{"id":16570,"date":"2024-11-06T17:52:11","date_gmt":"2024-11-06T15:52:11","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=16570"},"modified":"2025-02-04T10:17:34","modified_gmt":"2025-02-04T08:17:34","slug":"gryni-kunai","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2024\/11\/06\/gryni-kunai\/","title":{"rendered":"Gryni k\u016bnai"},"content":{"rendered":"

\u0160okio spektaklyje LUSTOPIA tyrin\u0117jamas k\u016bni\u0161kumas. Tiesa, taip turb\u016bt galima pasakyti apie kiekvien\u0105 \u0161iuolaikinio \u0161okio darb\u0105 \u2013 \u012fprastai \u010dia k\u016bnai ne ka\u017ekuo apsimeta, ne ka\u017ek\u0105 reprezentuoja, o rei\u0161kia patys save. Bet LUSTOPIA i\u0161 ties\u0173 svarbi tampa kiekviena jame \u0161okan\u010dio k\u016bno linija, forma, tekst\u016bra. Oda, poodiniais sluoksniais, prakaitu. \u010cia prasm\u0119 \u012fgauna pastarojo laiko moksliniai tyrimai apie od\u0105 kaip psichologin\u012f ir socialin\u012f organ\u0105, kuris tiesiogine prasme yra anatomi\u0161kai apibr\u0117\u017eta riba tarp m\u016bs\u0173<\/em> ir ne m\u016bs\u0173<\/em>. \u0160iame kontekste kiekvienas prisilietimas prie odos \u2013 tai b\u016bdas apsikeisti socialine ir psichologine informacija. Tai galimyb\u0117 \u012fsileisti ka\u017ek\u0105 \u012f savo od\u0105<\/em> arba ka\u017eko ten nepriimti.<\/p>\n

\"\"<\/a>Dmitrijaus Matvejevo nuotraukos<\/em><\/p>\n

Spektaklis LUSTOPIA \u2013 bendras choreograf\u0173 Airidos Gudait\u0117s ir Lauryno \u017dakevi\u010diaus (LOW AIR) bei vokie\u010di\u0173 \u0161iuolaikinio \u0161okio choreograf\u0117s Silke Z. k\u016brinys. Spektaklio apra\u0161yme kalbama apie geismo ir malonumo kategorijas, lyg jos \u010dia b\u016bt\u0173 svarbiausios. Vis d\u0117lto stebint pasirodym\u0105 daug daugiau min\u010di\u0173 kyla apie k\u016bn\u0173 legalizacij\u0105, galimyb\u0119 k\u016bnams b\u016bti savimi ir u\u017eimti \u0161itame pasaulyje sau skirt\u0105 viet\u0105. Ne ma\u017eesn\u0119, ne didesn\u0119, kitaip tariant, ne i\u0161kreipt\u0105, o b\u016btent toki\u0105, koki\u0105 galime u\u017eimti. Sunkaus k\u016bno viet\u0105. Laiko ar ligos pa\u017eenklinto k\u016bno viet\u0105. Saugiai ir maloniai lie\u010diamo arba nerimo apimto k\u016bno viet\u0105.<\/p>\n

Akivaizdu, kad kaip visuomen\u0117 niekaip negalime leisti k\u016bnams gyvuoti be interpretacij\u0173, vertinim\u0173, g\u0117dinimo, kaltinim\u0173. Nuo ma\u017eum\u0117s esame rikiuojami, matuojami, m\u016bs\u0173 k\u016bn\u0173 paj\u0117gumai vertinami pa\u017eymiais. Ne atsitiktinai ilgainiui \u012fprantame gyventi atsitolin\u0119 nuo savo k\u016bn\u0173 ir veikiau suprantame juos kaip i\u0161orinius objektus, skulpt\u016bras, kurias reikia kokiu nors b\u016bdu pagerinti. Esu gird\u0117jusi toki\u0105 \u012fdomi\u0105 s\u0105vok\u0105 kaip \u201esavo k\u016bno autoryst\u0117\u201c: ko gero, da\u017enam tai \u2013 visai neprieinama id\u0117ja; \u012fprastai jau\u010diam\u0117s k\u016bn\u0105 ne \u201ekuriantys\u201c, o \u201egav\u0119\u201c ir turintys su juo ka\u017ekaip gyventi.<\/p>\n

