{"id":14700,"date":"2023-08-18T13:31:48","date_gmt":"2023-08-18T10:31:48","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=14700"},"modified":"2023-08-18T13:32:14","modified_gmt":"2023-08-18T10:32:14","slug":"45-ios-metaforu-gliaudymo-minutes","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2023\/08\/18\/45-ios-metaforu-gliaudymo-minutes\/","title":{"rendered":"45-ios metafor\u0173 gliaudymo minut\u0117s"},"content":{"rendered":"

Neeiliniais k\u016brybiniais pasirinkimais gars\u0117jantis \u201eConTempo\u201c festivalis \u0161iemet v\u0117l stebino. Atokus bei misti\u0161kos atmosferos gaubiamas Kauno tvirtov\u0117s 1-asis fortas tapo katalon\u0173 \u0161okio ir gatv\u0117s teatro pasirodymo \u201eNest\u201c scena. Tai pirmasis belg\u0173 kilm\u0117s re\u017eisier\u0117s Marie Gyselbrecht projektas po atviru dangumi, kuris pirm\u0105j\u012f kart\u0105 buvo pristatytas 2022 m. Katalonijos festivalyje \u201eSism\u00f2graf\u201c. Spektaklio pagrindinis akcentas \u2013 automobilis, kuris virsta veiksmo centru trims \u0161ok\u0117jams \u2013 Antonio Le\u00f3n, Lu\u00eds Garcia ir Mabel Olea. \u201eNest\u201c tyrin\u0117ja i\u0161\u0161\u016bkius, su kuriais susiduria be nam\u0173 lik\u0119 ir savo automobilyje gyvenantys asmenys. Vaidinim\u0105 \u017ei\u016brint pavir\u0161utini\u0161kai, jis gali pasirodyti pr\u0117skas. Visgi, detaliau nagrin\u0117jant re\u017eisier\u0117s pasirinktus simbolius, ima ai\u0161k\u0117ti, kad vaizduojamos problemos t\u0117ra ledkalnio vir\u0161\u016bn\u0117.<\/p>\n

\"\"<\/a>Martyno Plepio nuotr.<\/em><\/p>\n

Smalsum\u0105 pasi\u017ei\u016br\u0117ti \u0161\u012f pasirodym\u0105 su\u017eadino du faktoriai: jis buvo sukurtas remiantis dokumentine med\u017eiaga (tikros istorijos mane visada intriguoja labiau u\u017e i\u0161galvotas) ir jo neprozi\u0161ka lokacija. Dauboje esantis Kauno tvirtov\u0117s 1-asis fortas \u012fsik\u016br\u0119s atokiau nuo miesto \u0161urmulio, aplink n\u0117ra gyvenam\u0173j\u0173 nam\u0173 ir retas \u010dia u\u017esuka be kurios nors progos. Toks pats apra\u0161ymas tikt\u0173 ir vietoms, kuriose prieglobs\u010dio ie\u0161ko nam\u0173 netek\u0119 \u017emon\u0117s. I\u0161keisdami eilin\u0119 teatro scen\u0105 \u012f apleist\u0105 fort\u0105 spektaklio k\u016br\u0117jai siek\u0117 \u017ei\u016brovus priartinti prie automobilyje gyvenan\u010di\u0173 \u017emoni\u0173 kasdienyb\u0117s. Ir nors viso pasirodymo metu menkai kontaktuota su \u017ei\u016brovais, neeilinis vietos pasirinkimas suteik\u0117 intymumo.<\/p>\n

