{"id":13147,"date":"2022-09-22T12:23:18","date_gmt":"2022-09-22T09:23:18","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=13147"},"modified":"2022-09-22T12:24:51","modified_gmt":"2022-09-22T09:24:51","slug":"maistauti-sokiu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/09\/22\/maistauti-sokiu\/","title":{"rendered":"Mai\u0161tauti \u0161okiu"},"content":{"rendered":"

Rugpj\u016b\u010dio 11 \u2013 13 dienomis \u201eConTempo\u201c festivalio metu Kaune\u00a0 \u012fvyko dvi Europos kult\u016bros sostines \u2013 Kaun\u0105 ir E\u0161\u0105 \u2013 vienijan\u010dio projekto \u201eTribune \/\/ Dance Your Self!\u201c pristatymas. Per tris vakarus buvo parodyti \u0161e\u0161i \u0161io projekto darbai \u2013 trys Lietuvos ir trys Liuksemburgo k\u016br\u0117j\u0173. Lietuvos \u0161iuolaikinio \u0161okio \u017ei\u016brovui puikiai \u017einomos \u0161ok\u0117jos, choreograf\u0117s Agniet\u0117 Lisi\u010dkinait\u0117, Gr\u0117t\u0117 \u0160mitait\u0117 ir Vilma Pitrinait\u0117 \u010dia pristat\u0117 savo k\u016brinius. Juos turb\u016bt\u00a0 gal\u0117tume vadinti pirmuoju i\u0161ties brand\u017eiu karantino produktu: i\u0161 scenos traukiasi karantinas kaip fenomenas, susietas su pandemija ir specifin\u0117mis jos taisykl\u0117mis, k\u016brybiniu impulsu tampa izoliacija, jos metu kylan\u010dios vidin\u0117s b\u016bsenos, mintys. Konceptualiuose Lietuvos k\u016br\u0117j\u0173 darbuose, gimusiuose b\u016btent saviizoliacijos, gyvenimo grie\u017et\u0173 taisykli\u0173 ir vienatv\u0117s apribotu metu, atsiranda bendra mai\u0161to tema \u2013 protesto kult\u016bra, mai\u0161tas prie\u0161 save ir s\u0105lygos mai\u0161tui kilti.<\/p>\n

\"\"<\/a>Gintar\u0117s \u017daltauskait\u0117s nuotraukos<\/em><\/p>\n

Protesto kult\u016br\u0105 analizuoja Agniet\u0117 Lisi\u010dkinait\u0117 vyksme \u201eHands up\u201c, kuris nat\u016braliai skyla \u012f dvi dalis \u2013 vykstan\u010di\u0105 gatv\u0117je ir vykstan\u010di\u0105 sal\u0117je. Pirmosios dalies metu \u017ei\u016brovai pakvie\u010diami i\u0161sirinkti plakat\u0105, atstovaujant\u012f j\u0173 \u012fsitikinimams. Ant grindinio i\u0161d\u0117liot\u0173 pasirinkim\u0173 palet\u0117 plati, plakatai reikalauja (o kitoje pus\u0117je gin\u010dija) moter\u0173 ir pab\u0117g\u0117li\u0173 teisi\u0173, kovoja prie\u0161 (ir u\u017e) homofobij\u0105, rasizm\u0105, eid\u017eism\u0105, smerkia (ir teisina) karinius konfliktus. \u017di\u016brovai su auk\u0161tai pakeltais plakatais i\u0161eina \u012f Laisv\u0117s prospekt\u0105 tarsi protesto vienijama minia, jie pasiduoda nenusp\u0117jamai gatv\u0117s dramaturgijai ir patys tampa jos provokatoriais. \u012edomu tapti \u0161ios dramaturgijos dalimi, steb\u0117ti praeivi\u0173 reakcijas, kuri\u0173 da\u017eniausia \u2013 prie\u0161i\u0161kumas pa\u010diam eisenos veiksmui ir i\u0161keltam plakatui, nesigilinant \u012f jo\u00a0 \u017einut\u0119. Id\u0117jin\u0117 kova u\u017e savo \u012fsitikinimus netrunka tapti ir fizine, kai po keleto minu\u010di\u0173 ima svirti plakatus laikan\u010dios rankos \u2013 fizi\u0161kai darosi sunku\u00a0 ginti savo interes\u0105 ir nepasiduoti, kad jis b\u016bt\u0173 matomas i\u0161kelto plakato pavidalu.<\/p>\n

