{"id":14336,"date":"2023-05-26T14:05:29","date_gmt":"2023-05-26T11:05:29","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=14336"},"modified":"2023-05-30T22:02:30","modified_gmt":"2023-05-30T19:02:30","slug":"tum-tum-arba-ziureti-kunu","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2023\/05\/26\/tum-tum-arba-ziureti-kunu\/","title":{"rendered":"Tum tum, arba \u017ei\u016br\u0117ti k\u016bnu | Naujasis Baltijos \u0161okis"},"content":{"rendered":"

Kai festivalyje \u201eNaujasis Baltijos \u0161okis\u201923\u201c po Catherine Gaudet \u0161iuolaikinio \u0161okio spektaklio \u201eThe Pretty Things\u201c (Kanada) visi kaip susitar\u0119 \u0117m\u0117 kalb\u0117ti, kad spektaklis \u2013 apie mus, \u012fsuktus \u012f skub\u0117jim\u0105 ir i\u0161 jo nebegalin\u010dius i\u0161tr\u016bkti, o i\u0161tr\u016bkus atrodan\u010dius keistai, jau\u010diau didel\u012f pasiprie\u0161inim\u0105. \u0160\u012fkart man ma\u017eiausiai nor\u0117josi vesti \u201ek\u0105 rei\u0161kia spektaklis pagal proto koncepcijas\u201c dienora\u0161t\u012f \u2013 nes \u0161is k\u016brinys turi b\u016bti \u017ei\u016brimas k\u016bnu: \u010dia kaip reta aktyvuojasi kinestetin\u0117 empatija. Ir jei tikrai leidiesi \u012f kelion\u0119 su penkiais \u0161ok\u0117jais ir j\u0173 gal\u016bn\u0117mis, prakaitu, nuovargiu, t\u0105 akimirk\u0105, kai viskas sustoja, tave \u2013 tiesiog paprast\u0105 \u017ei\u016brov\u0105 \u2013 i\u0161tinka tokio lygio palengv\u0117jimas, lyg pats b\u016btum sustoj\u0119s po maratono. \u0160i\u0105 sekund\u0119, \u017ei\u016br\u0117damas \u012f juos, jauti total\u0173 fizi\u0161kai suvokiam\u0105 susietum\u0105: lyg visa spektaklio erdv\u0117 \u2013 ir \u017ei\u016brovai, ir \u0161ok\u0117jai, ir garsinis takelis, net visi pavir\u0161iai \u2013 kv\u0117puot\u0173 sinchroni\u0161kai.<\/p>\n

\"\"<\/a>Donato Ali\u0161ausko nuotraukos<\/em><\/p>\n

Anot Dee Reynold, \u201ekinestetin\u0117 empatija susijusi veikiau su poveikiu nei su emocija; <…> ji laikytina \u012fk\u016bnytu intensyvumu\u201c*. I\u0161 ties\u0173 spektaklyje \u201eThe Pretty Things\u201c beveik nekilo emocij\u0173 \u2013 tolyd\u017eio kilo tik raumen\u0173 tonusas ir \u012ftampa venose. Kinestetin\u0117s empatijos teorijoje taip pat kalbama apie santyk\u012f su objektu \u2013 fenomen\u0105, \u201ekai objektas prasiskverbia \u012f mus ir lieka mumyse, bent jau fantazijos forma\u201c**, t. y. tam tikra prasme apie m\u0105stan\u010dio \u0161ok\u0117jo k\u016bno integravim\u0105si \u012f \u017ei\u016brovo k\u016bn\u0105. Taip \u201eThe Pretty Things\u201c, k\u016brinys, tyrin\u0117jantis autenti\u0161ko \u017emogi\u0161ko judesio tapsm\u0105 mechanizuotu ir begaliniu, atjungia daugeliui \u012fprastas estetinio g\u0117r\u0117jimosi ar emocinio \u017eav\u0117jimosi kategorijas, ir eina \u012f \u017ei\u016brov\u0105 tiesiogiai per od\u0105, kaulus, s\u0105narius, fascijas. Ir jei i\u0161 prad\u017ei\u0173 \u017ei\u016brovi\u0161kas l\u016bkestis patirti istorij\u0105 ar santyk\u012f dar sukuria pasiprie\u0161inim\u0105 prie\u0161 akis vykstan\u010diam repetityviam judesiui, ilgainiui pajunti: nebesiprie\u0161ini. Atsiduodi.<\/p>\n

