{"id":1494,"date":"2014-04-02T17:15:39","date_gmt":"2014-04-02T17:15:39","guid":{"rendered":"http:\/\/dance.lt\/new\/2014\/04\/02\/7-ugne-dievaityte\/"},"modified":"2014-04-02T17:15:39","modified_gmt":"2014-04-02T17:15:39","slug":"7-ugne-dievaityte","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2014\/04\/02\/7-ugne-dievaityte\/","title":{"rendered":"\u201e7+\u201c: Ugn\u0117 Dievaityt\u0117"},"content":{"rendered":"<p>Pristatome choreograf\u0119 ir \u0161ok\u0117j\u0105 <a href=\"http:\/\/dievaityte.weebly.com\">Ugn\u0119 Dievaityt\u0119<\/a>, jau trejus metus gyvenan\u010di\u0105 Ispanijos sostin\u0117je Madride. Ji \u010dia kuria \u0161okio spektaklius, \u0161oka kit\u0173 choreograf\u0173 pastatymuose, taip pat veda \u0161iuolaikinio \u0161okio technikos pamokas ir  k\u016brybines \u0161okio dirbtuves, kartu su trupe \u201eBabirusa Danza\u201c dalyvauja <a href=\"http:\/\/www.meregalasunmovimiento.com\">\u201e.M.R.U.M.?\u201c<\/a> k\u016brybin\u0117je \u0161okio laboratorijoje, kurios pagrind\u0105 sudaro gatv\u0117s praeivi\u0173 judesiai. Pernai pavasar\u012f tarptautiniame \u0161iuolaikinio \u0161okio festivalyje <a href=\"http:\/\/dance.lt\/lt\/623518\/projektai\/naujasis_baltijos_sokis\/naujasis-baltijos-sokis\">\u201eNaujasis Baltijos \u0161okis\u201c<\/a> Lietuvos \u017ei\u016brovai tur\u0117jo galimyb\u0119 susipa\u017einti su Ugn\u0117s k\u016bryba. Tuomet Vilniuje buvo parodytos dvi jos miniati\u016bros: solo darbas <a href=\"http:\/\/vimeo.com\/83436352\">\u201eNekviesta b\u016btyb\u0117\u201c<\/a> ir kartu su i\u0161 Brazilijos kilusia Poliana Lima sukurtas ir atliekamas duetas \u201eIt steb\u0117tum debesis\u201c. \u0160i\u0173 met\u0173 gegu\u017e\u0119 k\u016br\u0117ja ir v\u0117l lankysis \u201eNaujajame Baltijos \u0161okyje\u201c, kuriame pristatys naujausi\u0105 savo darb\u0105 \u201eFlesh\u201c (chor. Ugn\u0117 Dievaityt\u0117 ir Poliana Lima).<br \/>\nhttps:\/\/youtu.be\/wFufLQqkYW4<\/p>\n<p><strong>1. Kaip prad\u0117jai kurti?<\/strong><br \/>\nNor\u0105 kurti pajutau atradusi improvizacines \u0161okio technikas. Jos suteik\u0117 daug erdv\u0117s k\u016brybai. Erdv\u0117s, apibr\u0117\u017etos ribomis, leid\u017eian\u010diomis tyrin\u0117ti, atrasti ka\u017ek\u0105 naujo ir nepatirto judant vienam ar drauge su kitu. Tod\u0117l k\u016bryba man prasideda nuo judesio studijos, t\u0119siasi kaip galvos\u016bkis ir baigiasi paslankia dinami\u0161ka strukt\u016bra, kuri vystosi net ir jau turint \u201eprodukt\u0105\u201c. Manau, savo pa\u010dios rimtas k\u016brybines paie\u0161kas prad\u0117jau gyvendama Madride. Susipa\u017einus su \u0161iuolaikiniu \u0161okiu, kurio nevar\u017eo taisykl\u0117s ir \u0161ablonai, kilo noras, smalsumas bei i\u0161\u0161\u016bkis kurti. \u017dinoma, tur\u0117jau tam galimybi\u0173: gal\u0117jau nemokamai naudotis repeticij\u0173 sal\u0117mis, gal\u0117jau rodyti savo darbus, jutau post\u016bm\u012f i\u0161 aplinkos. Taip ir prad\u0117jau. Nors i\u0161 ties\u0173 kartais pats \u0161okis-judesys tampa k\u016br\u0117ju. Ne\u017einai, kaip pasikei\u010dia rol\u0117s, ta\u010diau pajunti, kad vyksta ka\u017ekas ne\u012fprasto, ko dar nedarei, ko net neketinai daryti. Per\u017ei\u016bri repeticij\u0173 \u012fra\u0161us ir pamatai, kad gim\u0117 ka\u017ekas naujo. Tai patys \u012fdomiausi ir smagiausi k\u016brybos momentai, kai judesys nustebina pats savaime be s\u0105moningo tavo \u012fsiterpimo.