{"id":1543,"date":"2014-05-15T10:00:55","date_gmt":"2014-05-15T10:00:55","guid":{"rendered":"http:\/\/dance.lt\/new\/2014\/05\/15\/sokis-kova\/"},"modified":"2014-05-15T10:00:55","modified_gmt":"2014-05-15T10:00:55","slug":"sokis-kova","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2014\/05\/15\/sokis-kova\/","title":{"rendered":"\u0160okis \u2013 kova"},"content":{"rendered":"

\u201eVisi \u0161ok\u0117jai privalo b\u016bti \u012fsimyl\u0117j\u0119 \u0161ok\u012f, nes jame labai skauda\u201c, \u2013 tokiu sakiniu tre\u010di\u0105j\u0105 \u201eNaujojo Baltijos \u0161okio\u201814\u201c pokalbi\u0173 diskusij\u0105 u\u017ebaig\u0117 Bouba Landrille\u2018is Tchouda i\u0161 Kamer\u016bno \u2013 vienas \u017einomiausi\u0173 Pranc\u016bzijos hiphopo \u0161okio meistr\u0173, \u012f festival\u012f atsive\u017e\u0119s savo trup\u0119 \u201eCompagnie Malka\u201c. Kompanija, prista\u010diusi spektakl\u012f \u201eLa preuve par l\u2018autre\u201c (pranc. k.: \u201e\u012erodymai i\u0161 kit\u0173\u201c), kontrastavo su daugeliu kit\u0173 festivalio dalyvi\u0173, i\u0161siskirdami savo kiek rimtesniu po\u017ei\u016briu \u012f \u0161ok\u012f, ginan\u010diu savos tapatyb\u0117s i\u0161likim\u0105. <\/p>\n[image=448217 link=no_link]\n

\u017dinoma, k\u016bno kalba labai svarbi visiems festivalio dalyviams ir netgi gerb\u0117jams ar organizatoriams. Ta\u010diau bendrame \u0161i\u0173 met\u0173 festivalio kontekste jau\u010diamas ry\u0161kus humoro, ironijos, pozityvumo ir lengvumo paie\u0161kos poreikis. \u017di\u016brov\u0173 kikenimai lydi jei ne kiekvien\u0105, tai vos ne kas antr\u0105 spektakl\u012f. Komi\u0161k\u0173 judesi\u0173, komentar\u0173 ir id\u0117j\u0173 gausu ir scenoje, ir atsiliepimuose, ir diskusijose. D\u017eiugu matyti tok\u012f pokyt\u012f festivalio istorijoje, nes prie\u0161 tai ne kart\u0105 bumb\u0117ta ir niurzg\u0117ta \u2013 kiek tas \u0161iuolaikinis \u0161okis tur\u012fs tamsos, dramati\u0161kumo ir \u0161ok\u0117jus bei \u017ei\u016brovus sekinan\u010dio u\u017emojo. \u0160\u012fmet darbai rodo didesn\u012f atsipalaidavim\u0105 ir i\u0161ankstin\u012f \u017einojim\u0105, kad niekas nepuls tav\u0119s smerkti, o grei\u010diau kaip tik palaikys paskatinimo \u017eod\u017eiais.<\/p>\n

Tok\u012f pokyt\u012f gal\u0117jo lemti gausus lietuvi\u0173 k\u016br\u0117j\u0173 darb\u0173, sukurt\u0173 sve\u010diose \u0161alyse, pristatymas. Jauni ir entuziastingi choreografai (Vilma Pitrinait\u0117 i\u0161 Belgijos, Ugn\u0117 Dievaityt\u0117 i\u0161 Ispanijos, Andrius Mulokas i\u0161 Olandijos ir Andrius Katinas i\u0161 Suomijos) gal ne tik daugiau gav\u0119 saul\u0117s, ne tik paragav\u0119 laisv\u0117s ir pasaulio, ne tik dr\u0105sesni ir nebijantys nauj\u0173 i\u0161\u0161\u016bki\u0173, bet ir su vidiniu pasidid\u017eiavimu bei atsakomybe gal\u012f pristatyti save savai \u0161aliai, kurioje jie, pasirodo, yra laukiami ir reikalingi. Gal tai pavasarinis pauk\u0161tis, \u010diulbantis, kad metas liautis bandyti \u012frodin\u0117ti, kad mes ka\u017ek\u0105 galime? Metas tiesiog daryti ir d\u017eiaugtis, nes galime. <\/p>\n[image=452104 link=no_link]\n