\"\"<\/a><\/p>\n

Gatv\u0117je esame minia, o sal\u0117je jau stebime individ\u0105, savit\u0105 vieno protestuotojo psichologin\u012f portret\u0105. Meditatyvus, beveik letargi\u0161kas \u0161ok\u0117jos judesys pakeltomis rankomis, besimainan\u010diais, visiems suprantamais gestais (taikos \u017eenklas, vidurinis pir\u0161tas), palengva virsta \u016bmiu, agresyviu galiausiai provokuojan\u010diu. Kaip protestuoti, kad b\u016btum i\u0161girstas? Kaip tai daryti taikiai ir pagarbiai, kai jauti pykt\u012f? Pykt\u012f, agresij\u0105, i\u0161 jos kylant\u012f mai\u0161ting\u0105 \u0161ok\u012f steb\u0117ti \u012fdomu, ta\u010diau pasirodymo finalas nei\u0161vengiamai ima silpti. Siekdama perteikti savo bej\u0117gi\u0161kum\u0105 ne vien tik prasmi\u0161kai kintan\u010diu pakelt\u0173 rank\u0173\u00a0 simboliu, \u0161ok\u0117ja graudindamasi dainuoja melancholi\u0161k\u0105 \u201eDo you believe in life after love\u201c versij\u0105. Originaliai dainininkei Cher priklausanti daina, tapusi nemariu vakar\u0117li\u0173 hitu, \u010dia niekaip negeba suskamb\u0117ti rimtai, paveikti \u017ei\u016brovo emoci\u0161kai, ko, pana\u0161u, yra siekiama. Tad galvojant apie \u201eHands up\u201c, atmintyje daug stipriau \u012fsir\u0117\u017eia ir susim\u0105styti ver\u010dia pirmoji pasirodymo dalis, jos metu i\u0161gyventas buvimas protestuotoju, nemotyvuotos neapykantos, pa\u0161aip\u0173 ar papras\u010diausio ignoravimo objektu.<\/p>\n

Gr\u0117t\u0117s \u0160mitait\u0117s k\u016brinys \u201e\u012eskilimai\u201c \u2013 lyg salel\u0117 tarp dviej\u0173 \u201eprotestuojan\u010di\u0173\u201c kit\u0173 menininki\u0173 darb\u0173.\u00a0 Skaitydama savo mirusiam seneliui para\u0161yt\u0105\u00a0 lai\u0161k\u0105,\u00a0 \u0161ok\u0117ja dalinasi klausimais, \u012f kuriuos niekaip negeba rasti atsakymo: kas yra meil\u0117, kokia ji, kod\u0117l populiariojoje muzikoje ji tokia agresyvi, ne\u0161vanki. Atlik\u0117ja kalba apie pa\u017eeid\u017eiamum\u0105, nor\u0105 megzti tarpusavio ry\u0161ius, j\u0173 nesupratim\u0105, klausia, kaip i\u0161likti, kai esi jautrus?<\/p>\n

