{"id":1426,"date":"2013-09-28T21:03:39","date_gmt":"2013-09-28T21:03:39","guid":{"rendered":"http:\/\/dance.lt\/new\/2013\/09\/28\/aurafrika-i-diena\/"},"modified":"2013-09-28T21:03:39","modified_gmt":"2013-09-28T21:03:39","slug":"aurafrika-i-diena","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2013\/09\/28\/aurafrika-i-diena\/","title":{"rendered":"AURAfrika. I diena"},"content":{"rendered":"

Dr\u0117gn\u0105 rugs\u0117jo 18-osios vakar\u0105 Kauno dramos teatre buvo atidarytas dvide\u0161imt tre\u010diasis tarptautinis \u0161okio festivalis \u201eAura\u201c. Kaip sveikinimo kalboje pasak\u0117 ka\u017ekuris vald\u017eios vyras \u2013 d\u0117ka \u0161io festivalio ir Birut\u0117s (Letukait\u0117s, festivalio organizator\u0117s) pavasaris \u012f Laikin\u0105j\u0105 sostin\u0119 ateina du kartus. Kadangi ir pavasar\u012f, ir ruden\u012f m\u016bsuose pa\u017einsi i\u0161 pasikeitusi\u0173 ka\u0161ton\u0173, pa\u017ei\u016br\u0117kime koki\u0173 \u017eied\u0173 ir vaisi\u0173 \u012f tre\u010di\u0105 de\u0161imt\u012f \u012fkop\u0119s festivalio medis primezg\u0117 \u0161iemet.<\/p>\n

(Juodi) vyrai baltais drabu\u017eiais<\/strong><\/p>\n

Festival\u012f atidar\u0117 trup\u0117, vadovaujama i\u0161 Benino kilusio, Alvin Ailey \u0161okio teatre ir Brodv\u0117juje besimokiusio, modernaus, d\u017eiazo ir \u0161iuolaikinio \u0161okio sintez\u0117s beie\u0161kan\u010dio choreografo Tchekpo Dan Agbeton. Kaip teig\u0117 festivalio \u0161eiminink\u0117, b\u016btent \u0161io menininko iniciatyva pristatyti labai \u012fvair\u0173 ir labai nepa\u017e\u012fstam\u0105 Afrikos \u0161iuolaikin\u012f \u0161ok\u012f Vokietijoje, Bielefelde (kuriame jis \u0161iuo metu reziduoja) \u012fkv\u0117p\u0117 ir Kaune surengti panoramin\u012f \u0161io \u017eemyno \u0161okio pristatym\u0105. \u201eMes patys mokom\u0117s ir vedam\u0117s su savimi publik\u0105\u201c teig\u0117 B.Letukait\u0117, prisipa\u017eindama, kad ir jos pa\u017eintis su \u0161io \u017eemyno kult\u016bra iki \u0161iol apsiribojo vienkartiniu apsilankymu kurorte \u0160iaur\u0117s Afrikoje.<\/p>\n

\u0160okio spektaklis \u201eTrys lygiai\u201c galyn\u0117josi su universalia tema \u2013 k\u016bno, sielos ir jausm\u0173 tarpusavio s\u0105veika. Spektaklio apra\u0161yme pamin\u0117ta \u010c.Darvino teorija scenoje vyst\u0117si ir skleid\u0117si tarsi anatomijos vadov\u0117lyje: penki\u0173 nuog\u0173 vyr\u0173 gal\u016bn\u0117s ir k\u016bnai, \u017emonijos prie\u0161au\u0161r\u012f menan\u010dioje prieblandoje susivij\u0119 \u012f pulsuojant\u012f blizgi\u0173 ropli\u0173 ir gyva\u010di\u0173 mazg\u0105, l\u0117tai atsiskiria, atskyla, atsipumpuruoja ir ima individualizuotis. Vyksta evoliucija i\u0161 maksimalaus visu k\u016bno plotu s\u0105ly\u010dio su \u017eeme \u012f besistiebian\u010di\u0105 dangop k\u016bno-sielos tiesi\u0105j\u0105, i\u0161 horizontal\u0117s \u012f vertikal\u0119. Horizonte gimsta homo erectus. Fone girdisi \u0161un\u0173 urzgimas, peraugantis \u012f \u0161aman\u0173 meditacij\u0105 ir kosmin\u0119 odis\u0117j\u0105 prana\u0161aujant\u012f gaudim\u0105.<\/p>\n