<\/p>\n<p><strong>2. Ties kuo dirbi \u0161iuo metu?<\/strong><br \/>\n\u0160iuo metu mano rankose pora projekt\u0173. Vienas j\u0173 \u2013 dar tik gimstantis balso-garso ir judesio-\u0161okio projektas \u201eAlkis\u201c. Su Esther Vieito, vokalo soliste i\u0161 Ispanijos, laisvai improvizuodamos, ji \u2013 balsu, a\u0161 \u2013 k\u016bnu, judesiu, tyrin\u0117jame, kaip tam tikri garsai paveikia judes\u012f, koki\u0105 \u012ftak\u0105 mano jud\u0117jimas daro jos kuriamiems garsams ir pan. Tai tarsi betarpi\u0161kas bendravimas skirtingomis kalbomis. Nors turime i\u0161grynin\u0119 pagrindin\u0119 tem\u0105, esame i\u0161vyst\u0119 ai\u0161ki\u0105 spektaklio strukt\u016br\u0105, ta\u010diau viskas dar t\u0117ra pirminiame k\u016brybos procese.<\/p>\n<p>Kitas projektas, jau turintis labai ai\u0161k\u0173 pavidal\u0105, yra bendras darbas su Poliana Lima \u201eFlesh\u201c, kur\u012f pristatysime \u0161i\u0173 met\u0173 festivalyje \u201eNaujasis Baltijos \u0161okis\u201c. Spektaklis i\u0161sivyst\u0117 i\u0161 m\u016bs\u0173 pirmojo darbo \u201eIt steb\u0117tum debesis\u201c.<\/p>\n<p><div class=\"flex-video widescreen\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/83436351?app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" title=\"\/\/Lithuanian Dance Scene 2013\/\/ It steb\u0117tum debesis | Its&rsquo;s Like Watching Clouds \/\/ Ugn\u0117 Dievaityt\u0117, Poliana Lima\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<\/p>\n<p>Baland\u017eio m\u0117nes\u012f mudvi su Poliana taip pat prad\u0117sime bendradarbiauti su choreografe Camille Hanson. \u0160is projektas \u2013 mokslin\u0117s nykstan\u010di\u0173 j\u016bros gyv\u016bn\u0173 i\u0161saugojimo konferencijos dalis.<\/p>\n<p><strong>3. Kada paskutin\u012f kart\u0105 lankeisi Lietuvoje ir k\u0105 (nu)veikei?<\/strong><br \/>\nPaskutin\u012f kart\u0105 Lietuvoje buvau per Kal\u0117das. Vis\u0173 pirma gerai pails\u0117jau ir pasid\u017eiaugiau nu\u0117jusi \u012f por\u0105 spektakli\u0173 Men\u0173 spaustuv\u0117je. Taip pat ved\u017eiau por\u0105 \u0161okio seminar\u0173  (\u0161iuolaikinio \u0161okio technikos ir k\u016brybines \u0161okio dirbtuves).<\/p>\n<p><strong>4. Kuo skiriasi k\u016brybin\u0117 aplinka ir gyvenimas Lietuvoje nuo k\u016brybos ir gyvenimo Madride? Kas \u012fkvepia? O kas kelia sunkum\u0173?