{"id":1617,"date":"2014-09-23T16:26:55","date_gmt":"2014-09-23T16:26:55","guid":{"rendered":"http:\/\/dance.lt\/new\/2014\/09\/23\/naujas-sokio-sezonas-klaipedoje\/"},"modified":"2014-09-23T16:26:55","modified_gmt":"2014-09-23T16:26:55","slug":"naujas-sokio-sezonas-klaipedoje","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2014\/09\/23\/naujas-sokio-sezonas-klaipedoje\/","title":{"rendered":"Naujas \u0161okio sezonas Klaip\u0117doje"},"content":{"rendered":"<p><strong>\u201eKai mes b\u016bnam labai stipr\u016bs \u2013 kas traukiasi atgal?<br \/>\nLabai linksmi \u2013 kas leipsta i\u0161 juoko? Kai mes b\u016bnam labai blogi \u2013 kas mums k\u0105 padarys?<br \/>\nPuo\u0161kit\u0117s, juokit\u0117s, \u0161okite. Niekados negal\u0117siu i\u0161vysti Meil\u0117s pro lang\u0105\u201c<\/strong><br \/>\nSezonas pragare. Nu\u0161vitimai \/ Arthur Rimbaud; i\u0161 pranc\u016bz\u0173 kalbos vert\u0117  Vert\u0117 Juozas Me\u010dkauskas-Me\u0161kela. Vilnius, Andrena, Dictum, 2003<\/p>\n<p>Rugs\u0117jis. Naujas sezonas teatre. Ir v\u0117l imame sukti ratus aplink scen\u0105 tarsi grifai vir\u0161 savo pa\u010di\u0173 per vasar\u0105 \u012fsilinksminusi\u0173 siel\u0173. Nes gyvenimas n\u0117ra nesibaigianti \u0161vent\u0117. Per daug \u012fsilinksminus b\u016btinai \u012fsipjauname pir\u0161t\u0105 ar \u012fsitaisome m\u0117lyn\u0119. Tada puo\u0161iam\u0117s ir einame pasi\u017ei\u016br\u0117ti kaip juokiasi ir \u0161oka kiti. Scenoje. Kad saugiai ir tyliai savo sieloje susivestume sukauptos i\u0161minties balans\u0105. Ir i\u0161eitume atgal \u012f v\u0117juotas gatves su \u012f\u017eiebta \u017evake savo pa\u010di\u0173 galvose pasi\u0161viesti.<\/p>\n<p>\u0160tai koki\u0173 keist\u0173 min\u010di\u0173 radosi, kai visk\u0105 metusi penktadienio popiet\u0119 \u201enusitrenkiau\u201c per vis\u0105 Lietuv\u0105 iki Klaip\u0117dos koncert\u0173 sal\u0117s, kur rugs\u0117jo 19d. atsidar\u0117 \u0161iuolaikin\u0117s muzikos festivalio \u201ePermain\u0173 muzika\u201c durys ir pasirod\u0117 \u0161iuolaikinio \u0161okio diptikas. Spektaklio choreograf\u0117 Agnija \u0160eiko pasirinko at\u0161vie\u017einti prie\u0161 penkerius metus pagal Arthuro Rimbaud poezij\u0105 sukurtas \u201ePaikos mergait\u0117s maldas\u201c, o prie j\u0173 prijungti visi\u0161kai nauj\u0105, drauge su id\u0117jos bendraautoriumi Art\u016bru \u0160imoniu ir \u0161okio kritike Ingrida Gerbutavi\u010di\u016bte, spektaklio dramaturge-konsultante, sukurt\u0105 \u0161iuolaikinio \u0161okio premjer\u0105 \u201eKambariai: istorijos be pabaigos\u201c.<\/p>\n<p>Retas malonumas \u017ei\u016br\u0117ti ger\u0105 \u0161iuolaikin\u012f \u0161ok\u012f su gera gyvai orkestro atliekama muzika. Kaip visad \u2013 toki\u0105 prabang\u0105 Lietuvos menininkai gali sau leisti tik festivali\u0173 metu. Gal d\u0117l to ir t\u0173 festivali\u0173 Lietuvoje \u0161itiek daug. Rugs\u0117jo 19d. vakaro publika tur\u0117jo prog\u0105 pasim\u0117gauti sultinga, aistringa, dramati\u0161ka, istorijoms pasakoti puikiai tinkan\u010dia Giya\u2018os Kancheli ir Leonido Desiatnikovo muzika, kuri\u0105 atliko Klaip\u0117dos kamerinis orkestras, vadovaujamas Mindaugo Ba\u010dkaus. \u201e\u0160okti scenoje pagal gyv\u0105 muzik\u0105 gal ir sud\u0117tingiau, bet nepalyginti \u012fdomiau. Spektaklis \u012fgauna daug nauj\u0173 spalv\u0173. Orkestras tarsi padeda lengviau kirsti \u201eketvirt\u0105j\u0105\u201c scenos sien\u0105 su \u017ei\u016brovais\u201c, \u2013 taip darb\u0105 su orkestru apib\u016bdino choreograf\u0117 A.