{"id":13616,"date":"2022-12-30T17:00:13","date_gmt":"2022-12-30T15:00:13","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=13616"},"modified":"2023-01-06T13:14:37","modified_gmt":"2023-01-06T11:14:37","slug":"austeja-vilkaityte-apie-atvanga-scenoje-ir-kuryboje","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2022\/12\/30\/austeja-vilkaityte-apie-atvanga-scenoje-ir-kuryboje\/","title":{"rendered":"Aust\u0117ja Vilkaityt\u0117 \u2013 apie atvang\u0105 scenoje ir k\u016bryboje"},"content":{"rendered":"

Aust\u0117ja Vilkaityt\u0117 yra \u0161ok\u0117ja, choreograf\u0117 ir performanso meninink\u0117, suk\u016brusi jau apie tris de\u0161imtis spektakli\u0173 ir performans\u0173. Jos k\u016briniai pasi\u017eymi ne tik da\u017enai ekspresyviais persona\u017eais, netik\u0117ta scenografija, bet ir savitu ry\u0161iu su erdve, joje esan\u010diais objektais ir pa\u010diu atlik\u0117jos k\u016bnu. Pastaruosius dvejus metus meninink\u0117 vyst\u0117 atvangos tem\u0105, i\u0161 kurios kilo keli projektai: \u201eAtvanga I\u201c (2019-2021) ir \u201eAtvanga II \u201e(2020-2022). Kaip Aust\u0117ja \u012fvardija, \u201eAtvanga\u201c yra tarsi pastog\u0117, apimanti temati\u0161kai susietus, bet skirtingus pasirodymus, vystan\u010dius t\u0105 pat\u012f klausim\u0105: k\u0105 rei\u0161kia atvanga scenoje ir k\u016brybiniame procese?<\/p>\n

Kiekvienas Aust\u0117jos pasirodymas b\u016bna unikalus, jautrus susirinkusiai publikai ir erdvei, o jos k\u016brybos procese persipina spontani\u0161kumas su strukt\u016bra bei nauji atradimai su esamu k\u016bno ar erdv\u0117s atminties archyvais.<\/p>\n

Kad atskleistume kaip Aust\u0117ja kuria persona\u017eus, i\u0161 kur ji semiasi \u012fkv\u0117pimo bei kuo skiriasi kiekvienas jos performansas, mes susitikome pokalbiui.<\/p>\n

\"\"<\/a>NICE, Modernaus Meno centras Malm\u0117je, \u0160vedija, Moderna Museet archyvas<\/em><\/p>\n

Aust\u0117ja, papasakok, pra\u0161au, nuo ko prasid\u0117jo \u201eAtvanga\u201c bei kod\u0117l jos yra dvi dalys?<\/strong><\/p>\n

2019 metais nugirdau kompozitoriaus Giedriaus Kuprevi\u010diaus fraz\u0119 viename interviu: kad atsakymai gali ateiti proceso atvangoje, tarp sunkum\u0173. Kai i\u0161gyveni labai produktyv\u0173 laikotarp\u012f ir jauti daug spaudimo i\u0161 institucij\u0173 bei paties sav\u0119s, retai kada galvoji apie sustojim\u0105, kaip k\u016brybos \u0161altin\u012f. Man \u012fkrito<\/em> ta fraz\u0117, nes scenos menuose, ypa\u010d \u0161okyje, a\u0161 pasigedau sustojimo, gal\u0117jimo neskub\u0117ti. Tod\u0117l nutariau panagrin\u0117ti kas yra atvanga scenoje.<\/p>\n

\"\"<\/a>NAKTIS, i\u0161 dilogijos DIENA-NAKTIS, VRM r\u016bmai, foto Monika Jagusinskyt\u0117<\/em><\/p>\n

I\u0161 prad\u017ei\u0173 a\u0161 nor\u0117jau \u201eAtvanga I\u201c atlikti itin \u012fpareigojan\u010dioje erdv\u0117je, kur \u012fprastai negali sau leisti sustoti ir pails\u0117ti. Tai teatro scena, taip vadinama juodoji d\u0117\u017eut\u0117. Tad premjera \u012fvyko Men\u0173 spaustuv\u0117je, o po to \u2013 <\/strong>\u00a0Kauno Kameriniame teatre ir \u201eAutarkia\u201c loftuose.<\/p>\n

