strong>Program\u0105 suskirst\u0117me \u012f dvi dalis. Vasario m\u0117nuo\u00a0 – intensyvus seminar\u0173 ciklas su mumis bei u\u017esienyje kurian\u010diais menininkais. Kovas \u2013 individualus dalyvi\u0173 darbas su j\u0173 tyrimais, taip pat kassavaitin\u0117s mentoryst\u0117s sesijos su mumis ir visa grupe. Individualiam darbui menininkams skiriama studijos erdv\u0117 Kirtim\u0173 kult\u016bros centre Vilniuje.<\/p>\n

Gr\u0117t\u0117 \u0160mitait\u0117: <\/strong>M\u016bs\u0173 su Liza seminar\u0173 tikslas \u2013 pad\u0117ti k\u016br\u0117jams m\u0105styti apie j\u0173 k\u016bryb\u0105. Nuo pat prad\u017ei\u0173 pasi\u016bl\u0117me dalyviams kiekvien\u0105 dien\u0105 po penkiolika minu\u010di\u0173 ra\u0161yti apie tai, kas jiems\u00a0 \u012fdomu ir smalsu \u2013 vesti tam tikr\u0105 dienora\u0161t\u012f. Kartu su Liza paruo\u0161\u0117me\u00a0 u\u017eduotis ir u\u017esi\u0117mim\u0173 metu dalyvius skatinome pirmiausia pasteb\u0117ti dalykus, kurie jau vyksta, tuomet suvokti, ko tr\u016bksta: ko jiems reikia, kad gal\u0117t\u0173 \u201eu\u017ekurti\u201c savus k\u016brybinius procesus.<\/p>\n

Liza Baliasnaja:<\/strong> Taip pat per vasario m\u0117nesio seminarus\u00a0 \u00a0susitikome su keturiais labai skirtingais menininkais: austr\u0173 choreografe Doris Uhlich, belge Christine De Smedt, Pranc\u016bzijoje gyvenan\u010dia amerikie\u010di\u0173 choreografe DD Dorvillier ir Vienoje reziduojan\u010diais k\u016br\u0117jais Kr\u00f5\u00f5t Juurak su Alex Bailey. M\u016bs\u0173 sesijos su kiekvienu i\u0161 \u0161i\u0173 meninink\u0173\u00a0 trukdavo po tris valandas. Pusantros valandos su dalyviais \u017ei\u016br\u0117davome \u012fvairius\u00a0 vaizdo \u012fra\u0161us, tekstus, kuriuos su Gr\u0117te parengdavome apie konkret\u0173 k\u016br\u0117j\u0105, su kuriuo netrukus susitiksime, tuomet\u00a0 tas menininkas prisijungdavo nuotoliniu b\u016bdu prie m\u016bs\u0173 susitikimo\u00a0 ir mes bendrai\u00a0 diskutuodavome.\u00a0 Visada steng\u0117m\u0117s diskusij\u0105 pakreipti nesibaigian\u010dio tyrimo link\u00a0 – koks to rei\u0161kinio\u00a0 vaidmuo j\u0173 k\u016bryboje?<\/p>\n

Kaip\u00a0 kviestini\u0173 meninink\u0173 darbuose tai atsispindi? K\u0105 \u0161ie pavyzd\u017eiai atskleid\u0117?<\/strong><\/p>\n

Gr\u0117t\u0117 \u0160mitait\u0117:<\/strong> \u012e platform\u0105 kviet\u0117me tuos menininkus, kurie mus \u012fkvepia dirbti be pabaigos, kurie dr\u0105siai atsispiria komercinio meno sistemai, susikuria savo s\u0105lygas ir aplinkybes. Kurdami kiekvienas\u00a0 susid\u016br\u0117 su \u012fvairiais i\u0161\u0161\u016bkiais. Ta\u010diau dalis\u00a0 i\u0161\u0161\u016bki\u0173 ilgainiui tapo meninink\u0173 darbo varikliais.<\/p>\n

Susitikimams\u00a0 abi su Liza pasirinkome skirtingas darbo strategijas. A\u0161 nor\u0117jau per\u017ei\u016br\u0117ti vis\u0105 meninink\u0173 k\u016bryb\u0105: spektakli\u0173 \u012fra\u0161us, ra\u0161to darbus, nor\u0117jau suvokti, kada menininkas atrado savo nesibaigian\u010dius klausimus, temas ir kokiu b\u016bdu jas t\u0119s\u0117. Per\u017ei\u016br\u0117jau Doris Uhlich ir Kroot Jurak bei Alex Bailey k\u016bryb\u0105, j\u0105 prista\u010diau dalyviams, moderavau pokalbius su k\u016br\u0117jais.<\/p>\n