Spektaklis prasid\u0117jo \u012fsimyl\u0117j\u0117li\u0173 scena. Porel\u0117, kurios namais tapo automobilis, ner\u016bpestingai leido laik\u0105 ir m\u0117gavosi vienas kito meile. I\u0161 pirmo \u017evilgsnio gal\u0117jo susidaryti \u012fsp\u016bdis, kad gyvenimas automobilyje yra bohemi\u0161kas ar net \u017eavus, ta\u010diau romantika greitai i\u0161garavo, kai buvo prad\u0117tos luk\u0161tenti viena po kitos problemos, su kuriomis susiduria be nam\u0173 lik\u0119 \u017emon\u0117s. Viso pasirodymo metu, besikei\u010diant atlik\u0117j\u0173 aprangoms, buvo galima suprasti, kad perteikiamos vis kitos istorijos. Nors patirtys buvo skirtingos, jas visas vienijo vienas elementas \u2013 nu\u017emog\u0117j\u0119s po\u017ei\u016bris \u012f benamius.<\/p>\n

\"\"<\/a><\/p>\n

Spektaklyje netr\u016bko a\u0161tri\u0173 smurto scen\u0173. Paradoksalu, ta\u010diau smurto bei prievartos iniciatoriumi tapo asmuo, kurio pareiga ginti. Ant \u0161io persona\u017eo uniformos ry\u0161kiomis geltonomis raid\u0117mis puikavosi ispani\u0161kas \u017eodis ,,Seguridad\u201c (liet. saugumas, apsauga). Galima sp\u0117ti, kad taip re\u017eisier\u0117 nor\u0117jo pabr\u0117\u017eti toki\u0173 \u017emoni\u0173 nesaugum\u0105 ir tai, kad jie yra puolami ir i\u0161naudojami net pareig\u016bn\u0173. Buvo \u012fdomu steb\u0117ti, kaip \u0161okis tapdavo veik\u0117j\u0173 emocij\u0173 i\u0161rai\u0161kos priemone. \u012etemptomis spektaklio vietomis (apsauginis naudojo smurt\u0105 prie\u0161 automobilyje gyvenan\u010di\u0105 \u012fsimyl\u0117j\u0117li\u0173 porel\u0119) tie patys \u0161okio judesiai buvo kartojami kelis kartus, tarsi u\u017estrigusi plok\u0161tel\u0117. Jau\u010diausi taip, tarsi steb\u0117\u010diau tai i\u0161gyvenusio \u017emogaus prisiminimus \u2013 kai mintyse vis sugr\u012f\u017etama prie to, kas \u012fvyko, ta\u010diau nieko nebegalima pakeisti. Dar vienas svarbus elementas \u2013 patirdami smurt\u0105 \u0161ok\u0117j\u0173 kuriami persona\u017eai nei\u0161leido n\u0117 garso \u2013 ne\u0161auk\u0117, nesikviet\u0117 pagalbos. Tai b\u016bt\u0173 galima interpretuoti kaip dar vien\u0105 re\u017eisier\u0117s siek\u012f perteikti gatv\u0117je gyvenan\u010di\u0173 \u017emoni\u0173 bej\u0117gi\u0161kum\u0105, negal\u0117jim\u0105 pasisk\u0173sti ir sulaukti pagalbos.<\/p>\n

\"\"<\/a><\/p>\n

Viena labiausiai man \u012fstrigusi\u0173 scen\u0173 prasid\u0117jo tarsi nekaltas pokalbis, nors tai buvo gudriai \u012fvyniotos metaforos prad\u017eia. Apsauginiui pareikalavus, kad porel\u0117 i\u0161vykt\u0173, \u0161ie niekaip negal\u0117jo u\u017evesti automobilio, tad vyras liko prie vairo, o j\u012f stumti band\u0117 mergina. Susidar\u0117 \u012fsp\u016bdis, kad moteriai buvo perkelta atsakomyb\u0117 \u201ei\u0161stumti\u201c juos abu i\u0161 susidariusios situacijos. Nepavykus automobilio pajudinti i\u0161 vietos, apsauginis pasisi\u016bl\u0117 jiems pad\u0117ti. Ir nors prad\u017eioje jis band\u0117 taisyti automobil\u012f, pama\u017eu \u0117m\u0117 skleistis prievartavimo scena. Pasitvirtino negeras \u012ftarimas d\u0117l moters \u2013 savo k\u016bnu ji sumok\u0117jo u\u017e apsauginio malon\u0119 bei leidim\u0105 jai ir jos draugui likti gyventi automobilyje.<\/p>\n

