{"id":13141,"date":"2022-09-21T16:42:36","date_gmt":"2022-09-21T13:42:36","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=13141"},"modified":"2022-09-21T16:44:25","modified_gmt":"2022-09-21T13:44:25","slug":"seiko-sokio-teatro-premjeroje-260-kilogramu-melynu-pelenu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/09\/21\/seiko-sokio-teatro-premjeroje-260-kilogramu-melynu-pelenu\/","title":{"rendered":"\u0160eiko \u0161okio teatro premjeroje \u2013 260 kilogram\u0173 m\u0117lyn\u0173 pelen\u0173"},"content":{"rendered":"

\u0160iemet Klaip\u0117da mini 770 met\u0173 miesto \u012fk\u016brimo jubiliej\u0173, o Europa \u2013 Heinricho Schliemanno, Trojos atrad\u0117jo, gimimo 200-\u0105sias metines. \u0160iame kontekste \u0160eiko \u0161okio teatras pristato premjer\u0105, \u0161okio spektakl\u012f \u201eIndigo. Das Schliemann Projekt\u201c, kur\u012f \u012fkv\u0117p\u0117 \u0161i XIX a. asmenyb\u0117, jos kontrastinga biografija ir s\u0105sajos su Klaip\u0117da. Spektaklis apgaubtas archeologijos paslapties: tarsi i\u0161 molio kylan\u010di\u0173 fig\u016br\u0173, mumij\u0173, o gal fosilij\u0173 ir m\u0117lyn\u0173 pelen\u0173 lietaus. Tai k\u016brinys apie (ne)pasiekiam\u0105 svajon\u0119, aistring\u0105 ir nuo\u017em\u0173 tikslo siekim\u0105, ties\u0105 ir mel\u0105, kuriam\u0105 \u012fvaizd\u012f ir realyb\u0119, bei nesibaigian\u010dias sav\u0119s paie\u0161kas. Premjera pristatoma rugs\u0117jo 27, 28 d. 19 val. \u201eHOFO\u201c kiemo angare, Klaip\u0117doje.<\/b><\/p>\n

\"\"<\/a>Nuotraukos: Oleksii Korotych<\/em><\/p>\n

H. Schliemanno kontroversija ir Klaip\u0117dos multikult\u016bri\u0161kumas<\/b><\/p>\n

Dar 2016 metais Klaip\u0117da reng\u0117 parai\u0161k\u0105 tapti Europos kult\u016bros sostine ir buvo ie\u0161koma tem\u0173, asmenybi\u0173, kurios atspind\u0117t\u0173 \u0161io kra\u0161to kult\u016br\u0105 ir jos s\u0105sajas su Europos istorija. Uostamies\u010dio istorikai atkreip\u0117 d\u0117mes\u012f \u012f H. Schliemann\u0105. \u201eEuropos kult\u016bros sostin\u0117s 2022\u201c titul\u0105 pelnius Kaunui, \u0161i id\u0117ja nugul\u0117 \u012f stal\u010di\u0173. J\u0105 \u0160eiko \u0161okio teatras atgaivino Klaip\u0117dai ruo\u0161iantis \u0161v\u0119sti 770 met\u0173 miesto jubiliej\u0173, o Europai \u2013 H. Schliemanno 200-\u0105j\u012f gimtadien\u012f.<\/p>\n

\u201eManau svarbu, kad Klaip\u0117da nepamir\u0161t\u0173 savo multikult\u016bri\u0161kumo. Spektakliui, skirtam Klaip\u0117dos miesto gimtadieniui pasirinkome ne klaip\u0117diet\u012f, o pr\u016bs\u0105. 2023 metais sueis 100 met\u0173, kai Klaip\u0117da priklauso Lietuvai. Kaip b\u016bdinga uostamies\u010diams, joje ilg\u0105 laik\u0105 vir\u0117 \u012fvairi\u0173 kult\u016br\u0173 katilas. \u0160is spektaklis \u2013 kvietimas neignoruoti \u0161io istorinio konteksto ir taip pat nepamir\u0161ti, jog Klaip\u0117da visada buvo Europos kult\u016bros dalimi\u201c \u2013 sumanym\u0105 pristat\u0117 spektaklio id\u0117jos autor\u0117, \u0160eiko \u0161okio teatro prodiuser\u0117 Goda Giedraityt\u0117.<\/p>\n

