{"id":1538,"date":"2014-05-12T20:38:09","date_gmt":"2014-05-12T20:38:09","guid":{"rendered":"http:\/\/dance.lt\/new\/2014\/05\/12\/hey-a-m-will-you-pray-for-me\/"},"modified":"2014-05-12T20:38:09","modified_gmt":"2014-05-12T20:38:09","slug":"hey-a-m-will-you-pray-for-me","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2014\/05\/12\/hey-a-m-will-you-pray-for-me\/","title":{"rendered":"Hey, A.M. Will you pray for me?"},"content":{"rendered":"<p>Richardas Schechneris knygoje \u201ePerformanso teorija\u201c (Performance theory) yra ra\u0161\u0119s: \u201eAvangardo menininkai, nuo Italijos futurist\u0173, dadaist\u0173, siurrealist\u0173 iki prakticistini\u0173 \u017eem\u0117s meno, hapeningo k\u016br\u0117j\u0173, supa\u017eindina mus su id\u0117ja, kad menas n\u0117ra realyb\u0117s imitavimas ar min\u010di\u0173 rai\u0161ka. J\u0173 si\u016blomu suvokimu, kur\u012f Kaprowas vadina misti\u0161ku, (performanso menu \u2013 red.past.) yra i\u0161rei\u0161kiama paprasta, ta\u010diau ir trikdanti id\u0117ja apie men\u0105 kaip \u201etikr\u0105\u201c \u012fvyk\u012f.\u201c Taigi, menas \u010dia suvokiamas ne kaip mimetinis atvaizdas, ta\u010diau kaip tikrov\u0117s konstruktas, trinantis ribas tarp to, kas tariamai tikra ir kas ne. Pana\u0161iai kaip \u0161amanas mistiniame rituale lau\u017eo nusistov\u0117jusias sampratos konvencijas ir vienu metu apgl\u0117bia \u201e\u010dia\u201c ir \u201eten\u201c ribas, siekdamas pasikeitimo realyb\u0117je (pri\u0161aukti liet\u0173, nuimti prakeiksm\u0105, i\u0161siai\u0161kinti ateit\u012f, atpirkti \u017emonij\u0105 ir pan.), taip \u0161amani\u0161k\u0105 atpirkimo ritual\u0105 ar modernistin\u012f psichoanaliz\u0117s seans\u0105 mums mestel\u0117jo ir \u201eCriseless\u201c komanda.<\/p>\n[image=686209 link=no_link]\n<p>Prav\u0117rus Men\u0173 spaustv\u0117 II-os sal\u0117s duris pirmiausia pasitinka gyva \u201einstaliacija\u201c. Andrius Mulokas, tarsi naujasis J\u0117zus, nukry\u017eiuotas su patobulintais atributais: ausin\u0117s kei\u010dia medvilnin\u012f klub\u0173 rai\u0161t\u012f, kurias kiekvienas yra skatinamas nuimti, taip apnuoginant m\u016bs\u0173 vakaro i\u0161ganytoj\u0105; perukas ir nutre\u0161usios baltos plunksnos vietoj er\u0161k\u0117\u010di\u0173 vainiko bei laidai, originaliai jungiantys su visa (i\u0161davusi\u0173?) aveli\u0173 banda \u2013 publika. Rankos priri\u0161tos vir\u0161 galvos, bet \u0161onuose (mano tariamo) kry\u017eiaus form\u0105 aliuzi\u0161kai kuria dveji plazminiai televizoriaus ekranai. Visi\u0161kai cool atpirkimo ritualas. Gal tod\u0117l truput\u012f nejauku. Jei atlik\u0117jas\/\u0161ok\u0117jas\/performeris\/\u0161amanas save plakt\u0173 rimbais ir atsiklaup\u0119s dau\u017eydamas kum\u0161\u010diais \u012f kr\u016btin\u0119 \u0161aukt\u0173 mea culpa, turb\u016bt b\u016bt\u0173 dr\u0105siau. Bet dabar atvira kompozicija, neformalus bendravimas, o ir \u017ei\u016brov\u0173 \u012ftraukimas kartais sutrikdo. Naujasis atpirk\u0117jas savo \u201epamokslus\u201c \u0161iuolaiki\u0161kai transliuoja televizijos ekranuose, o po to dr\u0105siai \u017eengia \u012f auditorij\u0105, \u0161i\u0105 paversdamas lygiaver\u010diais dalyviais. <\/p>\n[image=853272 link=no_link]\n<p>\u201eCriseless\u201c komanda per valand\u0105 sukuria \u0161iandienos visuomen\u0117s mit\u0105, atskleisdami ir jungdami visas atminties, archetipines patirtis ir \u0161iandienos vartojimo, brando kapital\u0105. \u017di\u016brovai tarsi dalyvauja visuotiname psichoanaliz\u0117s seanse \u2013 i\u0161traukiant pas\u0105mon\u0117s u\u017ekaborius, sprend\u017eiant visuotinas baimes, perfrazuojant ir t\u0117\u0161kiant \u012f veid\u0105 archetipus, atlik\u0117jai rekonstruoja sociumo vaizd\u0105 ir patiekia kiekvienam stebin\u010diajam. U\u017esid\u0117jus ausines