{"id":13313,"date":"2022-11-14T09:37:00","date_gmt":"2022-11-14T07:37:00","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=13313"},"modified":"2022-11-14T09:39:53","modified_gmt":"2022-11-14T07:39:53","slug":"vaidinantys-zmones-sokantys-dievai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/11\/14\/vaidinantys-zmones-sokantys-dievai\/","title":{"rendered":"Vaidinantys \u017emon\u0117s, \u0161okantys dievai"},"content":{"rendered":"

Su\u017einojusi, kad \u012f 32-\u0105 kart\u0105 rengiam\u0105 tarptautin\u012f \u0161okio festival\u012f \u201eAura\u201c atvyksta Akramo Khano trup\u0117, sureagavau pana\u0161iai, kaip kadaise i\u0161girdusi apie Eltono Johno vizit\u0105 Vilniuje: nuostabu, tik gaila, kad \u017evaig\u017ed\u017ei\u0173 sulaukiame nuslopus j\u0173 aktualumo pikui.<\/p>\n

Did\u017eiojoje Britanijoje \u012fsik\u016brusi Akramo Khano \u0161okio trup\u0117 tarptautiniu mastu \u017einoma jau dvide\u0161imt met\u0173. Tai pasiekti leido ne tik auk\u0161tas k\u016brybos bei komandos meninis lygis, bet ir choreografo pasirinkimas jungti Tolim\u0173j\u0173 ir Artim\u0173j\u0173 Ryt\u0173 tradicijas su Vakarams b\u016bdingesniais rei\u0161kiniais. Jo spektakliuose susiduria Azijos filosofija ir \u0161iuolaikinis Europos mentalitetas: sodri Khano choreografija u\u017epildo juos skirian\u010di\u0105 praraj\u0105 ir nutiesia keli\u0105 susitikimui, leisdama \u017ei\u016brovams j\u012f steb\u0117ti.<\/p>\n

\"\"<\/a>Organizatori\u0173 archyvo nuotraukos<\/em><\/p>\n

2016-aisiais Did\u017eiosios Britanijos \u017einiasklaidoje nuskamb\u0117jo Khano parei\u0161kimas, kad jis nemato b\u016btinyb\u0117s didinti moter\u0173 choreografi\u0173 kiek\u012f. Vyrai, neva, i\u0161kyla nat\u016braliai, o ne d\u0117l seksistin\u0117s kult\u016bros, tad moter\u0173 integracija b\u016bt\u0173 dirbtin\u0117 ir \u017ealinga \u0161okio laukui (angli\u0161kai rei\u0161kinys vadinamas tokenism<\/em>). Ir \u0161tai 2019-aisiais, statydamas spektakl\u012f \u201ePergudraujant velni\u0105\u201c, \u0161\u012fmet parodyt\u0105 \u201eAuros\u201c festivalyje,\u00a0\u00a0 choreografas tarsi nusprend\u0117 paneigti savo internalizuot\u0105 seksizm\u0105. Spektaklio repeticijose apsilankiusiai BBC televizijai jis pasakojo, kad \u201ePergudraujant velni\u0105\u201c \u012fkv\u0117p\u0117 meninink\u0117s Susanos Dorothea\u2018os White paveikslas \u201ePirmoji vakarien\u0117\u201c (The First Supper<\/a>), komentuojantis \u017eym\u0173j\u012f Leonardo da Vinci k\u016brin\u012f. Jame vietoj apa\u0161tal\u0173 matome dvylika skirtingoms kult\u016broms atstovaujan\u010di\u0173 moter\u0173, kuri\u0173 centre \u2013 Australijos aborigen\u0117.<\/p>\n

\u0160iandien spektaklio apra\u0161ymuose randame kit\u0105 \u012fkv\u0117pimo \u0161altin\u012f \u2013 Gilgame\u0161o ep\u0105, kurio herojai, \u017einoma, vyrai. Spektaklio centre taip pat atsiduria svyruojantis ir ken\u010diantis vyras. Vis d\u0117lto likimo \u0161eiminink\u0117s j\u0117ga \u010dia atiduota moteriai. Vienos i\u0161 a\u0161tuoni\u0173 klasikinio Indijos \u0161okio form\u0173 Kathak<\/em> atlik\u0117ja Pallavi Anand stovi u\u017e kiekvienos b\u016btyb\u0117s, su kuria susiduria stebuklingame mi\u0161ke atsid\u016br\u0119s \u017emogus, ie\u0161kantis tarsi artimos sielos, tarsi pats sav\u0119s. Sutrikusio vyro kelyje \u012f ne\u017einomyb\u0119 deiv\u0117 i\u0161nyra\u00a0 lyg \u017dinojimas, savo nuo\u017ei\u016bra galintis kenkti arba pad\u0117ti.<\/p>\n

