{"id":1656,"date":"2014-12-28T20:27:53","date_gmt":"2014-12-28T20:27:53","guid":{"rendered":"http:\/\/dance.lt\/new\/2014\/12\/28\/alkis-puiki-kaledine-atgaiva\/"},"modified":"2014-12-28T20:27:53","modified_gmt":"2014-12-28T20:27:53","slug":"alkis-puiki-kaledine-atgaiva","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2014\/12\/28\/alkis-puiki-kaledine-atgaiva\/","title":{"rendered":"\u201eAlkis\u201c &#8211; puiki kal\u0117din\u0117 atgaiva"},"content":{"rendered":"<p>\u201ePildau skrand\u012f vietoj \u0161irdies, pildau rytoj\u0173 ir u\u017emir\u0161tu \u0161iandien\u0105, u\u017epildau savo dien\u0105 veikla, savo smegenis informacija, u\u017etemdau savo akis spinduliuojan\u010diu ekranu ir u\u017emir\u0161tu savo b\u016bt\u012f. Ir net tada, kai visko jau per daug, vis tiek tr\u016bksta, vis tiek jau\u010diuosi alkanas. Ko, po velniais, tr\u016bksta?\u201c Tokiais \u017eod\u017eiais, apeliuojan\u010diais \u012f augan\u010di\u0105 vartotoji\u0161k\u0105 nuotaik\u0105, masi\u0161kai atpa\u017e\u012fstam\u0105 prie\u0161kal\u0117diniu laikotarpiu, choreograf\u0117 ir \u0161ok\u0117ja Ugn\u0117 Dievaityt\u0117 publik\u0105 kviet\u0117 \u012f premjerin\u012f spektakl\u012f \u201eAlkis\u201c, prisatyta\u0105 Men\u0173 spaustuv\u0117je gruod\u017eio 17d.<\/p>\n<p>Madride gyvenanti ir kurianti U.Dievaityt\u0117, prie\u0161 por\u0105 met\u0173 tapusi \u201eNaujojo Baltijos \u0161okio\u201c festivalio atradimu ir viltimi, jau yra (at)pa\u017e\u012fstama ne tik Lietuvos \u0161okio publikai, bet ir daug platesniam pasaullio gyventoj\u0173 ratui. \u0160i\u0173 met\u0173 rugpj\u016bt\u012f Diuseldorfe vykusioje vienoje did\u017eiausi\u0173 pasaulyje \u0161okio mug\u0117je \u201eInternationale Tanzmesse NRW\u201c U.Dievaityt\u0117s atvaizdas buvo panaudotas mug\u0117s plakate. Tam tikra prasme tai pana\u0161u \u012f trumpalaik\u012f tapim\u0105 mados nam\u0173, kvepal\u0173 ar mad\u0173 \u017eurnalo veidu.<\/p>\n<p>Tad \u012f gruod\u017eio m\u0117nesio premjer\u0105 publika rinkosi jau tik\u0117damasi konkre\u010dios dievaityti\u0161kos k\u016bno plastikos, dr\u0105saus nuogo k\u016bno ir pietieti\u0161kos energijos. \u0160\u012f kart\u0105 k\u016br\u0117ja pasi\u016bl\u0117 apm\u0105styti alkio s\u0105vok\u0105, am\u017einai \u201ealkanos\u201c moters b\u016bt\u012f ir patyrin\u0117ti \u017emogaus kuriamo judesio ir skleid\u017eiamo garso (vokalo) dialogo galimybes. Spektaklyje drauge su U.Dievaityte pasirod\u0117 operos solist\u0117 sopranas Rosa Miranda Fernandez. Gyvai atliekam\u0105 muzikin\u0119 kompozicij\u0105 suk\u016br\u0117 Ignacijo Torrecillas.