{"id":15407,"date":"2023-12-06T01:13:26","date_gmt":"2023-12-05T23:13:26","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=15407"},"modified":"2023-12-06T01:16:15","modified_gmt":"2023-12-05T23:16:15","slug":"inga-sakurako-pristato-sokio-spektakli-meat-factory-man-svarbu-kad-ziurovas-neiseitu-tusciomis","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2023\/12\/06\/inga-sakurako-pristato-sokio-spektakli-meat-factory-man-svarbu-kad-ziurovas-neiseitu-tusciomis\/","title":{"rendered":"Inga Sakurako pristato \u0161okio spektakl\u012f \u201eMeat Factory\u201c: man svarbu, kad \u017ei\u016brovas nei\u0161eit\u0173 tu\u0161\u010diomis"},"content":{"rendered":"<p>Gruod\u017eio 8 d. 18 val. Panev\u0117\u017eio teatre \u201eMenas\u201c\u00a0 \u017ei\u016brovai kvie\u010diami nemokamai pamatyti \u0161okio spektaklio \u201eMeat Factory\u201c eskiz\u0105. Spektaklio re\u017eisier\u0117 ir choreografe\u0307 Inga Fontez-Sakurako sako, kad k\u016bno kalba \u0161okio teatras \u201eOkarukas\u201c nagrin\u0117ja sud\u0117tingus klausimus apie tai, kaip ir kada pradingsta \u017emogi\u0161kumas.<\/p>\n<p>\u201eSpektaklis \u201eMeat Factory\u201c nagrin\u0117ja \u0161iandien\u0105 aktualius klausimus, kurie yra svarb\u016bs norint identifikuoti ir i\u0161gryninti svarbiausias europieti\u0161kas vertybes \u2013 \u017emogaus orum\u0105 ir lygyb\u0119. Nagrin\u0117damas demokratijos ir laisv\u0117s s\u0105vokas, spektaklis tiesiogiai nekalba apie kar\u0105, o kelia klausimus, kas yra \u017emogi\u0161kumo esm\u0117, kokiomis aplinkyb\u0117mis \u012fsigali \u017eiaurumas ir totalitarizmas bei kaip tam galima pasiprie\u0161inti\u201c, \u2013 pasakoja I. Fontez-Sakurako.<\/p>\n<p>Prie\u0161 ir po spektaklio teatro foj\u0117 bus rodomas Andryi Tsaplienko dokumentin\u012f film\u0105 apie kar\u0105 Ukrainoje \u201eAbsolute Evil\u201c. \u017di\u016brovai taip pat pamatys jaunos lietuvi\u0173 k\u016br\u0117jos Skaist\u0117s Navickait\u0117s menin\u0119 instaliacij\u0105, nagrin\u0117jan\u010di\u0105 gyv\u016bn\u0173 teises Lietuvoje. Spektaklis rodomas nemokamai, po pasirodymo \u012fvyks meninink\u0173 ir auditorijos diskusija spektaklio metu nagrin\u0117toms temoms aptarti.<\/p>\n<p><a href=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Artboard-2.jpg\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-15409\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Artboard-2.jpg\" alt=\"\" width=\"1624\" height=\"729\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Artboard-2.jpg 1624w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Artboard-2-710x319.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Artboard-2-1100x494.jpg 1100w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Artboard-2-768x345.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Artboard-2-1536x689.jpg 1536w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Artboard-2-560x251.jpg 560w\" sizes=\"(max-width: 1624px) 100vw, 1624px\" \/><\/a><\/p>\n<p><strong>Kod\u0117l \u012fkv\u0117pimui pasirinkote Jaroslavo Melniko knyg\u0105 \u201eMa\u0161a, arba Postfa\u0161izmas\u201c?