{"id":13948,"date":"2023-04-06T19:01:06","date_gmt":"2023-04-06T16:01:06","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=13948"},"modified":"2023-04-06T19:51:17","modified_gmt":"2023-04-06T16:51:17","slug":"praktinis-2-dienu-sokio-dramaturgijos-seminaras-su-thomasu-schauppu-vokietija","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2023\/04\/06\/praktinis-2-dienu-sokio-dramaturgijos-seminaras-su-thomasu-schauppu-vokietija\/","title":{"rendered":"Praktinis 2 dien\u0173 \u0161okio dramaturgijos seminaras su Thomasu Schauppu (Vokietija)"},"content":{"rendered":"<p>Lietuvos \u0161okio informacijos centras (L\u0160IC) kvie\u010dia \u012f dviej\u0173 dien\u0173 praktin\u012f seminar\u0105 \u201cArt and Empathy &#8211; Dramaturgical Practices of Considering Otherness\u201d.<\/p>\n<p>Seminare gali dalyvauti bent 3 metus choreografin\u0117s ar dramaturgin\u0117s patirties turintys menininkai, kritikai ir kiti scenos men\u0173 profesionalai.<\/p>\n<p>Dalyvavimas baland\u017eio 29-\u0105 dien\u0105 vykstan\u010diame Thomaso Schauppo teoriniame dramaturgijos seminare n\u0117ra privalomas, bet pageidaujamas (<a href=\"https:\/\/www.facebook.com\/events\/610712223860044\">https:\/\/www.facebook.com\/events\/610712223860044<\/a>). Taip pat rekomenduotinas lietuvi\u0173 ir ukrainie\u010di\u0173 \u0161okio platform\u0173 lankymas \u201cNaujojo Baltijos \u0161okio\u201d festivalio metu (gegu\u017e\u0117s 2 \u2013 5 dienomis).<\/p>\n<p><strong>Seminaro laikas:<\/strong><\/p>\n<ul>\n<li>gegu\u017e\u0117s 6 d. (\u0161e\u0161tadien\u012f) 10:30-13:00 ir 13:30-16:00 val,<\/li>\n<li>gegu\u017e\u0117s 7 (sekmadien\u012f) 10:00-12:30 ir 13:00-15:00 val.<\/li>\n<\/ul>\n<p><strong>Seminaro vieta:<\/strong> Men\u0173 Spaustuv\u0117s Infotekoje.<\/p>\n<p><strong>SVARBU:<\/strong><\/p>\n<ul>\n<li>Seminaras vyks angl\u0173 kalba, gyvai.<\/li>\n<li>B\u016btina registracija iki baland\u017eio 24 d.: <a href=\"https:\/\/forms.gle\/zJaGWMb7GNw3ZkT79\">https:\/\/forms.gle\/zJaGWMb7GNw3ZkT79<\/a>.<\/li>\n<li>Maksimalus dalyvi\u0173 skai\u010dius \u2013 Esant daugiau norin\u010di\u0173 dalyvauti, Lietuvos \u0161okio informacijos centro komanda vykdys atrank\u0105 pagal registracijoje u\u017epildyt\u0105 informacij\u0105.<\/li>\n<li>Seminaro kaina \u2013 50 Eur. \u012e \u0161i\u0105 kain\u0105 taip pat \u012feina bilietai \u012f du renginius:\n<ul>\n<li>Ukrainos \u0161okio platforma: Bohdan Polishchuk ir Yana Reutova (geg 2 d. 19:30 val)<\/li>\n<li>Ukrainos \u0161okio platforma: Maciej Kuzminski Company EVERY MINUTE MOTHERLAND (geg 3 d. 19:30 val)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><strong>Thomasas Schaupas apie seminar\u0105:<\/strong> \u201c<em>Art is always in motion. It is influenced by cultural changes and it changes culture. It is a representative instrument of a society, but more than that, it actively shapes it. It is good to remember this, especially in these difficult times we live in &#8211; marked by deep crises and wars &#8211; against the other and against culture as a whole. Dramaturgy can be understood as a \u201ediscipline of bridge-building\u201c, between art and society, between idea and realization, between artist and audience, and so on, and is thus also the essential lubricating oil of any artistic creation. <\/em><\/p>\n<p><em>In this two-day intensive workshop, we will approach dramaturgy from the perspective of empathy &#8211; that is, the ability to empathize with the feelings of others. What role does it play in practice? What role do sensitivity and vulnerability play in dramaturgical thinking and what does this have to do with choreographing, for example? And can it also cause harm? Does it, for instance, lead to compromising artistic ideas?<\/em><\/p>\n<p><em>Through a collaborative, hands-on and playful analysis of choreographic works presented during the New Baltic Dance Platform, we will practically explore empathy as a central tool of dramaturgy. We will engage with tools of critical reflection. And we will test it as a relational practice, giving each other exercises that can be useful for further creative processes. In this way, the workshop aims to approach the practice of dramaturgy as an essential way of thinking, rather than simply understanding it as an auxiliary discipline.\u201d<\/em><\/p>\n<p><strong>Trumpai apie lektori\u0173:<\/strong> \u0161okio dramaturgas ir kuratorius Thomas Schaupp, dar studijuodamas meno istorij\u0105 Berlyne, 2010 metais, pirmosios praktikos metu atsid\u016br\u0117 Sashos Waltz &amp; Guests komandoje, o v\u0117liau \u012f dramaturgijos praktik\u0105 gilinosi Nacionaliniame \u0161okio centre Bukare\u0161te. Po studij\u0173 Thomasas pasin\u0117r\u0117 \u012f praktik\u0105 ir iki \u0161iol aktyviai kuria su choreografais Europoje ir u\u017e jos rib\u0173, reguliariai yra kvie\u010diamas d\u0117styti ir bendradarbiauti su auk\u0161tosiomis meno mokyklomis Berlyne, Reikjavike, Pekine, yra vienas i\u0161 seminar\u0173 bei tinklalaid\u017ei\u0173 \u201eKontekstualizuojant \u0161ok\u012f\u201c kuratori\u0173.<\/p>\n<p>M\u016bs\u0173 veikl\u0105 finansuoja Lietuvos kult\u016bros taryba, Lietuvos Respublikos kult\u016bros ministerija, Vilniaus miesto savivaldyb\u0117.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lietuvos \u0161okio informacijos centras (L\u0160IC) kvie\u010dia \u012f dviej\u0173 dien\u0173 praktin\u012f seminar\u0105 \u201cArt and Empathy &#8211; Dramaturgical Practices of Considering Otherness\u201d. &#8230;<\/p>\n","protected":false},"author":2,"featured_media":13949,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - 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