\"\"<\/a><\/p>\n

\u012e lai\u0161ko skaitym\u0105 \u012fsiterpia du \u0161okiai. Pirmasis pagal Beyonce dain\u0105 \u201eDrunk in love\u201c, kurios negailestingame ritme atsid\u016brusi \u0161ok\u0117ja bando ie\u0161koti savo meil\u0117s ir ry\u0161io apib\u016bdinim\u0173. Vos vien\u0105 kit\u0105 melodingesn\u0119 dainos akimirk\u0105, lyri\u0161kesnio \u0161okio judes\u012f greitai nustelbia trankus, energingas dainos ritmas, pavir\u0161utini\u0161ki, ga\u0161l\u016bs, \u017emoni\u0173 tarpusavio ry\u0161\u012f sudaiktinantys \u017eod\u017eiai. Scenoje\u00a0 bla\u0161kosi tokio \u017emoni\u0173 santykio ir jo i\u0161rai\u0161kos negalinti suprasti \u0161ok\u0117ja. Antrasis \u0161okis pagal Franko Sinatros dain\u0105\u00a0 \u201eMy way\u201c, skirtas seneliui, yra daug laisvesnis, jame atsiranda erdv\u0117s tiek lyri\u0161kam judesiui, tiek pasiutusiam vaiki\u0161kumui \u2013 muzika \u010dia nebe eng\u0117ja, o s\u0105junginink\u0117. \u012esimintinas \u0161io \u0161okio finalas \u2013 Sinatrai dainuojant paskutines, link kulminacijos kylan\u010dias dainos eilutes, \u0160mitait\u0117 energingai \u0161okin\u0117ja, su kiekvienu \u0161uoliu rankas atmesdama atgal. Intensyvus judesys, kylanti dainos \u012ftampa kuria ry\u0161ki\u0105 d\u017eiaugsmingo katarsio akimirk\u0105. \u201e\u012eskilimuose\u201c labiausiai d\u0117mes\u012f prikausto \u0161ok\u0117jos jautrumas, naivumas. \u012e \u0160mitait\u0119 norisi \u017ei\u016br\u0117ti kaip \u012f ret\u0105 eksponat\u0105, i\u0161dr\u012fstant\u012f atsiduoti savo pa\u017eeid\u017eiamumui, g\u0117r\u0117tis jos sugeb\u0117jimu sukurti tok\u012f grynai nuo\u0161ird\u0173 k\u016brin\u012f, kuris per\u017eengia pagraudenim\u0173 ir kli\u0161i\u0173 ribas.<\/p>\n

\"\"<\/a><\/p>\n

Vilmos Pitrinait\u0117s\u00a0 \u201eTai ne tavo sapnas\u201c \u017eaid\u017eia mai\u0161to elementais, analizuoja s\u0105lygas jam kilti. Scenoje regime hiperbolizuot\u0105 \u201ekietos\u201c mai\u0161tinink\u0117s, taisykli\u0173 lau\u017eytojos fig\u016br\u0105 \u2013 Pitrinait\u0117 d\u0117vi treningin\u012f kostium\u0105, jos d\u017eemperis apsi\u016btas grandin\u0117mis. Jos \u012fvaizdis kontrastuoja su scenos tu\u0161tuma, \u0161ok\u0117jos-reper\u0117s mai\u0161tas vyksta izoliacijoje bei d\u0117l jos \u2013 mai\u0161taujama savame kambaryje, kuriame taip i\u0161siilgtos bendruomen\u0117s jausm\u0105 kuria tik pa\u010dios atlik\u0117jos bals\u0105 galinti atkartoti ir dauginti garso ma\u0161ina.<\/p>\n

