{"id":13096,"date":"2022-09-02T13:12:50","date_gmt":"2022-09-02T10:12:50","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=13096"},"modified":"2022-09-22T12:25:33","modified_gmt":"2022-09-22T09:25:33","slug":"ji-yra-viskas","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/09\/02\/ji-yra-viskas\/","title":{"rendered":"Ji yra viskas"},"content":{"rendered":"

Kai choreografo Benjamino Kahno ir \u0161ok\u0117jos Cherish Menzo spektaklis \u201eSorry, But I Feel Slightly Disidentified…\u201c (Belgija) <\/a>\u00a0buvo pirm\u0105 kart\u0105 parodytas festivalyje \u201eConTempo\u201c Kaune, \u00a0pasigirdo d\u017eiaugsmai: tai \u2013 auk\u0161tos kokyb\u0117s, europinio festivalio lygio k\u016brinys. Darbas i\u0161ties i\u0161skirtinis \u2013 jis palieka stipr\u0173 momentin\u012f \u012fsp\u016bd\u012f ir drauge pateikia klodus med\u017eiagos norintiems k\u016brin\u012f prisijaukinti.<\/p>\n

Pati i\u0161\u0117jau i\u0161 spektaklio jausdama, kad \u201eSorry…\u201c yra eilinis geras spektaklis. Galb\u016bt \u201eeilinis\u201c n\u0117ra tinkamas \u017eodis geram spektakliui apib\u016bdinti, nes tokie sukuriami neda\u017enai. Konceptualus (ne stiliaus, o id\u0117jos prasme), nuoseklus, neb\u016btinai ai\u0161kus, skoningai derinantis visus naudojamus scenos elementus, atliekamas turiniui akivaizd\u017eiai subrendusios atlik\u0117jos. Spektaklis, kuriame nejauti diskomforto, jei ka\u017eko nesupranti, ir kurio turiniui i\u0161gyventi pakanka kinestetin\u0117s empatijos. Skamba tarsi elementar\u016bs kokyb\u0117s kriterijai, tiesa?<\/p>\n

\"\"<\/a>Martyno Plepio nuotraukos<\/em><\/p>\n

\u201eSorry…\u201c rodomas trijose scenose. Spektaklio \u012f\u017eanga vyksta pakeliui \u012f sal\u0119 (Kaune \u2013 \u201eRomuvos\u201c kino teatro koridoriuje), kur bet kuri\u0173 \u010diabuvi\u0173 totem\u0105 ar \u0161ventik\u0105 primenanti fig\u016bra atlieka ritual\u0105 ir pama\u017eu nusimetin\u0117ja kontekstus generuojan\u010dias kostiumo detales. \u00a0Netrukus ji pakvie\u010dia \u017ei\u016brovus persikelti \u012f profesionali\u0105 scen\u0105: \u017ei\u016brov\u0173 k\u0117d\u0117mis apjuost\u0105 balta \u0161okio danga i\u0161klot\u0105 teritorij\u0105, kurios tre\u010ddal\u012f u\u017eima i\u0161 keturi\u0173 standartini\u0173 pakyl\u0173 sud\u0117liota keliolikos centimetr\u0173 auk\u0161\u010dio scena. Tarsi metascena \u2013 scenos reprezentacija scenoje.<\/p>\n

Kol \u017ei\u016brovai renkasi vietas, \u201etotemas\u201c laukia, s\u0117d\u0117damas ant metascenos kra\u0161to. I\u0161skyrus kostiume likusias nuorodas, jo k\u016bne nebelik\u0119 nieko \u0161venta \u2013 i\u0161sk\u0117t\u0119s sulenktas kojas ir pasir\u0117m\u0119s \u012f jas rankomis tai t\u0117ra kiemais besi\u0161laistantis vyras, kurio tokio \u2013 su treningin\u0117mis keln\u0117mis ir u\u017esimetusio gobtuv\u0105 \u2013 gatv\u0117je grei\u010diausiai vengtume. Atsis\u0117dus paskutiniams sve\u010diams, fig\u016bra kyla u\u017eimti scenos. Pirmiausia ji persikelia ant kitoje scenos pus\u0117je pastatytos k\u0117d\u0117s, kurioje luk\u0161tenasi i\u0161 \u0161imtme\u010di\u0173 ir de\u0161imtme\u010di\u0173 senumo r\u016bb\u0173 bei aksesuar\u0173. Paskutinis sluoksnis \u2013 prigimtinis jaunos moters ilgais, \u012f daug kas\u0173 supintais plaukais pavidalas.<\/p>\n

