{"id":13877,"date":"2023-03-10T11:43:00","date_gmt":"2023-03-10T09:43:00","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=13877"},"modified":"2023-03-24T12:29:41","modified_gmt":"2023-03-24T10:29:41","slug":"buti-visais-zmonemis-vienu-metu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2023\/03\/10\/buti-visais-zmonemis-vienu-metu\/","title":{"rendered":"B\u016bti visais \u017emon\u0117mis vienu metu"},"content":{"rendered":"

B\u016bryje jau\u010diam\u0117s saugesni. I\u0161sirikiav\u0119 komandomis galime nuversti kalnus, o draugi\u0161kai var\u017eydamiesi vieni su kitais atrandame savo stipri\u0105sias ir silpn\u0105sias puses, apie kurias kitu atveju taip ir nesu\u017einotume. Ta\u010diau kritin\u0117se situacijose, \u012fsigal\u0117jus panikai ir \u201ebandos jausmui\u201c, minia gali tapti pavojingais, savo pa\u010dios dalyvius u\u017edusinan\u010diais pan\u010diais. Susib\u016brim\u0173 galios dinamika tyrin\u0117jama \u0160eiko \u0161okio teatro premjeroje \u201eFlocking\u201c (liet. b\u016brimasis \u012f pulk\u0105, pulkavimasis). Spektakl\u012f \u00a0suk\u016br\u0117 \u00a0pary\u017eiet\u0117 \u00a0choreograf\u0117 Joanne Leighton, j\u0105 \u012fkv\u0117p\u0117 daugiau nei de\u0161imtmet\u012f rinktas nuotrauk\u0173 archyvas, kuriame u\u017efiksuoti \u012fvairi\u0173 pasaulio \u0161ali\u0173 ir kult\u016br\u0173 \u017emoni\u0173 samb\u016briai: protestai, \u0161vent\u0117s, ritualai. \u0160ie nuo reali\u0173 susib\u016brim\u0173 \u00a0pavidalai pasitarnauja kaip statybin\u0117 choreografijos med\u017eiaga, siekianti u\u017e\u010diuopti universalius \u00a0judesius ir minios jud\u0117jimo plastik\u0105.<\/p>\n

\"\"<\/a>Domo Rimeikos nuotraukos<\/em><\/p>\n

Kitas Joanne Leighton spektaklio atspirties ta\u0161kas \u2013 lietuvi\u0161kos sutartin\u0117s. Tarsi j\u0173 principu sluoksniuojasi bei atsikartoja \u0161oki\u0173 vaizdiniai, a\u0161tuoniems \u0161ok\u0117jams scenoje kuriant demonstracij\u0173, religini\u0173 apeig\u0173 ir fle\u0161mob\u0173 <\/em>scenas. Vis d\u0117lto atlik\u0117j\u0173 savasties neu\u017ego\u017eia bendrumo jausmo diktatas, nes Sandros Straukait\u0117s sukurtas kostium\u0173 dizainas atsisuka ne tik \u012f lietuvi\u0173 liaudies n\u0117rini\u0173 tradicijas, bet ir pasitelkia \u0161iuolaikini\u0173 subkult\u016br\u0173 simbolik\u0105. Tad k\u016brinio prad\u017eioje \u017ei\u016brovams tarsi po vien\u0105 prisistatantys atlik\u0117jai \u012fgauna vizualaus i\u0161skirtinumo, o \u012fvair\u016bs j\u0173 galvos apdangalai (nuo balaklav\u0173 iki \u012f hid\u017eabus pana\u0161i\u0173 skar\u0173) primena apie demonstratyv\u0173 pasiprie\u0161inim\u0105 \u012fsigal\u0117jusiems visuomen\u0117s standartams. Per kostiumus atlik\u0117jai \u012frodo savo individualum\u0105, kartu pripa\u017e\u012fsta ir gerbia savo kult\u016bros paveldo tradicijas. Tai liudija, \u00a0kad \u017emon\u0117s gali b\u016bti ir unikal\u016bs, ir didesn\u0117s bendruomen\u0117s dalis, ir kad \u0161iedu j\u0173 tapatyb\u0117s aspektai gali harmoningai sugyventi.<\/p>\n

