{"id":1434,"date":"2013-09-28T23:11:05","date_gmt":"2013-09-28T23:11:05","guid":{"rendered":"http:\/\/dance.lt\/new\/2013\/09\/28\/tylos-kalba-afrika\/"},"modified":"2013-09-28T23:11:05","modified_gmt":"2013-09-28T23:11:05","slug":"tylos-kalba-afrika","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2013\/09\/28\/tylos-kalba-afrika\/","title":{"rendered":"Tylos! Kalba Afrika"},"content":{"rendered":"

Yra apskai\u010diuota, kad Afrikoje moterys per savo gyvenim\u0105 ne\u0161iodamos vanden\u012f \u0161e\u0161is kartus suvaik\u0161\u010dioja iki m\u0117nulio. Pirmyn ir atgal. O Europoje moterys va\u017ein\u0117ja metro, autobusais, tramvajais ar troleibusais. Tuomet vyrai, \u017einoma, stebi jas ir \u012fsivaizduoja \u012fvairiausius dalykus. \u012esivaizduoja jas nuogas, plaukiojan\u010dias vandeny arba \u0161okan\u010dias pilnaties \u0161viesoje, arba j\u0173 sodr\u0173 juok\u0105. Tik ne moteris, kopian\u010dias \u012f m\u0117nul\u012f su sunkiais vandens \u0105so\u010diais.<\/em><\/p>\n

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Taigi, \u010dia \u2013 dar vienas tekstas apie Afrik\u0105. Persp\u0117ju, kad tikriausiai ir v\u0117l bus neapsieita be \u201eriebesni\u0173\u201c apibendrinim\u0173. Nes Afrika didel\u0117, o kiekvienas \u2013 nori to ar nenori \u2013 apie \u0161i\u0105 \u017eem\u0119 turi savo nuomon\u0119 lygiai taip pat, kaip ir apie Diev\u0105, Coca-Col\u0105 ar atomin\u012f ginkl\u0105.<\/p>\n

Taigi, kaip ir pridera Lietuvoje, Kaunas \u0161ok\u0117jus i\u0161 Afrikos pakrik\u0161tijo itin rudeni\u0161ku lietumi. 23-ojo tarptautinio \u0161okio festivalio \u201eAura\u201c scenoje sve\u010diavosi \u0161ok\u0117jai ir choreografai i\u0161 Senegalo, Malio, Nigerijos, Maroko, Dramblio Kaulo Kranto, Benino, Piet\u0173 Afrikos. (B\u016bta ir sve\u010di\u0173 i\u0161 Izraelio, Austrijos bei Lenkijos, ta\u010diau, kadangi \u010dia yra dar vienas tekstas apie Afrik\u0105, apie juos tenka s\u0105moningai patyl\u0117ti.)
\nIr kai Germaine Acogny \u2013 pasauliui gerai \u017einoma \u0161iuolaikinio Afrikos \u0161okio motina i\u0161 Senegalo \u2013 \u012f\u017eengia \u012f scen\u0105, suprantu, kad \u0161is tekstas bus dedikuojamas moters temai. Kauno dramos teatre pristatytas \u201eSongook Yaakaar\u201c \u2013 tai choreograf\u0117s \u0161okio solo, pasakojantis apie Afrikos \u017eemyno \u017emones, kurie vis ie\u0161ko lengvesnio gyvenimo svetur \u2013 migruoja. O migruodami ilgisi savo gimt\u0173j\u0173 kra\u0161t\u0173, kur gaivali\u0161kai \u0161okama per tuoktuves, sielvartingai \u0161okama per laidotuves ar i\u0161 visos \u0161irdies \u0161okama per kitas apeigas. \u0160okama, nes be \u0161okio \u2013 ne gyvenimas. <\/p>\n

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Unikalioje G. Acogny judesio technikoje jungiasi \u201evakarieti\u0161kas\u201c modernus \u0161okis bei Afrikos tradiciniai \u0161okiai. \u010cia ji atgaivina savo prot\u0117vi\u0173 ritualus, o taip pat ir judesius, i\u0161moktus i\u0161 savo mo\u010diut\u0117s \u2013 Jorub\u0173 \u0161ventik\u0117s. Pasak G. Acogny, \u0161i technika i\u0161 esm\u0117s siejasi su gamta. O gamta apjungia daugel\u012f afrikieti\u0161k\u0173 \u0161okio stili\u0173. G. Acogny taip pat pabr\u0117\u017eia, kad jos \u0161okiui labai svarbus stuburas \u2013 besirangantis ir vingiuojantis \u2013 dar vadinamas \u201egyvenimo gyvate\u201c. <\/p>\n

