{"id":1631,"date":"2014-11-02T14:24:33","date_gmt":"2014-11-02T14:24:33","guid":{"rendered":"http:\/\/dance.lt\/new\/2014\/11\/02\/aura-9-darbo-pokalbiai\/"},"modified":"2014-11-02T14:24:33","modified_gmt":"2014-11-02T14:24:33","slug":"aura-9-darbo-pokalbiai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2014\/11\/02\/aura-9-darbo-pokalbiai\/","title":{"rendered":"Aura. 9 darbo pokalbiai"},"content":{"rendered":"

Tarptautiniame \u0161okio festivalyje \u201eAura\u201c kaip visada prisistato ne tik kviestin\u0117s trup\u0117s ir k\u016br\u0117jai, bet ir pati \u201eAura\u201c \u2013 Kauno \u0161okio teatras. Festivaliui \u2013 beveik ketvirtis am\u017eiaus, trupei-teatrui \u2013 visa pus\u0117 am\u017eiaus. Solid\u016bs ir skamb\u016bs skai\u010diai. \u012epareigojantys. Vis\u0173 pirma \u2013 pasidalinti turtinga patirtimi, giliu \u017evilgsniu \u012f pasaul\u012f, prasmingomis \u012f\u017evalgomis ir i\u0161laikytais gestais. Bent jau to tik\u0117tumeisi i\u0161 penkiasde\u0161imtmet\u0117s moters. Taip pat \u2013 aliuzij\u0173 \u012f nuveiktus darbus, i\u0161puosel\u0117tus g\u0117lynus ir u\u017eaugintus vaikus. Ne\u017einau kaip d\u0117l did\u017eiosios dalies pamin\u0117t\u0173 punkt\u0173, bet b\u016btent paskutinysis \u0161iemet akivaizd\u017eiai i\u0161sipild\u0117. Municipalinis \u0161okio teatras, vadovaujamas legendin\u0117s choreograf\u0117s Birut\u0117s Letukait\u0117s, pagaliau pristat\u0117 i\u0161 esm\u0117s atsinaujinusi\u0105 trup\u0119. K\u0105 ten atsinaujinusi\u0105 \u2013 i\u0161 esm\u0117s atgimusi\u0105 jaunuose \u0161vie\u017eiuose energinguose k\u016bnuose. Spektakliu \u201eGyvenimo apra\u0161ymai\u201c spalio 9d. debiutavo devyni\u0173 vaikin\u0173 ir mergin\u0173 internacionalas, i\u0161 veid\u0173 ir vard\u0173 bylojantis ir vietin\u012f, ir pietieti\u0161k\u0105, ir rytieti\u0161k\u0105 temperament\u0105: Danielis Medeirosas, Ema Nedobe\u017ekina, Paulius Prievelis, Gintar\u0117 \u0160\u010davinskait\u0117, Anna Karen Gonzalez, Alfredo Flores Ayon, Israelis Ismaelis Infante Salazaras ir Kyrie Oda.<\/p>\n

Spektaklio pavadinimas suokalbi\u0161kai apeliavo \u012f publikos \u2013 tam tikra (nors i\u0161 ties\u0173 pa\u010dia tiesiogi\u0161kiausia) prasme \u0161ok\u0117j\u0173 darbdavi\u0173 \u2013 geranori\u0161kum\u0105 ir solidarum\u0105. Si\u016bl\u0117 atid\u017eiau \u012fsi\u017ei\u016br\u0117ti \u012f kiekvieno naujojo \u201edarbuotojo\u201c atsine\u0161t\u0105 potencial\u0105, bendr\u0105 grup\u0117s organi\u0161kum\u0105 ir sklindan\u010di\u0105 energij\u0105; i\u0161skaityti dar snaud\u017eian\u010dias k\u016bno galimybes ir bundan\u010dias vaizduot\u0117s galias. Ta\u010diau tai nebuvo \u012fprastas \u201edarbo pokalbis\u201c, nes publika negal\u0117jo klausin\u0117ti \u0161ok\u0117j\u0173, o \u0161ok\u0117jai negal\u0117jo laisvai atsakin\u0117ti. Tarp \u0161i\u0173 dviej\u0173 pusi\u0173 \u012fsiterp\u0117 choreografas Paulas Hessas, kuris tarsi stiklas savaip lau\u017e\u0117, temd\u0117 ir i\u0161ry\u0161kino besiformuojan\u010dius naujai suburtos trup\u0117s bruo\u017eus. Tiesa, program\u0117l\u0117je prie choreografo pavard\u0117s prira\u0161yta \u201ebendradarbiaujant su \u0161ok\u0117jais\u201c ir tai n\u0117 kiek nestebina \u2013 plati bendraautoryst\u0117 \u0161iandien madoje. Visgi tokiu atveju da\u017enai lieka iki galo neai\u0161kios atsakomyb\u0117s ribos. Turiu omenyje atsakomyb\u0119 u\u017e galutin\u012f spektaklio vaizd\u0105, prasmin\u012f lauk\u0105 ir rai\u0161kos technik\u0105. <\/p>\n