O \u201eAtvanga II\u201c rod\u017eiau jau \u012fvairesn\u0117se erdv\u0117se: galerijose, muziejuose, \u0161okio studijose. Ypatingos erdv\u0117s pasitaik\u0117 Taikomosios dail\u0117s ir dizaino muziejuje, pasisek\u0117 instaliuoti performans\u0105 net buvusiame 1970-\u0173j\u0173 met\u0173 statybos restorane \u201eKastytis\u201c, Kaune, taip pat VRM r\u016bm\u0173 (buvusi Vidaus reikal\u0173 ministerija) nebeveikian\u010dioje kavin\u0117, MARC rezidencijoje \u0160vedijoje, kuri \u012fsik\u016brusi buvusiame bat\u0173 fabrike.<\/p>\n

\"\"<\/a>NIEKADA, Kastytis restoranas, festivalis Nepador\u016bs vakarai. Meduje, foto Vytautas Paplauskas<\/em><\/p>\n

Antroje \u201eAtvangos\u201d dalyje atsirado ir nauji persona\u017eai, kuriuos formuoti pad\u0117jo mano atrasti mamos kostium\u0117liai. \u0160ie pasirodymai susij\u0119 tarpusavyje, jie i\u0161laiko t\u0105 pa\u010di\u0105 tem\u0105, bet yra skirtingi k\u016briniai su savo unikaliais persona\u017eais, priklausan\u010diais specifinei erdvei. Kiekvienas turi savo pavadinim\u0105, estetik\u0105, naratyv\u0105.<\/p>\n

Pana\u0161u, kad erdv\u0117 tau yra svarbi atspirtis kuriant pasirodym\u0105, ta\u010diau kod\u0117l \u201eAtvangai I\u201c pasirinkai b\u016btent teatro erdv\u0119?<\/strong><\/p>\n

A: Apsilankiusi kiekvienoje teatro erdv\u0117je, a\u0161 jau\u010diu kaip ji yra priturtinta savita energija. Tod\u0117l \u201eAtvangoje I\u201c nor\u0117jau \u012fgalinti teatro erdv\u0119, suteikti \u017ei\u016brovams galimyb\u0119 patirti b\u016btent teatro erdv\u0117s performatyvum\u0105. Dauguma element\u0173 teatre yra tik kaip darbuotojai, kurie padeda i\u0161ry\u0161k\u0117ti atlik\u0117jui, o patys savaime lieka nepasteb\u0117ti. Man buvo \u012fdomu kurti fikcij\u0105 ir pa\u010di\u0105 erdv\u0119 paversti tos fikcijos scenografija \u2013<\/strong> tai, kas \u012fprastai turi funkcin\u0119 reik\u0161m\u0119, panaudoti scenos dekoracijoms. Tod\u0117l mes su skulptore Barbora Matonyte pyn\u0117me laidus ir i\u0161 j\u0173 dar\u0117me kaban\u010dius macrame<\/em> paveikslus bei vazonus, \u012f kuriuos d\u0117jome lempas. \u0160viestuvai tapo tarsi g\u0117l\u0117s \u017eiedais, pra\u017eystan\u010diais kartu su muzika. \u201eAtvangos I\u201c premjeros metu scenoje spontani\u0161kai gim\u0117 g\u0117l\u0117s i\u0161 \u0161okio dangos \u2013 <\/strong>linoleumo, kai jo didelius lak\u0161tus prad\u0117jau lankstyti publikos akyse. Gera \u0161okio danga \u0161iuolaikinio \u0161okio spektaklyje labai svarbi, tam tikri \u0161okio spektakliai tiesiog negali vykti be jos. O man svarbu erdv\u0119 i\u0161ardyti ir \u012fgalinti<\/em> scenos daiktus, pasi\u016blyti \u017ei\u016brovams kit\u0105 perspektyv\u0105. T\u0105, beje, m\u0117gstu daryti pasitelkdama naivum\u0105!<\/p>\n

\"\"<\/a>NICE Tyka, h\u00f6jden studios, Stokholmas. foto Sandra Vitaljik<\/em><\/p>\n

