{"id":14384,"date":"2023-06-01T19:24:21","date_gmt":"2023-06-01T16:24:21","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=14384"},"modified":"2023-06-01T19:25:47","modified_gmt":"2023-06-01T16:25:47","slug":"netausoti-saves-oonos-doherty-sokio-medziokle","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/","title":{"rendered":"Netausoti sav\u0119s: Oonos Doherty \u0161okio med\u017eiokl\u0117 | Naujasis Baltijos \u0161okis"},"content":{"rendered":"

I am flesh I am flesh…<\/em><\/p>\n

Amadeus Audio jaguar seat <\/em><\/p>\n

A moist beautiful beat <\/em><\/p>\n

Thumps hard <\/em><\/p>\n

Testosterone and cortisol fuel the grinning mouth <\/em><\/p>\n

Where girls do fall night air does shout.[1]<\/strong><\/a><\/em><\/p>\n

\u010cia daug agresijos, nesaugumo, prie\u0161i\u0161kumo, keiksm\u0173 ir skrepli\u0173, \u0161auksmo ir atgrasaus juoko, u\u017esikabin\u0117jim\u0173 ir nei\u0161pasakyto naivumo. \u010cia jokio vidurio ar pereinam\u0173 spalv\u0173 bei jausm\u0173; viskas tir\u0161ta ir reakcinga; d\u017eiugesys ir neviltis, nepamatuotas pasitik\u0117jimas arba neu\u017etikrintumas. \u010cia, \u0160iaur\u0117s Airijoje, tau reikia spjaudytis arba b\u016bsi apspjautas…<\/p>\n

Pirm\u0105 kart\u0105 i\u0161vydus 2018 m. Naujojo Baltijos \u0161okio programoje nor\u0117jau visk\u0105 apie j\u0105 su\u017einoti, pamatyti, skelbti ir visiems rodyti koookiooo<\/em>(!) autenti\u0161kumo \u0161i k\u016br\u0117ja. Kalbu apie Oona Doherty, \u012f Vilni\u0173 sugr\u012f\u017eusi\u0105 po penkeri\u0173 met\u0173 ir\u00a0 \u0161iemet Naujojo Baltijos festivalyje parod\u017eiusi\u0105 du savo darbus: monospektakl\u012f \u201eHope Hunt\u201c ir didesnio masto\u00a0 \u201eNavy Blue\u201c.<\/p>\n

Oona – savoti\u0161ka pank\u0117, i\u0161lendanti u\u017e normos rib\u0173 ir nesutinkanti atgailauti. Baisiai tikra ir dr\u0105si, savoti\u0161kai naivi bet su pozicija, atvira ir \u012fkyri, poeti\u0161ka ir sta\u010dioki\u0161ka kaip ir jos \u0161okis: a\u0161triabriaunis, smelkiantis, geluoni\u0161kas. \u0160iame tekste \u2013 apie spektakl\u012f \u201eHope Hunt\u201c[2]<\/a> ir Oonos \u0161okio tikrov\u0119.<\/p>\n

\"\"<\/a>Oona Doherty, 2018 metais Naujojo Baltijos \u0161okio festivalyje. Dmitrijaus Matvejevo nuotrauka<\/em><\/p>\n