\"\"<\/a><\/p>\n

\u201ePergudraujant velni\u0105\u201c i\u0161 ties\u0173 primena diding\u0105 ep\u0105. Pirmoje spektaklio pus\u0117je atlik\u0117jai nepaliaujamai augina energij\u0105, tarsi ji netur\u0117t\u0173 rib\u0173. Su ja auga \u012ftampa, neleid\u017eianti \u017ei\u016brovui \u012fkv\u0117pti. Tai \u2013 grynas \u0161okio teatras, kuriame mainosi dramin\u0117s vaidybos i\u0161rai\u0161ka ir \u012fvairios \u0161okio technikos. Nors Khanas renkasi pa\u017e\u012fstamus, netgi ilgametes tradicijas puosel\u0117jan\u010dius stilius, \u0161okio ir dramos jungtis spektaklyje leid\u017eia pajusti skirtum\u0105 tarp \u017emonijos ir to, kas dievi\u0161ka. Stilizuota ir sul\u0117tinta dramin\u0117 i\u0161rai\u0161ka iliustruoja tai, kas artima m\u016bs\u0173 bui\u010diai. \u0160okio technikos ir giganti\u0161kos i\u0161tverm\u0117s reikalaujan\u010dios choreografijos atlikimas prieinamas ne kiekvienam, tad j\u012f galime pajusti kaip dievi\u0161k\u0105 gali\u0105, dar stipriau i\u0161ry\u0161k\u0117jan\u010di\u0105 greta min\u0117tos buities.<\/p>\n

Spektakl\u012f apib\u016bdinau kaip dviej\u0173 b\u016btybi\u0173 kov\u0105, ta\u010diau scenoje pasirodo \u0161e\u0161i \u0161okio menininkai. Dalis j\u0173 veikia tarsi katalizatoriai, dirgikliai, stebuklingi k\u016bnai, \u012fkvepiantys klaid\u017eiojan\u010diam vyrui nor\u0105 gyventi arba spaud\u017eiantys j\u012f kent\u0117ti. Regis, \u201ePergudraujant velni\u0105\u201c \u2013 tai am\u017eini kontrastai tarp kra\u0161tutinum\u0173, kuriuos skirian\u010di\u0105 duob\u0119 u\u017epildo nesenkanti atlik\u0117j\u0173 energija ir choreografija, neleid\u017eianti paleisti kone fizi\u0161kai juntamos \u012fvyki\u0173 t\u0117km\u0117s. Ir \u0161tai gr\u012f\u017eau ten, nuo ko prad\u0117jau: Khanas sugeba i\u0161jausti ir atskleisti gyvybing\u0105 s\u016bkur\u012f tarp to, k\u0105 \u017emonija supranta kaip prie\u0161ingus polius.<\/p>\n

\"\"<\/a><\/p>\n

S\u016bkurys toks gyvybingas, kad pati spektakl\u012f patyriau svyruodama tarp dviej\u0173 po\u017ei\u016brio ta\u0161k\u0173. Viena vertus, k\u016brinys nepaprastai stiprus, daugiausiai paveikus, profesionalus, \u012fsp\u016bdingas. Kita vertus, j\u012f \u017ei\u016brint nepaliko jausmas, kad tai \u2013 praeities \u0161okio teatras, kur\u012f \u0161iandien i\u0161gyvename kaip aktualaus meno atgarsius, o ne perspektyv\u0105.<\/p>\n

Min\u0117jau Khano ir jo komandos geb\u0117jim\u0105 i\u0161laikyti auk\u0161t\u0105 \u012ftamp\u0105 ir kelti j\u0105 net tada, kai \u017ei\u016brovui, regis, tr\u016bksta oro. Vis d\u0117lto kaskart jai nuslopus, susidom\u0117jim\u0105 kei\u010dia nuovargis, tad ilgainiui spektaklis tampa nuobodus. \u201ePergudraujant velni\u0105\u201c \u2013 tai bendra\u017emogi\u0161kas k\u016brinys, i\u0161vengiantis ry\u0161kesn\u0117s \u0161i\u0173 dien\u0173 interes\u0173 suformuotos interpretacijos. Kalbu ne apie iliustratyvi\u0105 aktualij\u0173 ar inovatyvesni\u0173 \u0161okio technik\u0173 integracij\u0105 \u2013 stilisti\u0161kai k\u016brinys vientisas ir tvirtas, tad tokie papildiniai grei\u010diausiai atrodyt\u0173 neskoningai. Turiu omenyje \u0161iuolaikin\u012f m\u0105stym\u0105, tolstant\u012f nuo to, kas tvarkinga ir visuotinai priimtina. \u0160iandien tvarkingos ir teisingos i\u0161rai\u0161kos besilaikantys k\u016briniai primena nekvestionuojam\u0105 klasik\u0105, kuri\u0105 lengva \u012fvertinti protu, ta\u010diau sunku patirti empati\u0161kai.<\/p>\n

