{"id":16426,"date":"2024-10-07T16:32:23","date_gmt":"2024-10-07T13:32:23","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=16426"},"modified":"2024-10-07T16:32:23","modified_gmt":"2024-10-07T13:32:23","slug":"itin-retai-ziurovu-isvystamo-spektaklio-meat-factory-kureja-nesame-labai-toli-nuo-distopines-visuomenes","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2024\/10\/07\/itin-retai-ziurovu-isvystamo-spektaklio-meat-factory-kureja-nesame-labai-toli-nuo-distopines-visuomenes\/","title":{"rendered":"Itin retai \u017ei\u016brov\u0173 i\u0161vystamo spektaklio \u201eMeat Factory\u201c k\u016br\u0117ja: \u201eNesame labai toli nuo distopin\u0117s visuomen\u0117s\u201c"},"content":{"rendered":"

K\u0105 tik pra\u016b\u017eusio tarptautinio \u0161okio festivalio \u201eAURA 34\u201c u\u017edaryme Kaune \u012fvyko meninink\u0117s Ingos Fontez-Sakurako \u0161okio teatro \u201eOkarukas\u201c atnaujinto spektaklio \u201eMeat Factory\u201c premjera. Pasirodymas ruo\u0161tas kartu su nauja Panev\u0117\u017eio teatro \u201eMenas\u201c komanda pagal Jaroslavo Melniko roman\u0105 \u201eMa\u0161a, arba postfa\u0161izmas\u201c. Pasitelkus \u0161iuolaikinio \u0161okio su\u00a0<\/strong>butoh<\/em>\u00a0ir flamenko elementais kalb\u0105, elektronin\u0119 muzik\u0105, vokal\u0105, \u0161viesos ir kinematografin\u0117s vaizdo projekcijas, gvildenamos itin aktualios laikme\u010dio temos. \u017di\u016brovai bus kvie\u010diami pagalvoti, kaip pradingsta \u017emogi\u0161kumas ir kada protu nesuvokiami dalykai tampa norma.<\/strong><\/p>\n

\"\"<\/a>\u201eMeat Factory\u201c, August\u0117s Tely\u010d\u0117nait\u0117s nuotr.<\/em><\/p>\n

Vos por\u0105 kart\u0173 \u017ei\u016brov\u0173 matytas spektaklis jau yra \u012fvertintas: u\u017e \u0161vies\u0173 dizain\u0105 Vilius Vilutis nominuotas \u201eAuksiniams scenos kry\u017eiams\u201c, taip pat \u201eMeat factory\u201c buvo atrinktas dalyvauti Lietuvos sezono renginiuose Pranc\u016bzijoje. \u201ePagrindin\u0117 spektaklio tema \u2013 kaip propagandos \u012fgalintoje visuomen\u0117je \u012fsigali fa\u0161izmas ir kaip protu nesuvokiami dalykai tampa norma, \u2013 tiesiogiai koreliuoja su geopolitine situacija pasaulyje \u0161iuo metu. Pasirinkome J. Melniko roman\u0105 kaip atskaitos ta\u0161k\u0105, kelti klausimus ir k\u016bno kalba nagrin\u0117ti, kas yra \u017emogi\u0161kumas, kur yra riba tarp \u017emogi\u0161ko ir \u017ev\u0117ri\u0161ko elgesio\u201c, \u2013 pasakoja I. Fontez-Sakurako.<\/p>\n

J\u016bs\u0173 spektaklis \u2013 tikrai ne lengva pramoga: jis sukre\u010diantis ir palie\u010diantis ne tik prot\u0105, bet ir \u0161ird\u012f. Ar \u017ei\u016brovams, kurie scenoje \u012fprat\u0119 prie teksto, pasiseka suvokti ir pajusti tai, k\u0105 nor\u0117jote pasakyti?<\/strong><\/p>\n

Buvau maloniai nustebusi, kai gavau vieno \u017ei\u016brovo atsiliepim\u0105. Jis prisistat\u0117 kaip paprastas juodadarbis, retai vaik\u0161tantis \u012f spektaklius, bet \u0161tai perskait\u0117 spektaklio anons\u0105 ir jam surezonavo jo temos. \u017dmogus d\u0117kojo u\u017e tai, kad spektaklis j\u012f sukr\u0117t\u0117, bet kartu parod\u0117 ties\u0105. Kaip tai pompasti\u0161kai beskamb\u0117t\u0173, bet romane ir spektaklyje teigiama, kad meil\u0117 gali i\u0161gelb\u0117ti pasaul\u012f, \u017emogus gali pasikeisti, nes net juod\u017eiausiais laikais jis turi i\u0161eit\u012f. Steb\u0117tina, kaip man para\u0161\u0119s vyras, o v\u0117liau ir kiti i\u0161dr\u012fs\u0119 pasidalinti \u012fsp\u016bd\u017eiais \u017ei\u016brovai, labai tiksliai nusak\u0117 spektaklio temas \u2013 d\u017eiaugiam\u0117s, kad jas, net u\u017ekoduotas, \u017emon\u0117s \u201enuskaito\u201c.<\/p>\n