\"\"<\/a><\/p>\n

Tokios mintys kyla stebint spektakl\u012f LUSTOPIA. Jis tarytum atlieka terapin\u012f darb\u0105, nors tai n\u0117ra terapinis menas. Man regis, k\u016br\u0117jams pavyko i\u0161laikyti atstum\u0105 nuo \u0161okio kaip saviterapijos ar jausm\u0173 i\u0161rai\u0161kos formos. I\u0161saugoti \u0161ok\u0117j\u0173 k\u016bn\u0173 istorij\u0173 savast\u012f ir i\u0161 j\u0173 sukurti menin\u0119 architekt\u016br\u0105 \u2013 tai niekada n\u0117ra lengva. Bet koks dokumenti\u0161kumas visuomet \u012f men\u0105 \u012flieja visai kit\u0105 \u2013 asmeni\u0161kesn\u012f \u2013 matavimo b\u016bd\u0105: \u0161tai pokalbiuose su trupe paai\u0161k\u0117ja, kad \u0161ok\u0117jo Dmitrijaus Andru\u0161aneco solin\u0117s mizanscenos choreografija paremta asmeniniu jo nuo vaikyst\u0117s intuityviai atliekamu raminan\u010diu judesiu \u2013 galvos sukimu \u012f \u0161onus. Kaip elgtis su \u0161ia informacija? Ji neabejotinai sustiprina spektaklio patyrim\u0105 \u2013 juk tai ne\u012ftik\u0117tino atvirumo akimirka. \u017di\u016brovams atiduodama brangiausia \u0161ito k\u016bno paslaptis. Vis d\u0117lto spektaklio k\u016br\u0117jai, choreografin\u0117je strukt\u016broje pavert\u0119 Dauno sindrom\u0105 turint\u012f David\u0105 Winking\u0105 \u0161io solo steb\u0117toju, sukuria dviej\u0173 t\u0105 akimirk\u0105 nieko nemeluojan\u010di\u0173 k\u016bn\u0173 susitikim\u0105, ir taip apsaugo \u017ei\u016brovus nuo susitapatinimo su nerimo choreografija. Steb\u0117ti David\u0105, kuris stebi Dmitrij\u0173 ir \u012f \u0161\u012f organi\u0161kai reaguoja, yra, \u0161velniai tariant, stipru. Vargu ar tai telpa \u012f meninio poveikio r\u0117mus. Veikiau tenka sutalpinti tai \u012f save kaip visuomen\u0117s nar\u012f, turint\u012f \u012fvairiausi\u0173 nuomoni\u0173 apie visokius k\u016bnus, ir dabar jau\u010diant\u012f, kad vyksta ka\u017ekas i\u0161laisvinan\u010dio.<\/p>\n

\u017di\u016brint spektakl\u012f kilo min\u010di\u0173 apie k\u016bn\u0173 mel\u0105, apie netikr\u0105 savast\u012f: kaip i\u0161 ties\u0173 k\u016bnai nor\u0117t\u0173 elgtis, jei nieko neb\u016bt\u0173 mat\u0119 ir mok\u0119si i\u0161 kit\u0173 k\u016bn\u0173? Ar, kalbant apie geism\u0105 ir malonum\u0105, tikrai b\u016btina ki\u0161ti lie\u017euv\u012f ir perd\u0117tai lai\u017eytis l\u016bpas? K\u0105 rei\u0161kia \u0161is judesys, kuriuo taip god\u017eiai ir demonstratyviai u\u017esiima \u0161ok\u0117jai mizanscenoje po spurg\u0173 valgymo? Akivaizdu, kad spektaklyje irgi keliamas toks klausimas. Pats pasirodymas jam duoda ir atkirt\u012f: pa\u010dios intymiausios akimirkos nutinka ma\u017eiausiai geismingose k\u016bn\u0173 pad\u0117tyse \u2013 kai vienas k\u016bnas u\u017esilipa ant kito tartum vaikas, kai smulkesnis k\u016bnas ant nugaros ne\u0161a sunkesn\u012f, kai du ilgai virp\u0117j\u0119 k\u016bnai susitinka ir net nesusiglaud\u0119 virpa kartu, kai visi k\u016bnai tiesiog sugula \u012f kr\u016bv\u0105 \u2013 \u012f bendr\u0105 k\u016bn\u0105? \u2013 ir b\u016bna.<\/p>\n

