Bendras \u0160iaur\u0117s ir Baltijos \u0161ali\u0173 projektas \u201eWriting Movement\u201c buvo prad\u0117tas siekiant paskatinti \u012fvairius asmenis ra\u0161yti apie \u0161ok\u012f ir pl\u0117sti \u0161io ra\u0161ymo ribas. Projekto r\u0117muose lapkri\u010dio 16 d. Helsinkio teatro akademijoje organizuojamas visiems atviras seminaras \u201eTekstas ir \u0161okis \u2013 atvej\u0173 analiz\u0117 ra\u0161ant apie \u0161ok\u012f\u201c. Seminaras vyks angl\u0173 kalba.<\/p>\n
Seminaro programa ir informacija apie prane\u0161\u0117jus:<\/p>\n
Liikekieli.com organizes a SEMINAR as a part of Writing Movement<\/strong>:<\/p>\n TEXT AND DANCE – case studies in dance writing<\/strong><\/p>\n Saturday 16.11.2013<\/strong> at Theatre Academy, Helsinki (auditorium 1, Haapaniemenkatu 6)<\/p>\n OPENING WORDS by Veera Lamberg, editor in chief, Liikekieli.com The seminar is free of charge and open for everybody. It will be held in English.<\/p>\n Speakers:<\/p>\n Ott Karulin <\/strong>(b.1980) is the head of Estonian Theatre Agency and has written theatre reviews for the last ten years. In spring 2013 he defended his PhD in theatre research at the university of Tartu with a dissertation titled \u201dRakvere Theatre in search of Full Games in 1985 to 2009\u201d. Karulin has been working in Estonia in artistic processes with choreographers and directors and in that way challenged the boundaries of how a critic usually works.<\/p>\n Moa Sahlin<\/strong> (b.1974) is a Swedish choreographer and dance pedagog with MA in choreography from Laban, London 2005. She works as artistic director of Dansbyr\u00e5n G\u00f6teborg, an innovative platform for artistic development in dance. Her own work focuses on feministic contemporary dance art where she is interested in art theory, community work and postmodern ideas.<\/p>\n Sara Hallstr\u00f6m<\/strong> (b.1979) is Swedish poet and pedagog. She is also studying to become a pre-school teacher. Since 2004 she has released five different works of poetry of which two are collaborations with other artists, and at one time she also wrote a children\u00b4s book. Her poems often deal a lot with the body, sounds, place, feelings, power(s), habits and the voice.<\/p>\n Alan Lucien \u00d8yen<\/strong> (b.1978) is one of Norway\u2019s most known and prized choreographers. Since 2004 he has made many ballet and contemporary dance works for dance companies in Norway and abroad. He is the founder and artistic director of his own company Winter Guests. Alan Lucien \u00d8yen often creates text himself to his choreographic works and many times the performers on stage are themselves writers, choreographers and directors.<\/p>\n Writing Movement is a co-Nordic and co-Baltic project. Its aim is to help the progress of dance writing and challenge its boundaries:
\n10.00-11.00 critic Ott Karulin, Estonia: CRITIC AS A PART OF ARTISTIC PROCESS<\/strong>
\n11.00-11.30 discussion about Karulin’s presentation
\n11.30-11.45 pause
\n11.45-12.45 choreographer Moa Sahlin and poet Sara Hallstr\u00f6m, Sweden: WHAT CAN HAPPEN IN THE INTERACTION BETWEEN CHOREOGRAPHY AND POETRY<\/strong>
\n12.45-13.15 discussion about Sahlin’s and Hallstr\u00f6m’s presentation
\n13.15-14.00 lunch pause
\n14.00-15.00 choreographer Alan Lucien \u00d8yen, Norway: CO-OPERATION BETWEEN A WRITER AND A CHOREOGRAPHER<\/strong>
\n15.00-15.30 discussion about Alan’s presentation
\nCLOSING WORDS<\/p>\n
\nwww.writingmovement.com<\/p>\n