\"\"<\/a><\/p>\n

\u0160ok\u0117ja dar tik besirenkan\u010dius \u017ei\u016brovus pasitinka monologu, kvie\u010dian\u010diu mai\u0161tauti ir netiesiogiai kvestionuojan\u010diu kiekvieno \u017emogaus asmenines laisves:\u00a0 esame skatinami lau\u017eyti visas buvimo steb\u0117toju normas, mums teigiama, jog galime garsiai valgyti, komentuoti, ploti\u00a0 kai nereikia, daryti visk\u0105, kas \u012fprastai teatrin\u0117je aplinkoje nedera. Pitrinait\u0117s k\u016brinys \u2013 nesibaigiantis minties srautas, \u017eodinis \u0161okis \u010dia daug \u012fdomesnis u\u017e judes\u012f. \u017di\u016brov\u0105 tiesiog u\u017egri\u016bna nepertraukiamas kalb\u0117jimas,\u00a0 kuris dominuoja\u00a0 \u2013 girdime greitai besiliejan\u010dius monologus apie bendruomen\u0119, sistem\u0105 ir k\u0105 rei\u0161kia joms priklausyti. Neilgai trukus \u017eod\u017eiai pradeda u\u017esikirtin\u0117ti, atsikartoti, skilti \u012f pavienius skiemenis ar garsus, \u012fgauti naujas reik\u0161mes, o kartu \u012f \u0161ias \u017eod\u017ei\u0173 ir minties sraut\u0173 metamorfozes reaguoja judesys. Stebime \u012fsp\u016bding\u0105 ir\u00a0 labai komi\u0161k\u0105\u00a0 bei \u017eaisming\u0105 hiperaktyvios, \u201eu\u017esivedusios\u201c \u0161ok\u0117jos b\u016bv\u012f, jos k\u016bn\u0105, visi\u0161kai u\u017evaldyt\u0105 minties srauto ir k\u016brybinio impulso. Pitrinait\u0117 kuria improvizacijos \u012fsp\u016bd\u012f, sunku patik\u0117ti, kad jos atliekamas tekstas n\u0117ra kuriamas\u00a0 \u010dia ir dabar \u2013 \u0161ok\u0117jos minties srautas liejasi ypa\u010d organi\u0161kai.<\/p>\n

\"\"<\/a><\/p>\n

Spektaklio \u201erimtoji\u201c (kaip pati \u0161ok\u0117ja prad\u017eioje \u012fvardina) dalis \u2013 tai i\u0161virk\u0161\u010dioji \u017eaidimo \u017eod\u017eiu ir judesiu pus\u0117, po\u017eemin\u0117 srov\u0117. \u0160ok\u0117jos veid\u0105 pridengia d\u017eemperio gobtuvo \u0161e\u0161\u0117lis, scenoje \u012fsivyrauja prieblanda. \u0160ioje pasirodymo dalyje kalba \u0161ok\u0117jos k\u016bnas \u2013 besibla\u0161kantis, neramus, kovojantis su mums nematomu prie\u0161u. \u012e chaoti\u0161k\u0105 muzikin\u012f fon\u0105 \u012fsimai\u0161o atsikartojantys atlik\u0117jos balso \u012fra\u0161ai, garsai, \u0161\u016bksniai pavieniai \u017eod\u017eiai. Tarp j\u0173 ir subtiliai (ir b\u016btent d\u0117l \u0161io subtilumo ypa\u010d paveikios) \u012ftrauktos pastarojo meto aktualijos, neramum\u0173 aidai\u00a0 \u2013 i\u0161 triuk\u0161mo ir muzikos palengva i\u0161sivysto skanduojamas baltarusi\u0173 pasiprie\u0161inimo \u0161\u016bkis \u201euchadi\u201c bei ukrainie\u010di\u0173 liaudies daina. \u201eTai ne tavo sapnas\u201c \u2013 nepaprastai \u012ftrauki kalbos ir judesio sintez\u0117s patirtis. Mai\u0161tavimo tema \u010dia jungia tiek \u017eaismingas visuotin\u0117s vienatv\u0117s akimirkas, impuls\u0105 mai\u0161tauti prie\u0161 savo rutin\u0105, tiek gyvenimo pastar\u0173j\u0173 met\u0173 neramumuose tams\u0105, kurioje mai\u0161tas gali nulemti visos tautos ateit\u012f.<\/p>\n

