{"id":1684,"date":"2015-03-09T21:49:05","date_gmt":"2015-03-09T21:49:05","guid":{"rendered":"http:\/\/dance.lt\/new\/2015\/03\/09\/kodel-moterys-yra-daug-idomesnes-vyrams-negu-vyrai-moterims\/"},"modified":"2015-03-09T21:49:05","modified_gmt":"2015-03-09T21:49:05","slug":"kodel-moterys-yra-daug-idomesnes-vyrams-negu-vyrai-moterims","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2015\/03\/09\/kodel-moterys-yra-daug-idomesnes-vyrams-negu-vyrai-moterims\/","title":{"rendered":"Kod\u0117l moterys yra&#8230; daug \u012fdomesn\u0117s vyrams negu vyrai moterims?"},"content":{"rendered":"<p>Pro pilko m\u016bro dang\u0173 vien\u0105 kit\u0105 kart\u0105 \u0161yptel\u0117jus saulei moterys pasitrumpina paltukus, pasiplonina p\u0117dkelnes, atidengia galvas, pasiry\u0161kina l\u016bpas ir eina gatv\u0117mis smarkiau \u0161ypsodamos pa\u010dios sau ir veidrodin\u0117ms vitrinoms. Prasideda kovo 8-oji! Laikas nuo laiko \u0161i\u0105 diena moterys solidarizuodavosi ir i\u0161eidavo \u012f gatves reikalaudamos sutrumpinti darbo dien\u0105, padidinti atlyginimus, suteikti rinkim\u0173 teis\u0119. \u0160iandien, pana\u0161u, jog did\u017eium\u0105 teisi\u0173, laisvi\u0173 ir lygybi\u0173 jau turime. Galime d\u0117v\u0117ti kelnes, fotografuotis nuogos i\u0161 i\u0161or\u0117s ir i\u0161 vidaus, vairuoti boingus, bu\u010diuoti vienos kitas, mokytis arba nesimokyti, keliauti, geisti, imti. Vartoti ir b\u016bti vartojamos milijardus b\u016bd\u0173.<\/p>\n<p>Min\u0117tos moter\u0173 solidarumo \u0161vent\u0117s i\u0161vakar\u0117se (kovo 5-\u0105j\u0105) Petras Lisauskas, \u0161iuolaikinio \u0161okio spektaklio apie moteris \u201eKlubas\u201c choreografas, Vilniaus publik\u0105 apipyl\u0117 retoriniais klausimais: \u201eKokias socialines roles, kokias atsakomybes moteris turi prisiimti, pateisinti? Kokius stereotipus turi sulau\u017eyti, o kokius i\u0161saugoti? Kurias vertybes turi \u012ftvirtinti, o kurias paneigti, savo gyvenimo pavyzd\u017eiu?\u201c. Nebuvo sunku atpa\u017einti ir suskai\u010diuoti, kiek ir koki\u0173 kauki\u0173 moterims priskyr\u0117 vyras k\u016br\u0117jas: draug\u0117, sesuo, karjerist\u0117, mokin\u0117, sportinink\u0117, maneken\u0117, kar\u0117, kat\u0117, sekretor\u0117, \u0161ok\u0117ja, aktor\u0117, mokytoja, motina. Aprengtos baltais r\u016bbais scenoje visas jas \u012fk\u016bnijo trys \u0161ok\u0117jos ir aktor\u0117 \u2013 Agnija \u0160eiko, Laura Gera\u0161\u010denko, Dovil\u0117 Binkauskait\u0117 ir Justina Jukonyt\u0117. Visuomen\u0117s kritika taikliai \u0161aud\u0117 aplink, i\u0161moningai tarsi gyvieji kelio \u017eenklai prie\u0161 akis i\u0161kildavo stilizuotos moters gyvenimo metaforos. Ta\u010diau i\u0161buvus spektakl\u012f, tarsi moters \u012fsik\u016bnijim\u0173 enciklopedij\u0105, i\u0161\u0117jau taip ir negavusi choreografo pasi\u016blymo \u2013 tai k\u0105 gi daryti? Suktis kaip voverei ratu, \u0161okin\u0117ti kaip prisuktai per virvut\u0119, dr\u0105skyti nagais viena kitos