Kas labiausiai jaudino jus ir j\u016bs\u0173 komand\u0105 k\u016brybinio proceso metu? <\/strong><\/p>\n

Pirmiausia \u2013 pats romano aktualumas: jis para\u0161ytas dar prie\u0161 Rusijai okupuojant Krym\u0105, bet metafori\u0161kai kalba apie dabartin\u0119 situacij\u0105 pasaulyje su jo karais, smurtu ir atgimstan\u010diomis neofa\u0161izmo nuotaikomis. Spektaklyje pasakojama propagandos skleid\u0117jo, miegan\u010dios s\u0105mon\u0117s \u017emogaus, Dimos transformacijos istorija. Nuo nu\u017emog\u0117jusio \u016bkininko, kuris nesusim\u0105stydamas skersdavo tvarte laikomus \u017emogaus pavidalo gyvulius (storus), iki vyro, pamilusio vien\u0105 i\u0161 j\u0173 \u2013 Ma\u0161\u0105 \u2013 ir rizikavusio savo gyvybe prie\u0161inantis nusistov\u0117jusiai diktat\u016brai. Tai tarsi dabartini\u0173 laik\u0173 metafora: kai vieni \u017emon\u0117s nusprend\u017eia, kad tokios pat b\u016btyb\u0117s n\u0117ra jiems lygiavert\u0117s ir su jomis galima elgtis kaip nori. Juk tai t\u0117vai ir motinos, kurie su savo vaikais elgiasi kaip mylintys \u017emon\u0117s, o svetimus vaikus \u017eudo. Na, arba visi\u0161kai ramiai reaguoja \u012f tai, kad ka\u017ekur toli jie \u017e\u016bsta karuose.<\/p>\n

\"\"<\/a>\u201eMeat Factory\u201c, P. \u017didonio nuotr.<\/em><\/p>\n

Su aktoriais ai\u0161kinom\u0117s, kaip i\u0161 esm\u0117s normalus ir padorus \u017emogus, toks kaip j\u016bs ir a\u0161, tam tikromis s\u0105lygomis gali prarasti \u017emogi\u0161kum\u0105. Ir net jei ka\u017ekas sakys: \u201eJau a\u0161 tai ne, a\u0161 kitoks!\u201c, tai nebus tiesa. Mielas ir malonus \u017emogus tikrai gali tapti pa\u010dia \u017eiauriausia savo versija. Apie tai mes nesusim\u0105stome, bet pa\u017evelgus giliai \u012f save, ta mintis sukre\u010dia. Ai\u0161ku, visada yra pasirinkimas \u2013 net tur\u0117damas \u017eiaurumo potencial\u0105, \u017emogus gali neleisti jam prasiver\u017eti.<\/p>\n

Dar kita jaudinanti tema \u2013 \u017emogi\u0161kumo degradavimas, kult\u016bros saul\u0117lydis, jausm\u0173 atrofija. Juk jei augini \u017emog\u0173 be meil\u0117s, be kult\u016bros, be edukacijos, kem\u0161i jam \u012f galv\u0105 propagand\u0105, \u017eemini \u2013 galiausiai j\u012f nu\u017emogini. O ta nu\u017emoginta \u017emoni\u0173 mase v\u0117liau labai lengva manipuliuoti ir visai \u012fmanoma tampa tai, kas anks\u010diau atrod\u0117 protu nesuvokiama. Tad n\u0117ra ko steb\u0117tis situacija Rusijoje, kur de\u0161imtme\u010dius vykdoma propaganda.<\/p>\n

Esate sakiusi, kad scenoje siekiate tikrumo \u2013 kokiomis priemon\u0117mis j\u012f k\u016br\u0117te?<\/strong> Ar buvo sunku su dramos aktoriais statyti \u0161okio spektakl\u012f?<\/strong><\/p>\n