Spektaklyje \u201eGyvenimo apra\u0161ymai\u201c kalbama apie pirmuosius, esminius ir paskutinius kartus, \u017emones, nutikimus, i\u0161 kuri\u0173 susiveria gyvenimo grandin\u0117. Pirmieji \u017eingsniai, pirmasis draugas, pirmoji meil\u0117, pirmieji namai, did\u017eioji meil\u0117, gra\u017eiausias saul\u0117lydis, geid\u017eiamiausia ma\u0161ina, bevilti\u0161kiausias darbas, baisiausios skyrybos, ilgiausia vienatv\u0117, \u0161al\u010diausia \u017eiema, \u017eiauriausia diagnoz\u0117, li\u016bdniausias vakaras, paskutinis atod\u016bsis. Ma\u017edaug toks naratyvas lakoni\u0161kai iliustruot\u0173 ne tik eilinio m\u016bs\u0173 laiptin\u0117s kaimyno sud\u0117ting\u0105 egzistencij\u0105, bet ir \u201eAuros\u201c trup\u0117s debiutant\u0173 spektakl\u012f. Scenoje intensyviai rutuliojosi vietomis gana \u0161abloni\u0161ki, vietomis maloniai saviti, ta\u010diau pretenduojantys \u012f universali\u0105 patirt\u012f siu\u017eetai. Jaut\u0117si studenti\u0161kas azartas i\u0161 smulkios autenti\u0161kos asmenin\u0117s detal\u0117s i\u0161auginti visiems perskaitom\u0105 mint\u012f, etiud\u0105, istorij\u0105. Ta\u010diau pritr\u016bko mokytojo (\u0161iuo atveju choreografo) pedagoginio pri\u0117jimo ir pa\u0117jimo drauge su kiekvienu i\u0161 \u0161ok\u0117j\u0173, kad kantriai ilgiau i\u0161buvus ie\u0161kojimuose b\u016bt\u0173 atrasta naujesn\u0117, gaivesn\u0117, netik\u0117tesn\u0117, dar nematyta, tod\u0117l nustebinanti ir d\u0117mes\u012f atkreipianti i\u0161rai\u0161kos forma. \u0160\u012f kart\u0105 minties \u0161vie\u017eum\u0105 go\u017e\u0117 jaunatvi\u0161kas \u201eo man gra\u017eu\u201c, beu\u017esimezgan\u010di\u0105 istorij\u0105 vis pertraukdavo tiesiog smagus \u0161\u0117liojimas scenoje.<\/p>\n

\"\" <\/p>\n

\u0160\u0117lioti ne tik scenoje, bet ir sal\u0117je kviet\u0117 smagi, pa\u017e\u012fstama muzikin\u0117 popuri: Chuckas E.Weissas, Billas Frisellis, Davidas Hudsonas, Big Bad Voodoo Daddy, The Doors, Gloria Estefan, Guided Meditation, Messer Chups, Nuit Blanche, The Pussywarmers. Toks radio tinklelio principas netrukus \u0117m\u0117 ardyti pat\u012f spektakl\u012f \u012f smulkius emocinio vitra\u017eo gabaliukus, kuriuos vien\u0105 nuo kito garantuotai atribojo pertr\u016bkiai ir kontrastai tarp visi\u0161kai skirtingo stiliaus, tempo, atlikimo. Net juodai prailgusi \u201eantklod\u017ei\u0173\u201c scena menamuose seneli\u0173 namuose teik\u0117 vil\u010di\u0173, kad gal\u0173 gale ir \u0161iuo atveju bus perjungtas linksmesnis kanalas. Tokia spektaklio \u201eorkestruot\u0117\u201c puikiai atliep\u0117 postmodernistin\u012f pasaulio ir m\u016bs\u0173 gyvenim\u0173 fragmenti\u0161kum\u0105, nesusijusi\u0173 fakt\u0173, \u012fvyki\u0173, \u017emoni\u0173, emocij\u0173 virtin\u0119, kuri tarsi nuolat ilg\u0117jantis traukinys skuba i\u0161 pirmosios stoties \u012f paskutini\u0105j\u0105. Gaila tik, kad \u0161ioje kelion\u0117je spektaklio traukiniui, nuolat stab\u010diojant, nepavyko i\u0161vystyti didesnio grei\u010dio, kuris b\u016bt\u0173 stipriau \u012ftrauk\u0119s publik\u0105.<\/p>\n

