{"id":13608,"date":"2022-12-22T09:06:32","date_gmt":"2022-12-22T07:06:32","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=13608"},"modified":"2023-01-05T17:16:54","modified_gmt":"2023-01-05T15:16:54","slug":"kaip-uzauginti-vaika-save-arba-sokio-spektakli","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/","title":{"rendered":"Kaip u\u017eauginti vaik\u0105, save arba \u0161okio spektakl\u012f?"},"content":{"rendered":"

Choreograf\u0117s, \u0161ok\u0117jos Gretos Grinevi\u010di\u016bt\u0117s spektaklis \u201e\u0160okis objektui ir vaikui\u201c (2021) tai tre\u010dioji spektakli\u0173 trilogijos dalis, kurioje atsiskleid\u017eia gyvenimo ir k\u016brybos santykis bei psichologi\u0161kai i\u0161nagrin\u0117tos buvimo vaiku\/ vaik\u0173 (ne)tur\u0117jimo temos. Spektaklis stebina ne tik tuo, kaip pla\u010diai atskleid\u017eiama tema, bet ir \u0161okio s\u0105vokos nagrin\u0117jimo kryptimis bei sumaniai pasitelktomis medijomis, kurios virsta vienu i\u0161 spektaklio veik\u0117j\u0173\u00a0 \u201e\u0160okis objektui ir vaikui\u201c yra sukurtas po dviej\u0173 (beveik) monospektakli\u0173\u00a0 \u201e\u0160okis dulki\u0173 siurbliui ir t\u0117\u010diui\u201c (2018) bei \u201c\u0160okis skalbimo ma\u0161inai ir mamai\u201c (2020), ta\u010diau egzistuoja kaip atskiras, pilnavertis k\u016brinys – ne tik kaip Gretos, bet ir gausios komandos bendros k\u016brybos rezultatas.<\/p>\n

Man \u0161\u012f k\u016brin\u012f teko steb\u0117ti gerokai po premjeros, d\u0117l to tur\u0117jau galimyb\u0119 prie\u0161 spektakl\u012f patirti Gretos 2022 metais sukurt\u0105 instaliacij\u0105 \u201e\u0160okis objektui ir \u0161eimai\u201c, kuri apibendrino autor\u0117s \u0161okio spektakli\u0173 trilogij\u0105. Men\u0173 spaustuv\u0117s hole, dar ne\u012f\u017eengus \u012f sal\u0119, lankytojai gal\u0117jo nukreipti savo i\u0161maniojo telefono kamer\u0105 \u012f nuotraukas ant sien\u0173 ir pamatyti jose u\u017ekoduotus istorij\u0173 fragmentus.<\/p>\n

\"\"<\/a>\u201e\u0160okis objektui ir \u0161eimai\u201c, Dainiaus Putino nuotr.<\/em><\/p>\n

\u012edomu tai, kad v\u0117liau i\u0161maniojo telefono kamera spektaklyje fig\u016bruoja kaip vienas i\u0161 persona\u017e\u0173 \u2013 \u012f\u0117jus \u012f sal\u0119 \u010dia ji jau nukreipta \u012f besirenkan\u010dius lankytojus ir savo mechanine akimi priartina veidus, kuriuos komentuoja dvi aktor\u0117s. Jos, vertindamos kone kiekvien\u0105 at\u0117jus\u012f, ie\u0161ko tinkam\u0173 kandidat\u0173 \u2013 tobul\u0173 t\u0117v\u0173, kurie gal\u0117t\u0173 i\u0161auginti sveik\u0105 vaik\u0105. Kitame veiksme kamera \u012fk\u016bnija vaiko \u017evilgsn\u012f, kurio matymo trajektorija yra tiesiogiai transliuojama \u012f \u017ei\u016brovus atsuktus ekranus. Spektaklyje kameros vaidmuo nepastovus, jis mainosi i\u0161 menamo vaiko \u017evilgsnio \u012f objektyv\u0173 steb\u0117toj\u0105, kuris fiksuoja tai, ko vaikas nemato, kas galimai lieka jo pas\u0105mon\u0117je, u\u017e t\u0117v\u0173 grimas\u0173 ir \u0161ypsen\u0173. Scenoms kei\u010diantis \u0161is \u017evilgsnis tampa visi\u0161kai nuasmeninamas pokalbi\u0173 laidos metu, kai patenka \u012f televizijos kameros pozicij\u0105. Verta pamin\u0117ti, kad beveik visada (su retomis i\u0161imtimis) kamera yra valdoma pa\u010dios choreograf\u0117s, kuri \u0161\u012f kart\u0105, prie\u0161ingai nei pirmuose dviejuose spektakliuose, ne pasakoja savo istorij\u0105, o pasisl\u0117pusi u\u017e kameros tarsi kolia\u017e\u0105 d\u0117lioja kit\u0173 pasakojimus.<\/p>\n

