{"id":15739,"date":"2024-04-26T15:57:09","date_gmt":"2024-04-26T12:57:09","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=15739"},"modified":"2024-04-26T15:57:27","modified_gmt":"2024-04-26T12:57:27","slug":"kaunieciai-kvieciami-isilieti-i-sokio-vyksma-atvyksta-chor-vycio-jankausko-dekreacija","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2024\/04\/26\/kaunieciai-kvieciami-isilieti-i-sokio-vyksma-atvyksta-chor-vycio-jankausko-dekreacija\/","title":{"rendered":"Kaunie\u010diai kvie\u010diami \u012fsilieti \u012f \u0161okio vyksm\u0105: atvyksta chor. Vy\u010dio Jankausko \u201eDekreacija\u201c"},"content":{"rendered":"

Dekreacija, arba beasmeni\u0161kumo fenomenas \u2013 tarsi prie\u0161nuodinis \u0161iuolaikinei individualizmo ir narcisizmo id\u0117j\u0173 vedamai visuomenei. Toki\u0105 mint\u012f ir kvietim\u0105 \u201enusinulinti\u201c nuo pasaul\u012f valgan\u010di\u0173 ideologij\u0173 po \u0161e\u0161eri\u0173 met\u0173 pertraukos \u012f Kaun\u0105 atsive\u017ea \u0161ok\u0117jas, choreografas, pedagogas Vytis Jankauskas kartu su savo \u0161okio teatro pastatymu \u201eDekreacija\u201c, kuri bus rodoma baland\u017eio 30 d. BLC verslo centro erdv\u0117je, Kaune.<\/p>\n

\"\"<\/a>Dainiaus Putino nuotr.<\/em><\/p>\n

Dekreacija, kaip b\u016bdas apma\u017einti \u201emano\u201c<\/strong><\/p>\n

\u201eDekreacija yra tam tikras sav\u0119s \u012fveikos procesas, susima\u017einant, suvokiant save ne kaip pasaulio centr\u0105, o kaip dal\u012f didesni\u0173 visum\u0173 \u2013 socialine, ekologine, politine ar kitomis prasm\u0117mis. Dekreacija nerei\u0161kia, kad esi toks pat, kaip visi \u2013 veikiau esi susietas, priklausomas nuo kit\u0173 ir s\u0105veik\u0173 su jais. Tai prie\u0161nuodis \u0161iuolaikiniam individualizmui, kur mano <\/em>yra labai ai\u0161kiai i\u0161reik\u0161tas: mano<\/em> poreikiai, tikslai yra pirmoje vietoje, o visa likusi aplinka, \u017emon\u0117s, gamta yra tik priemon\u0117s, i\u0161tekliai mano<\/em> poreikiui \u012fgyvendinti\u201c, \u2013 \u012f performatyvaus \u0161okio vyksmo pagrindin\u0119 tem\u0105 \u012fveda V. Jankauskas.<\/p>\n

Pa\u010di\u0105 s\u0105vok\u0105 \u201edekreacija\u201c garso ir judesio sintez\u0117s k\u016br\u0117jas pripa\u017e\u012fsta pasiskolin\u0119s i\u0161 XX a. pirmos pus\u0117s pranc\u016bz\u0173 filosof\u0117s, mistik\u0117s, politin\u0117s aktyvist\u0117s Simone Weil. Ji suk\u016br\u0117 \u0161\u012f naujadar\u0105 (pranc. d\u00e9cr\u00e9ation), apm\u0105stydama krik\u0161\u010dionyb\u0119, ta\u010diau choreografas jai prid\u0117jo sav\u0173 interpretacij\u0173 ir dimensij\u0173:<\/p>\n

