{"id":13254,"date":"2022-10-25T13:21:18","date_gmt":"2022-10-25T10:21:18","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=13254"},"modified":"2022-10-25T13:21:55","modified_gmt":"2022-10-25T10:21:55","slug":"austeja-b-vilkaityte-apie-atminties-archyva-ir-soki-pauzeje","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/10\/25\/austeja-b-vilkaityte-apie-atminties-archyva-ir-soki-pauzeje\/","title":{"rendered":"Aust\u0117ja B. Vilkaityt\u0117: Apie atminties archyv\u0105 ir \u0161ok\u012f pauz\u0117je"},"content":{"rendered":"

Spalio 30 bei lapkri\u010dio 5 d. \u012fvyks Aust\u0117jos B. Vilkaityt\u0117s \u012fvietint\u0173 \u0161okio performans\u0173 dilogija \u201eDIENA \u2013 NAKTIS\u201c. Performansai bus pristatyti Vilniaus kult\u016bros, sporto ir pramog\u0173 r\u016bm\u0173 erdv\u0117se (buv\u0119 Lietuvos Respublikos Vyriausyb\u0117s r\u016bmai).<\/p>\n

Dilogija DIENA \u2013 NAKTIS yra t\u0119stinio projekto ATVANGA II dalis, tyrin\u0117jan\u010dio egzistavim\u0105 pauz\u0117je, sustojime, pertraukoje, atokv\u0117pyje bei poilsyje. \u0160okio k\u016briniai taip pat susij\u0119 su gedulo ir netekties temomis, vyksiantys iki ir po Ilgi\u0173 (v\u0117lini\u0173).<\/p>\n

Viet\u0173 skai\u010dius ribotas, b\u016btina registracija stellasallonen@hotmail.com<\/a>
\nAm\u017eius: nuo 16 met\u0173. Vieno renginio trukm\u0117: apytiksliai 1 val.<\/p>\n

\u0160okio pasirodym\u0173 vie\u0161nia – Rugil\u0117 R. D.
\nMentor\u0117 – Alice MacKenzie
\nOrganizatoriai – V\u0161\u012e \u201eDegu\u201c<\/p>\n

\"\"<\/a>I\u0161 performanso EXPRESS, Dance Cooperative meno erdv\u0117, Kopenhaga. Nuotr. M. Kristensen<\/em><\/p>\n

DIENA \u0161okis<\/strong>
\nChoreografijos salei<\/strong><\/p>\n

Spalio 30 dien\u0105 17 val. Barboros Salonen persona\u017eas kvies \u201eChoreografijos\u201c sal\u0117s k\u016bn\u0105 \u0161okiui \u201eDIENA\u201c. Kompozicijoje susipina erdv\u0117s relikvijos, buvusios istorijos bei choreografijos, transformuojasi per \u0161ok\u0117jos nuolat tyrin\u0117jam\u0105 emocin\u012f k\u016bn\u0105, atminties archyv\u0105 bei spontani\u0161k\u0105 kompozicij\u0105 atvangoje. DIENA si\u016blo \u017ei\u016brovui susitikti su pastato melancholija ir \u0161okiu dienos \u0161viesoje, pasirodymui vykstant iki sutem\u0173.<\/p>\n

\u201eVis galvoju, kaip tave u\u017evadinti, kaip u\u017era\u0161yti – kokia tavo \u017eod\u017eio choreografija? Jau lytis \u017einoma, tai ka\u017ek\u0105 pasako. Na, o daugiau, i\u0161 did\u017eiosios? Turb\u016bt taip, nes tai tavo sal\u0117, kieno, naudininkas, o vardas juk i\u0161 did\u017eiosios. Dar prie\u0161 tai galvojau, o gal visos did\u017eiosios, dar galvojau kabut\u0117se, bet na mano vardas be kabu\u010di\u0173, ir tavo tegul? Man rodos redaktor\u0117 patais\u0117 su kabut\u0117mis visgi, gal kad man\u0117 \u2013 tu negyva? Ir a\u0161 kada tur\u0117siu sal\u0119, kuri\u0105 gal\u0117siu u\u017evadinti savo vardu, nors ji turb\u016bt tam vardui ir priklausys, kaip atskiras veik\u0117jas bus, kvadratinis k\u016bnas.. su keln\u0117mis i\u0161 g\u0117l\u0117t\u0173 u\u017euolaid\u0173, veidrodukais puo\u0161ta palaidine, parketiniais bateliais. O gal d\u017eiaziniais. Na taip, juk a\u0161 su d\u017eiazo batais \u0161oku.<\/p>\n

Galvoju, o k\u0105 reik\u0117s mums veikti? Man su tavimi, tau su manimi? Mums su tavo mano k\u016bnais?<\/p>\n

Kaip i\u0161girsti man tave teisingai, tavo istorij\u0105 atkartoti per savo, tavo bals\u0105 i\u0161reik\u0161ti per judes\u012f, jusling\u0105, gyv\u0105, \u0161iuolaiki\u0161k\u0105, avangardin\u012f ir tuo pat, kad jaust\u0173si praeitis? Sakiau padainuosiu Tinderio <\/em>od\u0119 tau, o tada \u017ei\u016br\u0117sim, gal tu pasakysi, kaip tavyje elgtis, kaip tave liesti, koki\u0105 choreografij\u0105 i\u0161pildyti: reljefin\u0119, jausmin\u0119, geometrin\u0119, kinetin\u0119, garsin\u0119, \u0161viesos. Bus daug \u0161viesos, pagalvojau, matykis! Matykim\u0117s.. kol nusileis saul\u0117.\u201c<\/p>\n

