{"id":14046,"date":"2023-03-24T12:45:42","date_gmt":"2023-03-24T10:45:42","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=14046"},"modified":"2023-04-18T13:07:09","modified_gmt":"2023-04-18T10:07:09","slug":"minciu-turbulencija-arba-kodel-katineliai-negali-netyleti","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2023\/03\/24\/minciu-turbulencija-arba-kodel-katineliai-negali-netyleti\/","title":{"rendered":"Min\u010di\u0173 turbulencija arba kod\u0117l katin\u0117liai negali netyl\u0117ti"},"content":{"rendered":"

\u012e ki\u0161enin\u0119 Men\u0173 spaustuv\u0117s sal\u0119 renkasi \u017emon\u0117s. Scenoje skirtingas pozicijas u\u017e\u0117musios jau laukia \u0161ok\u0117jos. \u012esitaisiusi savo vietoje, u\u017emerkiu akis ir giliai \u012fkvepiu. Perskai\u010diusi Pauliaus Prievelio \u201eTyl\u0117jim\u0173\u201c apra\u0161ym\u0105, turiu nuojaut\u0105, kad netrukus teks panirti \u012f b\u016bsen\u0105 prie\u0161 u\u017emiegant, kai mintys ima pintis, o realyb\u0119 \u0161iek tiek i\u0161kreipia art\u0117jan\u010dio sapno aidai.<\/p>\n

\u201eTyl\u0117jimai\u201c (2023) yra pandemijos metu sukurto Pauliaus Prievelio solo pasirodymo \u201eKatin\u0117li\u0173 tyl\u0117jimas\u201c (2020) t\u0119sinys. Nors choreografine prasme k\u016briniai visi\u0161kai skirtingi, nes \u201eTyl\u0117jimus\u201c atlieka trys \u0161ok\u0117jos (August\u0117 Gel\u017einyt\u0117, L\u0117ja Povilaityt\u0117 ir Viktorija Praninskait\u0117), o Paulius scenoje nepasirodo, ta\u010diau \u201eKatin\u0117li\u0173 tyl\u0117jime\u201c slypi svarbios nuorodos, kurios gal\u0117t\u0173 pad\u0117ti suprasti autoriaus naujausi\u0105 k\u016brin\u012f. Ne veltui pavadinimas \u201eKatin\u0117li\u0173 tyl\u0117jimas\u201c primena Jonathano Demme psichologin\u012f siaubo film\u0105 \u201eAvin\u0117li\u0173 tyl\u0117jimas\u201c. Filmo pavadinimas nurodo \u012f vienos i\u0161 pagrindini\u0173 veik\u0117j\u0173 traumin\u0119 patirt\u012f, kuri prasiskverbia pro sapnus ir pa\u017eadina j\u0105 vidury nakties. Filmo atveju tai yra psichologin\u0117 trauma, ta\u010diau katin\u0117liai sukelia kur kas mielesni\u0173 asociacij\u0173, nurodo \u012f ka\u017ek\u0105, kas buvo prisijaukintas ir, matyt, paleistas. Taigi, lieka tik tyl\u0117jimai kaip tam tikros patirtys, kurios ataidi i\u0161 pas\u0105mon\u0117s ir i\u0161nyra tada, kai pertr\u016bksta stimuliacija i\u0161 i\u0161orinio pasaulio \u2013 ramyb\u0117s b\u016bsenoje \u2013 arba vietoj jos.<\/p>\n

\"\"<\/a>Akimirka i\u0161 \u0161okio spektaklio \u201eTyl\u0117jimai\u201c, choreografas Paulius Prievelis. Jurgos Urbonait\u0117s nuotrauka<\/em><\/p>\n