I dalis. Ant asfalto<\/strong><\/p>\n

\u012e Men\u0173 spaustuv\u0117s kiemel\u012f \u012fsuka garsiai s\u016bbuojantis<\/em> automobilis. Vienas langas dau\u017etas, u\u017elipintas juoda pl\u0117vele. L\u0117tai i\u0161 automobilio i\u0161lipa vyras, veria baga\u017ein\u0119, i\u0161 jos ant asfalto i\u0161krenta ji. Treningai. Kedai. Tvirtai suri\u0161ti plaukai. Ant \u017eem\u0117s ilgai neu\u017esiguli. Bando savo santyk\u012f su \u017ei\u016brovu: \u201e\u0161oka\u201c \u012f ak\u012f, slankioja tarp \u017ei\u016brin\u010di\u0173j\u0173. Judesio variacijos dinami\u0161kos, tai ir sav\u0119s pristatymas, ir \u201erib\u0173 pasitikrinimas\u201c. Vyras automobilyje. Paspaud\u0117 gaz\u0105, gaud\u017eian\u010diu automobilio s\u016bbu<\/em> i\u0161r\u016bko i\u0161 kiemelio, palik\u0119s j\u0105 vien\u0105: vien\u0105 prie\u0161 kitus, prie\u0161 publik\u0105, vien\u0105 atstov\u0117ti. Ji stumia \u017ei\u016brovus \u012f sal\u0119 tai dr\u0105siai, tai kiek prigesintai \u0161\u016bkauja miniai prikimusiu get in there<\/em>… Sal\u0117je tamsu: sumest\u0173, nebenaudojam\u0173 daikt\u0173 kampas (konteineris, dviratis, polietileno skiaut\u0117), vienas k\u016bnas scenoje (jos k\u016bnas), \u017ei\u016brovas. \u0160is k\u016bnas likus\u012f pusvaland\u012f sal\u0117s juodum\u0105 u\u017epildys, trikdys, provokuos. Pasidalins \u012f du etapus: m\u0117lyn\u0105 ir balt\u0105. Nurims ir atsivers tik baltumoje.<\/p>\n

Visa mano \u017einojimo apie Oon\u0105\u00a0 prad\u017eia ir buvo tuomet, 2018 m. festivalyje i\u0161vystas jos pasirodymas \u201eHope Hunt\u201c. Tuomet j\u012f atliko pati k\u016br\u0117ja. Beje, tai pats pirmasis jos darbas, kuris i\u0161kart tapo pla\u010diai pasteb\u0117tu k\u016brybiniu prover\u017eiu ir u\u017e Europos rib\u0173. Iki \u0161iol \u201eHope Hunt\u201c (pilnas pavadinimas \u201eHope Hunt & The Ascension Into Lazarus\u201c, 2015) Oona \u012fvardija kaip savo mylimiausi\u0105 darb\u0105. Po penkeri\u0173 met\u0173\u00a0 k\u016brinys \u012f festival\u012f sugr\u012f\u017eo, ta\u010diau j\u012f atliko kita \u0161ok\u0117ja Sati Veyrunes (j\u0105 gal\u0117jome pamatyti ir kitame Vilniuje rodytame darbe \u201eNavy Blue\u201c).<\/p>\n

\"\"<\/a>Donato Ali\u0161ausko nuotraukos<\/em><\/p>\n

Oona \u2013 unikalios \u0161okio kalbos autor\u0117: \u010dia juntama did\u017eiul\u0117 gatv\u0117s \u0161oki\u0173 \u012ftaka, ta\u010diau ka\u017ekuriai vienai \u0161okio srovei ji nepasiduoda, pati sukuria autenti\u0161k\u0105 savo judesio bals\u0105 tarsi ger\u0105 monta\u017e\u0105: pritaiko tai, kas \u0161ioje situacijoje jai reikalinga, ir atmeta tai, ko reikalaut\u0173 kanonas. Taisykl\u0117s – not in Oona\u2018s world<\/em>. \u0160tai kad ir socialini\u0173 klausim\u0173 grynuolis gatv\u0117s \u0161okis Oonos sistemoje i\u0161keliamas \u012f kit\u0105 lygmen\u012f. Oona tokius klausimus, gerai suvirusius ir i\u0161mirkytus i\u0161 sav\u0119s i\u0161spjauna, ji steb\u0117tojui rodo how the things are there<\/em>. \u0160iame spektaklyje \u2013 be si\u016blym\u0173, be sprendimo, be nuomon\u0117s brukimo. \u017di\u016br\u0117k ir spr\u0119sk pats, jei tau skauda. Ar skauda?<\/em><\/p>\n

