{"id":1670,"date":"2015-01-27T09:29:02","date_gmt":"2015-01-27T09:29:02","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/01\/27\/choreografas-hyginas-delimatas-menininkai-yra-sutverti-is-labai-duzios-materijos\/"},"modified":"2015-01-27T09:29:02","modified_gmt":"2015-01-27T09:29:02","slug":"choreografas-hyginas-delimatas-menininkai-yra-sutverti-is-labai-duzios-materijos","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/01\/27\/choreografas-hyginas-delimatas-menininkai-yra-sutverti-is-labai-duzios-materijos\/","title":{"rendered":"Choreografas Hyginas Delimatas: Menininkai yra sutverti i\u0161 labai du\u017eios materijos"},"content":{"rendered":"

Pokalbis su Kauno \u0161okios teatro \u201eAura\u201c premjerinio spektaklio \u201eBalta balto\u201c choreografu Hyginu Delimatu.<\/strong>
\n\"\"<\/p>\n

\u2013 Kur link pastaruoju metu krypsta j\u016bs\u0173 k\u016brybinis \u017evilgsnis ?<\/em><\/p>\n

Hyginas Delimatas: <\/strong>Jau kelet\u0105 met\u0173 seku modernizmo id\u0117jas. Esu suk\u016br\u0119s spektakl\u012f apie gyvenim\u0105 tarybiniuose daugiabu\u010diuose. Buvo \u012fdomu perkelti emocin\u0119 patirt\u012f \u012f \u0161okio kalb\u0105. I\u0161 \u0161io darbo kilo kita id\u0117ja, daugiau globali, apie modernistin\u0119 architekt\u016br\u0105. V\u0117liau ekspresionist\u0173 k\u016briniais paremtas darbas, dabar kita modernizmo kryptis \u2013 kubizmas. Tai tarsi grandinin\u0117 reakcija: vienas dalykas kyla i\u0161 kito. <\/p>\n

\u2013 Premjerinis spektaklis \u201eBalta balto\u201c – susidom\u0117jimo kubizmu i\u0161dava? Ar spektaklyje susikoncentruosite ties forma?<\/em><\/p>\n

H.D.: <\/strong>Taip, skiriu labai daug d\u0117mesio formoms. Noriu, kad jos b\u016bt\u0173 labai tikslios. \u0160is spektaklis yra vizuali\u0173j\u0173 men\u0173 vertimas \u012f \u0161okio kalb\u0105. Ta\u010diau taip pat yra daug universali\u0173 charakteristik\u0173, kurios b\u016bdingos \u0161iai meno kryp\u010diai. Jos revoliucingos, labai radikalios, paremtos romantin\u0117mis id\u0117jomis. Noriu kalb\u0117ti apie tai, ko mums \u0161iandien labai tr\u016bksta. Id\u0117j\u0173 tarsi ir yra, bet b\u016bti menininku \u2013 i\u0161rad\u0117ju, atsidavusiu vien tik k\u016brybai, lyg ir nebe\u012fmanoma. Tu turi b\u016bti ir menininku, ir vadybininku, ir vie\u0161\u0173j\u0173 ry\u0161i\u0173 specialistu vienu metu.<\/p>\n

Avangardo persona\u017eai dingo. Jie papras\u010diausiai nebegali daugiau egzistuoti. Kubizmo ir modernizmo eroje jie dar egzistavo. Kurdamas spektakl\u012f siekiau padaryti kuo tikslesn\u012f vertim\u0105, kuris perteikt\u0173 kubizmo jud\u0117jimo dvasi\u0105. Viliuosi, kad premjeriniame spektaklyje \u017ei\u016brovai tai pajus: per labai tiesioginius atspind\u017eius, taip pat, pristatant labai universalias vertybes. Nenoriu atidengti savo interpretacijos iki galo, nes tai \u017ei\u016brovo vaidmuo. <\/p>\n

\u2013 Ar esate pasiruo\u0161\u0119s priimti kritik\u0105?<\/p>\n

H.D.: <\/strong>Kritikai da\u017enai u\u017eduoda tokius skaud\u017eius klausimus, o paskui lyg niekur nieko sako: \u201eA\u0161 tik u\u017edaviau klausim\u0105, kod\u0117l j\u016bs taip supykote?\u201c. Menininkai sutverti i\u0161 labai du\u017eios materijos. Kai atiduodi tiek daug energijos, sukurti ka\u017ek\u0105 i\u0161 nieko, kritika labai \u017eeid\u017eia. Kuomet dar vyksta procesas – pats blogiausias laikas ko nors klausti k\u016br\u0117jo ar j\u012f kritikuoti. Tuo metu b\u016bnu labai jautrus ir emocionalus. \u017dinoma, jei a\u0161 \u017evelg\u010diau i\u0161 savo darb\u0105 i\u0161 \u0161alies, viskas atrodyt\u0173 kitaip. <\/p>\n

\u2013 Kauno \u0161okio teatrui suformavus tarptautin\u0119 trup\u0119, pasigirdo kritikos replik\u0173, kad lietuvi\u0173 trup\u0117je vos keli… Koks j\u016bs\u0173 po\u017ei\u016bris \u012f ne nacionaliniu pagrindu suformuot\u0105 trup\u0119?<\/p>\n