<\/strong><\/p>\n<p>Kai prasid\u0117jo karas Ukrainoje, i\u0161kilo klausimas, k\u0105 tokiu metu yra i\u0161 vis prasminga kurti, ir kaip kalb\u0117ti apie bendra\u017emogi\u0161kus dalykus. Apie kar\u0105 kalb\u0117ti teatro scenoje, kai vaizdai per \u017einias yra tokie pritrenkiantys, man netenka prasm\u0117s arba ne\u017einau kaip tai daryti. Pernai vasar\u0105 buvau pakviesta pristatyti savo solo ir kurti spektakl\u012f su vietiniais \u0161ok\u0117jais festivalyje Austrijoje. Ten dirbau su \u012fvairi\u0173 \u0161ali\u0173 \u0161ok\u0117jais, tarp kuri\u0173 buvo ir trys \u0161ok\u0117jos i\u0161 Ukrainos. Jos labai nor\u0117jo bendradarbiauti ir ateityje, tod\u0117l s\u0117d\u0117jom ir m\u0105st\u0117m, k\u0105 ir kod\u0117l nor\u0117t\u0173si, vert\u0117t\u0173 kurti tokiu laiku. Ilgai diskutavom kaip tai \u012fmanoma, kad prasid\u0117jo karas Ukrainoje, kaip susiformavo toks stiprus neofa\u0161izmas Rusijoje.<\/p>\n<p>Viena i\u0161 ukrainie\u010di\u0173 \u0161ok\u0117j\u0173 u\u017esimin\u0117 apie Jaroslavo Melniko roman\u0105 \u201eMa\u0161a, arba postfa\u0161izmas\u201c, kurio niekas kitas i\u0161 m\u016bs\u0173 komandos nebuvo skait\u0119s. Abu su Phil Von (choreograf\u0117s vyras, kompozitorius ir spektaklio bendrak\u016br\u0117jas) esame mokslin\u0117s fantastikos \u017eanro m\u0117g\u0117jai, esame suk\u016br\u0119 ne vien\u0105 \u0161io \u017eanro spektakl\u012f, tod\u0117l Melniko romanas i\u0161kart surezonavo. Tuo labiau kad pagrindin\u0117 mintis \u2013 kaip propagandos \u012fgalintoje visuomen\u0117je \u012fsigali fa\u0161izmas ir kaip protu nesuvokiami dalykai tampa norma, \u2013 tiesiogiai koreliuojasi su geopolitine situacija pasaulyje \u0161iuo metu. Kai dar paai\u0161k\u0117jo kad knygos autorius yra ukrainie\u010di\u0173-lietuvi\u0173 ra\u0161ytojas ir knyga yra i\u0161versta \u012f tris kalbas, kurios tautybi\u0173 atstovai yra \u0161ioje komandoje, mes nusprend\u0117me kad tai yra \u017eenklas, kad \u0161i knyga kaip tik mums. Pasirinkom \u0161i\u0105 knyg\u0105 kaip atskaitos ta\u0161k\u0105, kelti klausimus ir k\u016bno kalba nagrin\u0117ti, kas yra \u017emogi\u0161kumas, meil\u0117, kur yra riba tarp \u017emogi\u0161ko ir \u017ev\u0117ri\u0161ko elgesio.<\/p>\n<p><a href=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1308.jpg\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-15411\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1308.jpg\" alt=\"\" width=\"2000\" height=\"1274\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1308.jpg 2000w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1308-710x452.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1308-1100x701.jpg 1100w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1308-768x489.