pamatome bei i\u0161girstame skirtingus Mulokus. Atspind\u017eiai \u2013 dainuojantis, mik\u010diojantis, treninginis gra\u017euolis, labai mylintis savo ma\u017eut\u0119 ir mokytojas, pats pasiklyd\u0119s kuriamuose identitetuose. O taip, galim numoti ranka, S\u00f8renas Aabye\u2018us Kierkegardas jau kadaise pasakojo apie kaukes, k\u0105 jau kalb\u0117ti apie \u0161iandienos visuomen\u0119, kur kiekvienas norintis funkcionuoti kaip tariamai sveikas sociumo organizmas, privalo ne tik tur\u0117ti, bet ir puikiai manipuliuoti keliomis priskirtomis kauk\u0117mis (net ir mokytojas, meilu\u017eis, pirk\u0117jas, \u017ei\u016brovas). Ir visas \u0161amanizmas prad\u017eioje apipavidalinamas garsais, kuomet jautiesi tarsi papuol\u0119s \u012f neveikiamo tv kanalo vidurius. Taip taip, to kuris \u0161nyp\u0161\u010dia, bet vaizdo nerodo. Ir tu pats esi tos bevaizd\u0117s realyb\u0117s dalis. Rodos, mus i\u0161tiko Neo i\u0161 \u201eMatricos\u201c likimas, tik niekas neklaus\u0117, kurios tablet\u0117s nor\u0117tume \u2013 neatsipirksime simuliakrais, \u0161\u012fkart teks gyventi su realybe. <\/p>\n[image=730544 link=no_link]\n<p>Bet neverta apsigauti, jaunasis k\u016br\u0117jas n\u0117ra pasiry\u017e\u0119s apsiimti pompasti\u0161kais pamokymais, ta\u010diau, kaip R. Schechnerio min\u0117toje meno sampratoje, jis neatspindi, o pats yra realyb\u0117. Dr\u0105siai \u017eengdamas \u012f \u017ei\u016brovus, bendraudamas pilvakalbyst\u0117s kalba, gal\u0173 gale i\u0161sirenka vien\u0105, kuris tampa \u0161ok\u0117jo palydovu. Mulokas, u\u017eri\u0161tomis akimis ne\u012ftik\u0117tinai pasitikintis atsitiktinai pasirinktu \u017emogumi, \u0161oka \u0161iam \u012f gl\u0117bi, laksto po ma\u017e\u0105 erdv\u0119 ir tiki, jog bus sugautas ar saugiai nuvestas i\u0161 vienos sal\u0117s vietos \u012f kit\u0105. Atlik\u0117jas taip pat tiki, jog apsireng\u0119s tariama mini suknele, provokuodamas \u017ei\u016brovus (ypa\u010d vyrus) kalbomis, kokie jie \u017eav\u016bs ir jam patinka, negaus antausio. Rodosi, kartais k\u016br\u0117jas manipuliuoja plona socialine, gal\u0173 gale, netgi \u017emogi\u0161kumo riba (kas garantuoja, jog \u017ei\u016brovas nenumos ranka, kuomet \u0161iam \u0161ok\u0117jas \u0161oks \u012f gl\u0117b\u012f?) pasitelkdamas ne k\u0105 kit\u0105, o save ir savo k\u016bn\u0105 kaip \u012frank\u012f. <\/p>\n[image=166883 link=no_link]\n<p>Vienu metu \u017ei\u016brovas \u012ftiki. Nes \u017ei\u016brovas juk yra tokia pati svarbi pasirodymo dalis, ne \u0161iaip koks anoniminis steb\u0117tojas, bet netgi tas, kuris mato kulisin\u0119 eig\u0105: prie\u0161 tavo akis ne\u0161iojamos kop\u0117\u010dios, aptariamas j\u0173 sunkumas, nepavyksta paleisti muzikos, erzinami vaizdo \u012fra\u0161\u0173 operatoriai ir, gal\u0173 gale, aptariamas spektaklio laikas. Lygiai \u0161e\u0161t\u0105 pabaigiama. Vieni punktualiausi\u0173 k\u016br\u0117j\u0173. Taip prie\u0161 m\u016bs\u0173 akis, skaidant ir trupinant realyb\u0119 \u012f dulkes, ty\u010diojantis ir i\u0161 gro\u017eio kulto, ir i\u0161 susvetim\u0117jimo baim\u0117s, pa\u0161iepiant egzistuojan\u010dias suprekintas savo pa\u010di\u0173 kaukes, kolektyvin\u0117 pas\u0105mon\u0117 ima gyti. \u012esi\u0161aknijusios fobijos trumpam pasitraukia. Arba tapame atpirkti. Bent vien\u0105 vakar\u0105, vien\u0105 valand\u0105.  <\/p>\n<p><em><br \/>\nDmitrijaus Matvejevo nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Richardas Schechneris knygoje \u201ePerformanso teorija\u201c (Performance theory) yra ra\u0161\u0119s: \u201eAvangardo menininkai, nuo Italijos futurist\u0173, dadaist\u0173, siurrealist\u0173 iki prakticistini\u0173 \u017eem\u0117s meno, &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hey, A.M. 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