Galima teigti, jog \u201eTyl\u0117jimai\u201c pretenduoja ne tiek \u012f asmenin\u0117s patirties atskleidim\u0105, kiek labiau \u012f visiems (ar daugumai) pa\u017e\u012fstamos b\u016bsenos tyrim\u0105. Interviu paklaustas apie ribas tarp asmeni\u0161kumo ir vie\u0161umo, Paulius \u012fvardija kiekvienos asmenin\u0117s patirties universal\u0173 sluoksn\u012f. Ta\u010diau \u017emogaus asmenyb\u0117s savitum\u0105 atspindi b\u016btent min\u010di\u0173 visuma, suformuota kasdienin\u0117s veiklos. I\u0161 k\u016brinyje pasirinkt\u0173 pavaizduoti min\u010di\u0173 epizod\u0173 formuojasi konkre\u010dios asmenyb\u0117s \u012fvaizdis ir net gi atsiskleid\u017eia jos (proto) veiklos specifika. Galima sp\u0117ti, jog tai asmenybei neretai tenka pervargti, kartais pasitaiko u\u017emigti, \u017ei\u016brint siaubo film\u0105, rytin\u0119 kav\u0105 mai\u0161yti dar virpan\u010diais nuo naktin\u0117s techno muzikos pir\u0161tais ar prasivartyti vis\u0105 nakt\u012f lovoje, negalint atsikratyti galvoje skamban\u010dios \u012fkyrios melodijos. Tad kyla klausimas, ar mintis gali b\u016bti be \u0161eimininko ir ar tyl\u0117jimai gali b\u016bti ne ka\u017ekieno?<\/p>\n

Visgi, spektaklio tema n\u0117ra vien min\u010di\u0173 turinys, o labiau pati minties prigimtis. Mintys spektaklyje, tarsi i\u0161nirusios i\u0161 niekur, \u0161okin\u0117ja i\u0161 praeities \u012f ateit\u012f, transformuojasi nepastebimai, o kartais grubiai pertraukia skland\u017ei\u0105 t\u0117km\u0119. Jos pasirei\u0161kia atsiminim\u0173 nuotrupomis, vaizd\u0173 ar gars\u0173 fragmentais, \u012fvairiomis asociacijomis. Konkret\u016bs vaizdiniai staiga pradeda byr\u0117ti ir deformuotis, tarsi patek\u0119 \u012f min\u010di\u0173 turbulencij\u0105. Kai \u0161ok\u0117j\u0173 k\u016bnai, prie\u0161 tai atlik\u0119 ritmingus judesius, staiga ima dreb\u0117ti ir kratytis, suveikia kinestetin\u0117 empatija, d\u0117l kurios j\u0173 judesius patirti bei netik\u0117tai kr\u016bptel\u0117ti tenka ir \u017ei\u016brovams. Turbulencijai pra\u0117jus, \u0161ok\u0117jos scenoje formuoja kitus vaizdinius, kuria ir ardo ry\u0161ius tarp veiksmo ir \u017eod\u017eio, papildo arba u\u017ego\u017eia viena kit\u0105. \u017dodinis pasakojimas \u010dia tampa svarbiu choreografiniu elementu, kuris \u012fgauna strukt\u016bruojan\u010di\u0105 gali\u0105. Verta pamin\u0117ti ir Monikos \u0160erstabojevait\u0117s kuriam\u0105 ap\u0161vietim\u0105, d\u0117l kurio mintys \u012fgauna skirtingus atspalvius, o \u0161viesos paskirstymas tarsi vidinio steb\u0117tojo \u017evilgsnis i\u0161ple\u010dia arba susiaurina d\u0117mesio lauk\u0105. Taip scenoje formuojamas nematomas peiza\u017eas, o\u00a0 protarpiais i\u0161girstamas vienos i\u0161 \u0161ok\u0117j\u0173 balsas skatina nepamir\u0161ti, jog tai, k\u0105 matome ar suprantame, yra ne pasaulis gryn\u0105ja forma, o tik jo reprezentacija m\u016bs\u0173 galvose. Net jei bandai nepasiklysti min\u010di\u0173 vingiuose, vis pagauni save brai\u017eant\u012f min\u010di\u0173 \u017eem\u0117lap\u012f, kuriame pats brai\u017eai \u0161\u012f \u017eem\u0117lap\u012f.<\/p>\n