Muzika, garsas taip pat turi savit\u0105 svarb\u0105. Man patinka kai garsas tampa dar vienu veik\u0117ju, o ne vien fonu, atsirandan\u010diu stebuklingai, nors \u017ei\u016brovas \u017eino \u2013 <\/strong>tai garsisto darbas, kurio nematome. A\u0161 atvirk\u0161\u010diai \u2013 <\/strong>bedu pir\u0161tu \u012f kolon\u0117les, parodau kaip veikia garsas, bet kartu ir j\u012f poetizuoju. Kolon\u0117l\u0117s tampa kalban\u010dios scenografijos dalimi, jos pasakoja teatro scenos element\u0173 pasak\u0105. Da\u017enai galvoju apie gars\u0105 kaip bals\u0105 i\u0161 praeities, anapus.<\/p>\n

\"\"<\/a>NICE, Modernaus Meno centras Malm\u0117je, \u0160vedija, Moderna Museet archyvas<\/em><\/p>\n

Kaip tuomet elgiesi kitose erdv\u0117se, kuri\u0173 istorijos nesusijusios su teatru? Kaip atgaivini t\u0173 erdvi\u0173 praeit\u012f ir kiek tau svarbu perteikti tai, kas ten buvo? O gal tu kaip tik labiau interpretuoji istorijas savaip?<\/strong><\/p>\n

A: Mano santykis su erdve yra poeti\u0161kas, jautrus, \u017eaismingas. Man \u012fdomu \u012fgarsinti \u017einutes, kurias randu erdv\u0117je. Pavyzd\u017eiui VRM r\u016bmuose \u2013 <\/strong>\u201eAtvanga II\u201c vyko choreografijos sal\u0117je, a\u0161 tarsi kreipiausi \u012f t\u0105 sal\u0119, vardu Choreografija, ir nor\u0117jau b\u016bti mediumu tarp erdv\u0117s ir \u017ei\u016brov\u0173. Tuomet pasitelkiau ano laikme\u010dio muzik\u0105, kuri yra primir\u0161ta, bet nukelia \u012f atsiminimus. O kolon\u0117l\u0119 \u012fspraud\u017eiau \u012f sal\u0117s grindyse esan\u010di\u0105 skyl\u0119, ir visas sal\u0117s parketas suskambo. Tuo pat metu i\u0161 apa\u010dioje esan\u010dios sal\u0117s sklido kitos leid\u017eiamos muzikos \u2013 <\/strong>\u00a0hous\u2019o beatas<\/em>. Taip jungdama garsus, kvie\u010di\u0430u vis\u0105 pastat\u0105 pasakoti istorij\u0105 \u017ei\u016brovui. Man \u012fdomu, kaip pasirodyme gali susikirsti kelios laiko juostos, kaip dabartyje \u0161okan\u010dio k\u016bno informacija gali s\u0105veikauti su erdv\u0117s, konteksto, istorine informacija ir kaip tas \u0161okantis k\u016bnas gali priart\u0117ti prie savo atminties archyvo.<\/p>\n

\"\"<\/a>DIENA, i\u0161 dilogijos DIENA-NAKTIS VRM r\u016bmai, VRM r\u016bmai, foto Monika Pietaryt\u0117<\/em><\/p>\n

Tavo persona\u017eai da\u017enai atrodo tarsi nu\u017eeng\u0119 i\u0161 devyniasde\u0161imt\u0173j\u0173 arba atspindi labai savoti\u0161k\u0105 estetik\u0105. \u201eAtvangoje II\u201c tu pasirodai vilkinti senus mamos kostium\u0117lius. Kokia yra j\u0173 reik\u0161m\u0117 pasirodymuose bei kaip kuri savo persona\u017eus?<\/strong><\/p>\n

