{"id":1682,"date":"2015-03-04T13:51:20","date_gmt":"2015-03-04T13:51:20","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/03\/04\/orvelas-baumanas-pina-ir-aura\/"},"modified":"2015-03-04T13:51:20","modified_gmt":"2015-03-04T13:51:20","slug":"orvelas-baumanas-pina-ir-aura","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/03\/04\/orvelas-baumanas-pina-ir-aura\/","title":{"rendered":"Orvelas, Baumanas, Pina ir Aura"},"content":{"rendered":"<p>Vilniaus-Kauno dipolio id\u0117ja vis dar kartais prisimenama va\u017eiuojant \u0161iuodu miestus jungian\u010diu greitkeliu. Lygiai taip pat kartais Kauno menas u\u017eklysta \u012f Vilni\u0173. \u0160\u012f kart\u0105 toks u\u017eklyd\u0117lis \u2013 Kauno \u0161okio teatro \u201eAura\u201c \u0161okio spektaklis \u201ePadaryk i\u0161 man\u0119s jungikl\u012f\u201c, \u012f kur\u012f vasario 27d. jaunatvi\u0161k\u0105 publik\u0105 sukviet\u0117 Men\u0173 spaustuv\u0117.<\/p>\n<p>Spektaklio premjera \u012fvyko beveik prie\u0161 metus, 2014m. baland\u012f, \u0161iuolaikin\u0117s muzikos festivalyje \u201eJauna muzika\u201c. D\u017eiugu, kai \u0161iuolaikinio \u0161okio, o kartais \u2013 ir \u0161iuolaikinio cirko spektakliai rodomi muzikos, teatro, dail\u0117s, kino ir kit\u0173 meno sri\u010di\u0173 kontekste. Tam jis ir \u0161iuolaikinis \u2013 kad atliept\u0173 postmodernistin\u012f \u0161iandienos tarpdisciplini\u0161kum\u0105, kad sujungt\u0173 nesujungiamus \u017eanrus, temas, sritis, \u017emones.<\/p>\n<p>\u201ePadaryk i\u0161 man\u0119s jungikl\u012f\u201c \u2013 puikus pavadinimas, \u017ei\u016brovo s\u0105mon\u0117je u\u017emetantis kabliuk\u0105, tykant\u012f u\u017e kokios nors prasm\u0117s \u2013 jungties su savimi? su kitu? su Dievu? Pasiskai\u010dius spektaklio apra\u0161ym\u0105 t\u0173 galim\u0173 prasmi\u0173 spektras kiek suma\u017e\u0117ja, si\u016bloma nusisukti nuo dvasingumo ir k\u016bni\u0161kumo ir atsigr\u0119\u017eti \u012f visuomen\u0117je kerojant\u012f mechani\u0161kum\u0105: \u201evienas kit\u0105 pranokstantys -izmai bruka naujas tiesas ir skelbia nauj\u0173 diev\u0173 er\u0105. Er\u0105, kurioje \u017emogaus vert\u0119 nustatome jau ne mes patys, o sistema, kuri\u0105 mes arba atitinkame, arba ne. Esame matuojami centimetrais rei\u0161kiamomis apimtimis, prekiniais \u017eenklais ar perkam\u0105ja galia\u201c.<\/p>\n<p>Vos girdimos orveli\u0161kos nuojautos spektakliui \u012fsisi\u016bbuojant \u012fgavo vis daugiau dramati\u0161kumo. Naujoji \u201eAuros\u201c trup\u0117 stipriai ir su entuziazmu pie\u0161\u0117 scenoje apokaliptinius choreograf\u0117s Birut\u0117s Letukait\u0117s reg\u0117jimus, apokalipti\u0161kus savo tvarka, sinchronu, tiesmukumu. Tarsi vorel\u0117 apleist\u0173 Pinos Bausch mokini\u0173 Wimo Wenderso filme \u201ePina\u201c, tarsi juodieji \u0161achmat\u0173 p\u0117stininkai \u201eTen Walls\u2018\u0173\u201c pasivaik\u0161\u010diojimo su drambliais klipe, \u0161ok\u0117jai jud\u0117jimo trajektorijomis pyn\u0117 grup\u0117s jud\u0117jimo audin\u012f jungdamiesi erdv\u0117je ir v\u0117l i\u0161siskirdami, \u012fsijungdami \u012f vienas kito \u201ekelion\u0119\u201c ir si\u016blydami prisijungti kitiems. Tarsi daugiabu\u010dio elektros skydin\u0117je scenoje pyn\u0117si ir jung\u0117si skirtingos \u012ftampos, skirtingos rai\u0161kos, spalvos ir stiprumo  asmenyb\u0117s, li\u016bliuodamos ir hipnotizuodamos \u017ei\u016brovus-vaikus tarsi vis dar nenukabinta kal\u0117din\u0117 dainuojanti girlianda.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Laura_Vanseviciene_Jungiklis_4_490x327.jpg\" width=\"490\" height=\"327\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Laura_Vanseviciene_Jungiklis_4.