{"id":1672,"date":"2015-02-09T13:51:49","date_gmt":"2015-02-09T13:51:49","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/02\/09\/aktualiju-vergai-siuolaikinio-sokio-scenoje\/"},"modified":"2015-02-09T13:51:49","modified_gmt":"2015-02-09T13:51:49","slug":"aktualiju-vergai-siuolaikinio-sokio-scenoje","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/02\/09\/aktualiju-vergai-siuolaikinio-sokio-scenoje\/","title":{"rendered":"Aktualij\u0173 vergai \u0161iuolaikinio \u0161okio scenoje"},"content":{"rendered":"

Sakoma, jog spektakliai b\u016bna dviej\u0173 tip\u0173: aktual\u016bs arba apie aktualijas. Daugum\u0105 j\u0173 norima priskirti pirm\u0173j\u0173 kategorijai. Lietuvos teatro sales lankant Auksinius scenos kry\u017eius skirstan\u010diai komisijai, \u201eMen\u0173 spaustuv\u0117je\u201c v\u0117l rinkosi \u0161iuolaikinio \u0161okio m\u0117g\u0117jai \u2013 rodyti spektakliai \u201eK.ID\u201c (chor. Erika Vizbarait\u0117, re\u017e. Gabriel\u0117 Jaugelyt\u0117) ir \u201eID:D&G\u201c (chor. Mantas Staba\u010dinskas ir Marius Pinigis). Jau tampantys tenedencija angli\u0161ki, asociatyv\u016bs pavadinimai pirmiausia skatina galvoti ne apie spektakli\u0173 menin\u0119 vert\u0119 ir aktualum\u0105, bet apie absurdi\u0161k\u0105 k\u016br\u0117j\u0173 baim\u0119 atsilikti nuo visuomen\u0117je greitai plintan\u010dios mados \u2013 vis ma\u017eiau bendrauti pilnais \u017eod\u017eiais ir vis daugiau trumpiniais.<\/p>\n

Abiejuose spektakliuose ry\u0161ki socialin\u0117 problematika. Choreograf\u0117s E. Vizbarait\u0117s ir re\u017eisier\u0117s G. Jaugelyt\u0117s spektaklis \u201eK.ID\u201c leid\u017eia \u017evelgti \u012f visuomen\u0117s engiamus ir ignoruojamus sluoksnius. Juodojoje scenoje \u012f nyki\u0105 kiemo s\u016bpyn\u0117se \u012fsitaisiusios minios (\u0161ok\u0117jai Greta Grinevi\u010di\u016bt\u0117, Sigita Jura\u0161kait\u0117, Telman Ragimov) kasdienyb\u0119 pro d\u016bm\u0173 debesis \u012fsiver\u017eia konvulsi\u0161kai judantis belytis individas (spektaklyje \u0161okanti aktor\u0117 Indr\u0117 Lencevi\u010di\u016bt\u0117). Disonansi\u0161kiems garsams r\u0117\u017eiant aus\u012f, \u017ei\u016brovui netenka ilgai klaid\u017eioti istorijos labirintais. Visas keturiasde\u0161imt minu\u010di\u0173 t\u0119sis taisyklinga ir primityvi \u201ekitokio\u201c ir minios bedravimo istorija: abipusis ignoravimas, baim\u0117, susipa\u017einimas, ty\u010diojimasis, garbinimas, euforija, o pripa\u017einus pastarojo pritapim\u0105 minioje, ir v\u0117l ignoravimas. Minia demonstruoja akrobatikos ant supyni\u0173 galimybes, pastar\u0173j\u0173 judesi\u0173 stilius eklekti\u0161kas, jie skaidomi \u012f atskiras bei neturin\u010dias login\u0117s sekos kombinacijas \u2013 asmenybi\u0173 n\u0117ra, jie \u2013 tik anonimi\u0161ki sraigteliai. Skirtingai nei min\u0117ti veik\u0117jai, lyg prisukamas \u017eaislas toje pa\u010di\u0173 judesi\u0173 amplitud\u0117je \u201eu\u017estrig\u0119s\u201c sve\u010dias sustingsta tik spektaklio pabaigoje, kai sinteti\u0161k\u0105 muzik\u0105 kei\u010dia o\u0161ian\u010dios j\u016bros garsai. Tik sustabd\u017eius gyvenimo ma\u0161inerij\u0105, gr\u012f\u017etama \u012f realyb\u0119. Mintis \u012fdomi, verta d\u0117mesio, ta\u010diau \u012fgyvendinta naiviai ir neatsakingai \u2013 primityviomis priemon\u0117mis pasakota nusp\u0117jama istorija, nepalikus prasminio p\u0117dsako, prasmenga atmintyje.<\/p>\n

