{"id":1583,"date":"2015-05-27T19:36:33","date_gmt":"2015-05-27T19:36:33","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/05\/27\/geriau-sokineti-ar-griuvineti\/"},"modified":"2015-05-27T19:36:33","modified_gmt":"2015-05-27T19:36:33","slug":"geriau-sokineti-ar-griuvineti","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/05\/27\/geriau-sokineti-ar-griuvineti\/","title":{"rendered":"Geriau \u0161okin\u0117ti ar griuvin\u0117ti?"},"content":{"rendered":"

Visus norin\u010dius ar kada nors nor\u0117jusius pakeisti pasaul\u012f, arba tiesiog m\u0117gstan\u010dius padiskutuoti apie meno gali\u0105 keisti kvie\u010diu rinktis. Tai pasi\u016blymas susitikti diskusijai prie taurel\u0117s, vai\u0161inu a\u0161 ir pasi\u017eadu visiems, parei\u0161kusiems nor\u0105, (kreiptis pa\u0161tu: marijabaranauskaite@gmail.com) skirti laiko susitikimui. A\u0161 rimtai.<\/p>\n

Tokia kiek provokuojanti id\u0117ja man kilo stebint paskutin\u012fj\u012f festivalio \u201eNaujasis Baltijos \u0161okis\u201815\u201c spektakl\u012f \u201eIdiosinkrez\u0117\u201c<\/strong><\/a> (Jungtin\u0117 Karalyst\u0117, Ispanija, Italija). Dviej\u0173 jaun\u0173 \u0161ok\u0117j\u0173 Igorio Urzelai ir Moreno Solinaso noras padaryti KA\u017dK\u0104 TOKIO, kas keist\u0173 pasaul\u012f, \u2013 u\u017ekre\u010diantis. Patiki ir pasijunti kiek idiotu, ta\u010diau tai neatima vilties, kad ka\u017ekas gali tikrai \u012fvykti, kad tu turi gali\u0105 keisti: netikr\u0105 versti tikru, sen\u0105 nauju, blogesn\u012f geresniu, li\u016bdn\u0105 linksmu, pasyv\u0173 aktyviu, ne\u012fmanoma \u012fmanomu ir taip toliau ir atvirk\u0161\u010diai. Patik\u0117jus belieka veikti. Veikti savo veiksmais ir savo mintimis. Tod\u0117l a\u0161 Jus kvie\u010diu pokalbiui, tod\u0117l J\u016bs\u0173 valioje galimyb\u0117 sureaguoti ir kitus tuo u\u017ekr\u0117sti.<\/p>\n