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>\u201ePadaryk i\u0161 man\u0119s jungikl\u012f\u201c \u2013 puikus pavadinimas, netiesiogiai ver\u010diantis ie\u0161koti, \u012f k\u0105 \u010dia kreipiamasi su tokiu drasti\u0161ku pra\u0161ymu. Daug nesidairius scenos kairiajame kamputyje buvo galima pamatyti \u201eketurrank\u0119 sistem\u0105\u201c, kuri i\u0161 ties\u0173 vald\u0117 spektakl\u012f visomis prasm\u0117mis. Tai choreograf\u0117 B.Letukait\u0117 ir kompozitoriua Antanas Jasenka, \u012fsitaisius\u0119 prie balto did\u017e\u0117jaus stalo ir \u010dia ir dabar fizi\u0161kai bei ka\u017ekur ir ka\u017ekada mentali\u0161kai jungin\u0117jan\u010dius \u0161ok\u0117j\u0173 k\u016bnus. I\u0161skyrus gerokai per stipr\u0173 gars\u0105 (ar tikrai b\u016btina garso bangomis tiesiogiai drebinti \u017ei\u016brov\u0173 skrand\u012f, kad suvirpintum siel\u0105?) muzikinis sprendimas netur\u0117jo palikti abejing\u0173: \u012fsiurb\u0117, \u012fmurkd\u0117, pakyl\u0117jo, atpalaidavo ir v\u0117l \u012fsuko, v\u0117l var\u0117 vorele \u012f priek\u012f.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Laura_Vanseviciene_Aura_Jungiklis-4597_490x327.jpg\" width=\"490\" height=\"327\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Laura_Vanseviciene_Aura_Jungiklis-4597.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>Ta\u010diau did\u017eiausia \u0161io spektaklio vinis, ant kurios jau i\u0161 anksto buvo si\u016bloma pasikabinti did\u017eiules pasitenkinimo viltis \u2013 unikalus, Lietuvoje sukurtas technologinis i\u0161radimas Motus \u2013 belaidis prietaisas, ver\u010diantis \u0161ok\u0117jo judesius \u012f muzik\u0105. Teigiama, kad technologija registruoja atlik\u0117jo judesio duomenis, o gest\u0173 atpa\u017einimo algoritmai jiems suteikia muzikin\u0119 reik\u0161m\u0119. Technologija sukurta <a href=\"http:\/\/tzm.lt\/motus\">TZM K\u016brybin\u0117je Laboratorijoje<\/a>. Pla\u010diau pasiskai\u010dius apie Motus (kuris premjeros metu dar buvo vadinamas lietuvi\u0161kai \u201eDesys\u201c, nuo \u017eod\u017eio \u201eJudesys\u201c) norisi ir pa\u010diam tok\u012f \u017eaisliuk\u0105 i\u0161m\u0117ginti \u2013 \u012fjungti vis\u0105 aplink esan\u010di\u0105 erdv\u0119, gest\u0173 kalba prakalbinti \u0161iaip jau nebyl\u0173 or\u0105, \u012fgarsinti pa\u010dius gestus. \u012e garsines odis\u0117jas su tokiu Motus gal\u0117t\u0173 i\u0161siruo\u0161ti ne tik did\u017e\u0117jai ir \u0161ok\u0117jai, bet vis\u0173 pirma vaikai, tokiu smagiu b\u016bdu galintys tyrin\u0117ti ritm\u0105, melodij\u0105, harmonij\u0105, tyl\u0105, chaos\u0105, o svarbiausia \u2013 savo pa\u010di\u0173 judesi\u0173 plastik\u0105 ir emocij\u0173 kait\u0105. Tiesa, scenoje \u0161iuo aparatu pa\u017eaisti buvo leista tik dviem \u0161ok\u0117jams. Tod\u0117l Motus \u010dia buvo pristatytas labiau kaip naujo dievo stabas, kur\u012f atsargiai apne\u0161a aplink susirinkusius garbintojus. Nor\u0117josi daugiau \u012fvairesn\u0117s ekspresijos, daugiau tyrin\u0117jimo, daugiau kaitos \u2013 nuo vieno Motus iki po vien\u0105 Motus kiekvienam \u0161ok\u0117jui ar net kiekvienai \u0161ok\u0117jo gal\u016bnei. \u0160tai \u010dia jau b\u016bt\u0173 i\u0161 ties\u0173 sistema, matrica, kurioje galima pamesti galv\u0105 besiai\u0161kinant kas k\u0105 valdo, kas k\u0105 \u012fjungia ir i\u0161jungia \u2013 judesys gars\u0105 ar garsas judes\u012f, \u017emogaus mintis aparato galimybes ar atvirk\u0161\u010diai.