{"id":14978,"date":"2023-09-29T08:49:48","date_gmt":"2023-09-29T05:49:48","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=14978"},"modified":"2023-10-03T19:34:36","modified_gmt":"2023-10-03T16:34:36","slug":"kaip-sustoti-ten-kur-sustoti-negalima","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2023\/09\/29\/kaip-sustoti-ten-kur-sustoti-negalima\/","title":{"rendered":"Kaip sustoti ten, kur sustoti negalima"},"content":{"rendered":"

\u201e\u0160iuolaikin\u0117je vakar\u0173 visuomen\u0117je vis daugiau \u017emoni\u0173 radikaliai kei\u010dia savo santyk\u012f su tradicijomis: arba bando aklai j\u0173 laikytis, arba reikalauja jas sunaikinti. Tarpinis sprendimas atrodo nebe\u012fmanomas. Ar galime remtis tradicijomis ir kartu i\u0161likti kriti\u0161ki j\u0173 at\u017evilgiu?\u201c<\/p>\n

\"\"<\/a>Elz\u0117s Kandratavi\u010di\u016bt\u0117s nuotr.<\/em><\/p>\n

Taip prasideda Dovydo Strimai\u010dio \u0161okio spektaklio \u201eDuet\u201c apra\u0161ymas. Tema svarbi, aktuali ir drauge nei\u0161skirtin\u0117: \u0161iuolaikini\u0173 vakarieti\u0161k\u0173 visuomeni\u0173 ideologija i\u0161 principo teigia lygyb\u0117s, vadinasi \u2013 balanso siek\u012f. Apie neproporcing\u0105 laiko ir tradicij\u0173 kaitos greit\u012f bei to \u017eal\u0105 kalbama ne tik mene; tema neaplenkia religijos, politikos, \u0161vietimo ir kit\u0173 socialini\u0173 sri\u010di\u0173. \u012edomu, kad b\u016btent ten, kur pragmatikos ma\u017eiausia, tradicijos \u012fsi\u0161aknija stipriausiai. Jos tampa vieninteliu \u201eobjektyvi\u0105\u201c vert\u0119 grind\u017eian\u010diu pagrindu.<\/p>\n

\u012edomu, kad \u201eDuetas\u201c \u2013 pirmasis Strimai\u010dio spektaklis, kuriam suk\u016br\u0119s choreografij\u0105 pats jos neatlieka \u2013 primena bandym\u0105 surasti objektyvi\u0105 klasikinio \u0161okio i\u0161rai\u0161kos vert\u0119. \u0160is k\u016brinys \u2013 tai nuolatinis tikrinimas, k\u0105 \u017ei\u016brovui rei\u0161kia atskiri baleto elementai ir kas balet\u0105 daro \u017ei\u016brovui, ta\u010diau ne atlik\u0117jui saugiu \u0161okiu.<\/p>\n

Kaip reta paprasta apibendrinti \u201eDueto\u201c dramaturgijos strukt\u016br\u0105. Dailinink\u0117s Taylor Wishneff kurtus k\u016bno spalvos kostiumus d\u0117vintys bei sportba\u010diais avintys Clara Davidson ir Ibai Jimenez tyloje atlieka pasikartojan\u010dias, ne\u017eenkliai kintan\u010dias baleto kompozicijas. Po kurio laiko plat\u016bs atlik\u0117j\u0173 judesiai apribojami ar apskritai sustabdomi, leid\u017eiant spektakl\u012f kurti Lisos M. Barry \u0161viesoms. Dar v\u0117liau sal\u0117je pasigirsta muzika, perkelianti \u201eDuet\u0105\u201c ar\u010diausiai to, k\u0105 esame prat\u0119 patirti klasikiniame balete.<\/p>\n

I\u0161skirtinai choreografiniame debiute Strimaitis \u017eaid\u017eia savo paties ir publikos suvokimais, svarstydamas, k\u0105 mums rei\u0161kia klasikinis baletas, kas lemia vieno lankomiausi\u0173 men\u0173 teikiam\u0105 malonum\u0105 ir kiek galime toleruoti apsimetin\u0117jim\u0105 klasika, kuri akivaizd\u017eiai tokia neb\u0117ra. Tai tyrin\u0117jama, i\u0161sikeliant siauresnius klausimus:\u00a0 ar \u012fmanoma pamatyti persona\u017e\u0105, jei jo neiliustruoja kostiumas; ar atsisakius puant\u0173, dingsta \u0161ok\u0117j\u0173 grak\u0161tumas; ar m\u0117gaujuosi \u0161okiu, ar jis reikalingas tik muzikai iliustruoti?<\/p>\n