\"\"<\/a><\/p>\n

Reik\u0161ming\u0105 vaidmen\u012f spektaklyje atlieka k\u016bn\u0173 paveikslai. Tai didelio formato nuotraukos, jose \u2013 i\u0161didinti k\u016bn\u0173 fragmentai. Atrodo kaip tapybos darbai. I\u0161 vis\u0173 linij\u0173, sankaup\u0173, odos skirtum\u0173 sukurta tyra estetika. Nekyla n\u0117 vieno klausimo apie standartus \u2013 paveikslai moko gryno \u017ei\u016br\u0117jimo. Kai spektaklio pabaigoje dalis paveiksl\u0173 i\u0161guldoma tarp besiilsin\u010di\u0173, rimstan\u010di\u0173 \u0161ok\u0117j\u0173 k\u016bn\u0173, susideda odos, kaul\u0173, raumen\u0173 kra\u0161tovaizdis. Ir tie tiulio raukinukai, kurie kaip apgamai \u012fsi\u016bti po vien\u0105 kiekviename paveiksle, ne deformuoja ar papuo\u0161ia k\u016bnus, o tiesiog prat\u0119sia od\u0105, kvie\u010dia paliesti. \u012eterpti savo pla\u0161tak\u0105 \u012f paveikslo od\u0105. Visa tai, net keista, suveikia \u012fgalinan\u010diai. Skelbia ka\u017ek\u0105 pana\u0161aus \u012f Your body is enough<\/em>. Gal tai \u2013 nuvalkiota, bet sunkiai \u012fk\u016bnijama<\/em> \u017einut\u0117. Kartoti galima t\u016bkstan\u010dius kart\u0173.<\/p>\n

Labai tiksliai spektaklio \u017einutes transliuoja ir kostium\u0173 dailinink\u0117s Melinos Jusczyk kurti apdarai. Pirmieji, kaip tie paveikslai, su \u012fmantriais prat\u0119simais \u2013 tiulio raukiniais. Antrieji \u2013 i\u0161 tokio mink\u0161to ir plono k\u016bno spalvos trikota\u017eo, kad matyti kiekvienas virptel\u0117jimas ir prakaito d\u0117m\u0117s. Kostiumai LUSTOPI-joje \u0161oka ir perduoda k\u016bn\u0173 \u017einutes, beveik nieko neprid\u0117dami nuo sav\u0119s.<\/p>\n

\"\"<\/a><\/p>\n

\u012estrigo viena spektaklio LUSTOPIA mizanscena, kurioje k\u016bnai sueina \u012f vien\u0105 b\u016br\u012f, o j\u0173 vir\u0161utines dalis dengia paveikslai. Taigi \u017ei\u016brovams matyti tik apa\u010dia \u2013 nuo pilvo \u017eemyn, \u017eemyn nuo u\u017epakalio. T\u0117ra tik \u0161okan\u010dios, vaik\u0161tan\u010dios, tempiamos kojos ir sykiu judantys dubenys. \u0160launys ir j\u0173 istorijos. \u010cia spektaklis nuo k\u016bn\u0173 nubraukia veidus, asmenybes ir palieka \u017ei\u016brovus pab\u016bti su beasmeniais k\u016bn\u0173 fragmentais. Labai \u012fdomu, kad taip suskaldytam k\u016bno vaizdiniui nepavyksta pripir\u0161ti jokio vertinimo. Grynos kojos, nieko daugiau, labai gra\u017eu.<\/p>\n

Pana\u0161\u0173 u\u017emoj\u012f, regis, turi ir visa kartu su vokie\u010di\u0173 menininkais kurta LUSTOPIA, kurioje tikrai justi voki\u0161ko teatro tonacija, sunkumas. Teatro re\u017eisierius Robertas Wilsonas apie vokie\u010di\u0173 teatr\u0105 yra sak\u0119s: \u201eVokie\u010di\u0173 teatras yra labai intelektualus. Vokie\u010di\u0173 aktori\u0173 galvos visada labai sunkios, nes jie vis\u0105 laik\u0105 galvoja. Mano darbas yra artimesnis gyv\u016bn\u0173 elgsenai.\u201c[1]<\/a> B\u016btent \u0161\u012f proces\u0105 \u2013 i\u0161\u0117jim\u0105 i\u0161 galvoje gimusio k\u016bno paveikslo \u012f real\u0173, anatomin\u012f, neu\u017esim\u0105s\u010dius\u012f, gyv\u016bni\u0161k\u0105 ir savipakankam\u0105 savo k\u016bn\u0105 \u2013 ir pajutau spektaklyje LUSTOPIA.<\/p>\n

[1]<\/a> Spencer Bailey interviu, Robert Wilson on the Wonder to Be Found in Time, Space, and Light<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160okio spektaklyje LUSTOPIA tyrin\u0117jamas k\u016bni\u0161kumas. Tiesa, taip turb\u016bt galima pasakyti apie kiekvien\u0105 \u0161iuolaikinio \u0161okio darb\u0105 \u2013 \u012fprastai \u010dia k\u016bnai ne …<\/p>\n","protected":false},"author":2,"featured_media":16575,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nGryni k\u016bnai - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2024\/11\/06\/gryni-kunai\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gryni k\u016bnai - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"\u0160okio spektaklyje LUSTOPIA tyrin\u0117jamas k\u016bni\u0161kumas. 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