\"\"<\/p>\n

\u017dmonija i\u0161ropoja i\u0161 savo vaikyst\u0117s (i\u0161 po stalo) \u012f paauglyst\u0119 (ant stalo). Pasigirsta saksofono vinguriuojama melodija ir vienas vieni\u0161as k\u016bnas susiduria su kitu. Prasideda grumtyn\u0117s d\u0117l vietos po saule. Homo erectus prisimena dar ne toki\u0105 tolim\u0105 gyv\u016bni\u0161k\u0105j\u0105 prigimt\u012f, scenos gilumoje u\u017eriaumoja li\u016btas. B\u0117ga sceninis laikas, baltoje popieri\u0173 pievoje besiganantys dvide\u0161imt pirmojo am\u017eiaus simbos klusniai \u012fsispraud\u017eia \u012f rudas kostiumines kelnes ir baltus mar\u0161kinius. Visgi apykakl\u0117s-apynasriai taip ir lieka neu\u017esagstyti. Muzika nutyla, gird\u0117ti rudeni\u0161kas lap\u0173 \u0161iurenimas ir la\u0161\u0173 kaps\u0117jimas. Nat\u016bros pulsacij\u0105, gamtos gars\u0173 ir judesi\u0173 chaos\u0105 imasi tvarkyti kult\u016bra \u2013 melodija ir choreografija.<\/p>\n

Vilki\u0161ka kova (vald\u017eia), \u0161amani\u0161ki dvasi\u0173 \u0161okiai (galia), socialiniai lotyn\u0173 ir afroamerikie\u010di\u0173 ritmai (populiarumas) evoliucionuoja vienas i\u0161 kito. Pasaulis (stalas) apvirsta auk\u0161tyn kojom, ant jo \u012fsitaiso homo saltus (\u0161okantis) ir homo cantus (dainuojantis), \u0161velniai komi\u0161kais striptizo elementais i\u0161judinantis \u0161iaurieti\u0161k\u0105 publik\u0105.<\/p>\n

\"\"<\/p>\n

Galiausiai \u017eem\u0117s trauka v\u0117l paguldo visus ant men\u010di\u0173. K\u016bnai i\u0161sirita i\u0161 r\u016bb\u0173, atod\u016bsiai \u2013 i\u0161 k\u016bn\u0173, siela \u2013 i\u0161 paskutini\u0173 atod\u016bsi\u0173. Atsiskleid\u017eia akivaizdi egzistencin\u0117 tiesa \u2013 k\u016bnas juda tol, kol j\u012f judina siela.<\/p>\n

Palaidas aliuzijas, metaforas, \u012fvaizd\u017eius, frazes tvirta choreografin\u0117 ranka gra\u017eiai supina \u012f tris evoliucijos kasas-pynes: \u012f \u017emonijos evoliucij\u0105 i\u0161 prie\u0161istorinio homo horizontalis \u012f \u0161iandienin\u012f homo verticalis; \u012f evoliucij\u0105 i\u0161 k\u016bni\u0161kojo homo \u012f dvasi\u0161k\u0105j\u012f homo; ir \u012f baltojo europocentristo stereotip\u0173 apie juod\u0105j\u012f Afrikos pusbrol\u012f evoliucij\u0105. B\u016btent \u0161is, tre\u010diasis lygis, \u0161velniai u\u017ekabina juod\u0105j\u0105 mas\u0119, plytin\u010di\u0105 kiekviename i\u0161 m\u016bs\u0173 ir pasirei\u0161kian\u010di\u0105 neperprastomis baim\u0117mis, nei\u0161siai\u0161kintomis nuojautomis, nepa\u017eadintomis galiomis. Esu gird\u0117jusi, kad kai kurios Afrikos tautos savo kalboje neturi b\u016btojo, praeities laiko. Spektaklis \u201eTrys lygiai\u201c \u2013 puikus pavyzdys kaip kalb\u0117ti apie m\u016bs\u0173 ne\u012f\u017evelgiam\u0105, k\u016bno ir sielos i\u0161b\u016bt\u0105 b\u016bt\u012f esamuoju laiku.<\/p>\n