<\/p>\n<p>Scenoje nuo pat pirmos sekund\u0117s pasitiko atpa\u017e\u012fstamas ir \u0161iai k\u016br\u0117jai b\u016bdingas \u017eaidimas \u0161viesotamsa. Ry\u0161kiai pro\u017eektori\u0173 ap\u0161viestos k\u016bno dalys staiga panirdavo ir pranykdavo \u0161e\u0161\u0117lio tamsoje. Tamsa virsdavo sunkia, stora, neperregima neb\u016btimi, kuri\u0105 suplonindavo maitininti, u\u017epildanti \u0161viesa. \u0160ok\u0117jos judantis k\u016bnas tarsi mai\u0161\u0117 ir jung\u0117 abu pradus \u012f vien\u0105 b\u016bt\u012f. U\u017e neatsain\u0173 po\u017ei\u016br\u012f ir subtilius ie\u0161kojimus \u017eaid\u017eiant su ap\u0161vietimu norisi pad\u0117koti spektaklio \u0161vies\u0173 dailininkui Viliui Vilu\u010diui.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Alkis_MG_3019_490x735.JPG\" width=\"490\" height=\"735\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Alkis_MG_3019.JPG\" class=\"js-zoom-image\" \/><\/p>\n<p>Greta filosofini\u0173 alkio ir tro\u0161kulio traktuo\u010di\u0173 scenoje buvo nesunku atpa\u017einti ir labiau tapybi\u0161k\u0173 scen\u0173, kuriose \u0161ok\u0117jos veidas pra\u017eiota burna primindavo ekspresyv\u0173j\u012f Edvardo Munko \u201e\u0160auksm\u0105\u201c, o besibla\u0161kantis begalvis torsas \u2013 siurrealisti\u0161kas Salvadoro Dali drobes. Apskritai siurrealumo, grotesko, avangardi\u0161kumo, netgi butoh prieskoni\u0173 \u0161iame spektaklyje jaut\u0117si gausiau nei ankstesniuose spektakliuose \u201eNekvietsa b\u016btyb\u0117\u201c ir \u201eIt steb\u0117tum debesis\u201c. Ta\u010diau nors atskiros scenos atrod\u0117 nepriekai\u0161tingai i\u0161baigtos ir naujos, visas spekaklis ilgainiui pamet\u0117 savo stubur\u0105 ir skilo \u012f atskiras dalis, organi\u0161kai neperaugan\u010dias viena \u012f kit\u0105 ir tam tikrose vietose keistai viena kitai prie\u0161taraujan\u010dias. Spektaklyje pristr\u016bko ai\u0161kesn\u0117s kulminacijos, \u201eAlkis\u201c tarsi tur\u0117jo kelet\u0105 pabaig\u0173, kuri\u0173 n\u0117 viena nebuvo \u012ftikinanti. Po spektaklio neapleido jausmas, kad steb\u0117jome \u201eAlkio\u201c laboratorin\u0119 studij\u0105, tyrin\u0117jim\u0105, eksperiment\u0105 \u012fvairiomis kryptimis, bet dar ne baigtin\u012f \u201emokslin\u012f-meninin\u012f\u201c darb\u0105 su savo hipoteze ir ai\u0161kiai i\u0161d\u0117stytomis i\u0161vadomis. Spektaklyje buvo u\u017ekabinta nema\u017eai \u012fdomi\u0173 ir aktuali\u0173 alkio rakurs\u0173, ta\u010diau \u0161iek tiek pavys\u010dius visi tie rakursai nebuvo ai\u0161kiai suvesti \u012f vien\u0105 ta\u0161k\u0105, nesufokusuoti, tod\u0117l bendra mintis i\u0161skydo ir liko nery\u0161ki. \u0160iuo atveju pritr\u016bko ne \u0161ok\u0117jos Dievaityt\u0117s, bet choreograf\u0117s Dievaityt\u0117s. <\/p>\n<p>Tuo tarpu \u0161ok\u0117ja Dievaityt\u0117 rod\u0117 auk\u0161t\u0105j\u012f k\u016bno valdymo pilota\u017e\u0105 deformuodama ir keisdama \u012fprast\u0105 moters k\u016bno matym\u0105, lau\u017eydama stereotipus ir subtiliai pl\u0117sdama nugaros judesi\u0173 \u017eodyn\u0105. Kartais atrodydavo, kad ji atskiria gal\u016bnes nuo torso ir sud\u0117lioja jas pagal savo siurreali\u0105 logik\u0105. Kartais