{"id":13487,"date":"2022-12-16T08:02:42","date_gmt":"2022-12-16T06:02:42","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=13487"},"modified":"2022-12-20T18:06:55","modified_gmt":"2022-12-20T16:06:55","slug":"ar-galima-susokti-meiles-soki-be-partnerio","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/12\/16\/ar-galima-susokti-meiles-soki-be-partnerio\/","title":{"rendered":"Ar galima su\u0161okti meil\u0117s \u0161ok\u012f be partnerio?"},"content":{"rendered":"

Vieno i\u0161 gra\u017eiausi\u0173 lietuvi\u0161k\u0173 film\u0173 \u201eAve, vita\u201c (re\u017e. Almantas Grikevi\u010dius, 1969 m.) prad\u017eioje konclagerio pragar\u0105 \u00a0i\u0161gyven\u0119s vyras mir\u0161ta, per televizori\u0173 \u017ei\u016br\u0117damas sportini\u0173 \u0161oki\u0173 \u010dempionat\u0105. Neofolklorin\u0117 \u0161oki\u0173 muzika, ver\u017eliai besisukan\u010dios poros ir l\u0117tai mirusiojo rankoje smilkstanti paskutin\u0117 cigaret\u0117 kalba ne tik apie gyvenimo absurd\u0105 ir kontrastus, bet ir apie gro\u017e\u012f bei meil\u0119 gyvenimui. Pana\u0161iu principu prie\u0161ingyb\u0117s susitinka ir de\u0161imties met\u0173 jubiliej\u0173 \u0161ven\u010dian\u010dio \u0160eiko \u0161okio teatro spektaklyje \u201eLa CALASH La Latin-LT\u201c \u2013 dviej\u0173 kontrasting\u0173 \u0161okio pasauli\u0173 (sportini\u0173 ir \u0161iuolaikinio) susikirtimo ta\u0161kai pa\u0161iepia, ta\u010diau nesumenkina vienas kito.<\/p>\n

\"\"<\/a>Dmitrijaus Matvejevo nuotraukos<\/em><\/p>\n

Pirmasis spektaklio \u0161ok\u0117j\u0173 \u012f\u0117jimas \u012f scen\u0105\u00a0 paruo\u0161ia publik\u0105 dialogo b\u016bsenai. \u017di\u016brov\u0173 bei \u0161ok\u0117j\u0173\u00a0\u00a0 bendravimas pradedamas tyla, ir i\u0161sirutulioja \u012f \u0161ok\u0117j\u0173 energingai kaitaliojamas minas ir agresyv\u0173 \u017eiop\u010diojim\u0105. \u201eNemoku skaityti i\u0161 l\u016bp\u0173,\u201c \u2013 pasigirsta \u0161nab\u017edesys parteryje. Tyla ir pauz\u0117 scenoje d\u0117l\u00a0 netik\u0117tumo\u00a0 sukelia \u017ei\u016brov\u0173 krizenim\u0105, o tai tarp atlik\u0117j\u0173 ir publikos laikinai pa\u0161alina fizin\u012f bei psichologin\u012f barjer\u0105. \u017di\u016brovai n\u0117ra raginami i\u0161\u0161ifruoti slapt\u0105 atlik\u0117j\u0173 \u017einut\u0119, veikiau jie skatinami pasteb\u0117ti komi\u0161kum\u0105, dingus balsui. Juk tai, kas vyksta scenoje yra nebylus m\u016bs\u0173 kasdienini\u0173\u00a0 santyki\u0173 veidrodis. Simbolin\u0117 spektaklio dalyvi\u0173 ir publikos jungtis u\u017emezgama, o pasigird\u0119 plojimai \u2013\u00a0 tik \u017ei\u016brov\u0173 nejaukumo stebint atlik\u0117jus visi\u0161koje tyloje i\u0161dava.<\/p>\n