II dalis. M\u0117lynasis treningas. Netausojant<\/strong><\/p>\n

\u201eHope Hunt\u201c d\u0117mesio centre \u2013 darbininkai vyrai, ta\u010diau Oona juos identifikuoti judesiu nusprend\u017eia pati arba tai atliepia kitos \u0161ok\u0117jos moterys (\u0161\u012f monospektakl\u012f dar pakaitomis atlieka \u0161ok\u0117jos Sandrine Lescourant aka <\/em>Mufasa arba \u0161\u012f kart\u0105 Vilniuje ir pasirod\u017eiusi Sati Veyrunes). Skirtinga \u0161i\u0173 \u0161ok\u0117j\u0173 fiziologija bei emocinis spektras. Dar i\u0161 pirmojo rodymo atmintyje \u012fsir\u0117\u017eusi pati Oona spektaklyje buvo linkusi formuoti nuo\u017emi\u0173, dr\u0105si\u0173, kartais pasimetusi\u0173, ta\u010diau da\u017eniau visa \u017einan\u010di\u0173, persona\u017e\u0173 su nuomone <\/em>variacijas, o k\u0105 tik matytame \u201eHope Hunt\u201c \u0161ok\u0117ja Sati Veyrunes balansuoja tarp beveik komi\u0161ko, infantilaus ir kieto<\/em> vietinio bachuriuko[3]<\/strong><\/a><\/em>. Tokio, kuris tau draugi\u0161kai mirktels ak\u012f ir su pla\u010dia \u0161ypsena sakys: \u201elabuka<\/em>, k\u0105 tu?\u201c, <\/em>o \u010dia pat neturint cigariuko<\/em> ar kiek tais cent\u0173<\/em> pasi\u016blys \u012f liurl\u012f<\/em>, arba geresniu atveju, valinti <\/em>kur tikrai nenor\u0117tum.<\/p>\n

\"\"<\/a><\/p>\n

Oona tyrin\u0117ja \u0161i\u0173 vyr\u0173 elgsen\u0105 \u2013 tiek esan\u010dius \u0161alia jos, \u0160iaur\u0117s Airijoje, tiek Europoje (spektaklyje \u012fpinami ir pranc\u016bzi\u0161ki bei voki\u0161ki atitikmenys, j\u0173 kalbomis naudojami \u017eargonai). Pana\u0161us atitikmuo iki skausmo \u017einomas ir Lietuvoje, tai vietinis marozas<\/em>: kitaip forsas<\/em>, gezas<\/em>, ypa\u010d vyrav\u0119s\u00a0 pirmuosius du de\u0161imtme\u010dius po Nepriklausomyb\u0117s atgavimo: sportin\u0117 apranga, b\u016btinai dviej\u0173 paloski\u0173<\/em> (kietesni ir tris susiorganizuodavo) treningin\u0117s keln\u0117s, ant kaklo \u2013 masyvi auksin\u0117 arba sidabrin\u0117 grandin\u0117l\u0117 (k\u0105 ten grandin\u0117l\u0117, visa grandin\u0117!), sportiniai batai, automobilis b\u016btinai su s\u016bbu<\/em>, ir daug jame kimarinimo<\/em>. \u010cia daug alkoholio ir \u201erimtesni\u0173\u201c apsine\u0161imo<\/em> priemoni\u0173. Daug agresyvumo ir emocin\u0117s nejautros.<\/p>\n

