{"id":13120,"date":"2022-09-13T19:34:54","date_gmt":"2022-09-13T16:34:54","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=13120"},"modified":"2022-09-13T22:45:45","modified_gmt":"2022-09-13T19:45:45","slug":"are-you-ok-sorry-but-i-feel-slightly-disidentified","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/09\/13\/are-you-ok-sorry-but-i-feel-slightly-disidentified\/","title":{"rendered":"Are you OK? Sorry, but I feel slightly disidentified…"},"content":{"rendered":"

Kaip jautiesi savo k\u016bne? Pasitikin\u010diai? \u017dinai, kas esi? O galb\u016bt kaip tik junti pasimetim\u0105 tarp vis\u0173 \u201eizm\u0173\u201c \u0161iais laikais? Galb\u016bt mada u\u017evald\u0117 visk\u0105 ir mes aklai sekdami ja einame tolygiu stereotip\u0173 takeliu? \u0160iuos ir pana\u0161ius klausimus k\u0117l\u0117 tarptautiniame scenos men\u0173 festivalyje \u201eConTempo\u201c pristatyto performanso \u201eSorry, but I feel slightly disidentified…\u201c autorius Benjamin\u2018as Kahn \u2013 \u00a0i\u0161 Belgijos kil\u0119s \u0161ok\u0117jas, choreografas ir \u0161ok\u0117ja Cherish Menzo, kuri atliko solo pasirodym\u0105.<\/p>\n

\"\"<\/a>Martyno Plepio nuotraukos<\/em><\/p>\n

Kauno kino centre \u201eRomuva\u201c vyk\u0119s performansas pirmiausia pakviet\u0117 \u012f hol\u0105 ap\u017ei\u016br\u0117ti ten stov\u0117jusio manekeno lyg i\u0161 parduotuv\u0117s \u201eMa\u017eoji Indija\u201c \u2013 nejudan\u010di\u0105 \u0161ok\u0117j\u0105 juos\u0117 skaros, papuo\u0161alai, galvos apdangalai, ra\u0161tuoti drabu\u017eiai i\u0161 \u012fvairi\u0173 viso pasaulio \u0161ali\u0173. Suskambus muzikai, \u017ei\u016brovai pakviesti \u012f intymesn\u0119 scen\u0105, kurioje ir prasid\u0117jo pasirodymas.<\/p>\n

Jau juodai vilkinti \u0161ok\u0117ja pirm\u0105sias akimirkas neatskleid\u0117 nei savo ras\u0117s, nei lyties, tod\u0117l j\u0105 vertinti gal\u0117jome vien i\u0161 jos rytieti\u0161k\u0173 apdar\u0173, Micheal\u2018o Jackson\u2018o pir\u0161tini\u0173 ir sportini\u0173 kelni\u0173. Po truput\u012f \u0161i neidentifikuojama persona prad\u0117jo nusirengin\u0117ti. Vienas po kito audiniai paliko jos k\u016bn\u0105, kol ji liko tik su apatiniais ir mar\u0161kin\u0117liais ant petne\u0161\u0117li\u0173. \u017dvalgydamasi \u012f \u017ei\u016brovus ir \u0161ypsena gaudydama \u017evilgsnius, ji pakilo ant pakilos ir prad\u0117jo \u0161okti airi\u0173 stepdance (\u0161okio stilius, kurio pagrindas \u2013 tradicinis airi\u0161kas \u0161okis. Paprastai jam b\u016bdinga standi vir\u0161utin\u0117 k\u016bno dalis ir greiti bei tiksl\u016bs p\u0117d\u0173 judesiai), kuris pama\u017eu virto \u012f ispan\u0173 flamenko su baleto atspalviais ir taip rutuliojosi iki Afrikos regionams b\u016bding\u0173 ritualini\u0173 \u0161oki\u0173.<\/p>\n

\"\"<\/a><\/p>\n

Kiekvienas judesys atspind\u0117jo Europos, Afrikos ir kit\u0173 \u017eemyn\u0173 tradicinius \u0161okius ir leido mums keliauti \u0161iais \u017eemynais \u0161oki\u0173 \u017eingsneliais. Po kolonializacijos juodaod\u017eiams sunku save priskirti ka\u017ekuriai tautai. Tam, kad vergov\u0117je neprarast\u0173 savasties, jie atsidav\u0117 menui \u2013 k\u016br\u0117 dainas, \u0161oko, i\u0161reik\u0161davo save per menin\u0119 prizm\u0119. Pasak pasirodymo bendraautoriaus B. Kahn, kad ir kas beb\u016btume, m\u016bs\u0173 k\u016bnas ne\u0161a tam tikr\u0105 istorij\u0105, palikim\u0105, stereotipus. \u0160ok\u0117ja Ch. Menzo pasirodymo metu atskleid\u0117 t\u0105j\u012f k\u016bno palikim\u0105 ir mumyse esan\u010di\u0105 tautos istorij\u0105, ir tai galima laikyti stipriausiu spektaklio aspektu.<\/p>\n

