{"id":1552,"date":"2014-05-19T17:10:28","date_gmt":"2014-05-19T17:10:28","guid":{"rendered":"http:\/\/dance.lt\/new\/2014\/05\/19\/timas-rushtonas-ir-jo-publika\/"},"modified":"2014-05-19T17:10:28","modified_gmt":"2014-05-19T17:10:28","slug":"timas-rushtonas-ir-jo-publika","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2014\/05\/19\/timas-rushtonas-ir-jo-publika\/","title":{"rendered":"Timas Rushtonas ir jo publika"},"content":{"rendered":"[image=640649 link=no_link]\n

Festivalio \u201eNaujasis Baltijos \u0161okis\u201c u\u017edaromuoju spektakliu tapo Danijos \u0161okio trup\u0117s spektaklis \u201eJuodasis deimantas\u201c (2014). Choreografij\u0105 k\u016br\u0117 garsusis britas Timas Rushtonas, kurio darb\u0173 skiriamaisiais bruo\u017eais laikomi jausmingumas, intymumas bei esteti\u0161kumas. Nepaisant choreografo pasaulin\u0117s \u0161lov\u0117s ir paklausumo teatr\u0173 repertuar\u0173 tarpe, \u0161is spektaklis \u017eenkliai prailgo, ne\u012fveik\u0117 distancijos tarp \u017ei\u016brovo ir to, kas vyksta scenoje, ir buvo nusp\u0117jamas.<\/p>\n

Pirmoji mintis po spektaklio buvo tokia, kad T. Rushtono praktika yra puikus meno ir verslo jungties pavyzdys. Choreografas kuria spektaklius, \u012f kuriuos publika mielai eina u\u017epildydama teatr\u0173 sales ir atne\u0161dama numatyt\u0105 peln\u0105. Tokiu b\u016bdu Danijos \u0161okio teatras u\u017etikrina savo \u0161ok\u0117j\u0173 atlygius ir pastariesiems netenka durti galo su galu, papildomai u\u017edarbiauti ar stov\u0117ti darbo bir\u017eos eil\u0117se. T. Rushtonas tarsi m\u016bs\u0173 laik\u0173 herojus sudaro s\u0105lygas trup\u0117s nariams i\u0161saugoti savo socialin\u012f orum\u0105. Ta\u010diau ar choreografo elgesys yra eti\u0161kas \u0161ok\u0117j\u0173 at\u017evilgiu \u2013 juk j\u0173 puikiausios fizin\u0117s galimyb\u0117s lieka nei\u0161naudotos? Atid\u017eiau pa\u017evelgus \u012f spektaklio choreografin\u0119 strukt\u016br\u0105 nesunku pasteb\u0117ti, kad didel\u0119 laiko dal\u012f atlik\u0117jams tenka viso labo pereiti i\u0161ilgai scenos. Kartais grei\u010diau, kartais l\u0117\u010diau, kartais atbulomis, ta\u010diau net ir pats \u012fstabiausias, pats ekspresyviausias \u0117jimas lieka \u0117jimu. Be vaik\u0161\u010diojimo nebuvo didesni\u0173 choreografini\u0173 vira\u017e\u0173, netik\u0117t\u0173 sprendim\u0173, net tam tikr\u0173 i\u0161\u0161\u016bki\u0173 fizin\u0117ms galimyb\u0117ms.<\/p>\n[image=857572 link=no_link]\n

\u012edomu b\u016bt\u0173 su\u017einoti, kaip T. Rushtonas save vertina \u0161iame kontekste. \u201eJuodasis deimantas\u201c, lyginant su pernai rodytomis choreografo \u201eMeil\u0117s dainomis\u201c, nuo j\u0173 menkai kuo skiriasi. Akivaizdu, kad choreografas savo spektakliams taiko tam tikr\u0105 \u0161tamp\u0105, kuris gerokai pranoksta vien stilistikos r\u0117mus. Kod\u0117l m\u016bs\u0173 laik\u0173 herojai bando pakartoti savo s\u0117km\u0117s kelius? Juk jei Odis\u0117jas savo ilgoje kelion\u0117je periodi\u0161kai atlikt\u0173 vien\u0105 ir t\u0105 pat\u012f \u017eygdarb\u012f, tuomet jis tapt\u0173 Sizifu, o jei Tristanas nuolat gert\u0173 stebuklingus meil\u0117s g\u0117rimus, tuomet jis tapt\u0173 Don\u017euanu. O gal T. Rushtonas lygiuojasi \u012f D\u017eeims\u0105 Bond\u0105?<\/p>\n

Did\u017eiausia viso rebuso m\u012fsle i\u0161lieka publika. Lyg ir atrodyt\u0173, kad choreografas stengiasi patenkinti did\u017eiosios \u017ei\u016brov\u0173 dalies tro\u0161kimus ir l\u016bkes\u010dius, papildydamas spektakl\u012f visokiomis gro\u017eyb\u0117mis. Nesunku d\u017eiuginti ak\u012f spindin\u010diu blizgu\u010di\u0173 lietumi, \u0161viesos spindulius efektyviai lau\u017eian\u010dia ir atspindin\u010dia a\u0161triabriaune siena scenos gilumoje (scenografija \u2013 Johanas K\u00f8lkj\u00e6ras), muzikos takeliu, kuriame daug populiari\u0173 vakarieti\u0161k\u0173 romanti\u0161kai nostalgi\u0161k\u0173 dain\u0173 (muzika \u2013 Philipas Glassas ir kt.) bei keliasde\u0161im\u010dia itin teatrali\u0161k\u0173 ir pompasti\u0161k\u0173 kostium\u0173. Beje, kai kurie kostiumai scenoje vilkimi vos dvi minutes. <\/p>\n

Asmeni\u0161kai nedr\u012fs\u010diau teigti, kad tokie spektakliai atitinka publikos l\u016bkes\u010dius, nes apie \u017ei\u016brovus esu kur kas geresn\u0117s nuomon\u0117s. Juk intelektualiai i\u0161prususiam \u017emogui, o teatruose, tikiu, lankosi tik tokie, blizgu\u010di\u0173 ir fanfar\u0173 nepakanka. Tokiam \u017emogui reikia minties, intrigos, tam tikro protinio stimulo, ka\u017eko \u012fkvepian\u010dio, tiesiog ka\u017eko daugiau. Tod\u0117l T. Rushtono \u201egr\u012f\u017eimas \u012f abstrak\u010di\u0105 visat\u0105 ir d\u0117mesio teikimas estetikai ir formai\u201c man pana\u0161esnis \u012f turinio netur\u0117jim\u0105 ir \u012f siek\u012f \u0161\u012f tr\u016bkum\u0105 u\u017emaskuoti papildomais spektaklio elementais.<\/p>\n

Dmitrijaus Matvejevo nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

[image=640649 link=no_link] Festivalio \u201eNaujasis Baltijos \u0161okis\u201c u\u017edaromuoju spektakliu tapo Danijos \u0161okio trup\u0117s spektaklis \u201eJuodasis deimantas\u201c (2014). Choreografij\u0105 k\u016br\u0117 garsusis britas …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nTimas Rushtonas ir jo publika - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2014\/05\/19\/timas-rushtonas-ir-jo-publika\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Timas Rushtonas ir jo publika - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"[image=640649 link=no_link] Festivalio \u201eNaujasis Baltijos \u0161okis\u201c u\u017edaromuoju spektakliu tapo Danijos \u0161okio trup\u0117s spektaklis \u201eJuodasis deimantas\u201c (2014). 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