Atlik\u0117j\u0173 jud\u0117jimas spektaklyje tiesiogiai priklaus\u0117 nuo j\u0173 persona\u017e\u0173 vidini\u0173 i\u0161gyvenim\u0173. Per nerangius, sunkius, klampius, suvar\u017eytus judesius jie perteik\u0117 baim\u0119, bej\u0117gi\u0161kum\u0105, nusivylim\u0105, susikaustym\u0105. Juos stebint neju\u010diomis \u012fsitempdavo ir mano pa\u010dios k\u016bnas. \u0160ok\u0117jams \u0161okant tarpusavyje, \u0161okio judesiai staiga tapdavo skland\u016bs ir \u201eplaukiantys\u201c. \u0160iomis akimirkomis j\u0173 kuriami persona\u017eai demonstravo meil\u0119, o lengva ir plasti\u0161ka choreografija ai\u0161kiai i\u0161rei\u0161k\u0117 j\u0173 laisv\u0105 bei laim\u0117s kupin\u0105 tarpusavio ry\u0161\u012f. \u0160okio elementai spektaklyje atliko itin paveik\u0173 vaidmen\u012f, kuris sustiprino \u017ei\u016brov\u0173 poj\u016b\u010dius.<\/p>\n

\"\"<\/a><\/p>\n

Pripa\u017einsiu, steb\u0117dama spektakl\u012f tik\u0117jausi ka\u017eko \u012fsp\u016bdingesnio. Grei\u010diausiai nor\u0117josi ai\u0161kesn\u0117s siu\u017eeto linijos, daugiau \u012ftampos, efekt\u0173, \u017ei\u016brov\u0173 \u012ftraukimo \u012f vaidinime perteikiamas istorijas. Vis d\u0117lto, pra\u0117jus kelioms dienoms, atmintyje prad\u0117jo skleistis visai kita pasirodymo pus\u0117 \u2013 daug gilesn\u0117 ir ry\u0161kesn\u0117 u\u017e pro\u017eektori\u0173 \u0161viesas ar garso efektus. Spektakl\u012f \u201eNest\u201c prilygin\u010diau kvepalams \u2013 jis yra daugiasluoksnis ir atsiskleid\u017eia vis kitomis natomis. Prad\u017eioje pasirodymas pasirod\u0117 kiek pervertintas ir pernelyg i\u0161liaupsintas scenos men\u0173 profesional\u0173, ta\u010diau panirus \u012f jo giluminius sluoksnius, buvo galima patirti \u012ftrauki\u0105 ir nensup\u0117jam\u0105 kelion\u0119 re\u017eisier\u0117s Marie Gyselbrecht filosofini\u0173 min\u010di\u0173 vingiais.<\/p>\n","protected":false},"excerpt":{"rendered":"

Neeiliniais k\u016brybiniais pasirinkimais gars\u0117jantis \u201eConTempo\u201c festivalis \u0161iemet v\u0117l stebino. Atokus bei misti\u0161kos atmosferos gaubiamas Kauno tvirtov\u0117s 1-asis fortas tapo katalon\u0173 …<\/p>\n","protected":false},"author":2,"featured_media":14702,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\n45-ios metafor\u0173 gliaudymo minut\u0117s - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2023\/08\/18\/45-ios-metaforu-gliaudymo-minutes\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"45-ios metafor\u0173 gliaudymo minut\u0117s - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Neeiliniais k\u016brybiniais pasirinkimais gars\u0117jantis \u201eConTempo\u201c festivalis \u0161iemet v\u0117l stebino. 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