Ilgai galvota, kad Troja egzistavo tik graik\u0173 legendose ir Homero k\u016briniuose. Pr\u016bs\u0173 kilm\u0117s verslininkas, poliglotas, archeologas-m\u0117g\u0117jas, mintinai citav\u0119s \u201eIliad\u0105\u201c H. Schliemannas XIX a. \u012frod\u0117 kitaip. Nuo vaikyst\u0117s svajoj\u0119s atrasti Troj\u0105 vargu ar b\u016bt\u0173 tai padar\u0119s, jei ne laimingas atsitiktinumas, nutik\u0119s tuometiniame Memelyje. Per did\u012fj\u012f Klaip\u0117dos gaisr\u0105 1854 metais vienintelis neprarad\u0119s brangaus krovinio \u2013 indigo milteli\u0173, jis susikrov\u0117 dar didesnius turtus, kurie v\u0117liau leido savo svajon\u0119 paversti tikrove.<\/p>\n

\"\"<\/a><\/p>\n

H. Schliemannas s\u0105moningai siek\u0117 tapti istori\u0161kai reik\u0161mingu asmeniu, tod\u0117l steng\u0117si pagra\u017einti savo biografij\u0105. Jis negail\u0117jo pinig\u0173 savo pasiekim\u0173 propagandai ir net buvo nusisamd\u0119s asmenin\u012f reklamos agent\u0105. D\u0117l savo polinkio \u201epagra\u017einti\u201c, mistifikuoti ir tiesiog meluoti, istorik\u0173, archeolog\u0173 ir biograf\u0173 jis vertinamas nevienareik\u0161mi\u0161kai. Anot biografo Philippo Vandenbergo, beveik visi H. Schliemanno lai\u0161kai para\u0161yti \u017einant, kad bus pavie\u0161inti. Biografas teig\u0117, jog verslininkas buvo \u201epa\u017eeid\u017eiamas \u017emogus, am\u017einai susir\u016bpin\u0119s savo reputacija, po kruopelyt\u0119 k\u016br\u0119s sau tyrin\u0117tojo biografij\u0105\u201c.<\/p>\n

Bet pasiekti mokslin\u012f pripa\u017einim\u0105 jam sek\u0117si sunkiai. Dar Trojos atrad\u0117jui esant gyvam, jo asistentas suprato, jog ant Hisarliko kalvos egzistavo 9 kult\u016briniai sluoksniai ir \u012frod\u0117, kad tasai, kurio \u012fnirtingai ie\u0161kodamas verslininkas naudojo sprogmenis, n\u0117ra homeri\u0161koji Troja. Paradoksalu, bet \u012fnirtingai ie\u0161kodamas \u201etos\u201c Trojos, b\u016btent j\u0105 ir sunaikino.<\/p>\n

Atsargi lyg archeologo \u0161luotel\u0117 choreografija, skendinti m\u0117lynuose pelenuose<\/b><\/p>\n

K\u016br\u0117jai pabr\u0117\u017eia \u2013 \u201eIndigo. Das Schliemann Projekt\u201c n\u0117ra istorinis spektaklis. Tai abstraktus, nuojautomis ir pas\u0105mon\u0117s \u017eenklais \u201ekalbantis\u201c darbas, ta\u010diau temos susiveda \u012f savik\u016bros, u\u017ekasimo, atkasimo-atradimo temas, kuriomis persmelkta H. Schliemanno istorija. K\u016br\u0117jus domina, kas pasl\u0117pta po tuo fasadu.<\/p>\n