\"\"<\/p>\n

(Juoda) bryd\u0117 balt\u0173 ry\u017ei\u0173 lauke<\/strong><\/p>\n

B\u016bties rat\u0105 toliau \u012fsukin\u0117jo duetas i\u0161 Dramblio Kaulo Kranto \u2013 Michel Kouakou ir Daudet Grazai su spektakliu \u201eLa\u0161as i\u0161 niekur\u201c. Po juodoje scenoje supilt\u0105 balt\u0173 ry\u017ei\u0173 sal\u0105 pasileid\u017eia b\u0117gioti \u0161ok\u0117j\u0173 rankos ir kojos. Jomis \u017earstomos ry\u017ei\u0173 kr\u016bvel\u0117s ir atveriamos juodos tu\u0161tumos bryd\u0117s gula netvarkingai vienos ant kit\u0173 tarsi nepaliaujamai pilama ir ardoma monochromin\u0117 gyvenimo mandala. Judesys ore i\u0161lieka, \u012fsiprasmina tik tada, kai pasibaigia r\u0117\u017eiu ry\u017eiuose. Tarsi b\u016btasis praeities laikas, kuris leid\u017eiasi suvokiamas ap\u010diuopiant nukritusius la\u0161us \u2013 i\u0161 nesuvokiam\u0173 \u201eniekur\u201c ir \u201eniekados\u201c \u012f atpa\u017e\u012fstamus \u201e\u010dia\u201c ir \u201edabar\u201c.<\/p>\n

\"\"<\/p>\n

Ry\u017ei\u0173 rate tarsi apsnigtame i\u0161tu\u0161t\u0117jusio pasaulio ringe susiduria dviese \u2013 a\u0161 ir tu. Nuvytusi\u0173 raudono vyno spalvos, tulpi\u0173 \u017eiedlapi\u0173 formos sijonai ir nuogi, juodi, blizgantys raumenys eina im\u010di\u0173. \u0160velniai, tarsi myl\u0117t\u0173si, \u0161maik\u0161\u010diai, tarsi \u017eaist\u0173, \u017eiauriai, tarsi i\u0161 tikr\u0173j\u0173.<\/p>\n

Padais ir delnais \u010diupin\u0117jami ry\u017eiai pa\u017eyra, pabyra, prabyla \u012f kalbinant\u012fj\u012f \u017eod\u017eiais \u2013 tai saujom, tai pavieniui. Kol galiausiai scenos kulisai \u0161velniu aksomu apr\u0117mina gyvenimo prozos negatyv\u0105 \u2013 juod\u0105 \u017emogaus k\u016bn\u0105, negailestingai u\u017epilam\u0105 balta ry\u017ei\u0173 lietaus \u017eeme.<\/p>\n

\"\"<\/p>\n

Spektaklis, pristatomas per japoni\u0161kojo butoh \u0161okio kism\u0105, savyje talpina rytieti\u0161k\u0105 in ir jang \u2013 tu\u0161tumos ir pilnatv\u0117s, veiksmo ir atoveiksmio, pasyvo ir aktyvo, a\u0161 ir tu prie\u0161prie\u0161os ir vienov\u0117s model\u012f. Pasirinkta medija \u2013 ry\u017eiai \u2013 taip pat tampa daugiaprasmiu tarpininku, mediatoriumi tarp \u0161ok\u0117j\u0173 emocij\u0173 ir \u017ei\u016brovo regimos estetikos, \u012fk\u016bnijan\u010diu skirtingas b\u016bties frakcijas \u2013 snieg\u0105, liet\u0173, popieri\u0173, \u017eem\u0119, \u0161vies\u0105.<\/p>\n

kafehauzas.lt<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Dr\u0117gn\u0105 rugs\u0117jo 18-osios vakar\u0105 Kauno dramos teatre buvo atidarytas dvide\u0161imt tre\u010diasis tarptautinis \u0161okio festivalis \u201eAura\u201c. Kaip sveikinimo kalboje pasak\u0117 ka\u017ekuris …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nAURAfrika. I diena - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2013\/09\/28\/aurafrika-i-diena\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AURAfrika. 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