\"\"<\/a>\u201e\u0160okis objektui ir vaikui\u201c, Dainiaus Putino nuotr.<\/em><\/p>\n

Pana\u0161ia dinamika spektaklyje mainosi ir aktori\u0173 rol\u0117s, o scena ima pan\u0117\u0161\u0117ti \u012f \u017eaidim\u0173 aik\u0161tel\u0119, kurioje trinasi ribos tarp gyvenimo ir darbo, vaidybos ir tikr\u0173 emocij\u0173. Spektaklio naratyvas primena min\u010di\u0173 kratin\u012f, kuriame tarsi \u017eem\u0117lapyje nugula \u012fvairios vaik\u0173 tur\u0117jimo ar netur\u0117jimo problemos, stereotipai bei nei\u0161pildyti l\u016bkes\u010diai. Keliaujant per kontrastingas scenas, nuo itin sald\u017eios pokalbi\u0173 laidos prie buitini\u0173 situacij\u0173, nuo asmenini\u0173 i\u0161pa\u017ein\u010di\u0173 prie reiv\u0105<\/em> primenan\u010di\u0173 ir transo b\u016bsen\u0105 atspindin\u010di\u0173 \u0161okio epizod\u0173 i\u0161siskleid\u017eia gausyb\u0117 skirting\u0173 perspektyv\u0173. Nei viena pozicija neapsieina be kalt\u0117s ar nusivylimo aspekto: kalbant apie vaik\u0173 tur\u0117jim\u0105 i\u0161ry\u0161k\u0117ja t\u0117v\u0173 nei\u0161pildyti l\u016bkes\u010diai sau, bei \u012fsivaizdavimas, kokie tur\u0117t\u0173 b\u016bti j\u0173 vaikai; sprendimas netur\u0117ti vaik\u0173 yra temdomas kalt\u0117s jausmo prie\u0161 vis\u0105 pasaul\u012f, o ypa\u010d tuos, kurie negali susilaukti vaik\u0173; pastar\u0173j\u0173 situacija atspindi identiteto kriz\u0119, kai t\u0117vyst\u0117 sukuria pagrind\u0105 \u017emogaus asmenybei, o negal\u0117jimas tapti t\u0117vu tampa pretekstu tapti niekuo.<\/p>\n

\"\"<\/a><\/em>\u201e\u0160okis objektui ir vaikui\u201c, Dainiaus Putino nuotr.<\/em><\/p>\n

Spektaklio eigoje po truput\u012f pradeda ry\u0161k\u0117ti tam tikri temos aspektai, kurie tarsi per\u017eengia vaiko klausimus ir persmelkia net spektaklio strukt\u016br\u0105 ar pa\u010dius persona\u017eus. Naratyvas gvildenamas su subtiliu \u017eaismingumu, netik\u0117tais elementais ar smagiomis aktori\u0173 i\u0161daigomis. Ta\u010diau spektaklio k\u016brimas, pana\u0161iai kaip vaiko auginimas taip pat neapsieina be nei\u0161pildyt\u0173 l\u016bkes\u010di\u0173, krizi\u0173, nesutarim\u0173 bei kalt\u0117s. Vienas i\u0161 Pauliaus Markevi\u010diaus persona\u017e\u0173 pratr\u016bksta ar pradeda elgtis neadekva\u010diai, kvestionuoja savo, kaip aktoriaus darb\u0105 ar rei\u0161kia nusivylim\u0105 role, kuri neatskleid\u017eia jo potencialo bei \u012fd\u0117t\u0173 pastang\u0173. Kai aktorius atsipra\u0161o choreograf\u0117s, tampa neai\u0161ku ar matome dramaturgin\u012f sprendim\u0105, ar u\u017ekulsi\u0173 element\u0105, kur\u012f komanda nutar\u0117 \u012ftraukti \u012f spektaklio eig\u0105.<\/p>\n

\"\"<\/a>\u201e\u0160okis objektui ir vaikui\u201c, Dainiaus Putino nuotr.<\/em><\/p>\n