\u201eNors Simone Weil dekreacij\u0105 analizuoja krik\u0161\u010dionyb\u0117s kontekste, j\u0105 galima pasteb\u0117ti ir kitose religijose, kurios vertina \u017emogaus sant\u016brum\u0105, kuklum\u0105, susima\u017einim\u0105, tai, kad jis pastebi ma\u017eut\u0117lius, \u017eemesnius sluoksnius. Religijos neakcentuoja \u017emogaus, kaip vis\u0173 valdovo. Silpn\u0173j\u0173 matymas susi\u0161aukia ir su politin\u0117s kair\u0117s id\u0117jomis. O \u0161tai m\u016bs\u0173 kult\u016broje mus nuo ma\u017eens moko b\u016bti savaranki\u0161kais, kriti\u0161kais, priimti sprendimus savaranki\u0161kai, patiems tvarkytis individualiai. Taigi tarp \u0161i\u0173 id\u0117j\u0173 randasi kontrastas.\u201c<\/p>\n

\"\"<\/a>Egl\u0117s Sabaliauskait\u0117s nuotr.<\/em><\/p>\n

Anot id\u0117jos autoriaus, individualizmas visais atvejais veda \u012f konkurencij\u0105, o konkurencija \u2013 \u012f konfliktus, karus, aplinkos krizes, klimato kait\u0105. Tai \u2013 ideologij\u0173 pasekm\u0117s, d\u0117l kuri\u0173 pasaul\u012f laikome tik i\u0161tekliu m\u016bs\u0173 gerovei. \u0160iandien apie tai V. Jankauskas kalb\u0117ti nori pri\u0117jus tam tikr\u0105 rib\u0105, prie\u0161 kuri\u0105 u\u017esimerkti nebepavyksta:<\/p>\n

\u201eAnks\u010diau mes, \u017emon\u0117s, nebuvome tokie pavojingi savo planetai \u2013 na, bent ne tokiu mastu. Dabar mokslininkai primena, kad padariniai yra rimti, pajuntame juos ir i\u0161 or\u0173 permain\u0173. Politin\u0117 situacija taip pat liudija, kad visuomen\u0117 susiskald\u017eiusi, praradusi bendrumo poj\u016bt\u012f, kiekvienas stovi u\u017e save, visur kova, konkurencija…\u00a0 Pasaulis yra pilnas susiprie\u0161inimo, konflikt\u0173, kalbame apie kelias Lietuvas, stinga suvokimo, kad esame viename laive\u201c, \u2013 mano \u0161ok\u0117jas.<\/p>\n

\"\"<\/a>Vytis Jankauskas. Egl\u0117s Sabaliauskait\u0117s nuotr.<\/p>\n

I\u0161si\u017ead\u0117ti d\u0117mesio \u2013 nelengva u\u017eduotis menininkui<\/strong><\/p>\n

Paklaustas, kaip dekreacijos id\u0117ja atsiskleid\u017eia pastatyme, V. Jankauskas tikina, kad ideologi\u0161kumas \u2013 \u0161okio vyksme ry\u0161kiai eskaluojama tema: \u201ePastatymas prasideda nuo vienu metu girdim\u0173 vis\u0173 dalyvi\u0173 monolog\u0173, kurie vienas kit\u0105 u\u017ego\u017eia, istorijos kalba viena per kit\u0105. Eigoje \u0161okio vyksmo dalyviai vis bando i\u0161girsti vieni kitus, \u012fsiklausyti, o tuomet mezgasi dialogas.\u201c<\/p>\n

Svarbiu elementu pastatyme tampa ir garsas \u2013 kiekvienas \u0161ok\u0117jas ne\u0161iojasi asmenin\u0119 garso kolon\u0117l\u0119 su asmeniniu garso takeliu, kuris sudarytas i\u0161 \u012fvairi\u0173 \u012fra\u0161yt\u0173 tekst\u0173, garsini\u0173 variacij\u0173, kurt\u0173 kompozitoriaus Vlado Dieninio. \u0160okio vyksmo atlik\u0117jai \u017einomi scenos profesionalai Oksana Griaznova, Giedr\u0117 Kirkil\u0117, Mantas Staba\u010dinskas, Emilija D\u016bdait\u0117. Kostiumus k\u016br\u0117 dizainer\u0117 Sandra Straukait\u0117, scenografijos autor\u0117 Sigita \u0160imk\u016bnaite.<\/p>\n

