{"id":14306,"date":"2023-05-24T19:33:07","date_gmt":"2023-05-24T16:33:07","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=14306"},"modified":"2023-05-24T19:42:18","modified_gmt":"2023-05-24T16:42:18","slug":"nagrineti-atminties-archyvus-siu-laiku-kontekste-naujasis-baltijos-sokis","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2023\/05\/24\/nagrineti-atminties-archyvus-siu-laiku-kontekste-naujasis-baltijos-sokis\/","title":{"rendered":"Nagrin\u0117ti atminties archyvus \u0161i\u0173 laik\u0173 kontekste | Naujasis Baltijos \u0161okis"},"content":{"rendered":"

Tarsi laikinas eksponatas, atsirad\u0119s Nacionalin\u0117je dail\u0117s galerijoje, \u201eFandango & other cadences \u2013 study 4\u201d \u012fsuka \u012f ritming\u0105 kir\u010di\u0173 ir spyri\u0173 s\u016bkur\u012f, kuriame atsispindi kult\u016brin\u0117s atminties perdavimo ir tradicijose gl\u016bdin\u010di\u0173 stereotip\u0173 prie\u0161prie\u0161os. \u0160ios temos k\u016brinyje skleid\u017eiasi palaipsniui, choreografei Ainai Alegre nagrin\u0117jant bask\u0173 kult\u016bros aspektus ne per tikslius tradicini\u0173 \u0161ok\u0117j\u0173 judesius, bet per jos partnerio, Yannicko Hugrono atsimenam\u0173 judesi\u0173 ir patir\u010di\u0173 nuotrupas\u00a0 bei pokalbius su\u00a0 bask\u0173 kra\u0161to bendruomen\u0117s atstovais. Surinkt\u0105 informacij\u0105 Alegre perleid\u017eia per savo k\u016bn\u0105, \u012fvelka j\u0105 \u012f \u0161iuolaikinio \u0161okio format\u0105 ir atskleid\u017eia, kaip kartu su \u017emon\u0117mis evoliucionuoja ir \u0161okis.<\/p>\n

\"\"<\/a>Donato Ali\u0161ausko nuotr.<\/em><\/p>\n

Aina Alegre yra \u0161ok\u0117ja, choreograf\u0117 ir performanso meninink\u0117,\u00a0 jos k\u016bryba pagr\u012fsta socialini\u0173, istorini\u0173 bei antropologini\u0173 k\u016bno reprezentacij\u0173 tyrin\u0117jimu bei fikcijos konstravimu. Kelis metus besigilindama \u012f kalimo plaktuku gest\u0105 ir sekdama \u0161io motyvo atsikartojim\u0105 skirtingose kult\u016brose, ji sutinka \u0161ok\u0117j\u0105 Yannick\u0105 Hugron\u0105, kuris vaikyst\u0117je \u0161oko tradicinius populiariuosius bask\u0173 \u0161okius. Atradusi kalimo (kir\u010di\u0173) svarb\u0105 bask\u0173 \u0161okiuose, choreograf\u0117 nutaria sukurti \u0161iuolaikinio \u0161okio k\u016brin\u012f, pagr\u012fst\u0105 tautini\u0173 \u0161oki\u0173 atsiminimais. Kaip istorijos pasakojimo metod\u0105 Alegre pasitelkia fandango \u2013 pla\u010diai paplitus\u012f ispan\u0173 \u0161ok\u012f poroje trij\u0173 ketvirtini\u0173 tempu. Tai jai padeda sukurti erdv\u0119, kurioje tur\u0117t\u0173 sugr\u012f\u017eti Hugrono vaikyst\u0117s prisiminimai ir \u012fvair\u016bs jausmai, kylantys \u0161okant bask\u0173 \u0161okius.<\/p>\n

