{"id":12659,"date":"2022-05-30T12:58:04","date_gmt":"2022-05-30T09:58:04","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=12659"},"modified":"2022-07-06T00:38:12","modified_gmt":"2022-07-05T21:38:12","slug":"per-soki-mastyti-sociuma","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/05\/30\/per-soki-mastyti-sociuma\/","title":{"rendered":"Per \u0161ok\u012f m\u0105styti socium\u0105"},"content":{"rendered":"

\u201eNaujojo Baltijos \u0161okio\u201c program\u0105 minimalizmu praturtin\u0119s Annos-Marijos Adomaityt\u0117s \u201ePas de deux\u201c \u2013 choreografini\u0173 mikropulsacij\u0173 paveikslas, leid\u017eiantis \u012f k\u016bn\u0105 pa\u017evelgti ne kaip \u012f \u012frank\u012f, bet kaip \u012f erdv\u0119. \u017di\u016brovo l\u016bkestis \u010dia suma\u017einamas nuo plataus \u0161ok\u0117jo mosto iki sustabdyto gesto, nuo vaizdo scenoje iki pie\u0161inio odos perimetre. B\u016btent tod\u0117l matau \u017evilgsnio perk\u0117lim\u0105 i\u0161 scenin\u0117s erdv\u0117s \u012f \u0161ok\u0117j\u0105 kaip scen\u0105, o auditorijos patirtis \u010dia priklauso nuo geb\u0117jimo prizoominti<\/em> ir pasteb\u0117ti prakaito la\u0161\u0105, beveik choreografi\u0161kai la\u0161ant\u012f savo trajektorija.<\/p>\n

\"\"<\/a>
\nDonato Ali\u0161ausko nuotraukos<\/em><\/p>\n

Nors spektaklio \u201ePas de deux\u201c apra\u0161yme akcentuojamas dviej\u0173 \u017emoni\u0173 prie\u0161inimasis heteronormatyviai meilei ir autenti\u0161kos meil\u0117s patyrim\u0105 var\u017eantis patriarchalinis re\u017eimas, \u017ei\u016brovo patirtis vis d\u0117lto gerokai platesn\u0117 ir universalesn\u0117: mes \u017evelgiame \u012f du vienas kitame u\u017estrigusius \u017emones (\u0161ok\u0117jai \u00a0M\u00e9lissa Guex ir Victor Poltier), kuriems nei\u0161eina nei priart\u0117ti, nei atsitraukti. Nuostabus negal\u0117jimas, kaip ir nesugeb\u0117jimas n\u0117 vieno judesio padaryti iki galo \u2013 kiekvieno gesto \u010dia, rodos, t\u0117ra tik prad\u017eia, impulsas, kur\u012f i\u0161 inercijos duoda techni\u0161kai apdorotas, precizi\u0161kai paruo\u0161tas k\u016bnas. O tada prasideda k\u016bn\u0173 dvejon\u0117 \u2013 ne kur<\/em> eiti toliau, nes toliau<\/em> yra \u017einoma, bet ar<\/em> eiti toliau. Man nesinor\u0117jo kreipti didesnio d\u0117mesio \u012f tai, kas \u0161ioje poroje veda, o kas yra vedamas, kas stumia, kas prie\u0161inasi. Kaip ir nesinor\u0117jo nagrin\u0117ti vyri\u0161ko \/ moteri\u0161ko prad\u0173 trinties ir aliuzij\u0173 \u012f baleto meno taisykli\u0173 rinkin\u012f. Ne: \u0161ok\u0117j\u0173 por\u0105 ma\u010diau kaip prasiskirian\u010dias ilg\u0105 laik\u0105 veikusio darnaus mechanizmo detales, kurios ne tai kad nebeveikia \u2013 jos tiesiog pradeda m\u0105styti apie savo veikim\u0105 ir j\u012f kvestionuoti, ardyti, tikrinti. \u0160ia prasme \u201ePas de deux\u201c yra k\u016bn\u0173 m\u0105stymo procesas \u2013 labai \u012fdomu \u2013 nueinantis ne \u012f destrukcij\u0105 (kuri \u010dia tik\u0117tina), bet \u012f totalaus tyrin\u0117jimo re\u017eim\u0105. Tyrin\u0117jamos \u010dia k\u016bno reakcijos \u012f judes\u012f ir partner\u012f. Kaip tai atrodo?<\/p>\n

\"\"<\/a><\/p>\n

I\u0161 prad\u017ei\u0173 \u0161imtus kart\u0173 kartojami tie patys judesiai (sukinio prad\u017eia), kuriant k\u016bn\u0173 s\u0105veikos kaip mechanikos patirt\u012f. V\u0117liau k\u016bnai tampa reljefais, kuriuose galime sekti ilgo mechani\u0161ko judesio poveik\u012f. Judesio prisiminimas pradeda savo kelion\u0119 per \u0161ok\u0117j\u0173 od\u0105, i\u0161siver\u017edamas prakaito pie\u0161iniais, nueidamas per virpan\u010dius raumenis, tr\u016bk\u010diojan\u010dias gal\u016bnes, pulsuojan\u010dias kraujagysles, mechanik\u0105 prisimenan\u010dias akis. Esminiais steb\u0117jimo objektais tampa \u0161ok\u0117j\u0173 k\u016bno dali\u0173 intencijos: ar pla\u0161taka prisilies prie kito k\u016bno, ar liks per milimetr\u0105; ar aki\u0173 obuoliai u\u017estrigs, ar susim\u0117tys, ar pasimes savo \u0161ok\u010diojime, ar i\u0161laikys ritm\u0105; ar raumen\u0173 \u012ftampa sl\u016bgs, ar did\u0117s. Staiga pagaunu save jau kur\u012f laik\u0105 stebin\u010di\u0105 centimetro amplitude auk\u0161tyn \u017eemyn judant\u012f \u0161ok\u0117jo smili\u0173, ir to vieno centimetro visi\u0161kai pakanka. \u0160tai iki kokios mikroestetikos pripratina Annos-Marijos brai\u017eas, jau pa\u017e\u012fstamas i\u0161 ankstesnio darbo \u201eworkpiece\u201c.<\/p>\n