NAKTIS \u0161okis<\/strong>
\nKavin\u0117je<\/strong><\/p>\n

Lapkri\u010dio 5 dien\u0105, \u0161e\u0161tadien\u012f, 19:00 val. performans\u0173 meninink\u0117 publik\u0105 kvie\u010dia jau vakarinei Dilogijos daliai, kur buvusioje Lietuvos Respublikos Vyriausyb\u0117s r\u016bm\u0173 kavin\u0117je \u012fvyks \u0161okis NAKTIS.<\/p>\n

Kavin\u0117je atveriamas dar vienas \u201ebiznio\u201c kostium\u0117lis \u2013 naujiems i\u0161\u0161\u016bkiams, linksmyb\u0117ms ir azartui. Naktiniame \u0161okyje pasklinda kaip kvepalai bordinis aksomas, geismas ir riksmas, judesys neriantis per erdv\u0119, kaip str\u0117l\u0117, kabinanti jausm\u0173 \u2018j\u016br\u0105\u2019 saujomis.<\/p>\n

\u201eIr po atrodan\u010dio laiko juost\u0173, nuorod\u0173 bei mira\u017e\u0173 chaoso, ateina harmonija.. koki\u0105 pamenam tik sapne. Lyg vaidenasi, lyg galia i\u0161tirpus erdv\u0117je. Ir poezija pavirtus. Lyg \u0161okis tap\u0119s k\u016bnu, o sienos \u2013 siela. Ir \u010dia mes esam, ir ne \u010dia. I\u0161eisim \u2013 ir v\u0117l bus rutina. Kad nesibaigt\u0173 \u0161i naktis.\u201c<\/p>\n

ATVANGA II tyrin\u0117ja \u0161ok\u012f sustojime, pauz\u0117je, pertraukoje, atokv\u0117pyje per komi\u0161kus persona\u017eus, formuojamus i\u0161 viduram\u017ei\u0173 Arlekino ir Pedrolino prototip\u0173, kurie v\u0117l atgyja Olgos K. Dubeneckien\u0117s vaidmenyse, Barboros Did\u017eiokien\u0117s paveiksluose. ATVANGA II \u012ftraukiamas meninink\u0117s \u0161eimos palikimas, k\u016bno choreografinis \u201earchyvas\u201c, susikertan\u010dios laiko juostos: miegam\u0173j\u0173 rajon\u0173 melancholij\u0105, putojan\u010di\u0173 FAB\u0172 restoran\u0173, laukini\u0173 90-\u0173j\u0173 \u201evakar\u0173\u201c nostalgij\u0105, jaun\u0173 grupi\u0173 repo ir reivo aidai, verslinink\u0173 bankroto skausmas ir vienatv\u0117s ilguma.<\/p>\n

\"\"<\/a>I\u0161 performanso NIEKADA, restoranas \u201eKastytis\u201c, \u201eNepatog\u016bs Vakarai\u201c festivalis. Nuotr. V. Paplauskas<\/em><\/p>\n

Aust\u0117ja B. Vilkaityt\u0117<\/strong> \u2013 tarp Vilniaus ir Stokholmo kurianti \u0161ok\u0117ja, performanso meninink\u0117 ir choreograf\u0117. Nor\u0117dama \u012fgalinti ir i\u0161laisvinti aktualius vyksmus, Aust\u0117ja Vilkaityt\u0117 savo solo k\u016bryboje pasitelkia alter ego\u2019 persona\u017eus, da\u017enai reprezentuojan\u010dius socialines, kult\u016brines kategorijas. Vilkaityt\u0117s mediumas yra \u0161okio menas, kur svarbi estetika reprezentuojanti realyb\u0119 beveik atpa\u017e\u012fstam\u0105 ir vos pakitusi\u0105 \u2013 tai tampa choreografijos dalimi performanso veiksme. Jos k\u016bryb\u0105 \u012ftakoja erdv\u0117s architekt\u016bra ir kontekstas: vietos santykiai, politiniai rei\u0161kiniai, tradicijos. Meninink\u0119 domina emocinis, juslinis, gundantis judesys, galios santykiai tirpstantys ir kintantys gyvo meno k\u016brinyje, atminties, sielos paie\u0161kos erdv\u0117s ir \u017emoni\u0173 k\u016bnuose.<\/p>\n

Projektas dalinai finansuojamas Lietuvos kult\u016bros tarybos<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Spalio 30 bei lapkri\u010dio 5 d. \u012fvyks Aust\u0117jos B. Vilkaityt\u0117s \u012fvietint\u0173 \u0161okio performans\u0173 dilogija \u201eDIENA \u2013 NAKTIS\u201c. Performansai bus pristatyti …<\/p>\n","protected":false},"author":2,"featured_media":13255,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nAust\u0117ja B. Vilkaityt\u0117: Apie atminties archyv\u0105 ir \u0161ok\u012f pauz\u0117je - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/10\/25\/austeja-b-vilkaityte-apie-atminties-archyva-ir-soki-pauzeje\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aust\u0117ja B. 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