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1308-1536x978.jpg 1536w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1308-560x357.jpg 560w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/a><em>Akimirka i\u0161 repeticijos. Arvydo Gudo nuotraukos<\/em><\/p>\n<p><strong>Koks \u0161ios knygos aktualumas dabartiniame kontekste?<\/strong><\/p>\n<p>Mano nuomone, dar 2013 m. lietuvi\u0173 kalba i\u0161leista knyga buvo prana\u0161i\u0161ka, numatanti fa\u0161izmo atgimim\u0105 Rusijoje ir pasaulyje. 2014 m. Krymo aneksija, 2022 m. per plauk\u0105 prezidento rinkim\u0173 nelaim\u0117jo Marine Le Pen, ekstremalios de\u0161in\u0117s pa\u017ei\u016br\u0173 politik\u0117, atvirai palaikanti Putino politik\u0105. Ir dar i\u0161sipliek\u0119s Izraelio ir Palestinos konfliktas Gazos Ruo\u017ee, kur visos ne\u017emoni\u0161kos priemon\u0117s yra pateisinamos ir \u017eudomi nekalti civiliai ir vaikai. Naujosios \u0161okiruojan\u010dios naujienos \u2013 ekstremali\u0173 de\u0161ini\u0173j\u0173 populist\u0173 pergal\u0117 rinkimuose Nyderlanduose su Geert Wilders prie\u0161akyje.<\/p>\n<p>Tokiomis geopolitin\u0117ms aplinkyb\u0117ms \u0161is romanas tampa ypa\u010d aktualus, jis kvie\u010dia \u012fsivaizduoti tokio \u017eiaurumo ir smurto toleravimo pasekmes ir ver\u010dia susim\u0105styti, kada \u017emogus nustoja b\u016bti \u017emogumi ir kaip vienos \u017emoni\u0173 grup\u0117s atstovai tampa \u201enebe\u017emon\u0117mis\u201c.<\/p>\n<p><strong>Kaip \u0161okio spektaklis padeda atskleisti \u017emogi\u0161kumo ir (institucinio) nu\u017emog\u0117jimo, fa\u0161izmo temas?<\/strong><\/p>\n<p>M\u016bs\u0173 spektaklis nesiekia iliustruoti ar inscenizuoti \u0161io romano, jis toliau gvildena ten i\u0161keltas temas k\u016bno kalba. \u017dodis yra paveikus, ar tai knygos tekstas, ar aktoriaus sakomas tekstas scenoje, ta\u010diau k\u016bno kalba man yra paveikiausia. Sunku pasakyti kiek tiksliai, bet mes, turb\u016bt, vir\u0161 90 proc. komunikuojame neverbaliniu b\u016bdu. Tai m\u016bs\u0173 pirmoji kalba, taip mama ir k\u016bdikis bendrauja iki jis i\u0161moksta kalb\u0117ti. Taigi, kai scenoje yra naudojama k\u016bno kalba, pasitelkiant \u012fvairaus \u0161okio ir fizinio teatro bei performanso meno technikas, yra stiprus poveikis.<\/p>\n<p>K\u016brybin\u012f proces\u0105 pavadinote \u201elaboratorija\u201c, papasakokite apie tai pla\u010diau. Ar teisinga sakyti, kad toks eksperimentinis procesas atsisako tvirtos hierarchijos spektaklio statyme?<\/p>\n<p>Visi\u0161kai teisingai, mes nuo pirm\u0173 dien\u0173 band\u0117me analizuoti med\u017eiag\u0105, rinktis temas, ie\u0161koti id\u0117j\u0173 scenoms ir judesi\u0173 visi kartu. Studijoje mes visi vienodi, n\u0117ra ka\u017ekokios hierarchijos, ta\u010diau tiek Phil, tiek a\u0161 dalinom\u0117s savo technikomis, kurias tur\u0117jo perprasti kiti komandos nariai. Taip pat ka\u017ekas turi matyti labiau bendr\u0105 vaizd\u0105 (ang. helicopter view), u\u017eduoti ton\u0105 ir pasi\u016blyti ka\u017ek\u0105, net kai nekyla min\u010di\u0173.