\"\"<\/a><\/p>\n

I\u0161lindusi i\u0161 istorinio paveldo ir atskleidusi savo pa\u010dios pavidal\u0105, Menzo juda toliau \u2013 bando save formuoti pagal populiarius XXI a. reprezentacijos standartus. Ji leid\u017eia gro\u017e\u0117tis pasyviai (fizine, ne energijos prasme) besisukan\u010diu savo k\u016bnu, atlieka techni\u0161kai sud\u0117tingus pop ir kit\u0173 stili\u0173 \u0161okio judesius, apnuogina kr\u016btin\u0119, \u017eod\u017eiais artikuliuoja pozicij\u0105, naudoja bals\u0105 moduliuojant\u012f aparat\u0105, b\u016bna grubi, b\u016bna laiminga, b\u016bna mandagi, b\u016bna seksuali… Ji b\u016bna viskuo.<\/p>\n

Toks turinys n\u0117ra unikalus \u2013 monospektakli\u0173, kuriuose viena(s) atlik\u0117ja(s) iliustruoja mil\u017eini\u0161k\u0105 kontekst\u0105 ir\/ar \u012fk\u016bnija tai i\u0161gyvenant\u012f \u017emog\u0173, yra daug. Vienas pavyzd\u017ei\u0173, kuriuos mat\u0117 Lietuvos publika \u2013 2021-aisiais \u201eNaujajame Baltijos \u0161okyje\u201c rodytas Moritzo Ostruschnjako \u201eTanzanweisungen (tai nesit\u0119s am\u017einai)\u201c. Spektakl\u012f atliko Danielis Conantas, citav\u0119s \u017einomus \u00a0\u0161okius , judesius , kli\u0161es . Tik \u00a0anuo atveju atlik\u0117jas veikiau visk\u0105 mok\u0117jo<\/em>. Kitaip nei Menzo, kuri scenoje buvo <\/em>viskas. Jos k\u016bnas spektaklio metu \u00a0tampa<\/em> \u012fvairiomis kult\u016bromis, identitetais, madomis. Per valand\u0105 laiko ji ne parodo, bet pab\u016bna viskuo, k\u0105 pasirinko drauge su Benjaminu Kahnu.<\/p>\n

\"\"<\/a><\/p>\n

Paradoksalu, kad spektaklio pavadinime kalbama apie identiteto stygi\u0173, nes akivaizdu, kad atlik\u0117ja puikiai \u017eino, kas ji yra. Tvirtas sav\u0119s pa\u017einimas yra b\u016btinas, siekiant \u012fk\u016bnyti daugyb\u0119 identitet\u0173 ir skland\u017eiai slinkti nuo vieno prie kito, kiekvienam atiduodant vis\u0105 tuo metu turim\u0105 energij\u0105. Svarbu, kad Menzo nerodo kan\u010dios \u2013 pana\u0161u, kuria taip pat ne per kan\u010di\u0105. Tai n\u0117ra varg\u0161\u0117 mergina, bandanti nepask\u0119sti klasikini\u0173 ir \u0161iuolaikini\u0173 reikalavim\u0173, taisykli\u0173, mad\u0173 mai\u0161alyn\u0117je. Tai \u2013 tvirta savo k\u016bno \u0161eiminink\u0117, lengva ranka j\u012f trumpam \u201eskolinanti\u201c id\u0117joms materializuoti. Tod\u0117l energija ir kontekstai spektaklyje skleid\u017eiasi per technik\u0105, o ne \u201edro\u017eiant\u201c save ir tikint, kad informacij\u0105 perduosi tik ja tapusi.<\/p>\n