\u0160eiko Klaip\u0117dos koncert\u0173 sal\u0117s pateiktoje spektaklio anotacijoje. Min\u0117ta siena s\u0105moningai buvo ardoma net kelet\u0105 kart\u0173. Spektakl\u012f \u201eKambariai: istorijos be pabaigos\u201c \u0161ok\u0117jai Inga Kuznecova, Dovil\u0117 Binkauskait\u0117, Mantas \u010cerneckis, Darius Berulis, Laura Gera\u0161\u010denko ir Au\u0161ra Krasauskait\u0117 prad\u0117jo \u012fsimai\u0161\u0119 tarp \u017ei\u016brov\u0173, pro\u017eektori\u0173 spindulio i\u0161pl\u0117\u0161ti i\u0161 savo k\u0117d\u017ei\u0173. O pabaig\u0117 muzikantai, vienas po kito i\u0161jungdami lempeles vir\u0161 nat\u0173 ir l\u0117tai tamsoje apleisdami sal\u0119. <\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Paikos_489x327.jpg\" width=\"489\" height=\"327\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Paikos.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>Kaip teigia spektaklio \u201ePaikos mergait\u0117s maldos\u201c k\u016br\u0117jai, \u010dia buvo remiamasi XIX a. pabaigos daile ir filosofija kaip l\u016b\u017eio mene ir socialiniame gyvenime ta\u0161ku, modernizmo ir postmodernizmo, moter\u0173 laisv\u0117jimo prad\u017eia. Scenoje trys moterys \u0161iug\u017edan\u010diomis violetin\u0117mis suknel\u0117mis ilgomis rankov\u0117mis, u\u017edaru kaklu po truput\u012f i\u0161silaisvina, i\u0161leid\u017eia \u012f pavir\u0161i\u0173 demonus, slypin\u010dius pa\u010diuose s\u0105mon\u0117s paribiuose. Trys \u010dechovi\u0161kos seserys \u2013 Beata Molyt\u0117, Au\u0161ra Krasauskait\u0117 ir Agnija \u0160eiko \u2013 i\u0161 eleganti\u0161ko nuobodulio, vaiki\u0161k\u0173 kapriz\u0173, aik\u0161tingos paaugli\u0161kos tu\u0161tyb\u0117s ir lau\u017ean\u010dio rankas jaunatvi\u0161ko ilgesio i\u0161luk\u0161tena moters esyb\u0117je egzistuojan\u010dias prie\u0161prie\u0161as \u2013 r\u016bpestingo veido motin\u0105 ir tautos kar\u017eyg\u0119, v\u0117javaik\u0119 mergait\u0119 ir pokylio karalien\u0119, gatv\u0117s merg\u0161\u0119 ir  poteriaujan\u010di\u0105 senut\u0119 vienuol\u0119. Taupiai ir elegant\u0161kai tarsi priva\u010dioje baleto pamokoje krutinamos pla\u0161takos ilgainiui \u012fsismagina ir ima desperati\u0161kai kapoti or\u0105 vyri\u0161ku kardu. I\u0161 po \u017eem\u0119 siekian\u010di\u0173 suknel\u0117s priedur\u0173 ima l\u012fsti juodi gipi\u016bro pasijoniai, grak\u0161\u010dios nuogos kojos, kabareti\u0161ki klub\u0173 judesiai. Kambariuose u\u017edaryta moteris i\u0161siver\u017eia \u012f lauk\u0105, \u012f siautulingas \u017eiemos linksmybes, ir rog\u0117s \u010dia staiga tampa veidrod\u017eiu \u2013 sav\u0119s pa\u010dios refleksija, \u012fsi\u017ei\u016br\u0117jimu \u012f moters atspind\u012f istorijos lede. Ore tarsi nuskamba Friedricho Nietzsche\u2018s \u017eod\u017eiai: \u201e\u0160\u012f gyvenim\u0105&#8230; tur\u0117si gyventi dar kart\u0105 ir dar begal\u0119 kart\u0173. Am\u017einas b\u016bties sm\u0117lio laikrodis bus apver\u010diamas be paliovos&#8230;\u201c ir siautulingas savo pa\u010dios kont\u016br\u0173 perbrai\u017eymas persikelia \u012f vid\u0173, \u012f siel\u0105, \u012f mald\u0105 l\u0117tai lupant obuolius ir pa\u0161nib\u017edomis kalbantis su savimi. Puiki misterija, nuo pirmo iki paskutinio atod\u016bsio i\u0161laikiusi \u012ftamp\u0105, vidin\u012f ritm\u0105, intrig\u0105 ir meistri\u0161kai atrakinusi gerokai apr\u016bdijusias moter\u0173 pas\u0105mon\u0117s duris. Tas pa\u010dias, kurias jau yra vars\u010diusi ra\u0161ytoja Virginia Woolf, o m\u016bsuose \u2013 ra\u0161ytoja Giedra Radvilavi\u010di\u016bt\u0117. A\u010di\u016b u\u017e metafor\u0173 taiklum\u0105 ir talpum\u0105, u\u017e estetin\u0119 \u0161var\u0105 (dailininkas A.\u0160imonis) ir u\u017e labai demoni\u0161kai rimboi\u0161k\u0105 G.Kancheli muzik\u0105.