{"id":1431,"date":"2013-09-28T21:39:44","date_gmt":"2013-09-28T21:39:44","guid":{"rendered":"http:\/\/dance.lt\/new\/2013\/09\/28\/aurafrika-zodziu-pripeduota-scena\/"},"modified":"2013-09-28T21:39:44","modified_gmt":"2013-09-28T21:39:44","slug":"aurafrika-zodziu-pripeduota-scena","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2013\/09\/28\/aurafrika-zodziu-pripeduota-scena\/","title":{"rendered":"AURAfrika. \u017dod\u017ei\u0173 prip\u0117duota scena"},"content":{"rendered":"

\u017dod\u017eiai mikrofone<\/strong><\/p>\n

Antr\u0105j\u0105 festivalio dien\u0105 Kauno dramos teatro did\u017eiojoje sal\u0117je pasirod\u0117 moteris, apie kuri\u0105 foj\u0117 jau buvo \u0161nab\u017edamasi kur\u012f laik\u0105, kuri ir pati po t\u0105 foj\u0117 plaukiojo tarsi juodoji gulb\u0117 \u2013 fatali\u0161ka, charizmati\u0161ka, i\u0161skirtinio profilio ir stiliaus Senegalo legenda, choreograf\u0117 ir \u0161ok\u0117ja Germaine Acogny. Teigiama, kad ji suk\u016br\u0117 savit\u0105 \u0161okio kalb\u0105, o savo veikla ypa\u010d prisideda prie Afrikos \u0161okio ir kult\u016bros ambasadoryst\u0117s visame pasaulyje. <\/p>\n

Spektakliu skambiu pavadinimu \u201eSongook Yaakaar\u201c choreograf\u0117 prisipa\u017e\u012fsta siekianti \u017emon\u0117ms kalb\u0117ti apie Afrik\u0105, kurios \u0161ie n\u0117 kiek nesupranta. Si\u016blo baigti juokavus ir ty\u010diojusis, geriau pasirinkti \u0161ok\u012f kaip laiv\u0105 ir perplaukti per vis\u0105 \u0161io pasaulio blog\u012f ir judesiu apdainuoti vis dar kraujuojan\u010dias Afrikos \u017eaizdas.<\/p>\n

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Gan\u0117tinai plakati\u0161kas, lozunginis ir didakti\u0161kai sentimentalus spektaklio apra\u0161ymas, deja, persik\u0117l\u0117 ir \u012f scen\u0105, \u012f kuri\u0105 G.Acogny \u012f\u0117jo pirmiausia ne \u017eingsniais, o \u017eod\u017eiais \u2013 i\u0161 \u017ei\u016brov\u0173 sal\u0117s ne\u0161ina mikrofonu ir paprasta pranc\u016bz\u0173 kalba pasakodama apie i\u0161vyk\u0105 \u012f turg\u0173, ne\u0161vari\u0173 skalbini\u0173 skalbim\u0105 vie\u0161umoje, vard\u0173 prasm\u0119 ir apie tai, kad pritr\u016bko \u0161amp\u016bno. \u017dod\u017eiai, b\u016btent \u017eod\u017eiai vis\u0105 spektakl\u012f pyn\u0117si ir painiojosi tarp koj\u0173, tarsi papildydami, \u0161nek\u0117damiesi su choreografija, bet i\u0161 ties\u0173 subanalindami, suplok\u0161tindami ir subuitindami gan\u0117tinai kukl\u0173 pluo\u0161t\u0105 choreografini\u0173 frazi\u0173, kurias taupiai atliko gerok\u0105 patirties ir met\u0173 baga\u017e\u0105 turintis k\u016bnas. <\/p>\n

Nors pretenzija buvo kalb\u0117ti apie skaudan\u010di\u0105 vidin\u0119 Afrik\u0105, scenoje \u0161ioji ir toliau buvo pristatoma per stereotipus, lengvai atpa\u017e\u012fstamas kli\u0161es, turistinius video ir audio elementus. \u201eA\u0161 tiesiog einu ir praeinu\u201c buvo sakoma pranc\u016bzi\u0161kai ir \u010dia pat titruojama angli\u0161kai. Ir i\u0161 ties\u0173 \u0161ok\u0117ja vis\u0105 spektakl\u012f tiesiog l\u0117tai \u0117jo i\u0161 paskos sau pa\u010diai ne tik nuo scenos \u017evilgsniu sekdama save einan\u010di\u0105 video, bet ir \u010dia ir dabar, Kaune, sekdama sau pa\u010diai, tai, kuri ka\u017ekada Afrikos \u0161okio kelyje pa\u0117j\u0117jo pakankamai toli, kad b\u016bt\u0173 sekama paskui.<\/p>\n