\"\"<\/a><\/p>\n

Pa\u0300prasta \u201eSorry…\u201c interpretuoti kaip \u017emogaus bandym\u0105 sukurti save, i\u0161 prad\u017ei\u0173 matuojantis aplinkoje si\u016blomus veidus. Daugyb\u0119 j\u0173 atlik\u0117ja i\u0161gyvena, \u00a0kad atrast\u0173 sav\u0105j\u012f. Tik sunku pasakyti, ar pabaigoje jai pavyko tai padaryti. Po beveik valandos trukm\u0117s paie\u0161k\u0173 Menzo apsivelka ilg\u0105 ro\u017ein\u012f megztin\u012f, pilkus d\u017einsus ir ramiai \u0161ypsosi \u017ei\u016brovams tol, kol u\u017egesta \u0161viesa. Ar atlik\u0117jos ramyb\u0117 rei\u0161kia, kad ji pagaliau atrado save? Galb\u016bt. Kita vertus, \u201epaprasta mergina\u201c ir \u201ebuvimas savimi\u201c \u2013 \u0161i\u0173 dien\u0173 kli\u0161\u0117s, tad lengviau patik\u0117ti, kad Menzo \u201ei\u0161sivyst\u0117\u201c ne iki sav\u0119s, bet iki dabartin\u0117s mados. Spektaklis baigiasi \u0161iandien ir atrodo atviras tolesn\u0117ms identiteto paie\u0161koms. Tad nenustebsiu, jei b\u0117gant laikui \u201epaprasta mergina su ro\u017einiu megztiniu\u201c nuo finalo pasislinks \u012f vien\u0105 i\u0161 sav\u0119s paie\u0161kos etap\u0173.<\/p>\n

\"\"<\/a><\/p>\n

Tiesa, spektaklis jau yra t\u0119stinis: tai \u2013 pirmoji Kahno trilogijos dalis. Nesu ma\u010diusi kit\u0173, ta\u010diau noriu tik\u0117ti, kad jose atlik\u0117j\u0173 k\u016bnai spinduliuoja toki\u0105 pat turinio ir technikos brand\u0105, kaip Menzo Kaune rodytame \u201eSorry, But I Feel Slightly Disidentified…\u201c Tai yra retas gro\u017eis ir malonumas. Tai yra eilinis kokyb\u0117s standartas.<\/p>\n

—
\n\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kai choreografo Benjamino Kahno ir \u0161ok\u0117jos Cherish Menzo spektaklis \u201eSorry, But I Feel Slightly Disidentified…\u201c (Belgija) \u00a0buvo pirm\u0105 kart\u0105 parodytas …<\/p>\n","protected":false},"author":2,"featured_media":13100,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nJi yra viskas - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/09\/02\/ji-yra-viskas\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ji yra viskas - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Kai choreografo Benjamino Kahno ir \u0161ok\u0117jos Cherish Menzo spektaklis \u201eSorry, But I Feel Slightly Disidentified…\u201c (Belgija) \u00a0buvo pirm\u0105 kart\u0105 parodytas ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2022\/09\/02\/ji-yra-viskas\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2022-09-02T10:12:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-22T09:25:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/09\/299208678_1545201355924378_6428937426377663052_n.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1365\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/09\/02\/ji-yra-viskas\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/09\/299208678_1545201355924378_6428937426377663052_n.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/09\/299208678_1545201355924378_6428937426377663052_n.jpg\",\"width\":2048,\"height\":1365},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/09\/02\/ji-yra-viskas\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2022\/09\/02\/ji-yra-viskas\/\",\"name\":\"Ji yra viskas - 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