Taip, scenoje daug tikr\u0173 dalyk\u0173: ugnis, pienas, kraujas\u2026 Yra daug performanso menui b\u016bding\u0173 veiksm\u0173, pavyzd\u017eiui, malk\u0173 kapojimas scenoje. Su pirm\u0105ja komanda k\u016br\u0117me spektakl\u012f bendradarbiavimo principu: tai nebuvo lengva, bet labai \u012fdomu. Kartu skait\u0117me, diskutavome, gin\u010dijom\u0117s, pykom\u0117s, ie\u0161kojome, bla\u0161k\u0117m\u0117s. Ukrainiet\u0117s \u0161ok\u0117jos nebesugeb\u0117jo t\u0119sti tokiu principu ir tokia tematika prad\u0117to darbo. Taip pat aktoriai, kurie scenoje buvo \u012fprat\u0119 prie pjesi\u0173 teksto, perskait\u0119 knyg\u0105, tur\u0117jo skaud\u017eius spektaklio klausimus (kuri\u0173 gal n\u0117 vienas nenor\u0117t\u0173 kelti), perteikti k\u016bno kalba ir vis\u0105 temos bjaurast\u012f transformuoti \u012f gro\u017e\u012f. Kiekvienas spektaklio dalyvi\u0173 judesys yra praturtintas japon\u0173 butoh<\/em> technika \u2013 to Lietuvoje niekas nedaro. Tai tam tikras unikalus menin\u0117s rai\u0161kos b\u016bdas, kai judesio i\u0161rai\u0161kos ie\u0161koma giliai panirus \u012f save.<\/p>\n

\"\"<\/a>\u201eMeat Factory\u201c, August\u0117s Tely\u010d\u0117nait\u0117s nuotr.<\/em><\/p>\n

Nei a\u0161, nei Philas Von (choreograf\u0117s vyras ir spektaklio bendrak\u016br\u0117jas) nesame nei re\u017eisieriai, nei \u201etikri\u201c choreografai. Philas yra kompozitorius, flamenko \u0161ok\u0117jas: jis spektakliui suk\u016br\u0117 garso takel\u012f, jame \u0161oka, vaidina, dainuoja ir \u0161iek tiek groja. A\u0161 \u012f teatr\u0105 at\u0117jau kaip vizuali\u0173j\u0173 men\u0173 ir performanso meno atstov\u0117, supratusi, kad \u0161iuo metu man \u010dia dirbti \u012fdomiau. Kuriu kitais principais, be re\u017eisieriams ir choreografams \u012fprast\u0173 taisykli\u0173, tod\u0117l \u0161okio, teatro, performanso meno, dainavimo technik\u0173 derinimas scenoje man nat\u016bralus. Man labai patinka dirbti su aktoriais, nes \u0161okio spektaklyje j\u0173 k\u016bryba itin sujaudina. Jiems buvo keista, kai per repeticijas sakydavau, kad nereikia vaidinti \u2013 tiesiog b\u016bti, bet kai jie suprato, kad i\u0161 to gimsta nauja kokyb\u0117, buvo nuostabu.<\/p>\n

\u0160okio spektaklio \u201eMeat Factory\u201c sklaid\u0105 dalinai finansuoja Lietuvos kult\u016bros taryba.<\/p>\n

Spektakl\u012f galima pamatyti artimiausiu metu: <\/strong><\/p>\n

Lapkri\u010dio 19 d. Ukmerg\u0117s kult\u016bros centre, \u201eCamera Obscura\u201c festivalio metu<\/p>\n

Lapkri\u010dio 21 d.\u00a0 Klaip\u0117dos Kult\u016bros fabrike<\/p>\n

Gruod\u017eio 1 d.\u00a0 Vilniaus Men\u0173 spaustuv\u0117je<\/p>\n","protected":false},"excerpt":{"rendered":"

K\u0105 tik pra\u016b\u017eusio tarptautinio \u0161okio festivalio \u201eAURA 34\u201c u\u017edaryme Kaune \u012fvyko meninink\u0117s Ingos Fontez-Sakurako \u0161okio teatro \u201eOkarukas\u201c atnaujinto spektaklio \u201eMeat …<\/p>\n","protected":false},"author":2,"featured_media":16436,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"\nItin retai \u017ei\u016brov\u0173 i\u0161vystamo spektaklio \u201eMeat Factory\u201c k\u016br\u0117ja: \u201eNesame labai toli nuo distopin\u0117s visuomen\u0117s\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2024\/10\/07\/itin-retai-ziurovu-isvystamo-spektaklio-meat-factory-kureja-nesame-labai-toli-nuo-distopines-visuomenes\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Itin retai \u017ei\u016brov\u0173 i\u0161vystamo spektaklio \u201eMeat Factory\u201c k\u016br\u0117ja: \u201eNesame labai toli nuo distopin\u0117s visuomen\u0117s\u201c - 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