\u012esivaizduojamo Molotovo kokteilio sviedime yra tiek pat gracingumo kiek balerinos \u0161uolyje, o \u0161audymas i\u0161 menamo lanko paruo\u0161ia k\u016bn\u0105 apraudojimo scenai \u2013 social\u016bs ir antisocial\u016bs, prisitaikantys ir pasiprie\u0161inantys pradai mainosi, atskleisdami minios elgsenos dvilypum\u0105. \u017dmon\u0117s da\u017eniausiai yra pavald\u016bs dviem lygiagretiems elgesio kontrol\u0117s b\u016bdams: pas\u0105moniniams instinktams (\u201ekaip noriu elgtis a\u0161\u201c) ir s\u0105moningoms civilizuoto elgesio normoms (\u201ekaip nor\u0117\u010diau, kad kiti elgt\u0173si su manimi\u201c). \u00a0\u00a0Pasakose ir mituose pagrindinis herojus turi rasti b\u016bd\u0105, kaip savo tro\u0161kimus suderinti su bendruomen\u0117s l\u016bkes\u010diais ir normomis. Spektaklyje sufijaus \u0161ok\u012f gali greitai pertraukti boulingo k\u0117glius numu\u0161usio \u017eaid\u0117jo d\u017eiaugsmas arba ikoni\u0161ki roko muzikos gerb\u0117j\u0173 gestai, o \u00a0policijai pasiduodant\u012f \u00a0taik\u0173 \u00a0protestuotoj\u0105 \u00a0u\u017estoja \u00a0judesio ekstaz\u0117je u\u017esimir\u0161\u0119s \u00a0reiveris \u00a0\u2013 \u0161ie \u0161iuolaikinio pasaulio atspind\u017eiai sutelpa atlik\u0117j\u0173 k\u016bne kaip buvimo visais \u017emon\u0117mis vienu metu manifestas.<\/p>\n

\"\"<\/a><\/p>\n

Spektaklyje pasikartojanti maldos pozicija \u00a0palie\u010dia \u00a0universalias dvasingumo, atsidavimo ir ry\u0161io su auk\u0161tesn\u0117mis j\u0117gomis temas. Paversdami labai asmeni\u0161k\u0105 patirt\u012f universalia, \u0161ok\u0117jai sukuria galing\u0105 ir transformuojant\u012f regin\u012f, kuris atliepia visada ie\u0161kan\u010dio ir visk\u0105 kvestionuojan\u010dio \u0161iuolaikinio \u017emogaus santyk\u012f su religija.<\/p>\n

Nors \u00a0kiekvienam \u201eFlocking\u201c \u0161ok\u0117jui \u00a0sukurta personalizuota \u00a0choreografija, \u00a0grupini\u0173 asmenuki\u0173 momentai, bendros kompozicin\u0117s formos juos laikinai \u012fkalina monumentalioje tarpusavio priklausomyb\u0117je. Kaip \u012f savo atvaizdus reaguoja \u0161is naujas bendras k\u016bnas? Portugal\u0173 poetas ir prozininkas Fernando Pessoa ra\u0161\u0117, kad \u201eveidrod\u017eio i\u0161rad\u0117jas apnuodijo \u017emonijos \u0161ird\u012f\u201c. \u017di\u016br\u0117ti \u012f savo atvaizd\u0105 jam atrod\u0117 kaip nenat\u016bralus nuklydimas nuo tikrojo sav\u0119s ir pasaulio pa\u017einimo kelio. Prarasti save veidrodyje, kuris visk\u0105 tobulai atspindi, bet pats nesuteikia \u0161viesos, ar pa\u010diam tapti pasaulio veidrod\u017eiu, kuris lau\u017eia realyb\u0119 taip, kaip nori? Galiausiai, du\u017e\u0119s \u012f daugyb\u0119 \u0161uki\u0173, \u0161is veidrodis atkartoja pa\u010di\u0105 visuomen\u0119 su jos daugybe skirting\u0173 perspektyv\u0173 ir nuomoni\u0173.<\/p>\n

