{"id":1427,"date":"2013-09-28T21:18:48","date_gmt":"2013-09-28T21:18:48","guid":{"rendered":"http:\/\/dance.lt\/new\/2013\/09\/28\/auros-festivalyje-ispudingi-vyru-kunai\/"},"modified":"2013-09-28T21:18:48","modified_gmt":"2013-09-28T21:18:48","slug":"auros-festivalyje-ispudingi-vyru-kunai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2013\/09\/28\/auros-festivalyje-ispudingi-vyru-kunai\/","title":{"rendered":"\u201eAuros\u201d festivalyje \u2013 \u012fsp\u016bdingi vyr\u0173 k\u016bnai"},"content":{"rendered":"<p>      Atidaromasis \u201eAuros\u201d \u0161iuolaikinio \u0161okio festivalio vakaras itin prad\u017eiugino vyri\u0161ko k\u016bno gro\u017e\u012f vertinan\u010dias moteris, mat scenose dominavo atleti\u0161ki, plasti\u0161ki ir itin grak\u0161t\u016bs \u0161ok\u0117jai. Tiesa, did\u017eioji \u0161ok\u0117j\u0173 dalis buvo tamsesnio gymio, ta\u010diau nuo to \u0161vent\u0117 akims tapo tik egzoti\u0161kesn\u0117.<br \/>\nOrganizatori\u0173 pasirinkta \u0161iuolaikinio Afrikos \u0161okio tema siekia pristatyti Lietuvos publikai menkai pa\u017e\u012fstam\u0105 \u0161io \u017eemyno \u0161okio platform\u0105. Kartu skatinama perm\u0105styti stereotipi\u0161ko juodaod\u017ei\u0173 suvokimo ir vertinimo kli\u0161es bei kelti klausimus apie Afrikos \u017eemynui b\u016bdingo savitumo santyki su globalizacijos procesais.<\/p>\n<p>       Tchekpo Dan Agbetou vadovaujamos \u0161okio trup\u0117s spektaklyje \u201eTrys lygiai\u201c gilinamasi \u012f gana klasikin\u0117s k\u016bno-proto-sielos triados problematik\u0105. Spektaklio siu\u017eetas buvo miglotas, scenografija \u2013 minimali (vienas stalas ir i\u0161sklaidytos popieri\u0173 kr\u016bvos), ta\u010diau labai daug vietos liko k\u016bno plastikai ir judesiui. Pastarasis gana savitai prasid\u0117davo dubens srityje bei pe\u010di\u0173 linijoje ir vystydavosi \u012f ilgas, grak\u0161\u010diai i\u0161temptas gal\u016bnes. <\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/605297\/Tryslygiai_batura3_490x424.jpg\" width=\"490\" height=\"424\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/605297\/Tryslygiai_batura3.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>       Did\u017ei\u0105j\u0105 spektaklio dal\u012f penki vyrai \u0161oko vilk\u0117dami vien apatines kelnaites, tokiu b\u016bdu tarsi parodai i\u0161statydami savo k\u016bnus. Dr\u012fs\u010diau teigti, kad visos anatomijos student\u0117s tur\u0117t\u0173 bent kart\u0105 apsilankyti tokiame spektaklyje  \u2013 juk mokytis apie raumen\u0173 grupes remiantis gyvais pavyzd\u017eiais yra kur kas \u012fdomiau nei studijuoti pie\u0161inius knygose. \u012esp\u016bdingi pe\u010diai, raumeninga vir\u0161utin\u0117 nugaros dalis, tvirta kr\u016btin\u0117, beveik reklaminis pilvo presas, ilgos stangrios \u0161launys, \u0161velnios \u012ftemptos rankos \u2013 taip ir nor\u0117josi prisiliesti, pa\u010diupin\u0117ti, ka\u017ekuo \u012fsitikinti.<\/p>\n<p>       Vyro k\u016bno adoracija buvo ne atsitiktinis rei\u0161kinys, o labai sumaniai ir subtiliai sukonstruotas efektas. Vidurin\u0117je spektaklio dalyje vyrai u\u017esimet\u0117 baltus mar\u0161kinius varpelio formos rankov\u0117mis, kurios buvo itin populiarios tarp dend\u017ei\u0173 (angl. dandy). Imituodami tipin\u0117s \u0161iuolaikin\u0117s berniuk\u0173 pop grup\u0117s video klipus, \u0161ok\u0117jai neu\u017esisagst\u0117 mar\u0161kini\u0173 ir vis \u017eaid\u0117 plev\u0117suojan\u010diais skvernais. Ma\u017ea to, nema\u017eai choreografini\u0173 sprendim\u0173 taip pat akcentavo macho tipa\u017e\u0105, pvz. kova d\u0117l stalo tarsi d\u0117l vald\u017eios, popieri\u0173 metimas \u012f i\u0161p\u016bstas kr\u016btines, heroji\u0161kos i\u0161sitiesimo ant nugaros arba s\u0117d\u0117jimo pozos.