Darbinink\u0173 klas\u0117s tapatyb\u0117s tyrin\u0117jimas pl\u0117tojasi ir keliuose tolimesniuose Oonos darbuose: pvz. \u201eHard to be soft: A Belfast Prayer\u201d<\/em>\u00a0<\/em>(2017)[4]<\/a> bei \u00a0k\u0105 tik \u00a0rodytame \u201eNavy Blue\u201c (2022). Sunku su tokia tema apsilenkti, kai gyveni \u0160iaur\u0117s Airijoje, kur atrodo, net apr\u016bkusios miesto plytos sug\u0117rusios religinio susiprie\u0161inimo iki atviros neapykantos ir did\u017eiosios mas\u0117s \u2013 darbinink\u0173 klas\u0117s s\u0105mon\u0119. \u201eNegaliu i\u0161spr\u0119sti \u0160iaur\u0117s Airijos\u201c, – yra sakiusi Oona. Ne viename darbe savo \u0161ok\u0117jus ji \u012fvelka \u012f m\u0117lynus treningus ar uniformas. M\u0117lyna \u2013 darbo liaudies spalva; fabrik\u0173 uniform\u0173 ir automobili\u0173 meistr\u0173. M\u0117lynuoju treningu apvilkta ir \u0161ok\u0117ja Sati Veyrunes.<\/p>\n

Oona priblo\u0161kian\u010dia j\u0117ga \u017ei\u016brov\u0105 stveria u\u017e gerkl\u0117s: aki\u0173 neatitraukiantis judesys \u012felektrinamas socialiniu kr\u016bviu ir meistri\u0161ka aktoryste \u2013 visa tai it viesulas \u012fsuka \u012f Oonos atid\u017eiai sukonstruot\u0105 pasaul\u012f. Per buitin\u0119 kalb\u0105, tiksliai atkartot\u0105 koncentruot\u0105 darbinink\u0173 elgsen\u0105 tarsi nuo kokios ap\u0161iurusios sienos gramdomi da\u017e\u0173 sluoksniai, luk\u0161tenasi visa \u0161ios klas\u0117s ideologija: viena po kitos besimainan\u010dios spalvos gilyn ir dar gilyn iki esm\u0117s. \u010cia sur\u016bdij\u0119, ne\u0161varu, dvokia, nepatogu, tiesmuka. Keiksma\u017eod\u017ei\u0173 ir du\u017een\u0173 eil\u0117s, \u0161iuk\u0161li\u0173 ir sm\u016bgi\u0173 kr\u016bvos, su\u017eeisti k\u016bnai ir u\u017egautos emocijos… Oonos socialinis ir politinis anga\u017euotumas tvyro ore.<\/p>\n

\"\"<\/a><\/p>\n

Oona kuria savoti\u0161k\u0105 od\u0119 kasdienybei t\u0173, kurie, pasak jos, yra laim\u0117tojai, jau vien d\u0117l to, kad i\u0161gyveno dien\u0105. Tod\u0117l reikia trankiai, du\u017eiai \u0161v\u0119sti. Kvatotis pilna burna, svaigintis iki nesvari\u0173 k\u016bn\u0173, myl\u0117tis ant u\u017epakalini\u0173 automobilio s\u0117dyni\u0173 ir r\u0117kti, r\u0117kti, r\u0117kti! Netausojant sav\u0119s, netaupant. I\u0161klykti visk\u0105! Kada, jei ne dabar? \u201eHop\u201c, – juodoje scenoje taria vienas i\u0161 t\u0173 \u0161imt\u0173 vyruk\u0173, \u012fsipatoginusi\u0173 Sati Veyrunes k\u016bne; kartoja vis, jau bene r\u0117kia. \u010cia svarbi \u017eod\u017ei\u0173 tartis, atgarsi\u0173 \u017eaismas, kartot\u0117, j\u0173 kismas. Prad\u0117tas garsas i\u0161sipl\u0117toja iki vieno \u017eod\u017eio ar fraz\u0117s, garsas kinta, \u017eod\u017eio reik\u0161m\u0117 mainosi su juo. \u201eHoooope\u201c, – neu\u017eilgo pasigirsta. Ji\/jis \u0161aukia, purtosi, k\u016bnas g\u016b\u017eiasi, veidas deformuojasi, primindamas nepatrauklius, i\u0161purtusiomis nosimis ir i\u0161plaukiusiomis linijomis Bacon\u2018o[5]<\/a> portretus. \u201eHooooome!\u201c, – lyg u\u017estrig\u0119s jau bene klykia. Kartoti darosi kankinan\u010diai sunku, ta\u010diau negalima sustoti: reikia visus \u0161iuos \u012fsitikinimus i\u0161r\u0117kti. Stov\u0117ti tvirtai, nors \u010dia pat kurtinanti sirena gaud\u017eia, provokuoja b\u0117gti \u0161alin… Garsas ir \u017eodis padeda ai\u0161kintis santykius: \u00a0i\u0161laikyti savo pozicij\u0105, apginti arba u\u017esipulti. Garsas u\u017estringa. Kaip judesys. Kartojasi, menksta ir ple\u010diasi. Daug jo etap\u0173 ir pasikartojim\u0173: hop \u2013 hope \u2013 home \u2013 I am \u2013 a man…<\/em><\/p>\n