\u0160iuos tris k\u016brinius buvo \u012fdomu steb\u0117ti ir vertinti Liuksemburgo k\u016br\u0117j\u0173 darb\u0173 kontekste. Kadangi kiekvieno vakaro metu buvo rodoma po vien\u0105 abiej\u0173 \u0161ali\u0173 spektakl\u012f,\u00a0 i\u0161kart mat\u0117si ry\u0161kus skirtumas tarp dviem kult\u016bros sostin\u0117ms priklausan\u010di\u0173 k\u016br\u0117j\u0173 darb\u0173. Lietuvos ir Liuksemburgo k\u016br\u0117jai \u2013 visi\u0161kos prie\u0161ingyb\u0117s. Galb\u016bt tai tik atsitiktinis \u0161io projekto metu susiklost\u0119s \u012fsp\u016bdis, o galb\u016bt u\u017euomina, leid\u017eianti ai\u0161kiau apibr\u0117\u017eti \u0161i\u0173 \u0161ali\u0173 \u0161ok\u012f ir jo specifik\u0105. Kauno darbams buvo b\u016bdingas solo pasirodymas, monospektaklis, kur\u012f atlieka pati jo autor\u0117. E\u0161o programos dalyje \u2013 vien duetai, daugumoje j\u0173 pats choreografas nedalyvauja. Lietuvos k\u016br\u0117jos renkasi socialines problemas, jas\u00a0 narsto, pasitelkdamos ne tik \u0161ok\u012f, bet ir nema\u017eai sakytinio teksto, rekvizito, meninink\u0117s bendrauja su \u017ei\u016brovais, kvie\u010dia juos \u012fsitraukti. Liuksemburgo k\u016br\u0117jai tarp sav\u0119s ir \u017ei\u016brov\u0173 i\u0161laiko \u201eketvirt\u0105 siena\u201c, o pasirinktas temas atskleid\u017eia nebyliai \u2013 \u012f akivaizdesn\u012f virtuozi\u0161kum\u0105 sutelktu \u0161okiu, paveikia ir esteti\u0161ka \u0161viesa bei muzika. Tad \u0161io projekto, o galb\u016bt ir pa\u010dios Lietuvos r\u0117muose Kauno programa i\u0161siskiria kaip linkstanti \u012f eksperimentus, tarpdisciplini\u0161kum\u0105 ir nauj\u0173 form\u0173 bandymus, labiau norinti i\u0161kelti ir spr\u0119sti aktualias problemas nei telktis \u012f estetikos paie\u0161kas.<\/p>\n

—
\n\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rugpj\u016b\u010dio 11 \u2013 13 dienomis \u201eConTempo\u201c festivalio metu Kaune\u00a0 \u012fvyko dvi Europos kult\u016bros sostines \u2013 Kaun\u0105 ir E\u0161\u0105 \u2013 vienijan\u010dio …<\/p>\n","protected":false},"author":2,"featured_media":13150,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nMai\u0161tauti \u0161okiu - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/09\/22\/maistauti-sokiu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mai\u0161tauti \u0161okiu - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Rugpj\u016b\u010dio 11 \u2013 13 dienomis \u201eConTempo\u201c festivalio metu Kaune\u00a0 \u012fvyko dvi Europos kult\u016bros sostines \u2013 Kaun\u0105 ir E\u0161\u0105 \u2013 vienijan\u010dio ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2022\/09\/22\/maistauti-sokiu\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2022-09-22T09:23:18+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-22T09:24:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/09\/298571805_1544409249336922_7119208967753841080_n.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1333\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/09\/22\/maistauti-sokiu\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/09\/298571805_1544409249336922_7119208967753841080_n.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/09\/298571805_1544409249336922_7119208967753841080_n.jpg\",\"width\":2000,\"height\":1333},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/09\/22\/maistauti-sokiu\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2022\/09\/22\/maistauti-sokiu\/\",\"name\":\"Mai\\u0161tauti \\u0161okiu - 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