<\/p>\n<p>Neseniai interneto dienra\u0161tyje Bernardinai.lt pasirod\u017eiusiame gyvojo filosofijos klasiko Zygmundo Baumano straipsnyje kaip tik kalbama apie smarkiai \u012f priek\u012f savo ne\u017eabotomis galimyb\u0117mis nuskub\u0117jusias technologijas ir smarkiai joms u\u017e nugaros atsiliekan\u010di\u0105 \u017emonijos vaizduot\u0119. \u010cia jis cituoja G. Anders\u0105: \u201e\u0160iandien m\u016bs\u0173 b\u0117d\u0173 \u0161aknys yra m\u016bs\u0173 j\u0117ga Herstellen (vok. k. herstellen \u2013 gaminti, i\u0161leisti), kuri vystosi daug spar\u010diau nei m\u016bs\u0173 j\u0117ga Vorstellen (vok. k. vorstellen \u2013 statyti priekyje, \u012fsivaizduoti). (&#8230;) M\u016bs\u0173 sugeb\u0117jimas daryti dalykus vystosi ne\u012ftik\u0117tinai greitesniais tempais, negu m\u016bs\u0173 sugeb\u0117jimas \u012fsivaizduoti to, k\u0105 darome, pasekmes. (&#8230;) \u0160iuo metu, kaip \u017einote, technologijos kei\u010dia viena kit\u0105 itin greitai, ir taip atver\u010dia nauj\u0105 istorijos puslap\u012f: gen\u0173 in\u017einerija, individuali\u0173 \u017emoni\u0173 transformacija manipuliuojant genais. Mes labai did\u017eiuojam\u0117s tuo, k\u0105 m\u016bs\u0173 Herstellen j\u0117ga padar\u0117 \u0161ioje srityje, bet tiksliai ne\u017einome, koks bus rezultatas, koks bus poveikis \u017emoni\u0173 gyvenimui, papras\u010diausiai d\u0117l to, kad m\u016bs\u0173 Vorstellen \u2013 sugeb\u0117jimas \u012fsivaizduoti, nusp\u0117ti, numatyti lieka toli u\u017e nugaros.\u201c<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Laura_Vanseviciene_Jungiklis_3_490x327.jpg\" width=\"490\" height=\"327\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Laura_Vanseviciene_Jungiklis_3.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>\u201ePadaryk i\u0161 man\u0119s jungikl\u012f\u201c \u2013 puikus pavadinimas, taikliai smingantis \u012f tarptautin\u012f \u0161iandienos kontekst\u0105, kai automati\u0161kai lepteltas prie\u017eodis \u201ebus t\u0173 (&#8230;), gi ne karo metai\u201c nety\u010dia u\u017esilieka aus\u0173 ir smegen\u0173 labirintuose ilgiau nei nor\u0117tum. O kai keli \u017eod\u017eiai ar \u0161ok\u0117j\u0173 judesiai atidengia, apnuogina mus supan\u010dioje erdv\u0117j\u0119 kontekst\u0173, \u012fvyki\u0173, emocij\u0173 jungtis, pary\u0161kina u\u017esiv\u0117lusias prie\u017eastis, prad\u017eias, pirmuosius \u017eingsnius ir \u012f hipotetines, kol kas tik \u0161okio pasaulyje besirealizuojan\u010dias pasekmes \u2013 tai jau \u0161is tas. Tai jau paraginimas galvoti, jud\u0117ti, sinchronizuotis, sustoti savo galva. Nelikti tik vienspalviu daugiabu\u010dio skydin\u0117s laideliu, kur\u012f tiesiog \u0161iaip savo malonumui u\u017etrumpins visagalis elektrikas, pana\u0161us \u012f t\u0105, kur\u012f savo pjes\u0117je \u201eDemokratija\u201c taikliai apra\u0161\u0117 Mindaugas Nastaravi\u010dius.<\/p>\n<p><em>Lauros Vansevi\u010dien\u0117s nuotraukos<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vilniaus-Kauno dipolio id\u0117ja vis dar kartais prisimenama va\u017eiuojant \u0161iuodu miestus jungian\u010diu greitkeliu. Lygiai taip pat kartais Kauno menas u\u017eklysta \u012f &#8230;<\/p>\n","protected":false},"author":1,"featured_media":1683,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Orvelas, Baumanas, Pina ir Aura - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/03\/04\/orvelas-baumanas-pina-ir-aura\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Orvelas, Baumanas, Pina ir Aura - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Vilniaus-Kauno dipolio id\u0117ja vis dar kartais prisimenama va\u017eiuojant \u0161iuodu miestus jungian\u010diu greitkeliu. 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