Ta\u010diau gr\u012f\u017ekime prie min\u0117to pranc\u016bz\u0173 trup\u0117s spektaklio. \u010cia i\u0161ties buvo galima \u012f\u017evelgti nema\u017eai bandym\u0173 ka\u017ek\u0105 svarbaus \u012frodyti ir parodyti. Nors, choreografo teigimu, hiphopo \u0161okis \u0161iandien jau yra visi\u0161kai pripa\u017eintas, visgi pati spektaklio koncepcija kelia klausim\u0105 \u2013 k\u0105 rei\u0161kia i\u0161likti savimi, b\u016bnant su kitais? O stebint ar\u0161umo ir energijos kupinas choreografines kompozicijas, nori nenori imi u\u017euosti stiprias asociacijas su dar 1970 m. Niujorke prasid\u0117jusiu hip hopo kult\u016bros jud\u0117jimu, kuris savo revoliucingumu ir konkurencingumu keit\u0117 visuomen\u0119 kult\u016briniuose, politiniuose bei socialiniuose sluoksniuose. \u012e\u017eeisti kit\u0105, bet ginti save, tapo savoti\u0161ku \u017eaidimu, besiskleid\u017eian\u010diu \u012fvairiausiomis formomis.<\/p>\n

Spektaklio \u0161ok\u0117jai, Lyli Gauthier, Jimas Krummenackeris, Alice\u2018a Pinto Maia, Sithy\u2018as Sitdhade\u2018as Rosas, Mede\u2018as Yetongonas, Jimmy\u2018is Zelou\u2018as, labai techni\u0161kai atlikdami hiphop\u0105, house\u2018\u0105, locking\u0105, popping\u0105, breakdance\u2018\u0105, whacking\u0105, funk\u0105 ir kelet\u0105 \u0161iuolaikinio \u0161okio stiliaus element\u0173 atrod\u0117 kiek \u012fsitemp\u0119. Ir nors kiekvienas daugiau \u0161armo turintis judesys sukeldavo nuostabos jausm\u0105, bet choreografo min\u0117ta meil\u0117 ar kituose festivalio spektakliuose prabudusi pasim\u0117gavimo banga \u017ei\u016brovo nepasiek\u0117. \u0160okio kombinacijos, paremtos itin grie\u017etu judesi\u0173 ir spektaklio strukt\u016bros tikslumu, bylojo apie kontrasting\u0105 \u0161okio dualum\u0105. Kuomet i\u0161 \u0161ono \u017ei\u016brint regima k\u016bno laisv\u0117, lankstumas ir techniniai triukai viduje slepia did\u017eiul\u012f atsidavim\u0105 ir nuolatin\u0119 kov\u0105 su savo k\u016bnu. Kov\u0105, kuri priklauso kiekvienam asmeni\u0161kai, kov\u0105, kuri yra reikalinga norint i\u0161likti tarp kit\u0173. <\/p>\n[image=252424 link=no_link]\n

Dmitrijaus Matvejevo nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201eVisi \u0161ok\u0117jai privalo b\u016bti \u012fsimyl\u0117j\u0119 \u0161ok\u012f, nes jame labai skauda\u201c, \u2013 tokiu sakiniu tre\u010di\u0105j\u0105 \u201eNaujojo Baltijos \u0161okio\u201814\u201c pokalbi\u0173 diskusij\u0105 u\u017ebaig\u0117 …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\n\u0160okis \u2013 kova - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2014\/05\/15\/sokis-kova\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0160okis \u2013 kova - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u201eVisi \u0161ok\u0117jai privalo b\u016bti \u012fsimyl\u0117j\u0119 \u0161ok\u012f, nes jame labai skauda\u201c, \u2013 tokiu sakiniu tre\u010di\u0105j\u0105 \u201eNaujojo Baltijos \u0161okio\u201814\u201c pokalbi\u0173 diskusij\u0105 u\u017ebaig\u0117 ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2014\/05\/15\/sokis-kova\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2014-05-15T10:00:55+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2014\/05\/15\/sokis-kova\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2014\/05\/15\/sokis-kova\/\",\"name\":\"\\u0160okis \\u2013 kova - 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