\"\"<\/p>\n

Scenos kampe u\u017esir\u016bkiusi pypk\u0119 ji toliau rinko ir d\u0117liojo globalius \u017einiasklaidos \u017eodyno \u017eod\u017eius tarsi antra\u0161tes: klimato at\u0161ilimas, r\u016bkymas, \u010c.Darvino teorija, alkani Afrikos vaikai. I\u0161 viso banalybi\u0173 srauto \u012fsimin\u0117 keletas lakesni\u0173 frazi\u0173: afrikieti\u0161kas aforizmas apie tai, kad net ir labai ilgai vandenyje i\u0161buv\u0119s r\u0105stas visgi netampa krokodilu; ir kontrargumentas teiginiui, neva afrikie\u010di\u0173 tragedija slypi nesugeb\u0117jime \u012feiti \u012f istorij\u0105 \u2013 seniausios \u017dem\u0117je moters palaikai \u2013 3 mln. met\u0173 senumo Lucy \u2013 rasti b\u016btent Afrikoje. <\/p>\n

Galiausiai viskas i\u0161virto \u012f komi\u0161k\u0105 fars\u0105, kai, u\u017esimauk\u0161linusi \u201eglobalizacijos\u201c kepurait\u0119 ji \u0117m\u0117si agituoti visus pakilti i\u0161 viet\u0173, skanduoti \u201emondialisation\u201c (globalizacija) ir smagiai pakratyti u\u017epakaliukus. Sal\u0117 \u012fsiaudrino ir i\u0161dr\u0105s\u0117jo, vyko masin\u0117 bals\u0173 ir k\u016bn\u0173 mank\u0161ta, ta\u010diau beliko tik viltis, kad publika susivok\u0117 tapusi akivaizd\u017eiu \u012frodymu globalaus manipuliavimo kit\u0173 skauduliais ir kit\u0173 tradicijomis, \u012fpakuotomis \u012f neadekva\u010dias pakuotes ir sufasuotomis lengvai pakeliamais kiekiais. Globalizacija. Pasaulizacija. Vulgarizacija. Banalizacija. <\/p>\n

\"\"<\/p>\n

Nebereik\u0117jo rodyti per vis\u0105 ekran\u0105 prie l\u016bp\u0173 pir\u0161t\u0105 priglaudusi\u0173 Afrikos vaik\u0173, barstyti po scen\u0105 kraujo raudonumo \u017eiedlapi\u0173, vardinti pasaulio lyderi\u0173 moter\u0173 pavard\u017ei\u0173 ir m\u0105sliai \u017evelgti \u012f vandeny pl\u016bduriuojan\u010di\u0105 \u017evak\u0117s liepsn\u0105. Buvo ir taip per daug pasakyta, per ma\u017eai nutyl\u0117ta, per ma\u017eai pasitik\u0117ta judesiu. <\/p>\n

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\u017dod\u017eiai i\u0161 dainos<\/strong><\/p>\n