\"\"<\/a>Egl\u0117s Sabaliauskait\u0117s nuotr.<\/em><\/p>\n

\u201eTaip pat padar\u0117me ir speciali\u0173 scenografini\u0173 sprendim\u0173: matomi i\u0161pjauti siluetai, o \u017ei\u016brovai s\u0117di vienas prie\u0161ais kit\u0105. Kai \u0161ok\u0117jai u\u017epildo siluet\u0105 savo k\u016bnu, \u017ei\u016brovai nebegali matyti vienas kito, mato tik aktori\u0173 \u0161ok\u0117j\u0105, o kai jis susima\u017eina, eina i\u0161 d\u0117mesio centro, \u017ei\u016brovai v\u0117l mato vienas kit\u0105. Atsiskleid\u017eia mintis: tam, kad vieni kitus matytume, turime atsitraukti nuo d\u0117mesio centro\u201c, \u2013 pasakoja choreografas.<\/p>\n

Visgi i\u0161eiti i\u0161 d\u0117mesio centro \u2013 nelengva u\u017eduotis tiek k\u016br\u0117jui, tiek \u0161ok\u0117jams:<\/p>\n

\u201eMums, scenos \u017emon\u0117ms, tai padaryti yra gana sud\u0117tinga, nes \u0161i profesija yra gana narcizi\u0161ka \u2013 ir aktoriai, ir \u0161ok\u0117jai m\u0117gsta d\u0117mes\u012f, o scenoje \u2013 ypa\u010d. Toki\u0173 problem\u0173 man, kaip autoriui, kilo ir choreografine prasme \u2013 teko ie\u0161koti sprendim\u0173 \u0161ok\u0117jams, kaip pad\u0117ti jiems suvokti visum\u0105, id\u0117j\u0105, kaip j\u0105 \u012fk\u016bnyti, mok\u0117ti save matyti kaip visumos dal\u012f, o ne kaip d\u0117mesio centr\u0105, kuris turi b\u016bti \u012fdomus, i\u0161rai\u0161kingas, i\u0161kart patraukiantis d\u0117mes\u012f. Ne save sunaikinant, bet neb\u016bnant pagrindiniam scenoje. Tai \u2013 didelis i\u0161\u0161\u016bkis, ta\u010diau jau dabar galvoju, kaip v\u0117lesniuose pastatymuose ir toliau t\u0119sime dekreacines praktikas.\u201c<\/p>\n

\u017di\u016brovai lygino ir su terapija<\/strong><\/p>\n

Vilniuje ir Klaip\u0117doje \u0161iemet jau rodytas performatyvaus \u0161okio vyksmas, kaip pamena V. Jankauskas, sp\u0117jo sulaukti \u012fvairi\u0173 reakcij\u0173 bei interpretacij\u0173. Did\u017eiausi\u0105 d\u017eiuges\u012f choreografui kelia tai, kad po pastatymo vyk\u0119 pokalbiai su \u017ei\u016brovais tapo savoti\u0161ka jo id\u0117jos t\u0105sa \u2013 susirinkusieji mielai dalijosi savo interpretacijomis, istorijomis, mezg\u0117 dialog\u0105.<\/p>\n

\u201e\u0160tai vieni dekreacij\u0105 vadino \u201enusinulinimu\u201c, kiti dalijosi tur\u0117j\u0119 pana\u0161i\u0173 patir\u010di\u0173, pavyzd\u017eiui, va\u017eiav\u0119 pagyventi \u012f vienuolynus. Kai kurie sak\u0117, kad \u201enusinulinimo\u201c u\u017etenka tik m\u0117nesiui \u2013 v\u0117liau viskas gr\u012f\u017eta \u012f senas v\u0117\u017ees. Buvo toki\u0173, kurie dalijosi religin\u0117mis patirtimis, rytieti\u0161komis praktikomis, s\u0105\u0161aukomis su \u0161ia id\u0117ja. Nema\u017eai daliai \u017ei\u016brov\u0173 pastatymas \u012fgijo terapin\u0119 reik\u0161m\u0119, suk\u016br\u0117 jautri\u0105, maloni\u0105 atmosfer\u0105\u201c, \u2013 dalijasi V. Jankauskas.<\/p>\n