Tarsi priekai\u0161tu pa\u010diam spektakliui tampa nuolatinis priminimas, kad jis yra \u0161okio spektaklis, tod\u0117l jame reikia \u0161okti. Ta\u010diau \u0161okio s\u0105voka irgi nuolat auga ir evoliucionuoja: nuo primityvi\u0173, iliustratyvi\u0173 judesi\u0173 iki emocin\u0117s i\u0161rai\u0161kos, \u0161iuolaikinio \u0161okio technikos iki abstrak\u010dios, \u0161okio kaip dialogo s\u0105vokos. \u0160okis spektaklyje ne visada sutelpa \u012f konkret\u0173 apibr\u0117\u017eim\u0105, o subtiliai, konceptualiai ir kartais net pretenzingai lau\u017eo \u012fsivaizdavimus, kuo jis tur\u0117t\u0173 b\u016bti. Sekant kompozitor\u0117s Agn\u0117s Matulevi\u010di\u016bt\u0117s muzikiniu ritmu, vaiko s\u016bpavimas virsta monotoni\u0161kais, net mechani\u0161kais rank\u0173 judesiais, tarsi ritualu, kur\u012f kartodami t\u0117vai nusikelia \u012f kitas s\u0105mon\u0117s b\u016bsenas. R\u016bpinimosi judesiai perauga \u012f sm\u016bgius (kovos menuose – kova su \u0161e\u0161\u0117liu) bei transformuojasi \u012f chaoti\u0161kus vir\u0161utin\u0117s k\u016bno dalies s\u016bkurius. Galiausiai spektaklio pabaigoje \u0161okis, kaip itin pretenzingi judesiai, kuri\u0173 aktoriams nepavykt\u0173 \u012fgyvendinti realyb\u0117je (kaip per auk\u0161t\u0173 choreograf\u0117s l\u016bkes\u010di\u0173), lieka u\u017ekoduoti tekstu ir \u012fvyksta \u017ei\u016brov\u0173 vaizduot\u0117je.<\/p>\n

\"\"<\/a>\u201e\u0160okis objektui ir vaikui\u201c, Kristso Luhaerso nuotr.<\/em><\/p>\n

Pana\u0161u, kad spektaklis tapo tarsi Gretos vaiku, kur\u012f ji atved\u0117 \u012f pasaul\u012f, pri\u017ei\u016br\u0117jo ir leido jam augti pa\u010diam. Pabaigoje, aktoriams ramiai stovint ant scenos kol ekranuose b\u0117go ne\u012fgyvendinamo \u0161okio apra\u0161ymas, choreograf\u0117, pad\u0117jusi i\u0161man\u0173j\u012f, u\u017esimerkusi\u00a0 s\u0117d\u0117jo ant k\u0117d\u0117s \u0161alimais, o jos laikysena bylojo, kad ji padar\u0117 visk\u0105 ir paleido nei\u0161pildytus l\u016bkes\u010dius. Galiausiai ant scenos nusilenkimui susirinko beveik visa komanda kaip vaik\u0105 u\u017eauginusi gimin\u0117, tik scenograf\u0117 R\u016bta Kyguolyt\u0117, scenai suteikusi didelio lop\u0161io \u012fsp\u016bd\u012f liko namuose, pri\u017ei\u016br\u0117dama savo vaik\u0105. Ekrane dar blykstel\u0117jo nuoroda \u012f choreografij\u0105 \u012fkv\u0117pusius garsius choreografus(-es), lyg paskutinis spektaklio legitimumo patvirtinimas – tarsi jo reik\u0117t\u0173. Galiausiai \u0161is k\u016brinys, taip uoliai band\u0119s \u012frodyti, kad yra \u0161okio spektaklis pranoko pats save ir tapo ka\u017ekuo daugiau nei tiesiog geru \u0161okio spektakliu.<\/p>\n