\"\"<\/a><\/p>\n

Ypatingais tampa tie absoliu\u010diai reti momentai, kai staiga repetatyvus mechanizmas akimirkai pakei\u010dia krypt\u012f, perskirsto j\u0117gas, padaro sukin\u012f su i\u0161k\u0117limu ar i\u0161siderina veiksmuose \u2013 Jai toliau sukantis, Jis sustoja. \u0160ios akimirkos labai retos ir vienkartin\u0117s, ta\u010diau jas pasikartojim\u0173 meditacijos u\u017eli\u016bliuota \u017ei\u016brov\u0173 s\u0105mon\u0117 pamato i\u0161kart ir pas\u0105moningai ima laukti dar ko nors, kas pakeist\u0173 re\u017eim\u0105, \u012f kur\u012f esame \u012fvesti. Ta\u010diau Anna-Marija \u017ei\u016brov\u0173 nelepina \u2013 ji ai\u0161kiai \u017eino kiekvieno mechanizm\u0105 pa\u017eeid\u017eian\u010dio gesto svor\u012f, ir laikosi saiko.<\/p>\n

\"\"<\/a><\/p>\n

Apskritai saikas, minimalizuota rai\u0161ka, ne ekspresyvi, o labiau vidin\u0117 k\u016bn\u0173 kelion\u0117, kuriai \u012ftakos turi beveik girdima \u0161ok\u0117j\u0173 proto \u012ftampa, \u2013 \u0161ios k\u016br\u0117jos choreografin\u0117s savyb\u0117s. Akivaizdu, kad jai svarbiau ne kurti estetin\u0119 ekstaz\u0119, o per judes\u012f ir k\u016bno nerim\u0105 m\u0105styti sociumo \u012ftak\u0105 \u017emogui, ly\u010diai, socialiniam vaidmeniui. T\u0119siamos k\u016bno atminties ir k\u016bno veikimo pagal instrukcij\u0105 temos, d\u0117mes\u012f telkiant \u012f socialiai priimtino ir n\u016bdienoje praktikuojamo k\u016bn\u0173 i\u0161naudojimo schemas. Per mikro m\u0105styti apie makro \u2013 tai Annos-Marijos b\u016bdas \u017evelgti \u012f choreografij\u0105, kur\u012f ji naudoja kaip \u012frank\u012f kalb\u0117ti. \u0160ios k\u016br\u0117jos spektakliai augina \u017ei\u016brov\u0105 ir moko j\u012f pereiti \u012f kit\u0105 \u0161okio vartojimo kokyb\u0119, kur nebeu\u017etenka gro\u017e\u0117tis: b\u016btina pasijusti nepatogiai, pasigesti \u0161okio gro\u017eio, atsibusti ir suvokti.<\/p>\n

—
\n\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201eNaujojo Baltijos \u0161okio\u201c program\u0105 minimalizmu praturtin\u0119s Annos-Marijos Adomaityt\u0117s \u201ePas de deux\u201c \u2013 choreografini\u0173 mikropulsacij\u0173 paveikslas, leid\u017eiantis \u012f k\u016bn\u0105 pa\u017evelgti ne …<\/p>\n","protected":false},"author":2,"featured_media":12663,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nPer \u0161ok\u012f m\u0105styti socium\u0105 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/05\/30\/per-soki-mastyti-sociuma\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Per \u0161ok\u012f m\u0105styti socium\u0105 - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u201eNaujojo Baltijos \u0161okio\u201c program\u0105 minimalizmu praturtin\u0119s Annos-Marijos Adomaityt\u0117s \u201ePas de deux\u201c \u2013 choreografini\u0173 mikropulsacij\u0173 paveikslas, leid\u017eiantis \u012f k\u016bn\u0105 pa\u017evelgti ne ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2022\/05\/30\/per-soki-mastyti-sociuma\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2022-05-30T09:58:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-07-05T21:38:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/05\/278710433_5333097010033837_5643283269777960181_n.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1367\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/05\/30\/per-soki-mastyti-sociuma\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/05\/278710433_5333097010033837_5643283269777960181_n.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/05\/278710433_5333097010033837_5643283269777960181_n.jpg\",\"width\":2048,\"height\":1367},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/05\/30\/per-soki-mastyti-sociuma\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2022\/05\/30\/per-soki-mastyti-sociuma\/\",\"name\":\"Per \\u0161ok\\u012f m\\u0105styti socium\\u0105 - 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