\u201eAr gali su\u0161okti meil\u0117s \u0161ok\u012f be partnerio?\u201c \u2013 angli\u0161kai klausia Agnijos \u0160eiko persona\u017e\u0117. Spektaklyje labai svarbios pasirodo \u0161ios opozicijos ir apsikeitimai vaidmenimis:\u00a0 Danijoje prie\u0161 25-erius metus choreografo Palle Granh\u00f8j\u2019aus sukurtas spektaklis perkuriamas Lietuvoje; abstrahuoti sportini\u0173 \u0161oki\u0173 judesiai panaudojami \u0161iuolaikinio \u0161okio k\u016brinyje; dramin\u0119 motyvacij\u0105 sportiniuose \u0161okiuose sukelianti muzikos j\u0117ga nagrin\u0117jama kaip apnuogintas atskiras objektas. \u0160iame spektaklyje\u00a0 moters ir vyro\u00a0 abipusio gundymo sistemos analizuojamos kriti\u0161kai,\u00a0 lyginamos su pauk\u0161\u010di\u0173 poravimosi \u0161okiais.\u00a0 Taip pat klausiama, kod\u0117l \u201evyri\u0161kus\u201c judesius atliekanti moteris visi\u0161kai nestebina, bet vyrai, apsireng\u0119 suknel\u0117mis ir \u0161okantys \u201emoteri\u0161kas\u201c partijas, atrodo absurdi\u0161kai, tad ir juokingai. \u0160iuolaikinio \u0161okio kontekste moter\u0173 ir vyr\u0173 k\u016bnai\u00a0 i\u0161laisvinti nuo grie\u017et\u0173 socialini\u0173 lyties kanon\u0173,\u00a0 ta\u010diau jokiu b\u016bdu ne bely\u010diai. Sportini\u0173 \u0161oki\u0173 aik\u0161tel\u0117je lyties, ras\u0117s, klas\u0117s, orientacijos ir tautyb\u0117s klausimai\u00a0 yra sustabar\u0117j\u0119,\u00a0 bet tai simptomi\u0161ka ir pla\u010diajai visuomenei.<\/p>\n

\"\"<\/a><\/p>\n

Sportini\u0173 \u0161oki\u0173 estetika reikalauja suvaidinti\u00a0 \u012fprast\u0105 ly\u010di\u0173 vaidmen\u0173 iliuzij\u0105, hiperbolizuojant heteroseksualum\u0105. I\u0161 vyr\u0173\u00a0 tikimasi stoi\u0161ko susiliejimo su pa\u010dia vyri\u0161kumo esme.\u00a0\u00a0 Sportini\u0173 \u0161oki\u0173 vyr\u0173\u00a0\u00a0\u00a0 i\u0161vaizd\u0105 paprastai vienoda,\u00a0 o j\u0173 funkcija, atsi\u017evelgiant \u012f galanti\u0161kus ir riteri\u0161kus vaidmenis, yra suteikti erdv\u0119 savo partner\u0117s individualesniems ir spalvingesniems kostiumams bei judesiams. Kaip ir vyrai \u0161ok\u0117jai, \u012fk\u016bnijantys aristokrati\u0161k\u0105 vyri\u0161kum\u0105, moterys perd\u0117tai \u012fk\u016bnija\u00a0 \u012fprastas auk\u0161tesn\u0117s klas\u0117s moteri\u0161kumo sampratas, deklaruodamos veikiau atskirt\u012f nei solidarum\u0105. I\u0161 \u0161ios suver\u017etos sportini\u0173 \u0161oki\u0173 ly\u010di\u0173 paradigmos choreografas Palle Granh\u00f8j\u2019us ir \u0160eiko \u0161okio teatro atlik\u0117jai sukuria satyrines situacijas,\u00a0 pateikdami netradicines por\u0173 kombinacijas. Tiesa, tai n\u0117ra visi\u0161kai nauja, nes scenos men\u0173 i\u0161takose galima atsiminti tradicij\u0105, kai moter\u0173 vaidmenis atlikdavo persireng\u0119 vaikinai, o poromis \u0161okdavo ne vyrai ir moterys, o vienos lyties atlik\u0117j\u0173 grup\u0117s.<\/p>\n