\"\"<\/a><\/p>\n

\u012edomu ir tai, kad ilgai brandintas \u201ePergudraujant velni\u0105\u201c (jo bendraautoriai teigia, kad Khanas spektaklius tobulina net \u012fvykus j\u0173 premjeroms) nepasibaigia laiku. Pra\u0117jus pirmajai valandai prasideda ilga \u012fvyki\u0173 atomazga, kurios metu i\u0161gyvename bent tris k\u016brinio pabaigas. Tik\u0117tina, kad tai susij\u0119 su pasirinkimu remtis siu\u017eetu: tokiais atvejais da\u017enai gimsta poreikis aptarnauti literat\u016br\u0105, neleid\u017eiantis atsisakyti scen\u0173, kurios spektakliui n\u0117ra reikalingos. Kitaip sakant, vadovaujamasi poreikiu istorij\u0105 iliustruoti tiek, kiek diktuoja u\u017era\u0161ytas tekstas, o ne scenos laikas. Atsi\u017evelgiant \u012f literat\u016brai ilgus metus tarnavusio dramos teatro s\u0105vokas, tok\u012f spektakl\u012f galima pavadinti literat\u016briniu \u0161okio teatru.<\/p>\n

Bet kuriuo atveju, Akramo Khano \u0161okio trup\u0117s vizitas Kaune labai svarbus Lietuvai, ypa\u010d \u0161iuolaikinio \u0161okio gerb\u0117jams. Tokie spektakliai priartina \u0161alies publik\u0105 prie did\u017ei\u0173j\u0173 Europos \u0161okio scen\u0173, pristatydami \u0161iuolaikinio \u0161okio grietin\u0117l\u0119. Kita vertus, nesu tikra, ar u\u017esienio \u0161okiu aktyviai nesidomintiems \u017ei\u016brovams festivalis pakankamai ai\u0161kiai pristat\u0117 trup\u0117s status\u0105 \u2013 reklamos, kurioje b\u016bt\u0173 auk\u0161tinamas \u017evaig\u017ed\u017ei\u0173 vizitas nepasteb\u0117jau. Jei taip ir buvo, labai gaila nei\u0161naudotos progos parodyti skepti\u0161kiau nusiteikusiems, koks epinis gali b\u016bti \u0161iuolaikinis \u0161okis. Nes \u201epataikiusieji\u201c ateiti gavo kokybi\u0161k\u0105, gyvybing\u0105 ir pakankamai saug\u0173 spektakl\u012f, riziking\u0105 techni\u0161kai, bet ne temos ar formos prasme.
\n___
\n\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Su\u017einojusi, kad \u012f 32-\u0105 kart\u0105 rengiam\u0105 tarptautin\u012f \u0161okio festival\u012f \u201eAura\u201c atvyksta Akramo Khano trup\u0117, sureagavau pana\u0161iai, kaip kadaise i\u0161girdusi apie …<\/p>\n","protected":false},"author":2,"featured_media":13318,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nVaidinantys \u017emon\u0117s, \u0161okantys dievai - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/11\/14\/vaidinantys-zmones-sokantys-dievai\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vaidinantys \u017emon\u0117s, \u0161okantys dievai - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Su\u017einojusi, kad \u012f 32-\u0105 kart\u0105 rengiam\u0105 tarptautin\u012f \u0161okio festival\u012f \u201eAura\u201c atvyksta Akramo Khano trup\u0117, sureagavau pana\u0161iai, kaip kadaise i\u0161girdusi apie ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2022\/11\/14\/vaidinantys-zmones-sokantys-dievai\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2022-11-14T07:37:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-11-14T07:39:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/11\/311729924_470284221796784_1826893634080811603_n.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1401\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/11\/14\/vaidinantys-zmones-sokantys-dievai\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/11\/311729924_470284221796784_1826893634080811603_n.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2022\/11\/311729924_470284221796784_1826893634080811603_n.jpg\",\"width\":2048,\"height\":1401},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/11\/14\/vaidinantys-zmones-sokantys-dievai\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2022\/11\/14\/vaidinantys-zmones-sokantys-dievai\/\",\"name\":\"Vaidinantys \\u017emon\\u0117s, \\u0161okantys dievai - 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