A: Man vis dar nepraeina noras sugr\u012f\u017eti \u012f 90-uosius ar 2000-uosius, kai viskas taip kito \u2013<\/strong> verslas, miesto energija, mados, muzika. Mano mama buvo restorano direktor\u0117 ir siuvosi kostium\u0117lius pagal u\u017esakym\u0105. Jie manajai \u0161iandienos akiai pasirod\u0117 labai ypatingi! Kai juos atradau, pajutau didel\u0119 nostalgij\u0105 ir prad\u0117jau formuoti alter ego<\/em> pagal mamos ar mo\u010diut\u0117s, neseniai palikusios \u0161\u012f pasaul\u012f, \u012fvaizd\u017eius. Mo\u010diut\u0117 perimdavo kostium\u0117lius i\u0161 mamos ir, jos d\u0117vimi, kostium\u0117liai skleid\u0117 visai kit\u0105 \u017einut\u0119! Tarsi i\u0161 naujo \u012fsik\u016bnyj\u0119. Pasitelkiu persona\u017e\u0173 tyrin\u0117jimui \u0161eimos nuotraukas, \u012ftraukiu ir mo\u010diut\u0117s poezij\u0105, taip ie\u0161kodama savo pam\u0117gto jausminio judesio<\/em>.<\/p>\n

\"\"<\/a>Li\u016bdnasis klounas. Performanso per\u017ei\u016bra Taikomosios Dail\u0117s ir Dizaino muziejus. Foto Gintar\u0117 Gaidamavi\u010di\u016bt\u0117<\/em><\/p>\n

Kitas svarbus \u201eAtvangos II\u201c \u012fkv\u0117pimo \u0161altini\u0173 \u2013 <\/strong>tarpukario menininki\u0173 Barboros Did\u017eiokien\u0117s ir Olgos Dubeneckien\u0117s-Kalpokien\u0117s duetas. Barboros paveiksluose pavaizduota Olga, \u012fk\u016bnyjanti \u201ecommedia dell\u2019arte \u201c persona\u017eus Arlekin\u0105, Pedrit\u0105 \u2013 <\/strong>jie man surezonavo su mamos kostium\u0117liais. Taip atsirado li\u016bdno klouno, juokdario prototipai, kurie kartais susijungdavo \u012f dilogij\u0105: Modernaus meno muziejuje pasirodymuose \u201eNICE\u201c ir \u201eAgainst Articulation\u201c, bei VRM vykusioje dilogijoje \u201eDiena \u2013 Naktis\u201c. Pjero leid\u017eia man priart\u0117ti prie ged\u0117jimo tem\u0173, o Arlekinas \u2013 <\/strong>prie mano taip pam\u0117gtos satyros, ironijos, tragikomedijos.<\/p>\n

\"\"<\/a>EXPRESS, Dance Cooperative, Kopenhaga. Photo Marie Kristensen<\/em><\/p>\n

Kur galima bus i\u0161vysti tavo kit\u0105 pasirodym\u0105, ar jau turi plan\u0173 ateinantiems metams?<\/strong><\/p>\n

Kol kas nesu nieko tiksliai susiplanavusi, bet turiu daug vizij\u0173. Esu nusi\u017ei\u016br\u0117jusi Radvil\u0173 r\u016bmus, \u201eSodo 2123\u201d kompleks\u0105, dar kelias \u012fdomias vietas kituose miestuose. Turiu dar tris ne\u012ftik\u0117tinus kostium\u0117lius, laukian\u010dius savo persona\u017e\u0173!<\/p>\n

\"\"<\/a>NICE Tyka, h\u00f6jden studios, Stokholmas. foto Sandra Vitaljik<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Aust\u0117ja Vilkaityt\u0117 yra \u0161ok\u0117ja, choreograf\u0117 ir performanso meninink\u0117, suk\u016brusi jau apie tris de\u0161imtis spektakli\u0173 ir performans\u0173. Jos k\u016briniai pasi\u017eymi ne …<\/p>\n","protected":false},"author":2,"featured_media":13621,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nAust\u0117ja Vilkaityt\u0117 \u2013 apie atvang\u0105 scenoje ir k\u016bryboje - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2022\/12\/30\/austeja-vilkaityte-apie-atvanga-scenoje-ir-kuryboje\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aust\u0117ja Vilkaityt\u0117 \u2013 apie atvang\u0105 scenoje ir k\u016bryboje - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Aust\u0117ja Vilkaityt\u0117 yra \u0161ok\u0117ja, choreograf\u0117 ir performanso meninink\u0117, suk\u016brusi jau apie tris de\u0161imtis spektakli\u0173 ir performans\u0173. 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