Visgi neb\u016btinai pokytis turi b\u016bti didelis. Kartais pakanka vieno ma\u017eo subtilaus skirtumo ir \u0161tai jau nauja spalva, nauja galimyb\u0117, kuri pati savaime motyvuoja ir i\u0161judina. Londone kuriantys \u0161ok\u0117jai savo spektakliui pasirenka vien\u0105 vienintel\u012f ir, regis, labai paprast\u0105 pamatin\u012f judes\u012f \u2013 \u0161okin\u0117jim\u0105. Sutelkdami vis\u0105 d\u0117mes\u012f (ir darb\u0105) \u012f vien\u0105 fizin\u012f veiksm\u0105 Igoris ir Moreno atskleid\u017eia pasirinkim\u0173 begalyb\u0119, slypin\u010dia kiekviename \u017eingsnyje. Kaip prad\u0117ti \u0161okin\u0117ti? Kokiu b\u016bdu \u0161okin\u0117ti? Kaip apsirengus \u0161okin\u0117ti? Kokia choreografine kompozicija \u0161okin\u0117ti? Kokiu tempu \u0161okin\u0117ti? Kokioje erdv\u0117je \u0161okin\u0117ti? K\u0105 galvoti \u0161okin\u0117jant? Kiek laiko \u0161okin\u0117ti? Kokioje \u0161viesoje \u0161okin\u0117ti? Kokia emocija \u0161okin\u0117ti? Kokiu auk\u0161\u010diu \u0161okin\u0117ti? K\u0105 dar galima veikti \u0161okin\u0117jant? Ar galima at\u0161okuoti arti \u017ei\u016brov\u0173? \u0160okin\u0117ti tarp \u017ei\u016brov\u0173? Kaip kv\u0117puoti \u0161okin\u0117jant? Kaip sudominti publik\u0105 \u0161okin\u0117jant? Kaip i\u0161vystyti \u0161okin\u0117jim\u0105? Kaip nepavargti ilgai \u0161okin\u0117ti? Kaip nepasiduoti ir visgi pakeisti pasaul\u012f tiesiog \u0161okin\u0117jant? Daugyb\u0117 dalyk\u0173 apm\u0105styti ir visa jie tik apie vien\u0105 element\u0105. Prisimenant, kad scena \u2013 m\u016bs\u0173 gyvenimo refleksija, pasirinkim\u0173 ir poky\u010dio tem\u0173 klausimai tur\u0117t\u0173 tapti aktual\u016bs kiekvienam \u017ei\u016brovui. Tai tarsi priminimas, kad ne tik pats turinys, o bet kokio turinio k\u016brimo procesas, ne id\u0117jos prasm\u0117, bet id\u0117jos buvimas, ne formos originalumas, bet tokio b\u016bdo pasirinkimas ir ne atlikimo kokyb\u0117, o pats veikimas yra irgi lygiai svarb\u016bs ir vertingi momentai. Kiekvienas b\u016bdas veikti su\u017eavi savo paprastumu ir i\u0161skirtinumu. Tiesiog toks, b\u016btent \u0161it\u0173 \u017emoni\u0173, b\u016btent dabar ir \u010dia vykstantis pasirinkimas \u2013 gyva ir visada unikalu.<\/p>\n

Pasi\u016blymas i\u0161gerti, i\u0161dalijant publikai taureles ir kelet\u0105 buteli\u0173 stipri\u0173j\u0173 g\u0117rim\u0173, taip pat buvo vienas i\u0161 spektaklio pasirinkim\u0173 ir nepana\u0161u, kad tai tur\u0117jo didesn\u0119 prasm\u0119 ar intencij\u0105, nei tik, kaip vieno i\u0161 begalyb\u0117s b\u016bd\u0173 s\u0117kmingai u\u017emegzti kontakt\u0105 su publika, panaudojimas. Kiekvienas toks neteigiantis ir neper\u0161antis, leid\u017eiantis sutikti ar atsisakyti pasirinkimas visgi yra labai kryptingas metodas atverti nevar\u017eom\u0105 interpretacij\u0173 lauk\u0105, o ten, kur yra laisv\u0117 apgalvoti, ten ir did\u017eiulis potencialas poky\u010diams \u012fvykti.<\/p>\n

Kitas, kvie\u010diantis keisti gal ne i\u0161kart vis\u0105 pasaul\u012f, bet pirmiausia santyk\u012f \u012f save, \u2013 moteri\u0161kas duetas: Sigita Jura\u0161kait\u0117 ir Agniet\u0117 Lisi\u010dkinait\u0117, festivalyje pristat\u0117 pernai Men\u0173 spaustuv\u0117s programoje \u201eAtvira erdv\u0117\u201814\u201c sukurt\u0105 darb\u0105 \u201ePopular Problems\u201c<\/strong><\/a>. Jaunosios k\u016br\u0117jos pasakodamos apie darb\u0105 nuo\u0161ird\u017eiai prisipa\u017e\u012fsta \u2013 viskas prasid\u0117jo nuo noro tiesiog k\u0105 nors kurti kartu. Klausimai \u201eapie k\u0105?\u201c ir \u201ekod\u0117l?\u201c tampa lyg ir antraeiliai, nors sunku darbe ap\u010diuopti vientis\u0105 \u017einut\u0119 \u017ei\u016brovui, moters laisv\u0117s ir jos pasirinkim\u0173 klausimai \u2013 intriguojanti spektaklio a\u0161is.<\/p>\n