Liza Baliasnaja: <\/strong>Mano strategija buvo \u0161iek tiek kitokia: pasirinkau du \u0161okio\/choreografijos projektus, kuri\u0173 esminis bruo\u017eas yra tai, jog jie neturi galutin\u0117s estetin\u0117s formos,\u00a0 jie nuolat kei\u010diasi,\u00a0 priklausomai nuo pasirodymo konteksto. Vienas i\u0161 j\u0173, Christine De Smedt projektas\u00a0 \u201e9×9\u201c , kuriame ji tyrin\u0117jo masi\u0173 fenomen\u0105 ir dirbo bei k\u016brinius pristat\u0117 su skirtingomis \u017emoni\u0173 grup\u0117mis \u012fvairiuose pasaulio miestuose. Kitas projektas, tai DD Dorvillier darbas\u00a0 \u201eA catalogue of steps\u201c. \u0160iame projekte meninink\u0117 naudoja savo praeityje sukurt\u0173 darb\u0173 \u012fra\u0161us. Juos ji yra padalinusi \u012f 300 fragment\u0173, kurie sudaro katalog\u0105. Kiekvien\u0105 kart\u0105 rodydama\u00a0 darb\u0105, ji su \u0161ok\u0117jais naudoja skirtingus \u0161io katalogo fragmentus.<\/p>\n

Kod\u0117l jums atrodo svarbu \u0161iandien galvoti apie nesibaigiant\u012f tyrim\u0105? <\/em><\/strong><\/p>\n

Liza Baliasnaja: <\/strong>Mes norime\u00a0 skatinti tiek tyrin\u0117jimo platformos dalyvius, tiek save galvoti apie alternatyvius k\u016brybinius procesus. Jau\u010diu, kad \u0161iais laikais mums vis sunkiau ilgesn\u012f laik\u0105 i\u0161likti prie vieno klausimo. D\u0117l to kad jau\u010diame\u00a0 nuolatin\u012f poreik\u012f keistis ir kaskart kurti ka\u017ek\u0105 naujo. Kvietimas m\u0105styti apie klausimus, kurie negali b\u016bti atsakyti vienu\u00a0 k\u016briniu, yra tam tikras pasiprie\u0161inimas darbo s\u0105lygoms, kuriomis \u0161iandien esame priversti dirbti.<\/p>\n

Gr\u0117t\u0117 \u0160mitait\u0117: <\/strong>Kai suvokiame kaip ir k\u0105 mums svarbu tirti ir kurti \u2013 randame savo viet\u0105, savo finansavim\u0105 bei savo \u017ei\u016brov\u0105. Turime susikoncentruoti \u012f tai, kas atrodo svarbu, k\u0105 trok\u0161tame sukurti. B\u016btent tai ir reikia daryti. Daryti ilg\u0105 laik\u0105.<\/p>\n

O kaip tur\u0117t\u0173 atrodyti \u0161is nesibaigiantis tyrimas po dviej\u0173 m\u0117nesi\u0173? Ko j\u016bs galb\u016bt tikit\u0117s i<\/em><\/strong>\u0161 dabartini\u0173 dalyvi\u0173?<\/em><\/strong><\/p>\n

Liza Baliasnaja: <\/strong>Nor\u0117\u010diau, kad \u0161itos platformos d\u0117ka dalyviai pajust\u0173 nesibaigian\u010dio tyrimo menin\u0119 vert\u0119.\u00a0 Kad ji atsiperka. Noriu kad jie pajust\u0173 abipus\u012f menininko ir bendruomen\u0117s ry\u0161\u012f. Tai, k\u0105 darome kurdami, tampa bendru \u017eini\u0173 lauku. Noriu, kad jie svarstyt\u0173: kokiu menininku a\u0161 nor\u0117\u010diau tapti? K\u0105 gal\u0117\u010diau atiduoti savo bendruomenei? \u0160okio sferai?<\/p>\n

Gr\u0117t\u0117 \u0160mitait\u0117: <\/strong>\u00a0Suvokti, kad galime nuolat dalintis \u017einiomis, papildyti vieni kit\u0173 keliamus klausimus, skatinti vienas kito k\u016bryb\u0105. Siekiame individualum\u0105 ir konkurencij\u0105\u00a0 keisti tarpusavio ry\u0161iais\u00a0 ir vienas kito skatinimu. Siekiame kurti be pabaigos.<\/p>\n

—<\/p>\n

[1]<\/a> Dirbtin\u0117mis gleiv\u0117mis<\/p>\n

[2]<\/a> Likti su b\u0117da<\/p>\n

—
\n\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160iais metais format\u0105 ir krypt\u012f atnaujinusi \u0161okio tyrin\u0117jimo platforma \u201ebit\u0117s\u201c menininkus pakviet\u0117 kalb\u0117tis nesibaigian\u010dio tyrimo tema. Platformos kurator\u0117s, \u0161okio meninink\u0117s …<\/p>\n","protected":false},"author":2,"featured_media":12406,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nNesibaigiantis tyrimas pagal Liz\u0105 Baliasnaj\u0105 ir Gr\u0117t\u0119 \u0160mitait\u0119: \u0160okio tyrin\u0117jimo platforma \u201ebit\u0117s\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/03\/29\/nesibaigiantis-tyrimas-pagal-liza-baliasnaja-ir-grete-smitaite-bitesdance22\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nesibaigiantis tyrimas pagal Liz\u0105 Baliasnaj\u0105 ir Gr\u0117t\u0119 \u0160mitait\u0119: \u0160okio tyrin\u0117jimo platforma \u201ebit\u0117s\u201c - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u0160iais metais format\u0105 ir krypt\u012f atnaujinusi \u0161okio tyrin\u0117jimo platforma \u201ebit\u0117s\u201c menininkus pakviet\u0117 kalb\u0117tis nesibaigian\u010dio tyrimo tema. 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