\"\"<\/p>\n

Antrasis vakaro spektaklis \u201eID:D&G\u201c \u2013 tai \u0161ok\u0117j\u0173 ir choreograf\u0173 M. Staba\u010dinsko ir M. Pinigio \u012fgyvendinta id\u0117ja sukurti \u0161iuolaikinio \u0161okio spektakl\u012f apie XX a. ir XXI a. herojus. Pirmoji pora \u2013 Lietuvos patriotai lak\u016bnai Steponas Darius ir Stasys Gir\u0117nas, antroji \u2013 aprangos dizaineriai italai Domenico Dolce and Stefano Gabbana. \u0160i\u0173 dviej\u0173 spektaklio veik\u0117j\u0173 por\u0173 inicialai u\u017e\u0161ifruoti spektaklio pavadinime.<\/p>\n

\u017di\u016brovas patenka \u012f d\u016bmuose skendin\u010di\u0105 sal\u0119 \u2013 migloje pasiklydo ir Lituanica, o d\u016bmai pasiglem\u017e\u0117 lak\u016bn\u0173 svajon\u0119, perskriejus Atlant\u0105, pasiekti gimtin\u0119. Skambant Tinos Turner \u201eWe dont need another hero\u201c, i\u0161 tu\u0161\u010dios \u0161okio aik\u0161tel\u0117s \u012f avanscen\u0105 \u017eengia kombinezonus uniformas vilkintys M. Staba\u010dinskas ir M. Pinigis. Nedr\u0105siais, nekoordinuotais ir glebiais judesiais, \u017eiob\u010diodami skamban\u010dios dainos \u017eod\u017eius, \u0161ok\u0117jai u\u017emezga kontakt\u0105 su \u017ei\u016brovias. Neu\u017etikrinta ir nekonktreti prad\u017eia netgi sukelia gailest\u012f pasimetusiems \u0161ok\u0117jams.<\/p>\n

Lak\u016bn\u0173 istorijos fabula, atsisakant tiesiogini\u0173 nuorod\u0173, galb\u016bt pad\u0117sian\u010di\u0173 tiksliau atskleisti lak\u016bn\u0173 asmenybes, skaidoma \u012f dvi dalis. Pirmoji dalis \u2013 skrydis: daug pak\u0117lim\u0173, suktuk\u0173, rank\u0173 sukimo, imituojan\u010dio l\u0117ktuvo propeler\u012f, svorio centro perdavimai partneriui, nu\u0161lifuotas sinchronas. Atrodyt\u0173, net nelabai svarbu, kuris yra kuris, koks yra vienas ar kitas ir t.t. Taigi \u0161ok\u0117jai veikiau tampa didvyri\u0173 simboliais, o ne pa\u010diais didvyriais. Antroji dalis \u2013 lak\u016bn\u0173 krytis ir mirtis. \u0160ok\u0117jai, negal\u0117dami pakilti, \u0161liau\u017eioja, ropoja, vartosi, kreida pie\u0161dami skryd\u017eio \u017eem\u0117lap\u012f: skryd\u017eiui \u2013 kompasas, nelaimingam nusileidimui apra\u0161yti \u2013 \u201eBOOM\u201c ir kiti i\u0161tiktukai. Tai nuotrupos, kuriomis kaip punktyrais pasakojama istorija, o j\u0105 \u201esujungti\u201c turi \u017ei\u016brovas.<\/p>\n

U\u017esidegus \u0161viesai, balso \u012fra\u0161as skelbia, kad at\u0117jo metas atpl\u0117\u0161ti prie \u012f\u0117jimo \u012f sal\u0119 gautus vokus. Manajame buvo ironi\u0161kai pie\u0161inyje Dariaus ir Gir\u0117no skryd\u012f pavaizdavusio mokinio pasiai\u0161kinimas mokyklos direktoriui. \u0160is intarpas ver\u010dia tik \u0161yptelti ir g\u016b\u017e\u010dioti pe\u010diais: ar jis tik tam, kad atlik\u0117jai sp\u0117t\u0173 apsiauti auk\u0161takulnius batus? \u0160ok\u0117jai pertvarko ir scen\u0105: atpl\u0117\u0161us juodas lipnias juostas, avanscenoje atsiranda baltomis juostomis nu\u017eym\u0117tas podiumas, kuriuo \u0161ioje dalyje \u017eygiuos jau ne Darius ir Gir\u0117nas, o staipysis besim\u0117gaujan\u010di\u0173 \u0161love homoseksuali\u0173 dizaineri\u0173 duetas Dolche ir Gabbana.<\/p>\n