III dalis. Balta \u0161viesa<\/strong><\/p>\n

Yra trumpa scena, kai sal\u0117je \u0161viesos u\u017eg\u0119sta. M\u0117lynasis \u0161ok\u0117jos treningas persivelkamas \u012f balt\u0105. Paties ritualo \u017ei\u016brovas nemato, \u0161ok\u0117j\u0105 i\u0161 juodumos i\u0161traukia balta \u0161viesa. Ji guli baltu kostiumu ant \u017eem\u0117s. Galb\u016bt tai buvo trumpas atsijungimas po sm\u016bgi\u0173. Galb\u016bt prisik\u0117limas i\u0161 mirties, o gal… buvimas mirtyje.<\/p>\n

Juodojoje sal\u0117je \u0161ok\u0117jos k\u016bnas mainosi, reakcingai klumpa ir krenta, susi\u017eeid\u017eia ir stiebiasi auk\u0161tyn, atskleisdamas vis\u0105 spektr\u0105 charakteri\u0173 ir situacij\u0173. K\u016bnas \u010dia \u2013 m\u0117sa (I am flesh, I am flesh!<\/em>), tiesiogine ir perkeltine prasme pergyvenantis traum\u0105 savaip: ekstaz\u0117s apimtas k\u016bnas sklandys erdv\u0117je, apkvai\u0161\u0119s k\u016bnas krisdamas sul\u0117t\u0117s, \u0161\u016bvio ar sm\u016bgio su\u017ealotas k\u016bnas mesis atgal, grupuot\u0117s u\u017epultas k\u016bnas bla\u0161kysis tarp stumdym\u0173 ir kum\u0161\u010di\u0173, m\u0117tysis, kol bus nublok\u0161tas ant grindinio, spardytas, o gal kaip tik sm\u016bgio i\u0161veng\u0119s… \u0160is k\u016bnas su laiku g\u016b\u0161is. Po to nurims ir atsivers. Baltumoje.<\/p>\n

\"\"<\/a><\/p>\n

Teko matyti pandemin\u012f \u201eHope Hunt\u201c produkt\u0105: Oonos Doherty ir fotografo bei kino k\u016br\u0117jo Lucca Truffarelli film\u0105, kuriame jungiama \u201eHope Hunt & The Ascension Into Lazarus\u201c bei sudau\u017eyt\u0173 automobili\u0173 video instaliacija[6]<\/a> . Filme kamera padeda \u0161ok\u0117jui atskleisti judes\u012f, b\u016btent antroji \u201eHope Hunt\u201c dalis scenoje, kuri\u0105 Oona ir pavadino \u201eThe Ascension Into Lazarus\u201c \u010dia kartojasi per du \u0161ok\u0117jus (Ryan O\u2018Neill ir Sati Veyrunes), kurie, filmui skylant \u012f dvi dalis, apsimaino vaidmenimis. \u012edomu tai, kad video formate pirm\u0105 kart\u0105 darbininko vyro tapatyb\u0119 atskleid\u0117 ir \u0161ok\u0117jas vyras. Spektaklyje ne\u012fmanoma \u017evelgti tik \u012f judes\u012f, \u010dia itin daug socialin\u0117s i\u0161krovos, judesys j\u0105 padeda atliepti, ta\u010diau judesys \u010dia yra vienas i\u0161 dedam\u0173j\u0173, spektaklyje kur kas svarbiau nei video darbe pats temos kontekstas.<\/p>\n