\"\"<\/a><\/p>\n

I\u0161 \u0161ok\u0117j\u0173 l\u016bp\u0173 pasigirstan\u010dios \u201eNe me quitte pas\u201c, \u201eI Will Survive\u201c, \u201eThis is la vie en rose\u201c ir kitos\u00a0 sportini\u0173 \u0161oki\u0173 repertuaro eilut\u0117s sukelia sentimentus ne tik su \u0161okiu susid\u016brusiems \u017ei\u016brovams. \u0160is prisiminim\u0173 klodas irgi paremtas tarpusavio santykiais, romantin\u0117mis \u012ftakomis bei \u0161okio priklausomybe nuo muzikos,\u00a0\u00a0 nubr\u0117\u017eian\u010dios\u00a0 judesio trajektorijas. Taikliai panaudojant vien\u0105 kit\u0105 k\u016brin\u012f (Yma Sumac, P\u00e9rez Prado, Serge Gainsbourg, Camila Cabello garso \u012fra\u0161ai), bet daugiausia leid\u017eiant atlik\u0117jams patiems savo kv\u0117pavimu ir balsu sukurti unikalias melodijas, k\u016bno kalba i\u0161laisvinama nuo j\u0105 kartais per muzik\u0105 susaistan\u010di\u0173 id\u0117j\u0173, stili\u0173, vertybi\u0173, asociacij\u0173 ir apropriacij\u0173. Paradoksaliai be muzikos egzistuojantis \u0161okis \u012frodo geb\u0117jim\u0105 b\u016bti autonomi\u0161ku,\u00a0 o \u0161ok\u0117jas, \u0161okantis vienas, paneigia por\u0173 monopol\u012f.<\/p>\n

Net ir metafori\u0161kai suporuoti k\u016bnai i\u0161lieka heteroseksual\u016bs, nes laikantis sportini\u0173 \u0161oki\u0173 papro\u010di\u0173, vienas kuris nors turi\u00a0 vadovauti.\u00a0 Ironi\u0161ka, bet bandant dekonstruoti idealizuot\u0105 ir komercializuot\u0105 archetip\u0105, nety\u010dia \u012frodoma, kaip b\u016btini du k\u016bnai,\u00a0 jeigu norima i\u0161gauti dinamik\u0105 ir j\u0117g\u0105, b\u016bding\u0105 sportini\u0173 \u0161oki\u0173 pasirodymams. Nors galima teigti, kad tiek vyrai, tiek moterys gali\u00a0 vadovauti \u0161okiui vienodai s\u0117kmingai, vis d\u0117lto vyri\u0161ko vaidmens statusas niekur nepradingsta. I\u0161or\u0117 negali b\u016bti pervertinta kaip vienintelis i\u0161skirtinumo ir kitoni\u0161kumo vardiklis, ta\u010diau tapatyb\u0117s klausimai vis dar stipriai atsiremia \u012f lyti\u0161kumo, ras\u0117s ir tautyb\u0117s apibr\u0117\u017etis, net jeigu tai ir yra tik socialiniai konstruktai.<\/p>\n

\"\"<\/a><\/p>\n

Judesio t\u0119stinumas sukelia palankias aplinkybes atlik\u0117j\u0173 ir publikos kontaktui \u2013 simboli\u0161kai pakviesti \u0161okiui, pirmos eil\u0117s \u017ei\u016brovai nesutrinka ir, i\u0161ties\u0119 \u0161ok\u0117jams rank\u0105, tampa tyliaisiais partneriais sine nobilitate<\/em>. U\u017e atlik\u0117j\u0173 likusi scena atspindi mus kaip veidrodis, bet \u0161iame scenarijuje vis dar i\u0161lieka atstumas (tiek psichologinis, tiek fizinis) tarp vidin\u0117s scenos ir i\u0161orini\u0173 \u0161okio judesi\u0173. Kiekvienas atlik\u0117jas i\u0161laiko distancij\u0105, kurdamas savo unikal\u0173 po\u017ei\u016br\u012f ir fizi\u0161kum\u0105 atskleid\u017eian\u010dius \u0161okio judesius. Ir nors \u017ei\u016brovas n\u0117ra tik pasyvus signalus priimantis mobiliojo ry\u0161io bok\u0161tas, \u0161ok\u0117j\u0173 pad\u0117ka u\u017e \u201etobul\u0105 vedim\u0105\u201c yra ironi\u0161ka remarka apie tai, kad apsikeisti\u00a0 vietomis ne\u012fmanoma.<\/p>\n