<\/p>\n<p>Ta\u010diau nuo pirm\u0173 dien\u0173 k\u016br\u0117me kartu, kartu \u201emurkd\u0117m\u0117s ne\u017einomyb\u0117je\u201d, kol susiradome tinkamas id\u0117jas. Kai kam i\u0161 \u0161ok\u0117j\u0173 tai buvo per didelis i\u0161\u0161\u016bkis, tod\u0117l eigoje \u012fvyko komandos sud\u0117ties pasikeitimas. Ne visi gali dirbti \u201ene\u017einioje\u201c, kai reikia aktyviai kurti ir ie\u0161koti, o ne tiesiog b\u016bti atlik\u0117ju ir daryti tai kas tau pasakyta. Ne visi gal\u0117jo atlaikyti ir knygos u\u017eduot\u0105 ton\u0105 ir med\u017eiagos sunkum\u0105, nuogyb\u0117 ir smurto scenos ukrainie\u010di\u0173 \u0161ok\u0117joms pasirod\u0117 nepakeliama ir jas teko pakeisti jaunais lietuvi\u0173 plastiniais aktoriais, kurie \u012f\u0161oko \u012f proces\u0105 ir intensyviai dirbo kartu su mumis.<\/p>\n<p><a href=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1309.jpg\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-15410\" src=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1309.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1309.jpg 2000w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1309-710x473.jpg 710w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1309-1100x733.jpg 1100w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1309-768x512.jpg 768w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1309-1536x1024.jpg 1536w, https:\/\/dance.lt\/new\/wp-content\/uploads\/2023\/12\/Arvydo-Gudo-Fotografija-2023-07-12-1309-560x373.jpg 560w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/a><\/p>\n<p><strong>Spektaklyje naudojami flamenko, butoh elementai, fizinis teatras, video med\u017eiaga ir net gyvas dainavimas. Ar tarpdisciplini\u0161kumas b\u016bdingas visiems j\u016bs\u0173 spektakliams? Kod\u0117l tai jums svarbu?<\/strong><\/p>\n<p>Taip tarpdisplini\u0161kumas b\u016bdingas prakti\u0161kai visiems mano darbams, nes man tarpdisciplini\u0161kumas n\u0117ra siekiamyb\u0117 \u2013 man tai savaime suprantamas ir nat\u016bralus b\u016bdas kurti. A\u0161 \u012f scenos menus esu at\u0117jusi i\u0161 vizuali\u0173j\u0173 men\u0173, tod\u0117l ir mano pri\u0117jimas prie spektaklio k\u016brybos yra \u0161iek tiek kitoks. Svarbiausia yra koncepcija, tada yra naudojamos medijos ar rai\u0161kos b\u016bdai, kurie geriausiai leid\u017eia koncepcijai atsiskleisti. Phil Von yra taip pat daugiabriaunis menininkas: kompozitorius, poetas, dainininkas ir atlik\u0117jas. Tod\u0117l nat\u016braliai gaunasi, kad m\u016bs\u0173 darbai yra tarpdisciplininiai.<\/p>\n<p><strong>Koks yra j\u016bs\u0173, kaip choreograf\u0117s, tikslas kuriant \u0161\u012f spektakl\u012f? K\u0105 nor\u0117tum\u0117te, kad i\u0161sine\u0161t\u0173 \u017ei\u016brovai?