\u201eKeliaudamas\u201c tokiais energingais \u0161okiais pavargsti, ta\u010diau C. Menzo gilus fizinio nuovargio kv\u0117pavimas, kuris sklend\u0117 visoje sal\u0117je, rod\u0117si itin artimas. Atrod\u0117, kad muzika keliavo \u012fkv\u0117pimu, i\u0161kv\u0117pimu, oro la\u0161eliais. Apsirengusi juodai \u0161ok\u0117ja, regis, transformavosi \u012f 1990-\u0173j\u0173 Amerikoje gyvenant\u012f juodaod\u012f, kurio muzikinis skonis buvo jo ras\u0117s kuriami repai. I\u0161 repo pereinama \u012f hip hop\u0105 ne tik melodija, bet ir judesiais, kuriais keliaujama nuo vergov\u0117s prad\u017eios iki XXI a. Seksual\u016bs judesiai (s\u0117dmen\u0173 kraipymas, lie\u017euvio rodymas) pabr\u0117\u017e\u0117, kaip \u012fsivaizduojame pagal toki\u0105 muzik\u0105 \u0161okan\u010dius \u017emones. Pereidama link erotikos, C. Menzo beveik i\u0161sireng\u0117 nuogai \u2013 apsiav\u0117 auk\u0161takulnius, u\u017esiseg\u0117 korset\u0105, apnuogino kr\u016btin\u0119 ir parod\u0117, kaip mes esame link\u0119 matyti moter\u012f scenoje \u2013 ilgomis kojomis, liaunu liemeniu, i\u0161ry\u0161kinta kr\u016btine. O po to ji visas m\u016bs\u0173 stereotipizuotas mintis dekonstravo \u2013 it ragana prad\u0117jo baubti \u012f mikrofon\u0105 ir g\u0105sdinti. \u0160i akimirka prilygo gimimui \u2013 skausmui, kur\u012f patiria moteris gimdymo metu. Gimus \u201enaujajai jai\u201c, \u0161ok\u0117ja apsivilko \u012fprastus d\u017einsus, megztin\u012f ir pavirto paprasta mergina.<\/p>\n

\"\"<\/a><\/p>\n

Visgi pasirodymui tr\u016bko galutinio i\u0161pildymo. Atrodo, jog visos k\u016brybin\u0117s pastangos buvo sud\u0117tos \u012f pirm\u0105sias keliasde\u0161imt pasirodymo minu\u010di\u0173, o toliau viskas vyko pernelyg greitai. Anks\u010diau min\u0117ta \u0161ok\u0117jos metamorfoz\u0117 vyko dinami\u0161kai ir neleido m\u0117gautis l\u0117ta kaita. Susidar\u0117 \u012fsp\u016bdis, kad \u0161ok\u0117ja suskub\u0117jo i\u0161d\u0117styti koncept\u0105 ir paleido \u017ei\u016brovus \u012f daug k\u0105 tinkamai ne\u012fsigilinusius. Taip pat stereotipus bandoma dekonstruoti jau kelis de\u0161imtme\u010dius \u012fvairiuose meniniuose pasirodymuose, ta\u010diau to vis dar neu\u017etenka, kad m\u016bs\u0173 m\u0105stymas pilnai pasikeist\u0173. Tad k\u016br\u0117j\u0173 l\u016bkestis, jog i\u0161\u0117j\u0119 i\u0161 spektaklio, kuris dar gi stipriai nepaveik\u0117, i\u0161 karto i\u0161sivaduosime i\u0161 stereotip\u0173, nepasiteisino.
\n—
\nPirm\u0105 kart\u0105 \u012fvykusi Contempo jaun\u0173j\u0173 kritik\u0173 programa suteik\u0117 galimyb\u0119 jauniesiems Vytautas Magnus University (Vytauto Did\u017eiojo universitetas)<\/span><\/a> Men\u0173 fakulteto menotyrininkams labiau pa\u017einti \u0161iuolaikinius scenos menus.<\/p>\n

Festivalio i\u0161vakar\u0117se universitete vyko kritikos tekst\u0173 ra\u0161ymui ir ma\u017eiau Lietuvoje tyrin\u0117jamoms teatro kryptims skirtos paskaitos, kurias ved\u0117 \u017einomi \u0161alies kritikai. Festivalio metu jauniesiems kritikams suteikta galimyb\u0117 lankytis visuose pasirodymuose ir ra\u0161yti labiausiai \u012fsiminusi\u0173j\u0173 recenzijas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kaip jautiesi savo k\u016bne? Pasitikin\u010diai? \u017dinai, kas esi? O galb\u016bt kaip tik junti pasimetim\u0105 tarp vis\u0173 \u201eizm\u0173\u201c \u0161iais laikais? Galb\u016bt …<\/p>\n","protected":false},"author":2,"featured_media":13121,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nAre you OK? Sorry, but I feel slightly disidentified... - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/09\/13\/are-you-ok-sorry-but-i-feel-slightly-disidentified\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Are you OK? 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