Tre\u010di\u0105j\u0105 festivalio dien\u0105 Kauno dramos teatro R\u016btos sal\u0117je spektakl\u012f \u201eMano mo\u010diut\u0117s a\u0161aros\u201c pristat\u0117 taip pat Senegalo choreografas-\u0161ok\u0117jas Pape Ibrahima Ndiaye Kaolack. Po G.Acogny patirties spektakl\u012f pristatanti citata \u201eAtkurdamas [savo mo\u010diut\u0117s] paveiksl\u0105, jis nor\u0117jo kalb\u0117ti i\u0161naudojam\u0173 vaik\u0173 ir smurt\u0105 patirian\u010di\u0173 moter\u0173 vardu\u201c nuteik\u0117 gana kriti\u0161kai. Visgi scenoje nebuvo taip blogai. I\u0161 u\u017e tinklo, nukabin\u0117to \u012fvairiausiomis l\u0117l\u0117mis (ma\u017edaug 35-iomis baltaveid\u0117mis ir tik 1 tamsiaveide) i\u0161\u0161okavo ry\u0161kiaspalvis sijonas, i\u0161 prad\u017ei\u0173 primenantis orangutang\u0105, varl\u0119 ar pasaki\u0161kai atgijus\u012f kubil\u0105. Po truput\u012f i\u0161 personifikuoto drabu\u017eio (aliuzija \u012f mo\u010diut\u0119 i\u0161 ma\u017eo vaiko perspektyvos?) radosi rankos, kojos, torsas, t\u016bkstan\u010diu kasy\u010di\u0173 apipinta galva, \u0161okis, atmintis, istorija. Gal sutapimas, bet pasakojimas ir v\u0117l, kaip ir prie\u0161 tai rodytuose Afrikos choreograf\u0173 spektakliuose, prasid\u0117jo nuo \u201enugaros \u0161okio\u201c, t.y. \u0161ok\u0117jas kur\u012f laik\u0105 \u0161oko nusisuk\u0119s, tiksliau \u2013 nugaros raumenimis atsisuk\u0119s \u012f \u017ei\u016brov\u0105, tarsi atbulai, aklai, o gal baimingai artint\u0173si \u012f nepa\u017e\u012fstam\u0105 teritorij\u0105. <\/p>\n

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Rudos kojin\u0117s iki keli\u0173 ir metalin\u0117s apykoj\u0117s suintrigavo, ta\u010diau i\u0161 plataus ry\u0161kiaspalvio juostuoto sijono i\u0161gimdytas baltas gumulas t\u0105 netik\u0117tumo atmosfer\u0105 \u010dia pat i\u0161sklaid\u0117. Istorija apie nepakeliamai sunk\u0173 (\u0161okis kl\u016bpomis, prit\u016bpus) senos moters afrikiet\u0117s gyvenim\u0105 buvo inkrustuota pusbrangiais \u0161ablonais (atsikartojantis smurti\u0161kas pilvo vanojimas kum\u0161\u010diais ar gundymas apnuoginant \u0161laun\u012f). Visgi pro juos \u0161viet\u0117si neabejotinai puiki \u0161okio technika ir subtiliai valdomo k\u016bno nuogas gro\u017eis. <\/p>\n

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Kaolack\u2018o \u012fk\u016bnyta moteris kodiniu pavadinimu \u201emo\u010diut\u0117\u201c rezonavo su M.Gimbutien\u0117s i\u0161 istorin\u0117s u\u017emar\u0161ties pakyl\u0117ta storapilve Europos pramote \u017deme, su vi\u0161ta perek\u0161le, meil\u0117s ir darbo verge, gro\u017eio deive, karing\u0105ja amazone. Kol galiausiai vienos konkre\u010dios bevard\u0117s moters kasdieniai vargai virtuv\u0117je, kieme, laukuose, gatv\u0117je (audio dekoracijos) susipyn\u0117, buvo i\u0161jausti, suausti, universalizuoti Afrikos moter\u0173 balso – Ninos Simon – dainoje \u201eNe me qui te pas\u201c ir tarsi kar\u016bna apvainikavo choreografin\u012f spektaklio k\u016bn\u0105.<\/p>\n

Liuterio Kingo \u017eod\u017eiai<\/strong><\/p>\n

Dar vienas v\u0117l\u0173 penktadienio vakar\u0105 pristatytas spektaklis \u2013 Nigerijos choreografo Kingsley A.Odiaka monospektaklis \u201ea\u0161VIENI\u0160AS\u201c sau, \u0161viesos ruo\u017eui, elektros lemputei, stalui, radijo imtuvui ir M.Liuterio Kingo retorikos \u0161edevrui \u201eA\u0161 turiu svajon\u0119\u201c. <\/p>\n

Pirmas de\u0161imt spektaklio minu\u010di\u0173 ekrane plauk\u0117 blankios citatos, kuri\u0173 bendras vardiklis v\u0117lgi buvo perd\u0117m akivaizdus: \u201ePerkame\/darome\/\u0161nekame\/etc. vis daugiau, bet turime\/padarome\/susi\u0161nekame\/etc. vis ma\u017eiau\u201c. <\/p>\n