<\/p>\n<p><a href=\"http:\/\/vimeo.com\/63269485\">Tchekpo \u0161okio trup\u0117<\/a><\/p>\n<p>       Choreografo Michel Kouakou ir trup\u0117s Daara Dance pusvaland\u017eio trukm\u0117s spektaklis nauj\u0173 patir\u010di\u0173 neatne\u0161\u0117. J\u0173 butoh \u2013 japoni\u0161ko dekonstrukcijos \u0161okio \u2013 versija buvo labai laisvai interpretuota. Be ry\u017ei\u0173 rato scenografijos, Tibeto raudonumo, indi\u0161ko charakterio kelni\u0173-sijono ir keleto butoh b\u016bding\u0173 judesi\u0173, vargu ar k\u0105 labai rytieti\u0161ko rastume.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/605297\/Kouakou_kukyte1_490x734.jpg\" width=\"490\" height=\"734\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/605297\/Kouakou_kukyte1.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>       Nepaisant to, duetas pademonstravo puik\u0173 kontaktin\u0117s partneryst\u0117s pavyzd\u012f. Dviej\u0173 vyr\u0173 tarpusavio s\u0105veika buvo labai vientisa ir sklandi. Profesinis pasirengimas nek\u0117l\u0117 abejoni\u0173 \u2013 nuostabiai plasti\u0161ki judesiai, \u012ftampos ir laisvumo derm\u0117 tikrai \u012ftikino. \u012edomu dar tai, kad pusnuogi\u0173 vyr\u0173 duetas netur\u0117jo seksualin\u0117s \u012fkrovos.<\/p>\n<p><a href=\"http:\/\/vimeo.com\/74222935\">Daara \u0161okio trup\u0117<\/a><\/p>\n<p>       Bene \u012fsp\u016bdingiausias buvo paskutinis vakaro spektaklis pavadinimu \u201eArtumas\u201c, kur\u012f suk\u016br\u0117 slovak\u0173 choreografas Tom\u00e1\u0161 Nep\u0161insk\u00fd bendradarbiaudamas su lenk\u0173 \u0161okio teatru \u201eZawirowania\u201c.<br \/>\nK\u016brinys i\u0161 tikr\u0173j\u0173 buvo gana daugiasluoksnis. Buvo galima steb\u0117ti meil\u0117s trikampio tarp dviej\u0173 skirtingo am\u017eiaus moter\u0173 ir vidutinio am\u017eiaus vyro peripetijas. Ta\u010diau tipin\u0117 situacija, kurioje vyras palieka vyresn\u0119 moter\u012f d\u0117l jaunesn\u0117s baig\u0117si gana netik\u0117tai, nes vyras nepasirinko nei vienos. Antra vertus, atsiskleid\u0117 intriguojantis vyro asmenyb\u0117s formavimosi paveikslas. Prad\u017eioje j\u012f akivaizd\u017eiai k\u016br\u0117 dominuojan\u010dios moterys, valdydamos vyro judesius, keldamos reikalavimus, i\u0161skleisdamos savo l\u016bkes\u010dius ir bandydamos \u012fveikti vyro sutrikim\u0105 bei abejingum\u0105. Moter\u0173 aplinkoje esantis vyras mok\u0117si steb\u0117damas, ie\u0161kodamas savo kalbos, individualiai m\u0105stydamas. Jis nuolat buvo spektaklio a\u0161is, nors fizi\u0161kai jud\u0117jo u\u017eribyje, b\u0117gdamas perimetru arba atsidurdavo pa\u010diame centre.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/605297\/Zawirowania_kukyte3_490x735.jpg\" width=\"490\" height=\"735\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/605297\/Zawirowania_kukyte3.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>       Paskutin\u0117je spektaklio dalyje per keturiasde\u0161imtmet\u012f perkop\u0119s vyras i\u0161sireng\u0117 iki apatini\u0173 ir nuostabiu solo atskleid\u0117 visas savo brandaus k\u016bno galimybes. I\u0161sirengdamas jis tarsi i\u0161sin\u0117r\u0117 i\u0161 socialinio identiteto, i\u0161 \u201evyro\u201c sampratos ir liko tik save kontempliuojantis \u017emogus. Jis tr\u016bk\u010diojo, pasidav\u0117 tempiamas atbulas nematom\u0173 j\u0117g\u0173, kovojo su ne\u017einia kuo g\u0105sdinan\u010diu, baud\u0117 ir aukl\u0117jo save suduodamas per skruost\u0105, pilv\u0105, \u0161laun\u012f, steb\u0117josi rodymas pir\u0161tu \u012f \u017eem\u0119, dang\u0173, galv\u0105, pilv\u0105, nugar\u0105 tarsi pa\u017eindamas aplink\u0105 ir atrasdamas save joje.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Atidaromasis \u201eAuros\u201d \u0161iuolaikinio \u0161okio festivalio vakaras itin prad\u017eiugino vyri\u0161ko k\u016bno gro\u017e\u012f vertinan\u010dias moteris, mat scenose dominavo atleti\u0161ki, plasti\u0161ki ir itin &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201eAuros\u201d festivalyje \u2013 \u012fsp\u016bdingi vyr\u0173 k\u016bnai - 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