Kaip ir prie\u0161 tai min\u0117t\u0173 vaikin\u0173 duetui, \u0161ioms merginoms pasirinkimai \u2013 did\u017eiulis i\u0161\u0161\u016bkis. Sigita Jura\u0161kait\u0117 prasitar\u0117: \u201eKritin\u0117jimai \u017eemyn spektaklio choreografijoje atsirado i\u0161 nebe\u017einojimo, k\u0105 toliau daryti, kaip kurti toliau\u201c. Spektaklyje i\u0161ties apstu griuvim\u0173. Atrodo, atsakymo \u012f klausimus, kod\u0117l ir kam jie, n\u0117ra, bet \u0161ok\u0117jos vis krenta, krenta ir v\u0117l krenta. Tai tampa, regis, nat\u016bralia rutina, prie kurios ne tik atlik\u0117j\u0173, bet ir \u017ei\u016brov\u0173 akys palaipsniui pripranta. Ar n\u0117ra taip, kad ir mes da\u017enai priprantame ir nebepastebime, jog u\u017euot prisi\u0117m\u0119 atsakomyb\u0119 k\u0105 nors nuspr\u0119sti, kratom\u0117s, purtom\u0117s ir visaip kitaip pykstame, kad aplinkinis pasaulis mus vis var\u017eo?<\/p>\n

\u201eScenoje dvide\u0161imt keturios suknel\u0117s, nes man dvide\u0161imt keturi metai\u201c \u2013 tok\u012f Agniet\u0117s paai\u0161kinim\u0105, galvojant, kod\u0117l tai tur\u0117t\u0173 b\u016bti \u012fdomu \u017ei\u016brovui, impulsyviai galima palaikyti kiek absurdi\u0161ku, ta\u010diau \u012fsijautus \u012f interpretacijos \u017eaidim\u0105, jog kiekviena suknel\u0117 yra tarsi \u017eingsnis link \u0161io momento, kad kiekvieni atlik\u0117jos metai lyd\u0117jo tiek k\u016br\u0117jas, tiek \u017ei\u016brovus \u012f b\u016btent tok\u012f, o ne kitok\u012f susitikim\u0105, \u012f b\u016btent taip pasirinkim\u0173 tem\u0105 pristatant\u012f darb\u0105, \u2013 tuomet visa pradeda atrodyti i\u0161ties svarbu.
\n\u201e\u017dalias kilimas \u2013 nes mes nor\u0117jome \u012fsivaizduoti, kad tai m\u016bs\u0173 pievel\u0117\u201c, \u201ePalaidi plaukai, nes taip jautiesi laisva\u201c \u2013 ne\u012fsigilinus tokie pasirinkimai gali pasirodyti kiek besvoriai, bet sprendimai buvo priimti ir \u012fgyvendinti, o tai savaime \u012fgauna mil\u017eini\u0161k\u0105 gali\u0105. Tai bet kokiu atveju pradeda kalb\u0117ti, pasiekia \u017ei\u016brov\u0105, kvie\u010dia j\u012f apsvarstyti, kiek pasirinkim\u0173 ir galimybi\u0173 jis bando i\u0161vengti, d\u0117l savo ar aplinkini\u0173 \u012fbrukt\u0173 \u201eteising\u0173\u201c ar \u201eneteising\u0173\u201c form\u0173.<\/p>\n

Galite \u0161okin\u0117ti, galite griuvin\u0117ti, bet turb\u016bt \u0161\u012f kart\u0105 svarbiau, kad neliktum\u0117te klausimo \u201eo kas i\u0161 j\u0173 geriau?\u201c r\u0117muose.<\/p>\n","protected":false},"excerpt":{"rendered":"

Visus norin\u010dius ar kada nors nor\u0117jusius pakeisti pasaul\u012f, arba tiesiog m\u0117gstan\u010dius padiskutuoti apie meno gali\u0105 keisti kvie\u010diu rinktis. Tai pasi\u016blymas …<\/p>\n","protected":false},"author":1,"featured_media":1584,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nGeriau \u0161okin\u0117ti ar griuvin\u0117ti? - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/05\/27\/geriau-sokineti-ar-griuvineti\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Geriau \u0161okin\u0117ti ar griuvin\u0117ti? - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Visus norin\u010dius ar kada nors nor\u0117jusius pakeisti pasaul\u012f, arba tiesiog m\u0117gstan\u010dius padiskutuoti apie meno gali\u0105 keisti kvie\u010diu rinktis. 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