\"\"<\/a><\/p>\n

Nors \u201eDuete\u201c baletas kaip tyrimo laukas vie\u0161ai deklaruojamas pirm\u0105 kart\u0105, ankstesni\u0173 Strimai\u010dio spektakli\u0173 pagrindus taip pat nesunku sieti su baleto principais. \u201e\u0160oki\u0173 k\u016brimo mene\u201c jis prie\u0161 \u017ei\u016brov\u0173 akis prakti\u0161kai ir nuosekliai analizavo judesio gimim\u0105, iki detali\u0173 i\u0161skaidydamas k\u016bno patirtis, susid\u016brus su nauja choreografija. \u201eHairy\u201c eskize, kurio i\u0161trauk\u0105 teko matyti, \u0161ok\u0117jas ir jo fiziologija i\u0161gryninami kaip \u012frankiai id\u0117jai perduoti ir \u012fsp\u016bd\u017eiui sukurti. Tad \u201eDueto\u201c tema i\u0161kart pasirod\u0117 organi\u0161ka Strimai\u010dio k\u016brybos kontekste. Kaip ir i\u0161rai\u0161ka: jaunam choreografui akivaizd\u017eiai \u012fdomu analizuoti \u0161okan\u010dio ir \u017ei\u016brin\u010dio \u017emogaus santyk\u012f su fizi\u0161kai ar kult\u016bri\u0161kai \u012ftvirtintais niuansais.<\/p>\n

Nesu ma\u010diusi Strimai\u010dio \u0161okan\u010dio kit\u0173 choreograf\u0173 spektakliuose. Ta\u010diau per\u017evelgus jo veiklos trup\u0117se istorij\u0105 galima numanyti, kad savo atlik\u0117jo karjeroje jis da\u017enai susiduria su laisv\u0119 ribojan\u010dios klasikin\u0117s technikos ir laisv\u0117s id\u0117j\u0173 turinyje prie\u0161prie\u0161a. Galb\u016bt tai u\u017eaugino konflikti\u0161k\u0105 santyk\u012f su baleto rei\u0161kiniu, kur\u012f patvirtino \u201eDuetas\u201c.<\/p>\n

\u0160\u012f santyk\u012f Strimaitis perkelia \u012f scen\u0105, \u201eversdamas\u201c \u0161ok\u0117jus ir \u017ei\u016brovus susidurti su \u012fvairios i\u0161tverm\u0117s reikalaujan\u010dia i\u0161rai\u0161ka: monotoni\u0161ku, bet kryptingu jud\u0117jimu, d\u0117mesiu konvencini\u0173 proces\u0173 ir rei\u0161kini\u0173 detal\u0117ms, giganti\u0161kos ir vientisos energijos reikalaujan\u010diu \u0161okiu, kur\u012f sustiprina \u201eve\u017eantis\u201c ritmas. Taip pat \u2013 vengimu sustoti, tuo pat metu kurian\u010diu maloniai hipnotizuojant\u012f \u012fsp\u016bd\u012f ir kelian\u010diu \u012ftarim\u0105, kad sustoti tiesiog bijoma. Galb\u016bt tu\u0161tumos, kuri gresia atsiverti, past\u016bmus \u012f \u0161al\u012f technik\u0105?<\/p>\n

\"\"<\/a><\/p>\n

Apie Strimai\u010dio k\u016brybos apibendrinimus kalbu daugiau nei apie \u201eDueto\u201c i\u0161skirtinumus, nes \u0161is k\u016brinys \u012fkv\u0117p\u0117 apsvarstyti choreografo interesus. Savo spektakliuose jis nuolat persvarsto \u201esavaime suprantamas\u201c kategorijas ir savo santyk\u012f su jomis, nuosekliai ir smulkmeni\u0161kai analizuodamas, kaip konvencin\u012f atlikim\u0105 i\u0161gyvena ir patiria jauni \u0161ok\u0117jai, kurie da\u017eniau klausin\u0117ja nei priima \u017einias a priori<\/em>. \u017di\u016brov\u0173 \u010dia nepra\u0161oma empati\u0161kai susir\u016bpinti \u0161ok\u0117j\u0173 gerove. Jie kvie\u010diami pasiduoti hipnozei ir fizi\u0161kai patirti procesus, kuriuos \u0161okio k\u016br\u0117jai nuolat i\u0161gyvena, ta\u010diau neb\u016btinai reflektuoja.<\/p>\n