atrodydavo, kad ka\u017ekas tarsi klavi\u0161ais groja jos raumenimis, i\u0161gaudamas keis\u010diausius s\u0105skambius. Nors buvo nema\u017eai citat\u0173, suskamb\u0117jusi\u0173 judesi\u0173 ir frazi\u0173 i\u0161 ankstesni\u0173 spektakli\u0173, atsirado ir nauj\u0173 netik\u0117t\u0173 sprendim\u0173, \u017eaidimo su aprangos detal\u0117mis, nuogu ir apvilktu k\u016bnu, k\u016bno judesiu be audinio, kartu su audiniu ir po audiniu. Ypa\u010d ry\u0161kiai \u012f atmint\u012f \u012fsir\u0117\u017e\u0117 dr\u0105si, bet savaip grak\u0161ti raudon\u0173 auk\u0161takulni\u0173 scena.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Alkis_IMG_3063-2_490x326.JPG\" width=\"490\" height=\"326\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Alkis_IMG_3063-2.JPG\" class=\"js-zoom-image\" \/><\/p>\n<p>Silpniausia spektaklio \u201eAlkis\u201c grandis buvo soprano R.M.Fernandez buvimas scenoje. Nors solist\u0117s balsas ir apliekama melodija skamb\u0117jo stipriai, sodriai ir papild\u0117 spektaklio garsin\u0119 i\u0161rai\u0161k\u0105, visgi jos jud\u0117jimas po scen\u0105 ir tiesiog buvimas joje buvo perd\u0117m teatrali\u0161kas, gana \u0161abloni\u0161kas ir suprimityvinantis \u0161ok\u0117jos u\u017eduodam\u0105 mint\u012f. Kad ir tie patys auk\u0161takulniai \u2013 U.Dievaityt\u0117s santykis su jais si\u016bl\u0117 daug skirting\u0173 ir netik\u0117t\u0173 \u012fvardinim\u0173. Tuo tarpu kasdieni\u0161kas solist\u0117s atliekamas gundymo aktas ant kasdieni\u0161ko fotelio (scenografija \u2013 Aust\u0117s Kulie\u0161i\u016bt\u0117s) labai jau kasdieni\u0161kai nusispiriant batelius nuo pavargusi\u0173 koj\u0173 primygtinai pir\u0161o vien\u0105 vienintel\u0119 aliuzij\u0105 \u012f prastai vaidinamus ir dar pras\u010diau \u012fgarsinamus meksikieti\u0161kus meil\u0117s serialus.<\/p>\n<p>Visgi, nors \u0161lub\u010diodamas ir strigdamas, spektaklis \u201eAlkis\u201c buvo \u012fdomi nauja patirtis lietuvi\u0161kai \u0161iuolaikinio \u0161okio publikai, nelepinamai per da\u017en\u0173 ir per ger\u0173 \u0161okio pastatym\u0173. \u0160is jaunatvi\u0161kas U.Dievaityt\u0117s fenomenas buvo puiki kal\u0117din\u0117 atgaiva, egzistencinis stabtel\u0117jimas prie\u0161\u0161ventin\u0117je kar\u0161tlig\u0117je, savojo alkio gyvenimui, gro\u017eiui, prasmei \u012f\u017eeminimas, nusiraminimas ir kauki\u0173 nusi\u0117mimas, kad v\u0117l, bet jau s\u0105moningai, jas u\u017esid\u0117tume Nauj\u0173j\u0173 i\u0161vakar\u0117se.<\/p>\n<p><em>Ritos Puidokait\u0117s nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201ePildau skrand\u012f vietoj \u0161irdies, pildau rytoj\u0173 ir u\u017emir\u0161tu \u0161iandien\u0105, u\u017epildau savo dien\u0105 veikla, savo smegenis informacija, u\u017etemdau savo akis spinduliuojan\u010diu &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - 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