<\/strong><br \/>\nVis\u0173 pirma \u010dia, Madride, labai didel\u0117 \u0161okio technik\u0173 \u012fvairov\u0117 \u2013 nuo pa\u010di\u0173 pirmini\u0173 modernaus \u0161okio kryp\u010di\u0173 iki postmodernaus ir eksperimentinio \u0161okio. Lietuvoje pasirinkimas kur kas siauresnis. Taip pat Madride gyvena daug \u0161okio k\u016br\u0117j\u0173, turin\u010di\u0173 labai \u012fvair\u0173 \u0161okio i\u0161silavinim\u0105, skirtingus po\u017ei\u016brius \u012f k\u016bryb\u0105, nema\u017eai j\u0173 atvyk\u0119 i\u0161 skirting\u0173 \u0161ali\u0173 \u2013 \u0161okio laukui tai suteikia \u012fvairiapusi\u0161kumo. Ir, \u017einoma, \u010dia nema\u017eai skirting\u0173 erdvi\u0173 (teatr\u0173 ir t.t.), kur galima i\u0161vysti \u0161ok\u012f: vienos j\u0173 labai ma\u017eos, kitos \u2013 didel\u0117s ir didingos. Erdv\u0117s ir j\u0173 ypatyb\u0117s taip pat apibr\u0117\u017eia \u0161okio k\u016brinius. Beje, didelis Madrido privalumas yra tas, kad \u010dia egzistuoja nema\u017eai institucij\u0173, kult\u016bros centr\u0173, teatr\u0173 ir pan., kuriuose galima dalyvauti rezidencij\u0173 programose ir \u012fgyvendinti \u0161okio projektus. Kai kur patekti sunkiau, kai kur lengviau, bet galiausiai visada rasi, kur repetuoti ir vystyti projektus. Labiausiai mane \u012fkvepia k\u016brybin\u0117je aplinkoje jau\u010diamas entuziazmas ir bendradarbiavimas. Nors k\u016br\u0117jai ir i\u0161sibarst\u0119, tr\u016bksta vienos visus juos vienijan\u010dios organizacijos, jau\u010diamas kolegi\u0161kumas: visi dalinasi informacija, vieni kitiems padeda ir palaiko k\u016brybiniame procese.<\/p>\n<p>Sunkiau Ispanijoje turb\u016bt tai, kad svarbiausia yra pa\u017eintys \u2013 reikia tur\u0117ti tinkam\u0173 pa\u017ein\u010di\u0173 tinkamose vietose. Kuo daugiau \u017emoni\u0173 pa\u017e\u012fsti pats ir kuo geriau tave pa\u017e\u012fsta kiti ir \u017eino tavo darbus bei pasiekimus, tuo papras\u010diau ir lengviau jud\u0117ti k\u016brybin\u0117je erdv\u0117je. Tad i\u0161 prad\u017ei\u0173 gali b\u016bti nelengva. Reikia b\u016bti itin socialiai aktyviam. <\/p>\n<p><strong>5. Papasakok apie savo k\u016brybin\u012f proces\u0105. Kaip atrodo tavo darbo diena\/savait\u0117?<\/strong><br \/>\nVienas pagrindini\u0173 mano kasdienyb\u0117s bruo\u017e\u0173 \u2013 nepastovumas, nes projektai prasideda ir baigiasi. Prie\u0161 premjer\u0105 viskas b\u016bna itin intensyvu, po jos atsl\u016bgsta. Jei dalyvauji kokiuose nors kursuose ar k\u016brybin\u0117se laboratorijose, jos irgi turi prad\u017ei\u0105 ir pabaig\u0105. Dabartin\u0117 mano darbo savait\u0117 atrodyt\u0173 taip: por\u0105 kart\u0173 per savait\u0119 lankau improvizacini\u0173 technik\u0173 pamokas, kart\u0105 per savait\u0119 einu \u012f Butoh \u0161okio pamokas, 4-5 kartus per savait\u0119 repetuoju, 3-4 kartus vedu k\u016brybines \u0161okio dirbtuves aktoriams, m\u0117g\u0117jams, \u0161ok\u0117jams, savaitgaliais apsilankau kontaktin\u0117s improvizacijos \u201ed\u017eiamuose\u201c, kart\u0105 per m\u0117nes\u012f dalyvauju \u201eMOVLAB\u201c judesio laboratorijoje. Ir, \u017einoma, kartais publikai pristatau kur\u012f nors i\u0161 savo spektakli\u0173. Artimiausi pasirodymai numatyti tarptautiniame festivalyje FEEDBACK kovo pabaigoje (\u201eNekviesta b\u016btyb\u0117\u201c ir \u201eFlesh\u201c) ir choreografijos konkurse \u201eCertamen Coreogr\u00e1fico del distrito de Tetu\u00e1n\u201c baland\u017eio pabaigoje (\u201eNekviesta b\u016btyb\u0117\u201c).