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Kambariai_490x327.jpg\" width=\"490\" height=\"327\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Kambariai.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>Tuo tarpu \u201eKambariai: istorijos be pabaigos\u201c pasitiko jau v\u0117lesniu,  XXI a. minimalizmu. Scenoje buvo \u012f\u017eiebta daugiau \u0161viesos, \u0161ok\u0117jai, vilkintys pastelini\u0173 spalv\u0173 r\u016bbais, \u012f scen\u0105 \u2013 repeticij\u0173 sal\u0119, \u0161ventei ruo\u0161iam\u0105 kambar\u012f \u2013 susine\u0161\u0117 skirting\u0173 form\u0173 k\u0117des. Spektaklis prasid\u0117jo ir jo atlik\u0117jai \u0117m\u0117 l\u016bkuriuoti: savo eil\u0117s, savo solo, savo gyvenimo. Tuose \u201edid\u017eiuosiuose l\u016bkes\u010diuose\u201c buvo galima i\u0161skaityti nema\u017eai sociumo primest\u0173 vaidmen\u0173, kauki\u0173, kurios luposi nuo \u0161ok\u0117j\u0173 tarsi negyva, pra\u0117jusio sezono oda. Neapleido jausmas, kad visa tai \u2013 tik pasiruo\u0161imas tam tikrajam pokyliui, tikrajam benefisui, tikrajam skryd\u017eiui. Ta\u010diau kai antrojoje dalyje visos penkios spektaklio moterys \u012f\u017eeng\u0117 \u012f scen\u0105 av\u0117damos auk\u0161takulniais, vilk\u0117damos juodomis vakarin\u0117mis suknel\u0117mis, o du kostiumuoti vyrai stumd\u0117 \u012f pasienius k\u0117des, pagaliau tur\u0117jo prasid\u0117ti \u201e\u0161okiai\u201c. Tik jie neprasid\u0117jo. Moterys puol\u0117 ant keli\u0173 \u2013  nei tai maldai, nei tai orgijai. Laikas i\u0161t\u012fso, tapo lipnus, klampus, judesiai apsunko, sul\u0117t\u0117jo. Ka\u017ekas nesiliov\u0117 gr\u0105\u017eyti rank\u0173, ka\u017ekam i\u0161suko s\u0105narius, ka\u017ekas ap\u010diuop\u0117 i\u0161sikraipiusius savo klubus. Prie\u0161 akis stingo nesp\u0117jusi\u0173 laiku ar efektingai nuo gyvenimo scenos pasi\u0161alinti k\u016bn\u0173 konvulsija. Desperati\u0161kas, bet vis dar vilties kupinas \u017evilgsnis \u012f paskutin\u012f scen\u0105 apleid\u017eiant\u012f smuikinink\u0105. \u017dvilgsnis, laiku nesusid\u016br\u0119s su veidrod\u017eiu, galin\u010diu gr\u0105\u017einti \u012f save, tarsi munchi\u0161kas \u0161auksmas i\u0161si\u017eiojantis ir \u012fstringantis. \u012edomi tema, stipri energetika, gerai sukalta spektaklio strukt\u016bra. Kad festivaliui \u012frengtas, \u0161vie\u017eiai i\u0161tapetuotas \u201ekambarys\u201c tapt\u0173 i\u0161 ties\u0173 gyvenamu reikia laiko, kuris tarsi \u0161vitras apgludint\u0173 a\u0161trius kampus. Ir daugiau \u017ei\u016brov\u0173, kurie \u012f k\u016br\u0117j\u0173 \u012frengt\u0105 \u201ekambar\u012f\u201c prine\u0161t\u0173 sav\u0173 istorij\u0173, sav\u0173 tekst\u0173, kurie apsigyvent\u0173 tarp \u0161ok\u0117j\u0173 judesi\u0173. Ir daugiau \u0161ok\u0117j\u0173 prakaito, kad spektaklio prasmin\u0117s jungtys tarsi naujai pirkt\u0173 bat\u0173 si\u016bl\u0117s grei\u010diau prasine\u0161iot\u0173, sumink\u0161t\u0117t\u0173 ir nebetrint\u0173.<\/p>\n<p><em>Klaip\u0117dos koncert\u0173 sal\u0117s archyvo nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201eKai mes b\u016bnam labai stipr\u016bs \u2013 kas traukiasi atgal? Labai linksmi \u2013 kas leipsta i\u0161 juoko? Kai mes b\u016bnam labai &#8230;<\/p>\n","protected":false},"author":1,"featured_media":1618,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Naujas \u0161okio sezonas Klaip\u0117doje - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2014\/09\/23\/naujas-sokio-sezonas-klaipedoje\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Naujas \u0161okio sezonas Klaip\u0117doje - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u201eKai mes b\u016bnam labai stipr\u016bs \u2013 kas traukiasi atgal? 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