Ta\u010diau Alegre tikslas \u2013 ne kruop\u0161\u010diai atkurti judesius ar pristatyti bask\u0173 kult\u016bros paveld\u0105, o perimti ir gyvai perduoti tam tikr\u0105 asmenin\u0119 bei kolektyvin\u0119 patirt\u012f, kuri apsirei\u0161kia \u0161okio energijos pavidalu. Tod\u0117l tradiciniai judesiai\u00a0 dekonstruojami ir modifikuojami, o Hugrono atminties spragas \u010dia u\u017epildo kit\u0173 bask\u0173 atsiminimai, pasirodyme skambantys\u00a0 ispan\u0173 ar pranc\u016bz\u0173 kalbomis su angli\u0161kais subtitrais, pasirodan\u010diais dviejuose ekranuose. Toks k\u016brinio pateikimas kalbos nesuprantan\u010diam \u017ei\u016brovui leid\u017eia pasirinkti savo patyrimo b\u016bd\u0105: ar pasikliauti kinestetine empatija, fiksuojant kiekvien\u0105 atliekam\u0105 judes\u012f ar leisti \u017evilgsniui klaid\u017eioti nuo teksto prie \u0161ok\u0117j\u0173. Abiem b\u016bdais \u017ei\u016brovas gauna galimyb\u0119 patirti atsiminim\u0173 fragmentais pripildyt\u0105 erdv\u0119, kurioje du \u0161ok\u0117jai savo k\u016bnais nagrin\u0117ja istorin\u0117s atminties, jos perdavimo ir santykio su \u0161iais laikais klausimus.<\/p>\n

\"\"<\/a><\/p>\n

Da\u017eniausiai atliekamas kaip aistros ar i\u0161\u0161\u016bkio i\u0161rai\u0161ka, pasi\u017eymintis pir\u0161t\u0173 sprags\u0117jimu, plojimu ir treps\u0117jimu, fandango prasideda, kai pirmas \u0161ok\u0117jas nustato ritm\u0105 ir \u017eingsnius, o antras juos perima ir i\u0161pl\u0117toja. \u0160iuo atveju \u0161ok\u012f pradeda Alegre, kuri savo padiktuotu ritmu siekia tarsi i\u0161\u0161aukti energij\u0105, slypin\u010di\u0105 Hugrono atmintyje. Trij\u0173 metrini\u0173 dali\u0173 tempas \u010dia virsta\u00a0 keturiomis ketvirtin\u0117mis, supaprastinant melodingum\u0105 ir paliekant tik monotoni\u0161kus garsinius d\u016b\u017eius, \u0161okyje i\u0161ry\u0161kinan\u010dius kojomis atliekamus kir\u010dius (strikes). Bask\u0173 \u0161okiuose jie turi daugyb\u0119 skirting\u0173 reik\u0161mi\u0173, priklausomai nuo intensyvumo ir p\u0117dos santykio su \u017eeme, o \u0161iame pasirodyme kir\u010diai generuoja j\u0117g\u0105, kuri v\u0117liau panaudojama kaip asmeninius atsiminimus ir socialines normas transformuojanti galia.<\/p>\n

\"\"<\/a><\/p>\n

Galima b\u016bt\u0173 daryti prielaid\u0105, kad k\u016brinyje kalbama apie bendra\u017emogi\u0161k\u0105 patirt\u012f, o \u0161okis suvokiamas kaip tam tikros energijos i\u0161rai\u0161ka, kuri\u0105 patirti galima ne tik sekant tradiciniu judesi\u0173 receptu. Ta\u010diau k\u016brinyje nuskamba fraz\u0117, jog n\u0117ra tokio dalyko kaip \u201ecultura pura\u201c \u2013 kult\u016bra gryn\u0105ja forma, kuri niekam nepriklauso. Kiekvienas \u0161okis turi savo istorij\u0105, o kiekvienas \u0161ok\u0117jas atlieka vaidmen\u012f, kuris atspindi tam tikras visuomen\u0117s normas. Baskai \u0161oka su kardais ar lazdomis bei raudonomis piemen\u0173 beret\u0117mis, o \u0161iuos \u0161okius atlieka i\u0161skirtinai vyrai. J\u0173 judesiai labai energingi, stipr\u016bs, kil\u0119 i\u0161 kov\u0173 motyv\u0173 ir nei\u0161vengiamai susij\u0119 su ly\u010di\u0173 stereotipais. Tod\u0117l tiesmukai t\u0119sti \u0161i\u0173 \u0161oki\u0173 tradicij\u0105 reik\u0161t\u0173 toliau perduoti juose u\u017ekoduotas normas, kurios, kaip pasirodymo metu girdimas balsas atskleid\u0117, \u017emog\u0173 gali priversti pasijausti neatitinkan\u010diu jam i\u0161keliam\u0173 l\u016bkes\u010di\u0173. Atlik\u0117jas Hugronas reflektavo, kad jaut\u0117si\u00a0 silpnas d\u0117l savo smulkaus sud\u0117jimo, bet kartu ir patyr\u0117 j\u0117g\u0105, kuri\u0105 i\u0161\u0161aukia pasikartojantys kir\u010diai \u201eI felt so frail, yet so strong in those strikes\u201c.<\/p>\n