Spektaklio pavadinimas tyliai u\u017esimena, kad ka\u017ekur \u010dia vyksta vilties med\u017eiokl\u0117. Ka\u017ekur \u010dia \u012fvyks pakilimas iki Lozoriaus. Teologi\u0161kai Lozoriaus prik\u0117limas i\u0161 numirusi\u0173j\u0173 traktuojamas kaip besiartinan\u010dios J\u0117zaus kan\u010dios, mirties ir prisik\u0117limo \u012f\u017eanga. Kiek toki\u0173 prisik\u0117lim\u0173 yra galimi pasaulyje, \u00a0kuriame akies u\u017e ak\u012f nepakanka, \u00a0o kito skruosto atsukimas tolygus neb\u016b\u010diai? Ta\u010diau viltis yra. U\u017e kiekvieno susid\u016brimo su kitu, kiekvieno kampo ir kiekvienos dienos. Vadinas, \u0161v\u0119sti. Vadinas, kvatotis pilna burna, svaigintis iki apsunkusi\u0173 k\u016bn\u0173, myl\u0117tis ant u\u017epakalini\u0173 automobilio s\u0117dyni\u0173 ir r\u0117kti, r\u0117kti, r\u0117kti! Netausojant sav\u0119s, netaupant. I\u0161klykti visk\u0105!<\/p>\n

Kada, jei ne dabar?<\/em><\/p>\n

\"\"<\/a><\/p>\n

[1]<\/a> Spektaklio ir filmo \u201eHope Hunt\u201d eil\u0117s, skamban\u010dios pa\u010dioje k\u016brinio prad\u017eioje.<\/p>\n

[2]<\/a> Pilnas spektaklio pavadinimas \u2013 \u201eHope Hunt & The Ascension Into Lazarus\u201c, \u0161iame festivalyje pristatytas sutrumpintu pavadinimu.<\/p>\n

[3]<\/a> \u012edomu, kad nepaisant da\u017enai eksponuojamo agresyvumo \u0161io tipo kalboje ypa\u010d b\u016bdingas \u017eod\u017ei\u0173 suma\u017eybinimas.<\/p>\n

[4]<\/a> I\u0161 esm\u0117s \u0161is darbas yra \u201eHope Hunt\u201c i\u0161pl\u0117tojimas bei prat\u0119simas, pasitelkiant daugiau priemoni\u0173 atskleisti Belfasto identitet\u0105.<\/p>\n

[5]<\/a> Turiu omenyje brit\u0173 tapytojo Francis Bacon darbus.<\/p>\n

[6]<\/a> Avarijos, paskutini\u0173 minu\u010di\u0173 prie\u0161 mirt\u012f tema \u012fpinta jos kitame darbe \u201eHard To Be Soft\u201c.
\n—<\/p>\n

\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio ir cirko aktualijos: asmenyb\u0117s, \u012fvykiai ir j\u0173 analiz\u0117, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