\u017di\u016brovai \u201eDuete\u201c turi susitaikyti su monotonija, \u0161ok\u0117jai \u2013 su didel\u0117s i\u0161tverm\u0117s reikalavimais. Scenoje susid\u016brusios \u0161ios dvi \u012ftampos gali sukurti erzinan\u010di\u0105 trint\u012f, kuri, atlik\u0117jams nepaliaujant jud\u0117ti, \u017ei\u016brovo s\u0105mon\u0117je sukelia sprogim\u0105 (kok\u012f \u2013 priklauso nuo nuostat\u0173, su kuriomis \u017emogus at\u0117jo \u017ei\u016br\u0117ti spektaklio). Kita vertus, k\u016brinys gali likti beprasmi\u0161ku, jei atlik\u0117jai pervargs bandydami ka\u017ek\u0105 \u012frodyti tokia forma, kuri \u017ei\u016brov\u0173 tiesiog nesujaudins.<\/p>\n

Tad choreografas Strimaitis pasirinko sud\u0117ting\u0105 keli\u0105, reikalaujant\u012f arba nuolat s\u0105moningai dirban\u010dios publikos, arba rezultatyvesnio k\u016br\u0117jo m\u0105stymo, kuris \u012f\u017eemint\u0173 spektakliuose i\u0161gyvenamas patirtis; t. y., greta proceso pasi\u016blyt\u0173 \u017ei\u016brovams i\u0161vad\u0173 variant\u0105. Pastaroji id\u0117ja atrodo paradoksali. Kaip ir kam s\u0105moningai ir priki\u0161amai si\u016blyti atsakym\u0105 spektakliuose, kurie yra apie paie\u0161kas dugno neturin\u010diuose rei\u0161kiniuose? Tokioje k\u016bryboje \u017ei\u016brovai labai greitai pasteb\u0117s kiekvien\u0105 period\u0105, kai Strimaitis savo paie\u0161kose atras ka\u017ek\u0105 sau naujo, kuo tvirtai patik\u0117s.<\/p>\n

—
\n\"\"<\/a><\/p>\n

Projekt\u0105 \u201e\u0160okio aktualijos, analiz\u0117 ir proces\u0173 refleksija\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201e\u0160iuolaikin\u0117je vakar\u0173 visuomen\u0117je vis daugiau \u017emoni\u0173 radikaliai kei\u010dia savo santyk\u012f su tradicijomis: arba bando aklai j\u0173 laikytis, arba reikalauja jas …<\/p>\n","protected":false},"author":2,"featured_media":14980,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nKaip sustoti ten, kur sustoti negalima - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2023\/09\/29\/kaip-sustoti-ten-kur-sustoti-negalima\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kaip sustoti ten, kur sustoti negalima - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u201e\u0160iuolaikin\u0117je vakar\u0173 visuomen\u0117je vis daugiau \u017emoni\u0173 radikaliai kei\u010dia savo santyk\u012f su tradicijomis: arba bando aklai j\u0173 laikytis, arba reikalauja jas ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2023\/09\/29\/kaip-sustoti-ten-kur-sustoti-negalima\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2023-09-29T05:49:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-03T16:34:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/10\/IMG_7528-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2023\/09\/29\/kaip-sustoti-ten-kur-sustoti-negalima\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/10\/IMG_7528-scaled.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/10\/IMG_7528-scaled.jpg\",\"width\":2560,\"height\":1920},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2023\/09\/29\/kaip-sustoti-ten-kur-sustoti-negalima\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2023\/09\/29\/kaip-sustoti-ten-kur-sustoti-negalima\/\",\"name\":\"Kaip sustoti ten, kur sustoti negalima - 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