Muzikin\u0119, etnin\u0119 ir siu\u017eetin\u0119 eklektik\u0105 puikiausiai papild\u0117 spektaklio vizualas \u2013 sand\u0117lys, baz\u0117, saugykla, archyvas, r\u016bsys ar tiesiog perkraustymo paslaugas teikian\u010dios \u012fmon\u0117s patalpos, tai u\u017egriozdijama rudomis kartonin\u0117mis d\u0117\u017e\u0117mis, tai nuo j\u0173 i\u0161tu\u0161tinama. Scenovaizdis nuolat keit\u0117si, patys \u0161ok\u0117jai tas d\u0117\u017ees stumd\u0117, lau\u017e\u0117, d\u0117liojo, lindo \u012f jas, griuvin\u0117jo ant j\u0173 tarsi tai b\u016bt\u0173 dar vienas \u0161okio partneris. Dominuojantis rudas, perdirbto, pakuojamojo popieriaus atspalvis suteik\u0117 neutral\u0173, bet tuo pa\u010diu ir nat\u016bral\u0173 fon\u0105, u\u017emin\u0117 mint\u012f apie daikt\u0173, emocij\u0173, min\u010di\u0173, santyki\u0173 ir \u012fvyki\u0173 laikinum\u0105 ir cikli\u0161kum\u0105, apie vis sunk\u0117jant\u012f \u017emogaus gyvenimo krovin\u012f.<\/p>\n

\"\" <\/p>\n

Nesinori kalb\u0117ti apie spektaklyje \u201eGyvenimo apra\u0161ymai\u201c i\u0161si\u0161okusias scenas (priemon\u0117mis perkraut\u0105 maniki\u016bro stalel\u012f, prastai ekrane sufokusuot\u0105 ir jokio gilesnio konteksto nekuriant\u012f gyvai vykstant\u012f skype<\/em> pokalb\u012f, kiekvien\u0105 persona\u017e\u0173 sprendim\u0105 moralizuojan\u010di\u0105 \u201eyoko ono\u201c \u0161m\u0117kl\u0105). Visi\u0161kai suprantamas jaunos trup\u0117s noras sune\u0161ti \u012f scen\u0105 visk\u0105, k\u0105 kiekvienas turi ar sugalvoja geriausio, ir tuo pasidalinti. Grei\u010diausiai tik taip ir \u012fmanoma apskritai startuoti, \u201e\u012fsidarbinti\u201c, i\u0161jud\u0117ti i\u0161 pirmin\u0117s stotel\u0117s. O kelionei prasid\u0117jus norisi palink\u0117ti kiekvienam i\u0161 t\u0173 talenting\u0173 ir energing\u0173 \u0161ok\u0117j\u0173 nuolat i\u0161 naujo \u012fsiklausyti \u012f save ir \u012f pasaul\u012f, mokytis tik i\u0161 pa\u010di\u0173 geriausi\u0173 ir kalb\u0117ti apie tai, kas i\u0161 ties\u0173 skauda. M\u0117gaukit\u0117s kelione, \u012f kuri\u0105 i\u0161siruo\u0161\u0117te ir tapkite savimi.<\/p>\n

R\u016btos Tara\u0161kevi\u010di\u016bt\u0117s nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Tarptautiniame \u0161okio festivalyje \u201eAura\u201c kaip visada prisistato ne tik kviestin\u0117s trup\u0117s ir k\u016br\u0117jai, bet ir pati \u201eAura\u201c \u2013 Kauno \u0161okio …<\/p>\n","protected":false},"author":1,"featured_media":1632,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nAura. 9 darbo pokalbiai - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2014\/11\/02\/aura-9-darbo-pokalbiai\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aura. 9 darbo pokalbiai - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Tarptautiniame \u0161okio festivalyje \u201eAura\u201c kaip visada prisistato ne tik kviestin\u0117s trup\u0117s ir k\u016br\u0117jai, bet ir pati \u201eAura\u201c \u2013 Kauno \u0161okio ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2014\/11\/02\/aura-9-darbo-pokalbiai\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2014-11-02T14:24:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/1631_DSC1813.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"601\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maksimas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2014\/11\/02\/aura-9-darbo-pokalbiai\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/1631_DSC1813.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/cms\/1631_DSC1813.jpg\",\"width\":900,\"height\":601},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2014\/11\/02\/aura-9-darbo-pokalbiai\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2014\/11\/02\/aura-9-darbo-pokalbiai\/\",\"name\":\"Aura. 9 darbo pokalbiai - 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