<\/p>\n<p><strong>6. Kokie \u0161okio k\u016br\u0117jai tave labiausiai \u012fkvepia?<\/strong><br \/>\nMane \u012fkvepia tokie k\u016br\u0117jai kaip <a href=\"http:\/\/www.youtube.com\/watch?v=MWLyiYIwo5E\">Akramas Khanas<\/a>, <a href=\"http:\/\/www.youtube.com\/watch?v=GxGAN8p7RwQ\">Meg Stuart<\/a>, <a href=\"http:\/\/www.youtube.com\/watch?v=_1KunS4kedk\">Pierre\u2018as Rigalis,<\/a> <a href=\"http:\/\/www.youtube.com\/watch?v=o2_QS_0JrTo\">Danielis Abreu<\/a> bei trup\u0117 <a href=\"http:\/\/www.youtube.com\/watch?v=ChkBoupQCwg\">\u201ePeeping Tom<\/a>\u201c. <\/p>\n<p><strong>7. Koki\u0173 poky\u010di\u0173 link\u0117tumei Lietuvos \u0161iuolaikiniam \u0161okiui?<\/strong><br \/>\nTies\u0105 sakant, nesijau\u010diu galinti daug pasakyti apie Lietuvos \u0161iuolaikin\u012f \u0161ok\u012f, ta\u010diau manau, kad geriausi poky\u010diai jau vyksta Lietuvos \u0161okio informacijos centro bei Men\u0173 spaustuv\u0117s vykdomos veiklos d\u0117ka. Tad reik\u0117t\u0173 tiesiog t\u0119sti ir vystyti tai, kas prad\u0117ta, nes b\u016btina, kad atsirast\u0173 vis daugiau galimybi\u0173 k\u016br\u0117jams kurti ir parodyti savo darbus bei ugdyti ir auginti sav\u0105 \u0161iuolaikinio \u0161okio publik\u0105.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Ugne_Dievaityte_by_Pablo_Seoane_1_489x747.JPG\" width=\"489\" height=\"747\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Ugne_Dievaityte_by_Pablo_Seoane_1.JPG\" class=\"js-zoom-image\" \/><br \/>\n<strong>*** <\/strong><\/p>\n<p>\u201e7+\u201c \u2013 tai Lietuvos \u0161okio informacijos centro interviu ciklas su Lietuvos \u0161iuolaikinio \u0161okio k\u016br\u0117jais, \u0161iuo metu gyvenan\u010diais ir kurian\u010diais sve\u010diose \u0161alyse.<\/p>\n<p>Kiti \u201e7+\u201c ciklo interviu:<br \/>\n<a href=\"http:\/\/dance.lt\/lt\/736392\/sokio_naujienos\/straipsniai\/7-ieva-kuniskis\">Ieva Kuniskis<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pristatome choreograf\u0119 ir \u0161ok\u0117j\u0105 Ugn\u0119 Dievaityt\u0119, jau trejus metus gyvenan\u010di\u0105 Ispanijos sostin\u0117je Madride. Ji \u010dia kuria \u0161okio spektaklius, \u0161oka kit\u0173 &#8230;<\/p>\n","protected":false},"author":1,"featured_media":1495,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201e7+\u201c: Ugn\u0117 Dievaityt\u0117 - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2014\/04\/02\/7-ugne-dievaityte\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201e7+\u201c: Ugn\u0117 Dievaityt\u0117 - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Pristatome choreograf\u0119 ir \u0161ok\u0117j\u0105 Ugn\u0119 Dievaityt\u0119, jau trejus metus gyvenan\u010di\u0105 Ispanijos sostin\u0117je Madride. 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