\u0160\u012f \u0161ok\u012f atliekant skirting\u0173 ly\u010di\u0173 duetui (Alegre ir Hugronas), stipryb\u0117 atsiskleid\u017eia kaip nuo lyties ar k\u016bno sud\u0117jimo nepriklausoma savyb\u0117. Tai leid\u017eia kitaip pa\u017evelgti \u012f tuos pa\u010dius judesius ir pamatyti juos ne tik kaip konkre\u010di\u0105 reik\u0161m\u0119 turin\u010dius simbolius, o kaip frazes, kuriose slypinti energija leid\u017eia nusikelti \u012f kit\u0105 laik\u0105, atrasti ten egzistuojan\u010dias patirtis ir jas perdirbti dabartyje. \u201eKir\u010di\u0173 metu sugeneruota j\u0117ga pasirodyme transformuojasi i\u0161 karingos \u012f i\u0161laisvinan\u010di\u0105, bask\u0173 bere\u010di\u0173 raudonis \u010dia pasklinda \u0161velniais ro\u017ei\u0173 \u017eiedlapiais, o pasirodymas virsta \u0161vente, kuri savo intensyvumu ir varp\u0173 gaudesiu tarsi prasprogsta pro skirting\u0173 laikme\u010di\u0173 ribas\u201c.<\/p>\n

\"\"<\/a><\/p>\n

Skirtingi laikme\u010diai kei\u010dia ir \u0161okio kaip rei\u0161kinio prasm\u0119, ir jame gl\u016bdin\u010dios patirties kodavimo principus. Seniau bask\u0173 kult\u016broje \u0161okis buvo perduodamas kaip ritmas, i\u0161 k\u016bno \u012f k\u016bn\u0105 \u2013 vaikai \u0161okio mok\u0117si tiesiog steb\u0117dami ir kartodami kitus. \u0160okis buvo kaip bendruomeninis vyksmas \u0161ven\u010di\u0173 metu, sukuriantis tarsi bendr\u0105 puls\u0105 ir artum\u0105 tarp \u017emoni\u0173, formuojantis empiriniu b\u016bdu perduodam\u0105 kult\u016br\u0105. Atliktas Nacionalin\u0117s dail\u0117s galerijos patalpose \u0161is k\u016brinys tarsi tapo monumentu tokiam kult\u016bros perdavimo b\u016bdui. Nors Aina Alegre siek\u0117 sukurti miesto \u0161vent\u0117s atmosfer\u0105 garso \u012fra\u0161u bei perteikti masinio judesio energij\u0105 meistri\u0161ku, itin stipriu atlikimu, ta\u010diau pati k\u016brinio pristatymo specifika suk\u016br\u0117 ne i\u0161gyvenim\u0105, o ver\u010diau ilges\u012f socialiniam vyksmui, prarastam per laikme\u010di\u0173 kait\u0105. Liko tik \u012fsp\u016bdis, reprezentuojamas dviej\u0173 judan\u010di\u0173 k\u016bn\u0173 prie\u0161ais stati\u0161k\u0105 auditorij\u0105, sukuriamas per fikcij\u0105 scenoje, i\u0161gyvenamas \u017ei\u016brov\u0173 vaizduot\u0117je ir pajuntamas priklausomai nuo kiekvieno kinestetin\u0117s empatijos sugeb\u0117jim\u0173.<\/p>\n

—<\/p>\n

\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tarsi laikinas eksponatas, atsirad\u0119s Nacionalin\u0117je dail\u0117s galerijoje, \u201eFandango & other cadences \u2013 study 4\u201d \u012fsuka \u012f ritming\u0105 kir\u010di\u0173 ir spyri\u0173 …<\/p>\n","protected":false},"author":2,"featured_media":14310,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nNagrin\u0117ti atminties archyvus \u0161i\u0173 laik\u0173 kontekste | Naujasis Baltijos \u0161okis - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2023\/05\/24\/nagrineti-atminties-archyvus-siu-laiku-kontekste-naujasis-baltijos-sokis\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nagrin\u0117ti atminties archyvus \u0161i\u0173 laik\u0173 kontekste | Naujasis Baltijos \u0161okis - 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