\"\"<\/p>\n

Spektaklis nuo pirmosios premjeros gerokai patobulintas: keit\u0117si apranga, apjungtos ir dviej\u0173 por\u0173 istorijos, atsisakyta tiesmuk\u0173 \u017eenkl\u0173. Prie\u0161ingai \u2013 k\u0105 tik apraudotais t\u0117vyn\u0117s herojais buv\u0119 lak\u016bnai, i\u0161vaizd\u017eiai beveik nepasikeit\u0119, kei\u010diant plastik\u0105, \u012fgauna visai kitas tapatybes. Kvestionuojama \u2013 k\u0105 \u0161iandien galime pavadinti herojumi? Ar tautos didvyrius, ar auk\u0161tosios mados genijus? Spektaklio finale ant scenos grind\u0173 kreida u\u017era\u0161oma fraz\u0117: \u201eToo rare to die\u201c. Tai heroj\u0173, homoseksual\u0173 ar \u0161ok\u0117j\u0173 manifestas?<\/p>\n

Nors pasaulis \u0161iuo metu gyvena ly\u010di\u0173 lygyb\u0117s aktualijomis, feministin\u0117mis temomis prabyla ne alternatyvi\u0173 visuomen\u0117s sluoksni\u0173 atstovai, o pop<\/em> kult\u016bros stabai, Lietuvoje dar toli gra\u017eu ne \u0161i\u0173 tem\u0173 eil\u0117. \u0160iuo metu Lietuvoje ypa\u010d intensyvus seksualini\u0173 ma\u017eum\u0173 sujudimas. Lyg nor\u0117dami susigrumti su stereotipine tamsuolio pasaul\u0117\u017ei\u016bra, spektaklio k\u016br\u0117jai scenoje rodo b\u016btent tai, prie ko n\u0117ra priprat\u0119s, \u012f k\u0105 \u017ei\u016br\u0117damas nepatogiai muistosi \u017ei\u016brovas: juk lietuvi\u0173 \u0161okio pasaulyje n\u0117ra \u012fprasta matyti poroje \u0161okian\u010dius vyrus.<\/p>\n

B\u016bk\u0161tauti, kad spektakliai neprovokuoja vie\u0161\u0173 diskusij\u0173 ir gin\u010d\u0173, neverta. Galb\u016bt spektaklio \u201eID:D&G\u201c prad\u017eioje skamb\u0117jusios dainos \u201eWe don\u2018t need another hero\u201c \u017eod\u017eiuose yra tiesos ir herojai\/nepritap\u0117liai mums nebe\u012fdom\u016bs? Juk \u0161iandieniniame populizmu alsuojan\u010diame pasaulyje tuo \u201eherojumi\u201c gali tapti bet kas ir toki\u0173 vienadieni\u0173 \u201e\u017evaig\u017ed\u017ei\u0173\u201c absurdi\u0161ki gyvenimo vingiai \u012fdom\u016bs tik televizini\u0173 aktualij\u0173 vergams. O tokie \u012f teatr\u0105 retai u\u017eklysta.<\/p>\n

Svetlanos Baturos ir Audriaus Kacelavi\u010diaus nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Sakoma, jog spektakliai b\u016bna dviej\u0173 tip\u0173: aktual\u016bs arba apie aktualijas. Daugum\u0105 j\u0173 norima priskirti pirm\u0173j\u0173 kategorijai. Lietuvos teatro sales lankant …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nAktualij\u0173 vergai \u0161iuolaikinio \u0161okio scenoje - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/02\/09\/aktualiju-vergai-siuolaikinio-sokio-scenoje\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aktualij\u0173 vergai \u0161iuolaikinio \u0161okio scenoje - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Sakoma, jog spektakliai b\u016bna dviej\u0173 tip\u0173: aktual\u016bs arba apie aktualijas. 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