\"\"<\/a>Akimirka i\u0161 \u0161okio spektaklio \u201eTyl\u0117jimai\u201c, choreografas Paulius Prievelis. Jurgos Urbonait\u0117s nuotrauka<\/em><\/p>\n

Galiausiai, \u00a0k\u016brinys tampa vientisa patirtimi, kuri neleid\u017eia atsikv\u0117pti ar pasim\u0117gauti pauz\u0117mis ir nesuteikia galimyb\u0117s i\u0161 ties\u0173 i\u0161gyventi tylos nebuvim\u0105 ne d\u0117l intensyvaus k\u016brinio turinio, o d\u0117l nepertraukiamos min\u010di\u0173 t\u0117km\u0117s. Prasid\u0117j\u0119s d\u0117mes\u012f sutelkian\u010diomis, detaliomis ir vaizdines asociacijas provokuojan\u010diomis scenomis bei sakiniu, kad \u201etyla tai ne visi\u0161kas garso nebuvimas, o tarpas tarp min\u010di\u0173\u201c, \u0161okio spektaklis u\u017egriuvo kaip vis labiau auganti ir atsikv\u0117pti neleid\u017eianti lavina.\u00a0 Galima pritarti Pauliui, jog tokia b\u0117gan\u010di\u0173 min\u010di\u0173 b\u016bsena priklauso nuo \u017emogaus gyvenimo ritmo, j\u0105 patirti ir net pajusti gali kiekvienas \u2013 t\u0105 \u012frodo spektaklis, ta\u010diau ji tikrai n\u0117ra b\u016bdinga ar artima visiems. Nepatyrusius \u0161ios b\u016bsenos k\u016brinys gali nustebinti abstraktaus intensyvumo epizodais, kurie u\u017eklumpa per (ne)sinchronizuotos choreografijos fragmentus. \u0160iais etapais \u0161iuolaikinio \u0161okio elementai, sukomponuoti \u012f dinami\u0161k\u0105 mozaik\u0105, sudaryt\u0105 i\u0161 pasikartojim\u0173, spar\u010diai kintan\u010dio ritmo, (a-)sinchronijos ir min\u0117t\u0173 turbulencijos epizod\u0173, sukelia galimai net prievartingo pob\u016bd\u017eio t\u0117km\u0119. Ta\u010diau ka\u017ekuriuo met\u0173 besukylant\u012f nuovarg\u012f pertraukia gan netik\u0117tai u\u017eklumpanti keturiasde\u0161imt minu\u010di\u0173 trunkan\u010dio spektaklio pabaiga. Ji \u017ei\u016brovams dovanoja spektaklio suvenyr\u0105, tarsi \u012fspaud\u0105 mintyse: \u201ecatchy\u201c melodij\u0105, kuri \u201eboogie woogie\u201c ritmu pa\u017eadina i\u0161 \u201eTyl\u0117jim\u0173\u201c sapno ir mintyse palydi namo.<\/p>\n

—<\/p>\n

\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u012e ki\u0161enin\u0119 Men\u0173 spaustuv\u0117s sal\u0119 renkasi \u017emon\u0117s. Scenoje skirtingas pozicijas u\u017e\u0117musios jau laukia \u0161ok\u0117jos. \u012esitaisiusi savo vietoje, u\u017emerkiu akis ir …<\/p>\n","protected":false},"author":2,"featured_media":14049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nMin\u010di\u0173 turbulencija arba kod\u0117l katin\u0117liai negali netyl\u0117ti - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2023\/03\/24\/minciu-turbulencija-arba-kodel-katineliai-negali-netyleti\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Min\u010di\u0173 turbulencija arba kod\u0117l katin\u0117liai negali netyl\u0117ti - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u012e ki\u0161enin\u0119 Men\u0173 spaustuv\u0117s sal\u0119 renkasi \u017emon\u0117s. 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