<\/strong><\/p>\n<p>Mano, kaip k\u016br\u0117jos tikslas, yra, kad tai, kas vyksta scenoje, surezonuot\u0173 su \u017ei\u016brovu. Svarbu, kad \u017ei\u016brovas nei\u0161eit\u0173 i\u0161 spektaklio tu\u0161\u010diomis: gal jis nesupras, bet u\u017esinor\u0117s perskaityti knyg\u0105, gal \u012f ka\u017ek\u0105 pa\u017evelgs kitokiu \u017evilgsniu, susim\u0105stys apie ka\u017ek\u0105, apie k\u0105 neteko susim\u0105styti anks\u010diau kasdienyb\u0117je. Mes kuriame patirt\u012f, o ne pramog\u0105. \u010cia nor\u0117\u010diau paantrinti romano autoriui \u0161iek tiek perfrazuojant jo mint\u012f, kad kiekviena tiesa \u0161okiruoja ir m\u016bs\u0173 s\u0105mon\u0117 nenori priimti tiesos. Gyvename \u017eiauriame pasaulyje, o meno pa\u0161aukimas \u2013 s\u0105\u017einingai t\u0105 \u017eiaurum\u0105 parodyti. Patyr\u0119 \u0161ok\u0105 tampame gilesni ir sieloje \u012fsi\u017eiebia \u0161viesa.<\/p>\n<p>&#8212;<\/p>\n<p>Projekt\u0105 dalinai finansuoja Lietuvos kult\u016bros taryba, \u201eOkarukas\u201c bendradarbiauja su partneriais: Panev\u0117\u017eio kult\u016bros centru Bendruomeni\u0173 r\u016bmais, Panev\u0117\u017eio teatru \u201eMenas\u201c, ry\u0161i\u0173 su visuomene agent\u016bra \u201eIntegrity PR\u201c.<\/p>\n<p><strong>Apie k\u016br\u0117jus:<\/strong><\/p>\n<p>Inga Fontez-Sakurako \u2013 vizuali menininke\u0307, choreografe\u0307 ir re\u017eisier\u0117.<br \/>\nPhil Von \u2013 kompozitorius, muzikantas, dainininkas ir s\u030coke\u0307jas-atlike\u0307jas.<br \/>\nAndrius Seliuta \u2013 video menininkas.<br \/>\nVilius Vilutis \u2013 s\u030cviesu\u0328 dailininkas.<br \/>\nNeringa Ker\u0161ulyt\u0117 \u2013 scenograf\u0117 ir kostium\u0173 dailinink\u0117.<br \/>\nArvydas Gudas \u2013 fotografas ir grafinis dizaineris.<br \/>\nAktoriai-\u0161ok\u0117jai:<br \/>\nMindaugas Ancevic\u030cius, Gust\u0117 Bal\u010di\u016bt\u0117, Vesta Barta\u0161i\u016bt\u0117, Severija Bru\u017eait\u0117, Vilius Kalas\u016bnas, Agne\u0307 Muralyte\u0307, Emil\u0117 Varkulevi\u010di\u016bt\u0117.<\/p>\n<p><strong>Daugiau informacijos:<\/strong><br \/>\nInga Fontez-Sakurako<br \/>\nokarukaslt@gmail.com<br \/>\n+370 604 22978<br \/>\nBut\u014d Dance Theatre<br \/>\nOKARUKAS<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gruod\u017eio 8 d. 18 val. Panev\u0117\u017eio teatre \u201eMenas\u201c\u00a0 \u017ei\u016brovai kvie\u010diami nemokamai pamatyti \u0161okio spektaklio \u201eMeat Factory\u201c eskiz\u0105. Spektaklio re\u017eisier\u0117 ir &#8230;<\/p>\n","protected":false},"author":2,"featured_media":15408,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Inga Sakurako pristato \u0161okio spektakl\u012f \u201eMeat Factory\u201c: man svarbu, kad \u017ei\u016brovas nei\u0161eit\u0173 tu\u0161\u010diomis - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2023\/12\/06\/inga-sakurako-pristato-sokio-spektakli-meat-factory-man-svarbu-kad-ziurovas-neiseitu-tusciomis\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inga Sakurako pristato \u0161okio spektakl\u012f \u201eMeat Factory\u201c: man svarbu, kad \u017ei\u016brovas nei\u0161eit\u0173 tu\u0161\u010diomis - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Gruod\u017eio 8 d. 18 val. Panev\u0117\u017eio teatre \u201eMenas\u201c\u00a0 \u017ei\u016brovai kvie\u010diami nemokamai pamatyti \u0161okio spektaklio \u201eMeat Factory\u201c eskiz\u0105. 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