Penki \u0161ok\u0117jai, d\u0117vintys puskojines ir prigludusius pastelini\u0173 spalv\u0173 triko tipo kombinezonus, nieko neslepia: rodosi, j\u0173 drabu\u017eis sukurtas taip, kad eliminuot\u0173 net ma\u017eiausi\u0105 trint\u012f su oru bei aplinka ir leist\u0173 eksponuoti k\u016bn\u0105, la\u0161elis po la\u0161elio tamsiomis d\u0117m\u0117mis ry\u0161k\u0117jant\u012f prakait\u0105. Prad\u0117j\u0119 po vien\u0105 nuo begales kart\u0173 kartojam\u0173 nedideli\u0173 gest\u0173, ilgainiui jie sueina \u012f vien\u0105 ties\u0119 ir nuolat sukdamiesi aplink savo a\u0161\u012f ir taip pat \u2013 apie ties\u0117s a\u0161\u012f \u2013 be paliovos juda. Kartais po vien\u0105 ar keliese \u0161\u016bk\u010dioja skai\u010dius, kartais drauge u\u017eni\u016bniuoja neapvaldyt\u0105 ir vis grubesn\u012f \u201eTwinkle twinkle little star\u201c. Beje, tai \u2013 vaiki\u0161ka dainel\u0117, kurioje irgi be galo kartojami tie patys keli \u017eod\u017eiai.<\/p>\n

\"\"<\/a><\/p>\n

Am\u017eino t\u0119simosi jausm\u0105 stiprina Antoine Berthiaume muzika, kurioje vokalas vis\u0105 laik\u0105 laviruoja tarp trij\u0173 nat\u0173, o instrumentuot\u0117 \u2013 tarp trij\u0173 tonacij\u0173. Ir \u017eod\u017ei\u0173 muzikoje nedaug \u2013 beveik tik tum tum<\/em>. Viskas \u0161iame k\u016brinyje \u2013 tai elementarios schemos ir l\u0117tas, nesustabdomas augimas, kurio greitis nekinta, bet ple\u010diasi vidin\u0117 kokyb\u0117 ir judesio smarkumas.<\/u> Galiausiai meditatyvus muzikinis audinys i\u0161auga iki roko, tada \u2013 metalo, u\u017egri\u016bnan\u010dio b\u016bgnais, o choreografija pasiekia tok\u012f intensyvum\u0105, apie kok\u012f sporto treniruot\u0117se sakoma: \u201eliko de\u0161imt sekund\u017ei\u0173, atiduok, k\u0105 gali\u201c. Rodos, jie jau visk\u0105 atidav\u0117 \u2013 o vis tiek pereina \u012f savo paskutini\u0173 minu\u010di\u0173 kulminacij\u0105, ir judes\u012f papildo jau beveik r\u0117kiamai ni\u016bniuojamu \u201eTwinkle twinkle little star\u201c. \u0160iomis akimirkomis, b\u016bdamas \u017ei\u016brovu, jau gaudai kvap\u0105 ir beveik gri\u016bni i\u0161 \u0161ok\u0117j\u0173 nuovargio.<\/p>\n

Ypating\u0105 poveik\u012f padaro spektaklio pabaigos sumanymas u\u017ebaigti muzik\u0105, bet neu\u017ebaigti judesio \u2013 leisti jam dar \u0161iek tiek prasit\u0119sti: lik\u0119 be palaikan\u010dio fono, i\u0161ry\u0161k\u0117ja patys k\u016bnai, lyg jau b\u016bt\u0173 pamir\u0161\u0119, kad tai spektaklis, kad jie juda pagal muzik\u0105, ir kad tai viso labo yra kruop\u0161\u010diai \u012f juos inkrustuota choreografija \u2013 rodos, lyg \u0161itie k\u016bnai taip gyvena savo gyvenim\u0105, kur\u012f ka\u017ekas tiesiog \u0117m\u0117 ir sune\u0161\u0117 \u012f scen\u0105.<\/p>\n