—<\/p>\n

\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Choreograf\u0117s, \u0161ok\u0117jos Gretos Grinevi\u010di\u016bt\u0117s spektaklis \u201e\u0160okis objektui ir vaikui\u201c (2021) tai tre\u010dioji spektakli\u0173 trilogijos dalis, kurioje atsiskleid\u017eia gyvenimo ir k\u016brybos …<\/p>\n","protected":false},"author":2,"featured_media":13613,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nKaip u\u017eauginti vaik\u0105, save arba \u0161okio spektakl\u012f? - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kaip u\u017eauginti vaik\u0105, save arba \u0161okio spektakl\u012f? - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Choreograf\u0117s, \u0161ok\u0117jos Gretos Grinevi\u010di\u016bt\u0117s spektaklis \u201e\u0160okis objektui ir vaikui\u201c (2021) tai tre\u010dioji spektakli\u0173 trilogijos dalis, kurioje atsiskleid\u017eia gyvenimo ir k\u016brybos ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2022-12-22T07:06:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-01-05T15:16:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/01\/Krists-Luhaers.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1366\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/01\/Krists-Luhaers.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/01\/Krists-Luhaers.jpg\",\"width\":2048,\"height\":1366},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/\",\"name\":\"Kaip u\\u017eauginti vaik\\u0105, save arba \\u0161okio spektakl\\u012f? - Lithuanian Dance Centre\",\"isPartOf\":{\"@id\":\"https:\/\/dance.lt\/new\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/#primaryimage\"},\"datePublished\":\"2022-12-22T07:06:32+00:00\",\"dateModified\":\"2023-01-05T15:16:54+00:00\",\"author\":{\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\"},\"breadcrumb\":{\"@id\":\"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/#breadcrumb\"},\"inLanguage\":\"lt-LT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dance.lt\/new\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Kaip u\\u017eauginti vaik\\u0105, save arba \\u0161okio spektakl\\u012f?\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\",\"name\":\"dance\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/#personlogo\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"caption\":\"dance\"},\"url\":\"https:\/\/dance.lt\/new\/author\/dance\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Kaip u\u017eauginti vaik\u0105, save arba \u0161okio spektakl\u012f? - Lithuanian Dance Centre","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/","og_locale":"lt_LT","og_type":"article","og_title":"Kaip u\u017eauginti vaik\u0105, save arba \u0161okio spektakl\u012f? - Lithuanian Dance Centre","og_description":"Choreograf\u0117s, \u0161ok\u0117jos Gretos Grinevi\u010di\u016bt\u0117s spektaklis \u201e\u0160okis objektui ir vaikui\u201c (2021) tai tre\u010dioji spektakli\u0173 trilogijos dalis, kurioje atsiskleid\u017eia gyvenimo ir k\u016brybos ...","og_url":"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/","og_site_name":"Lithuanian Dance Centre","article_published_time":"2022-12-22T07:06:32+00:00","article_modified_time":"2023-01-05T15:16:54+00:00","og_image":[{"width":2048,"height":1366,"url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/01\/Krists-Luhaers.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"dance","Est. reading time":"5 minut\u0117s"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/dance.lt\/new\/#website","url":"https:\/\/dance.lt\/new\/","name":"Lithuanian Dance Centre","description":"LDC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dance.lt\/new\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"lt-LT"},{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/#primaryimage","inLanguage":"lt-LT","url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/01\/Krists-Luhaers.jpg","contentUrl":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/01\/Krists-Luhaers.jpg","width":2048,"height":1366},{"@type":"WebPage","@id":"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/#webpage","url":"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/","name":"Kaip u\u017eauginti vaik\u0105, save arba \u0161okio spektakl\u012f? - Lithuanian Dance Centre","isPartOf":{"@id":"https:\/\/dance.lt\/new\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/#primaryimage"},"datePublished":"2022-12-22T07:06:32+00:00","dateModified":"2023-01-05T15:16:54+00:00","author":{"@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252"},"breadcrumb":{"@id":"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/#breadcrumb"},"inLanguage":"lt-LT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dance.lt\/new\/2022\/12\/22\/kaip-uzauginti-vaika-save-arba-sokio-spektakli\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dance.lt\/new\/en\/"},{"@type":"ListItem","position":2,"name":"Kaip u\u017eauginti vaik\u0105, save arba \u0161okio spektakl\u012f?"}]},{"@type":"Person","@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252","name":"dance","image":{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/#personlogo","inLanguage":"lt-LT","url":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","caption":"dance"},"url":"https:\/\/dance.lt\/new\/author\/dance\/"}]}},"_links":{"self":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/13608"}],"collection":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/comments?post=13608"}],"version-history":[{"count":2,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/13608\/revisions"}],"predecessor-version":[{"id":13615,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/13608\/revisions\/13615"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media\/13613"}],"wp:attachment":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media?parent=13608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/categories?post=13608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/tags?post=13608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}