\"\"<\/a>Egl\u0117s Sabaliauskait\u0117s nuotr.<\/em><\/p>\n

Performatyvaus \u0161okio vyksmas jau netrukus bus rodomas ir kaunie\u010diams \u2013 \u201eDekreacija\u201c \u012f Kaun\u0105, BLC verslo centr\u0105, atvyksta baland\u017eio 30 d., 19 val. Po vyksmo rodymo suplanuota diskusija, kuri\u0105 moderuos kult\u016bros \u017eurnalist\u0117 Kotryna Lingien\u0117.<\/p>\n

Bilietus galima \u012fsigyti\u00a0 \u201eBilietai.lt\u201c.<\/strong><\/p>\n

\u201e\u012e Kaun\u0105 sugr\u012f\u017etame po didel\u0117s pertraukos, netgi po \u0161e\u0161eri\u0173 met\u0173, nors anks\u010diau \u010dia da\u017enai rodydavome spektaklius. Kaunas \u2013 Lietuvos \u0161iuolaikinio \u0161okio lop\u0161ys, \u010dia visada malonu \u0161okti, o \u0161iuolaikinio \u0161okio i\u0161takos veda dar \u012f tarpukar\u012f. Ta\u010diau prie\u017eastis, kod\u0117l \u010dia ilgai nesilank\u0117me, yra ne visai maloni: \u0161iandien Kaunas neturi \u0161iuolaikin\u0117s scenos, kurioje gal\u0117t\u0173 pasirodyti ir nevyriausybiniai teatrai, tod\u0117l mums yra labai sunku rasti sau viet\u0105. Nors kaunie\u010diai turi ir didel\u012f festival\u012f \u201eAura\u201c, jo organizatoriai pastar\u0105j\u012f de\u0161imtmet\u012f skyr\u0117 labai ma\u017eai d\u0117mesio Lietuvos autori\u0173 k\u016brybos pristatymui. Taigi i\u0161eina paradoksali situacija, kad Kaunas yra \u0161iuolaikinio \u0161okio miestas, bet jis lieka nuskriaustas, nes Lietuvos autori\u0173 k\u016brini\u0173 mato ma\u017eiausiai. \u0160iandien d\u017eiaugiam\u0117s gal\u0117dami pasirodyti Kaune ir surad\u0119 jam tinkamas erdves, ta\u010diau jeigu gal\u0117tume, darytume tai kur kas da\u017eniau.\u201c<\/p>\n","protected":false},"excerpt":{"rendered":"

Dekreacija, arba beasmeni\u0161kumo fenomenas \u2013 tarsi prie\u0161nuodinis \u0161iuolaikinei individualizmo ir narcisizmo id\u0117j\u0173 vedamai visuomenei. Toki\u0105 mint\u012f ir kvietim\u0105 \u201enusinulinti\u201c nuo …<\/p>\n","protected":false},"author":2,"featured_media":15740,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nKaunie\u010diai kvie\u010diami \u012fsilieti \u012f \u0161okio vyksm\u0105: atvyksta chor. Vy\u010dio Jankausko \u201eDekreacija\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2024\/04\/26\/kaunieciai-kvieciami-isilieti-i-sokio-vyksma-atvyksta-chor-vycio-jankausko-dekreacija\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kaunie\u010diai kvie\u010diami \u012fsilieti \u012f \u0161okio vyksm\u0105: atvyksta chor. Vy\u010dio Jankausko \u201eDekreacija\u201c - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Dekreacija, arba beasmeni\u0161kumo fenomenas \u2013 tarsi prie\u0161nuodinis \u0161iuolaikinei individualizmo ir narcisizmo id\u0117j\u0173 vedamai visuomenei. 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