\"\"<\/a><\/p>\n

Gali kelti nuostab\u0105, ta\u010diau individualistais \u012fsidr\u0105siname tapti tik tada, kai visuomen\u0117je pastebime tendencij\u0105 palankiau vertinti \u0161\u012f pasirinkim\u0105. Dauguma m\u016bs\u0173 instinktyvi\u0173 elgesio modeli\u0173 atsirado i\u0161 gyvybi\u0161kai svarbaus poreikio prisitaikyti. Pasak tyr\u0117j\u0173, net kito \u017emogaus rank\u0173 \u0161velnumo iliuzija yra nulemta evoliucinio poreikio paskatinti socialum\u0105. Choreografija sustiprina \u0161i\u0105 id\u0117j\u0105, nes dauguma paveikiausi\u0173 \u0161okio rutin\u0173 reikalauja bent dviej\u0173 atlik\u0117j\u0173 santykio dramos ir sinchronizacijos.\u00a0 Ta\u010diau partneryst\u0117 turi ir tamsi\u0105j\u0105 pus\u0119 \u2013 partnerio kaip potencialaus prie\u0161ininko vaizdin\u012f \u012fk\u016bnija \u0161ok\u0117j\u0173 Manto Staba\u010dinsko, Mariaus Pinigio ir Manto \u016aso sukuriama bokso ringo aliuzija. Auk\u0161\u010diausioje konkurencingo vyri\u0161kumo vir\u0161\u016bn\u0117je ly\u010di\u0173 skirtumais nebetikima \u2013 geb\u0117jimas geriau (vyri\u0161kiau<\/em>) atrodyti, apsirengus tradicine moteri\u0161ka \u0161ok\u0117jos apranga, lemia pergal\u0119. K\u016bni\u0161kumas atskleid\u017eiamas per kult\u016brinius lyti\u0161kumo \u017eenklus kaip naujas vaidmuo, kaip dar vienas \u0161okio \u017eingsnelis.<\/p>\n

\"\"<\/a><\/p>\n

Spektaklis \u201eLa CALASH La Latin-LT\u201c nebando paneigti sportini\u0173 \u0161oki\u0173 glam\u016bro ir \u017eavesio \u2013 trumpam pasiskolintas \u012fvaizdis (\u0161ok\u0117jai vilki legendinio Klaip\u0117dos sportini\u0173 \u0161oki\u0173 klubo \u201e\u017duv\u0117dra\u201c sceninius kostiumus) k\u016brinio pabaigoje pagarbiai tarsi gr\u012f\u017eta atgal savininkams ir atlik\u0117jai ant scenos pasirodo d\u0117v\u0117dami pilkus sportinius r\u016bbus, kuriuos jau mat\u0117me spektaklio prad\u017eioje. \u0160ok\u0117jams pavyksta\u00a0 gr\u012f\u017eti \u012f tikruosius<\/em> save, ta\u010diau publikos s\u0105mon\u0117je \u012fvyksta lemtingi pasikeitimai, nes suvokiame, kad \u0161okis n\u0117ra tik vaidmuo. Judesiai, ateinantys i\u0161 vidaus,\u00a0 vid\u0173 gali pakeisti, o meil\u0117s \u0161okis sau ir pasauliui be partnerio vis tiek siekia palankumo ir \u0161ilumos, kuria alsuoja publika \u2013 \u012fnoringiausias teis\u0117jas, \u017eingsnius ir fig\u016bras v\u0117liau po pasirodymo parodijuojantis automobili\u0173 stov\u0117jimo aik\u0161tel\u0117je.<\/p>\n

—<\/p>\n

\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Vieno i\u0161 gra\u017eiausi\u0173 lietuvi\u0161k\u0173 film\u0173 \u201eAve, vita\u201c (re\u017e. Almantas Grikevi\u010dius, 1969 m.) prad\u017eioje konclagerio pragar\u0105 \u00a0i\u0161gyven\u0119s vyras mir\u0161ta, per televizori\u0173 …<\/p>\n","protected":false},"author":2,"featured_media":13488,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nAr galima su\u0161okti meil\u0117s \u0161ok\u012f be partnerio? - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/12\/16\/ar-galima-susokti-meiles-soki-be-partnerio\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ar galima su\u0161okti meil\u0117s \u0161ok\u012f be partnerio? - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Vieno i\u0161 gra\u017eiausi\u0173 lietuvi\u0161k\u0173 film\u0173 \u201eAve, vita\u201c (re\u017e. 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