G. Acogny sako: \u201eNelauk, kol kas kitas suteiks tau malonum\u0105. Tavo paties k\u016bnas yra malonus. \u0160okis \u2013 yra vienas didelis malonumas.\u201c Ta\u010diau jos \u0161okio spektakliai nei\u0161vengiamai ne\u0161a ir socialin\u0119 \u2013 politin\u0119 \u017einut\u0119. \u017dinoma, Europai. Tik ar \u0161\u012fkart Kaunas yra Europa? Kai pasirodymo metu suskamb\u0117jus ironi\u0161kai muzik\u0117lei, G. Acogny paragina visus stotis ir kartu dainuoti itin nevienareik\u0161m\u012f \u017eod\u012f \u201eGlobalization\u201c, pus\u0117 sal\u0117s lieka stingti k\u0117d\u0117se. Taip ir neai\u0161ku, ar \u010dia kaltas tas u\u017esilik\u0119s postsovietinis lietuvio-\u017ei\u016brovo pasyvumas, ar visgi nenoras prisiimti atsakomyb\u0117s u\u017e tai, k\u0105 Afrikai yra padariusi vakar\u0173 Europa.<\/p>\n

\"\"<\/p>\n

\u201eNiekam negalima leisti \u201elipti\u201c ant sav\u0119s,\u201c \u2013 G. Acogny teigia, kad \u201ejau seniai i\u0161au\u0161o metas ir Afrikos \u017emon\u0117ms kalb\u0117ti patiems u\u017e save\u201c. Matyti, kad stiprus choreograf\u0117s charakteris bei pozicija \u2013 ne i\u0161 lengvo ir patogaus gyvenimo. \u0160iai charizmati\u0161kai bei i\u0161mintingai moteriai skauda ir ji renkasi netyl\u0117ti. Netyl\u0117ti \u0161okiu.<\/p>\n

Dar vienas pasakojimas apie moter\u012f atsiskleid\u017eia Kaolacko \u0161okio trup\u0117s pasirodyme \u201eRogonou Maame\u201c (\u201eMano mo\u010diut\u0117s a\u0161aros\u201c). \u010cia Kaolackas, kuris beje yra G.Acogny mokinys, pasipuo\u0161ia moteri\u0161ka tradicine suknele. Vyras atsiduria moters kailyje. Tokia paradoksali situacija scenoje da\u017eniausiai sukuria komi\u0161k\u0105 \u012fsp\u016bd\u012f. Ta\u010diau \u0161\u012fkart \u2013 visai nejuokinga. Suknel\u0117, retkar\u010diais var\u017eanti Kaolacko judesius, o retkar\u010diais juos i\u0161ry\u0161kinanti, papras\u010diausiai tampa tuo, kuo ir yra \u2013 moters simboliu \u2013 archetipu. Dabar vyras ie\u0161ko jos \u0161irdies \u2013 ne i\u0161 aistros \u2013 veikiau vedinas solidarumo jausmo ir u\u017euojautos. D\u0117l \u0161ito jis i\u0161dr\u012fsta atsiriboti nuo savo paties vyri\u0161kumo ir nebijo su\u017einoti, koks yra moters skausmas bei kasdienyb\u0117. Kaolackas siekia pagerbti moter\u012f. Ir jis tai daro visgi ne vien apsivilkdamas suknel\u0119, bet ir savo paties k\u016bno pastangomis skambant vienam gra\u017eiausi\u0173 Afrikos bals\u0173 \u2013 Ninai Simone.<\/p>\n

\"\"<\/p>\n

Galiausiai Nelisiwe Xaba bei Kettly Noel savo gyvybingu ir sud\u0117tingu pasirodymu \u201eCorrespondences\u201c vainikuoja ir, rodos, i\u0161ri\u0161a moteri\u0161kumo tem\u0105. Ekspresyvusis duetas dvelkia lengvu eroti\u0161kumu. \u0160ios moterys susitinka scenoje tam, kad papasakot\u0173 apie draugyst\u0119 \u2013 pavir\u0161utini\u0161k\u0105, gili\u0105, intymi\u0105, \u017eaisming\u0105. Ir jos kalba ne apie k\u0105 kit\u0105, o \u2013 save, savo autobiografij\u0105 i\u0161skleisdamos ramp\u0173 \u0161viesoje ir laistydamos j\u0105 pienu i\u0161 chirurgini\u0173 pir\u0161tini\u0173, <\/p>\n

\"\"<\/p>\n

Akivaizdu, kad yra ko i\u0161 \u0161i\u0173 moter\u0173 pasimokyti. Jei ne \u0161okio meistri\u0161kumo, tai dr\u0105sos kopti \u012f M\u0117nul\u012f su sunkiais vandens \u0105so\u010diais ir apie tai kalb\u0117ti.<\/p>\n","protected":false},"excerpt":{"rendered":"

Yra apskai\u010diuota, kad Afrikoje moterys per savo gyvenim\u0105 ne\u0161iodamos vanden\u012f \u0161e\u0161is kartus suvaik\u0161\u010dioja iki m\u0117nulio. Pirmyn ir atgal. O Europoje …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nTylos! Kalba Afrika - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2013\/09\/28\/tylos-kalba-afrika\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tylos! 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