\"\"<\/a><\/p>\n

\u201eThe Pretty Things\u201c \u2013 ne apie mus, o apie juos, \u012fsuktus \u012f jud\u0117jim\u0105 ir i\u0161 jo nebegalin\u010dius i\u0161tr\u016bkti, o i\u0161tr\u016bkus atrodan\u010dius keistai. T\u0173 i\u0161tr\u016bkim\u0173 spektaklyje \u2013 vos keletas, bet jie ypa\u010d ry\u0161kiai matosi ir beveik supurto \u2013 \u0161tai staiga ties\u0117 nustoja suktis aplink savo a\u0161\u012f, arba kas nors akimirkai labai ry\u0161kiai i\u0161krinta i\u0161 bendro pie\u0161inio, arba staiga visi nurimsta ir juda tik vos vos, ma\u017ea amplitude, arba vis\u0105 pasirodym\u0105 nedemonstrav\u0119 jokio ry\u0161io \u016bmai ima vienas kit\u0105 liesti, braukti pla\u0161takomis per \u0161launis ar pilvus. \u010cia lyg trumpam ky\u0161teli nos\u012f \u017emogi\u0161kas pavidalas, ne tik be trukd\u017ei\u0173 besisukantis, bet ir u\u017estringantis, u\u017esimanantis kito \u017emogi\u0161ko pavidalo, atpalaiduojantis raumenis, nusipurtantis. Tokioje hipnoti\u0161koje choreografin\u0117je estetikoje kiekvienas ma\u017eas ka\u017ekas naujo<\/em> tam tikra prasme \u0161okiruoja. Tai \u2013 ypatingas geb\u0117jimas \u012fvesti auditorij\u0105 \u012f kone trans\u0105 ir tada netik\u0117tai u\u017epilti \u0161altu du\u0161u \u2013 pasukti pla\u0161tak\u0105 \u012f kit\u0105 pus\u0119. Gal tai ir yra \u0161io spektaklio the pretty things<\/em>?<\/p>\n

\"\"<\/a><\/p>\n

Stebint tok\u012f niekada nesustosiu<\/em> k\u016brin\u012f, daugiausiai kart\u0173 kyla paprastas klausimas: kaip jie visk\u0105 atsimena? Kaip nepameta skai\u010diaus? Kaip atsispiria nuo muzikos, kuri visada tik tum tum<\/em>? Bet dar labiau vis\u0105 spektakl\u012f negaliu nusikratyti svarstymo, kaip visas \u0161is niekada nesustosiu<\/em> atrodyt\u0173 miesto erdv\u0117se, aik\u0161t\u0117se, sankry\u017eose, gatv\u0117se, skveruose ar net prekybos centruose, pro \u0161al\u012f pana\u0161iais tempais skubant skubriems miestie\u010diams: kurie tada atrodyt\u0173 keistai sustoj\u0119? Kaip tada sluoksniuot\u0173si pasaulio tempai? Ir k\u0105 tada vadintume the pretty things<\/em>? T\u0105 \u017emog\u0173, kuris sustojo pasi\u017ei\u016br\u0117ti pasaulio? Ar t\u0105 \u0161ok\u0117j\u0105, kuris savo nenutr\u016bkstamu \u0161okiu t\u0105 pasaul\u012f sustabd\u0117?<\/p>\n

* Kinestetic Empathy in Creative and Cultural Practice.<\/em> Ed. Dee Reynolds and Matthew Reason. Bristol: Intellect Books, 2012, p. 84.<\/p>\n

** Dictionnaire de la psychanalyse<\/em>. Paris: Larousse, 1998, p. 191.<\/p>\n

—<\/p>\n

\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kai festivalyje \u201eNaujasis Baltijos \u0161okis\u201923\u201c po Catherine Gaudet \u0161iuolaikinio \u0161okio spektaklio \u201eThe Pretty Things\u201c (Kanada) visi kaip susitar\u0119 \u0117m\u0117 kalb\u0117ti, …<\/p>\n","protected":false},"author":2,"featured_media":14337,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nTum tum, arba \u017ei\u016br\u0117ti k\u016bnu | Naujasis Baltijos \u0161okis - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2023\/05\/26\/tum-tum-arba-ziureti-kunu\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tum tum, arba \u017ei\u016br\u0117ti k\u016bnu | Naujasis Baltijos \u0161okis - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Kai festivalyje \u201eNaujasis Baltijos \u0161okis\u201923\u201c po Catherine Gaudet \u0161iuolaikinio \u0161okio spektaklio \u201eThe Pretty Things\u201c (Kanada) visi kaip susitar\u0119 \u0117m\u0117 kalb\u0117ti, ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2023\/05\/26\/tum-tum-arba-ziureti-kunu\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2023-05-26T11:05:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-30T19:02:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/05\/345425539_960845715266664_8133729564465306801_n.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1367\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2023\/05\/26\/tum-tum-arba-ziureti-kunu\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/05\/345425539_960845715266664_8133729564465306801_n.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/05\/345425539_960845715266664_8133729564465306801_n.jpg\",\"width\":2048,\"height\":1367},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2023\/05\/26\/tum-tum-arba-ziureti-kunu\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2023\/05\/26\/tum-tum-arba-ziureti-kunu\/\",\"name\":\"Tum tum, arba \\u017ei\\u016br\\u0117ti k\\u016bnu | Naujasis Baltijos \\u0161okis - 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