\"\"<\/a><\/p>\n

\u0160ok\u0117jai spektakliui \u012fpus\u0117jus tarsi suformuoja apeigin\u012f ratel\u012f, simbolizuojant\u012f am\u017ein\u0105 pasaulio tvark\u0105 ir visatos harmonij\u0105. Hi\u010dkoki\u0161k\u0105 \u012ftamp\u0105 sukelia mintis, kad ka\u017ekuris vienas i\u0161 j\u0173 bus \u012fstumtas \u012f ratelio vidur\u012f arba atsiskirs ir sutrikdys \u0161i\u0105 pusiausvyr\u0105, bet taip nenutinka. Neju\u010dia kyla asociacija su neseniai pasaul\u012f apskridusia \u017einia, kad mokslininkai turi \u012frodym\u0173, jog \u017dem\u0117s vidinio branduolio centre besisukanti \u0161erdis neseniai sustojo, o dabar galb\u016bt net sukasi prie\u0161inga kryptimi. \u00a0Manoma, kad tai kas 60\u201370 met\u0173 pasikartojantis rei\u0161kinys, nelyg planeta ni\u016bniuot\u0173 savo vien\u0105 ir t\u0105 pa\u010di\u0105 monotoni\u0161k\u0105 melodij\u0105. Faktas, kad \u0161is i\u0161 pirmo \u017evilgsnio stulbinantis pokytis yra pasikartojantis rei\u0161kinys d\u0117l kurio neverta sunerimti, sustiprina pasitik\u0117jim\u0105 cikli\u0161kumo d\u0117sniais ir visatos tvarkos stabilumu. Tai rodo, kad poky\u010diai, kokie reik\u0161mingi jie beb\u016bt\u0173, yra nei\u0161vengiami am\u017einos visatos pusiausvyros dalis. \u0160i id\u0117ja atsispindi Joanne Leighton spektaklyje, atlik\u0117jams judant i\u0161 pa\u017ei\u016bros chaoti\u0161kai, ta\u010diau suvaldytai ir sistemingai. Tai sufleruoja \u017ei\u016brovams apie reliatyvi\u0105 net ir labiausiai g\u0105sdinan\u010di\u0173 \u012fvyki\u0173, toki\u0173 kaip sukre\u010dian\u010dios riau\u0161\u0117s ar kariniai neramumai, estetik\u0105.<\/p>\n

\"\"<\/a><\/p>\n

Kylanti asociacija su Amerikos modernyb\u0117s simbolio Merce Cunningham \u201ePapl\u016bdimio pauk\u0161\u010di\u0173\u201c (angl. \u201eBeach Birds\u201c) choreografija arba belg\u0173 choreograf\u0117s Anne Teresa De Keersmaeker k\u016briniu \u201eFase\u201c (1982), kuriame irgi panaudota kompozitoriaus Steve Reich opusas \u00a0\u201eCome Out\u201c, \u0160eiko teatro spektakliui \u201eFlocking\u201c suteikia \u0161iuolaikinio \u0161okio tradicijos t\u0119stinumo jausm\u0105. Apm\u0105stydami \u017emoni\u0173 b\u016briavim\u0105si, k\u016br\u0117jai negali pro akis praleisti ir pa\u010di\u0173 \u0161oki\u0173 spektakli\u0173 bei \u012f juos susirenkan\u010dios publikos, juk dauguma at\u0117jusi\u0173 \u012f premjer\u0105 Klaip\u0117dos kult\u016bros fabrike vienaip ar kitaip prisid\u0117jome prie laukian\u010dios minios choreografijos: nerimastingai stoviniavome, sudar\u0117me atskiras draug\u0173 ir pa\u017e\u012fstam\u0173 saleles ar jau pasiruo\u0161\u0117me stotis \u012f eil\u0119 prie dur\u0173. Tik man\u0117me laike ir erdv\u0117je judantys kaip atskiri subjektai \u2013 i\u0161 tikr\u0173j\u0173 mus kaip \u012fmagnetintas dalelytes pasiglem\u017e\u0117 viena kinetin\u0117 skulpt\u016bra, \u00a0\u012frodydama, \u00a0kad mes visi esame susij\u0119 ir m\u016bs\u0173 veiksmai daro \u012ftak\u0105 aplinkiniams. \u00a0Jausmas, kad publika buvo spektaklio dalis, o ne tik atskiri subjektai, padidina bendr\u0105 \u00a0k\u016brinio poveik\u012f. \u0160i nesuvokiama integracija panaikina rib\u0105 tarp atlik\u0117j\u0173 ir publikos bei sukuria nepakartojam\u0105 ir \u012ftraukiant\u012f potyr\u012f susirinkusiems.
\n—<\/p>\n

\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

B\u016bryje jau\u010diam\u0117s saugesni. I\u0161sirikiav\u0119 komandomis galime nuversti kalnus, o draugi\u0161kai var\u017eydamiesi vieni su kitais atrandame savo stipri\u0105sias ir silpn\u0105sias puses, …<\/p>\n","protected":false},"author":2,"featured_media":13880,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nB\u016bti visais \u017emon\u0117mis vienu metu - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2023\/03\/10\/buti-visais-zmonemis-vienu-metu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"B\u016bti visais \u017emon\u0117mis vienu metu - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"B\u016bryje jau\u010diam\u0117s saugesni. 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