I am flesh I am flesh… Amadeus Audio jaguar seat A moist beautiful beat Thumps hard Testosterone and cortisol fuel …<\/p>\n","protected":false},"author":2,"featured_media":14387,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nNetausoti sav\u0119s: Oonos Doherty \u0161okio med\u017eiokl\u0117 | Naujasis Baltijos \u0161okis - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Netausoti sav\u0119s: Oonos Doherty \u0161okio med\u017eiokl\u0117 | Naujasis Baltijos \u0161okis - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"I am flesh I am flesh… Amadeus Audio jaguar seat A moist beautiful beat Thumps hard Testosterone and cortisol fuel ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2023-06-01T16:24:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-06-01T16:25:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/06\/hopehunt_d.alisauskas-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1709\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/06\/hopehunt_d.alisauskas-scaled.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/06\/hopehunt_d.alisauskas-scaled.jpg\",\"width\":2560,\"height\":1709},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/\",\"name\":\"Netausoti sav\\u0119s: Oonos Doherty \\u0161okio med\\u017eiokl\\u0117 | Naujasis Baltijos \\u0161okis - Lithuanian Dance Centre\",\"isPartOf\":{\"@id\":\"https:\/\/dance.lt\/new\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/#primaryimage\"},\"datePublished\":\"2023-06-01T16:24:21+00:00\",\"dateModified\":\"2023-06-01T16:25:47+00:00\",\"author\":{\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\"},\"breadcrumb\":{\"@id\":\"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/#breadcrumb\"},\"inLanguage\":\"lt-LT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dance.lt\/new\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Netausoti sav\\u0119s: Oonos Doherty \\u0161okio med\\u017eiokl\\u0117 | Naujasis Baltijos \\u0161okis\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\",\"name\":\"dance\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/#personlogo\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"caption\":\"dance\"},\"url\":\"https:\/\/dance.lt\/new\/author\/dance\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Netausoti sav\u0119s: Oonos Doherty \u0161okio med\u017eiokl\u0117 | Naujasis Baltijos \u0161okis - Lithuanian Dance Centre","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/","og_locale":"lt_LT","og_type":"article","og_title":"Netausoti sav\u0119s: Oonos Doherty \u0161okio med\u017eiokl\u0117 | Naujasis Baltijos \u0161okis - Lithuanian Dance Centre","og_description":"I am flesh I am flesh… Amadeus Audio jaguar seat A moist beautiful beat Thumps hard Testosterone and cortisol fuel ...","og_url":"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/","og_site_name":"Lithuanian Dance Centre","article_published_time":"2023-06-01T16:24:21+00:00","article_modified_time":"2023-06-01T16:25:47+00:00","og_image":[{"width":2560,"height":1709,"url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/06\/hopehunt_d.alisauskas-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"dance","Est. reading time":"9 minut\u0117s"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/dance.lt\/new\/#website","url":"https:\/\/dance.lt\/new\/","name":"Lithuanian Dance Centre","description":"LDC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dance.lt\/new\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"lt-LT"},{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/#primaryimage","inLanguage":"lt-LT","url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/06\/hopehunt_d.alisauskas-scaled.jpg","contentUrl":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/06\/hopehunt_d.alisauskas-scaled.jpg","width":2560,"height":1709},{"@type":"WebPage","@id":"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/#webpage","url":"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/","name":"Netausoti sav\u0119s: Oonos Doherty \u0161okio med\u017eiokl\u0117 | Naujasis Baltijos \u0161okis - Lithuanian Dance Centre","isPartOf":{"@id":"https:\/\/dance.lt\/new\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/#primaryimage"},"datePublished":"2023-06-01T16:24:21+00:00","dateModified":"2023-06-01T16:25:47+00:00","author":{"@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252"},"breadcrumb":{"@id":"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/#breadcrumb"},"inLanguage":"lt-LT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dance.lt\/new\/2023\/06\/01\/netausoti-saves-oonos-doherty-sokio-medziokle\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dance.lt\/new\/en\/"},{"@type":"ListItem","position":2,"name":"Netausoti sav\u0119s: Oonos Doherty \u0161okio med\u017eiokl\u0117 | Naujasis Baltijos \u0161okis"}]},{"@type":"Person","@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252","name":"dance","image":{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/#personlogo","inLanguage":"lt-LT","url":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","caption":"dance"},"url":"https:\/\/dance.lt\/new\/author\/dance\/"}]}},"_links":{"self":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/14384"}],"collection":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/comments?post=14384"}],"version-history":[{"count":3,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/14384\/revisions"}],"predecessor-version":[{"id":14394,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/14384\/revisions\/14394"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media\/14387"}],"wp:attachment":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media?parent=14384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/categories?post=14384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/tags?post=14384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}