\u201eKaip jis atrod\u0117 kitiems buvo svarbiausia. Jo knygose apstu istorij\u0173 apie \u012fvykius, kuriuose jis negal\u0117jo dalyvauti, ta\u010diau save \u201e\u012fklijuoja\u201c ir pateikia kaip fakt\u0105. Mes \u0161iandien nuolat gyvename \u0161iame fone: labai lengvai gali formuoti savo \u012fvaizd\u012f, o kiti \u2013 spr\u0119sti apie tave pagal j\u012f. Pinigai ir jo ambicijos buvo vienintelis tikslas, pateisinantis priemones, nekvestionuojant vertybi\u0173.\u201c \u2013 apie spektaklio aktualum\u0105 pasakoja choreograf\u0117 Agnija \u0160eiko.<\/p>\n

\"\"<\/a><\/p>\n

Spektaklio atmosfer\u0105 choreograf\u0117 apib\u016bdino kaip paslapting\u0105, meditatyvi\u0105. Joje leid\u017eiama laikui tek\u0117ti. Kaip ir archeologijoje, jai reikia laiko, atsargumo ir kruop\u0161tumo.<\/p>\n

\u201eH. Schliemannas i\u0161sprogdino visas kitas Trojas, kad surast\u0173 \u201et\u0105\u201c ir taip sunaikino tai, ko ie\u0161kojo. Tod\u0117l spektaklyje viskas vyksta atsargiai, kad tie sprogimai ne\u012fvykt\u0173, o jeigu \u012fvyksta, kas po to lieka? Tyrin\u0117jame, kaip atsiranda \u0161is monstri\u0161kumas, kiek jame lieka \u017emogi\u0161kumo, kaip i\u0161 t\u0173 griuv\u0117si\u0173 v\u0117l surinkti save.\u201c \u2013 k\u016brinio nuotaik\u0105 apib\u016bdino A. \u0160eiko.<\/p>\n

Abstraktumas, rytieti\u0161kumo ir modernumo derinys, archeologijos \u012ftakos ry\u0161kios ir scenografijoje, kostiumuose bei Donato Bielkausko kuriamoje muzikoje.<\/p>\n

\u201e\u0160ok\u0117jai i\u0161sivynioja i\u0161 mumijas, i\u0161kasenas primenan\u010di\u0173 palt\u0173, i\u0161 po kuri\u0173 ky\u0161o m\u0117lyni mar\u0161kiniai. Viso spektaklio metu scenoje sninga m\u0117lynais pelenais, kurie pama\u017eu u\u017ekloja vis\u0105 scen\u0105 ir panardina \u0161ok\u0117jus iki pat keli\u0173. Indigo atspalvi\u0173 drabu\u017eiai ima susilieti su pelenais, o tada laukia dar vienas i\u0161luk\u0161tenimas i\u0161 kurio, kas \u017eino, gal pasirodys gyvi \u017emon\u0117s\u201c \u2013 vizuali\u0105ja spektaklio \u201eIndigo. Das Schliemann Projekt\u201c dal\u012f pristat\u0117 kostium\u0173 dizainer\u0117 Sandra Straukait\u0117 ir scenograf\u0117 Sigita \u0160imk\u016bnait\u0117.<\/p>\n

\"\"<\/a><\/p>\n

Spektaklis yra Klaip\u0117dos 770 gimtadienio programos dalis.<\/p>\n

Bilietus \u012f premjerinius spektaklius platina bilietai.lt<\/a>.<\/p>\n

Teatro veikl\u0105 finansuoja Klaip\u0117dos miesto savivaldyb\u0117, Lietuvos kult\u016bros taryba.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160iemet Klaip\u0117da mini 770 met\u0173 miesto \u012fk\u016brimo jubiliej\u0173, o Europa \u2013 Heinricho Schliemanno, Trojos atrad\u0117jo, gimimo 200-\u0105sias metines. \u0160iame kontekste …<\/p>\n","protected":false},"author":2,"featured_media":13144,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\n\u0160eiko \u0161okio teatro premjeroje \u2013 260 kilogram\u0173 m\u0117lyn\u0173 pelen\u0173 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/09\/21\/seiko-sokio-teatro-premjeroje-260-kilogramu-melynu-pelenu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0160eiko \u0161okio teatro premjeroje \u2013 260 kilogram\u0173 m\u0117lyn\u0173 pelen\u0173 - 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