\"\"<\/p>\n

Titrams i\u0161bly\u0161kus \u012f scen\u0105 \u012fspindo pro\u017eektoriaus spindulys, kuriuo, tarsi upe, tarsi savoti\u0161kas Jarmush\u2018o negyv\u0117lis nugara \u012f\u0161liuo\u017e\u0117 \u0161ok\u0117jas. Spektaklis i\u0161 apra\u0161ymo tur\u0117jo b\u016bti apie vienatv\u0119 stovint prie\u0161ais rytuose kylan\u010di\u0105 saul\u0119. Ta\u010diau tema nuslydo nuo dvasin\u0117s auk\u0161tumos \u012f socialin\u0119 pakaln\u0119 \u2013 rasin\u0117s lygyb\u0117s, nesmurtin\u0117s kovos, \u017emogi\u0161kojo orumo link. \u0160ok\u0117jui u\u017esilipus ant stalo ir pasukiojus radijo imtuvo ranken\u0117l\u0119 \u201epavyko\u201c pagauti paties M.Liuterio Kingo garsi\u0105j\u0105 prakalb\u0105, \u0161iek tiek primenan\u010di\u0105 baptisto pamoksl\u0105, \u0161iek tiek \u2013 lietuvi\u0161kas S\u0105j\u016bd\u017eio kalbas, \u0161iek tiek \u2013 neseniai apsilankiusio Dalai Lamos paskait\u0105. Dideli vyrai skelia dideles kalbas, byloja didingais \u017eod\u017eiais, apipila klausytojus dideliais \u017eod\u017ei\u0173 kiekiais, kuri\u0173 u\u017etenka ilgam po j\u0173 pa\u010di\u0173 ir j\u0173 epoch\u0173 mirties. Palikuoniams belieka naudotis jais (tarsi muzikiniais takeliais), i\u0161vaik\u0161\u010dioti, i\u0161mind\u017eioti juos savosiomis mintimis, \u012fsi\u016bti \u012f plev\u0117suojan\u010dias id\u0117j\u0173 v\u0117liavas sav\u0105j\u012f kaspin\u0105\/\u017evaig\u017ed\u0119\/\u017eod\u012f ir tarsi visiems vien\u0105 himn\u0105, vien\u0105 mald\u0105 i\u0161sakyti sav\u0105j\u0105, autenti\u0161k\u0105 did\u017eiosios istorijos versij\u0105, mo\u010diu\u010di\u0173 ir seneli\u0173 istorij\u0105. Nes mirusieji mums kalba gyv\u0173j\u0173 l\u016bpomis.<\/p>\n

\"\"<\/p>\n

kafehauzas.lt<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u017dod\u017eiai mikrofone Antr\u0105j\u0105 festivalio dien\u0105 Kauno dramos teatro did\u017eiojoje sal\u0117je pasirod\u0117 moteris, apie kuri\u0105 foj\u0117 jau buvo \u0161nab\u017edamasi kur\u012f laik\u0105, …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nAURAfrika. \u017dod\u017ei\u0173 prip\u0117duota scena - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2013\/09\/28\/aurafrika-zodziu-pripeduota-scena\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AURAfrika. \u017dod\u017ei\u0173 prip\u0117duota scena - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u017dod\u017eiai mikrofone Antr\u0105j\u0105 festivalio dien\u0105 Kauno dramos teatro did\u017eiojoje sal\u0117je pasirod\u0117 moteris, apie kuri\u0105 foj\u0117 jau buvo \u0161nab\u017edamasi kur\u012f laik\u0105, ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2013\/09\/28\/aurafrika-zodziu-pripeduota-scena\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2013-09-28T21:39:44+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/dance.lt\/files\/images\/605297\/Acogny_kukyte1_489x592.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2013\/09\/28\/aurafrika-zodziu-pripeduota-scena\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"http:\/\/dance.lt\/files\/images\/605297\/Acogny_kukyte1_489x592.jpg\",\"contentUrl\":\"http:\/\/dance.lt\/files\/images\/605297\/Acogny_kukyte1_489x592.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2013\/09\/28\/aurafrika-zodziu-pripeduota-scena\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2013\/09\/28\/aurafrika-zodziu-pripeduota-scena\/\",\"name\":\"AURAfrika. \\u017dod\\u017ei\\u0173 prip\\u0117duota scena - 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