H.D.: <\/strong>Mano patirtis labai \u012fvairi, ta\u010diau daugiausiai teko dirbti tarptautiniuose projektuose ir trup\u0117se.
\nLenkijoje vis dar dominuoja nacionaliniu pagrindu sudarytos trup\u0117s. Toki\u0105 situacij\u0105 apsprend\u017eia ekonomin\u0117s prie\u017eastys, nes jei nori pakviesti ka\u017ek\u0105 i\u0161 u\u017esienio, turi u\u017etikrini pragyvenimo s\u0105lygas. Ma\u017ea to, lenk\u0173 visuomen\u0117 dar n\u0117ra pakankamai atvira kitatau\u010di\u0173 integracijai.<\/p>\n

\u0160okis – i\u0161skirtinai internacionalus menas savo prigimtimi. A\u0161 manau tai ne tik normalu, bet ir did\u017eiulis privalumas Lietuvos publikai. \u201eAura\u201c gali teikti auk\u0161\u010diausios prabos k\u016brybin\u012f produkt\u0105. Kiekvienas atvyk\u0119s k\u016br\u0117jas \u012fne\u0161a daug naujumo. Jie turi radikaliai skirtingus profesinius pagrindus, patirtis, mentalitet\u0105. Visa tai labai praturtina teatr\u0105.<\/p>\n

\u2013 Kokie \u0161iandienos k\u016br\u0117jo i\u0161\u0161\u016bkiai?<\/p>\n

H.D.: <\/strong>\u0160iandienos did\u017eioji problema yra tai, kad did\u017eiuliai informacijos srautai yra prieinami vienu metu. Tu turi nuolat persijungin\u0117ti nuo vienos informacijos prie kitos. Mes prab\u0117game pavir\u0161iumi, \u012f niek\u0105 nepanerdami pakankamai giliai. Esame \u201eFacebook’o\u201c karta. Mes turime per akimirk\u0105 \u012fvertinti tai, k\u0105 pamat\u0117me ir eiti prie kit\u0173 dalyk\u0173. <\/p>\n

Galb\u016bt d\u0117l to, kai kurios formos meno tampa labiau suprantamos ir priimtinos, kitos ma\u017eiau. \u0160is mechanizmas gimdo neger\u0105 tendencij\u0105: mes pagauname formas, kurios kalba ai\u0161kiau ar garsiau, bet neb\u016btinai kokybi\u0161kiau. Galb\u016bt… A\u0161 esu apm\u0105stym\u0173 procese.<\/p>\n

\u2013 Koki\u0105 matote n\u016bdienos menininko misij\u0105?<\/p>\n

H.D.: <\/strong>Galvoju, kad menas turi duoti \u017emogui poj\u016b\u010dius, kuri\u0173 jis negali gauti niekur kitur. Yra jausm\u0173 i\u0161gyvenim\u0173 spektras, nusakomas \u017eod\u017eiais. Bet yra toki\u0173 potyri\u0173, kuriuos nusakyti \u017eod\u017eiais \u2013 sunku arba ne\u012fmanoma. Taigi, yra dvi tendencijos. Menas suteikia galimyb\u0119 i\u0161pl\u0117sti ar atnaujinti \u0161i\u0173 poj\u016b\u010di\u0173 spektr\u0105. K\u016bryba leid\u017eia pa\u017evelgti \u012f t\u0105 savo pus\u0119, kuri\u0105 tu pamir\u0161ai tur\u012fs arba net ne\u017einojai turintis.<\/p>\n

\u2013 Pasitaiko komentar\u0173, kad \u0161iuolaikin\u012f \u0161okis yra menas menui. K\u0105 manote?<\/p>\n

H.D.: <\/strong>Jei menas geras, nekyla klausimas, ar tai menas \u2013 menui, ar menas \u2013 \u017emogui. Ir nesvarbu ar tai \u0161okis, ar dail\u0117, ar teatras. Tikras menas pasiekia \u017ei\u016brov\u0105. Pa\u017e\u012fstu daug \u017emoni\u0173, kurie patiria frustracijas, nes nesupranta \u0161iuolaikinio \u0161okio. A\u0161 manau, jie tiesiog nemat\u0117 ger\u0173 pastatym\u0173.<\/p>\n

\u2013 Spektaklis \u201eBalta balto\u201c retransliuos perversmo dvasi\u0105. O kod\u0117l tiesiog nesuk\u0117lus revoliucijos \u0161iandien?<\/p>\n

H.D.: <\/strong>Ka\u017ekas yra pasak\u0119s, kad revoliucija \u012fvyks per \u201eFacebook’o\u201c grup\u0119. Ne\u017einau, neturiu galvoje toki\u0173 stipri\u0173 id\u0117j\u0173, kad gal\u0117\u010diau \u012fsivaizduoti save kokios nors revoliucijos dalimi. Gyvenimas pernelyg patogus, kad jas keltume.<\/p>\n

\u2013 O mene? Kas toliau?<\/p>\n

H.D.: <\/strong>Kas bus toliau, sunku pasakyti Jei tur\u0117\u010diau toki\u0105 id\u0117ja, jau bu\u010diau garsus. Nor\u0117\u010diau j\u0105 tur\u0117ti.<\/p>\n

Nuotraukos autorius Pawe\u0142 Wyszomirski.<\/em><\/p>\n

Kauno diena<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Pokalbis su Kauno \u0161okios teatro \u201eAura\u201c premjerinio spektaklio \u201eBalta balto\u201c choreografu Hyginu Delimatu. \u2013 Kur link pastaruoju metu krypsta j\u016bs\u0173 …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nChoreografas Hyginas Delimatas: Menininkai yra sutverti i\u0161 labai du\u017eios materijos - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/01\/27\/choreografas-hyginas-delimatas-menininkai-yra-sutverti-is-labai-duzios-materijos\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Choreografas Hyginas Delimatas: Menininkai yra sutverti i\u0161 labai du\u017eios materijos - 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