veid\u0105, stov\u0117ti nuolankiai eil\u0117je prie \u0161velnumo ar temptis ir stieptis tol, kol nukrisiu? Taip, tai t\u0117ra tikrojo gyvenimo parodija. Ta\u010diau paties choreografo publikai ir grei\u010diausiai \u0161ok\u0117joms u\u017eduotas klausimas \u2013 \u201eKokias ribas ie\u0161kan\u010diai moteriai savyje reikia atrasti, kurias i\u0161 j\u0173 per\u017eengti, kad savyje pa\u017eadint\u0173 laukin\u0119 moter\u012f, moter\u012f gundytoj\u0105, moter\u012f heroj\u0119, moter\u012f k\u016br\u0117j\u0105, moter\u012f gimdytoj\u0105, moter\u012f motin\u0105, moter\u012f deiv\u0119?\u201c \u2013 lieka kyboti ore net nepabandytas atsakyti. Taip, ribos ap\u010diuopiamos ir ilgai \u010diupin\u0117jamos, bet kas u\u017e j\u0173 \u2013 nesmalsaujama.<\/p>\n<p>Spektaklyje \u201eKlubas\u201c nuo pat pirmos akimirkos su\u017eavi scenografija. Gryna, \u0161vari ir ypatingai talpi koncepcija \u2013 ma\u017edaug ties blauzd\u0173 viduriu pakeltos tvarkingai sulygiuotos baltos storos gumos scenoje gula tarsi nepriekai\u0161tingai subrai\u017eytos dienora\u0161\u010dio linijos, ant kuri\u0173 spektaklio metu u\u017era\u0161omi keturi\u0173 moter\u0173 vidinio pasaulio monologai, kartais persipinantys \u012f intensyv\u0173 socialin\u012f polilog\u0105. Atid\u017eiau \u012fsi\u017ei\u016br\u0117jus gumos virsta stygomis, plaukimo ar b\u0117gimo takeliais, apimtis matuojan\u010diu metru, barokin\u0117s suknel\u0117s karkasu ar penkiasde\u0161im\u010dia pilk\u0173 kankinimo \u012franki\u0173. Duo\u010diau kry\u017ei\u0173, jei tur\u0117\u010diau, u\u017e scenografin\u012f sprendim\u0105, u\u017e jo paprastum\u0105 ir opti\u0161kum\u0105 (oparto brai\u017e\u0105).<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Klubas_489x326.jpg\" width=\"489\" height=\"326\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Klubas.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>Garsus amerikie\u010di\u0173 oparto dailininkas Yaakovas Agamas \u0161i\u0105 XX a. septintajame de\u0161imtmetyje atsiradusi\u0105 i\u0161rai\u0161k\u0105 apib\u016bdino kaip galimyb\u0119 kurti dinami\u0161kum\u0105 paveiksluose: \u201eMes atsisveikinome su senu stati\u0161ku abstrak\u010diu paveikslu, optinis menas yra aki\u0173 nuotykis. (&#8230;) Dematerializuotos formos grynumas dvejopai veikia suvok\u0117j\u0105: pirmiausia ritmas suaktyvina percepcinius poj\u016b\u010dius, o v\u0117liau prisitaikoma prie formos atvirumo ir intensyvumo. \u0160is emocinis pasikeitimas skatina meditacinius poj\u016b\u010dius. Ypatingas d\u0117mesys paveiksle skiriamas \u0161viesos \u0161altiniui. Paprastai ap\u0161vietimas sklinda i\u0161 vieno konkretaus ta\u0161ko, esan\u010dio kairiajame vir\u0161utiniame kampe.\u201c Lietuvoje turime nuostab\u0173 optinio meno atstov\u0105 Kaz\u012f Varnel\u012f, kurio opartin\u0117s drob\u0117s \u012ftraukia stebint\u012fj\u012f tarsi tykantys industriniai akivarai. Visgi, spektaklyje \u201eKlubas\u201c stripriai pritr\u016bko citatoje min\u0117to \u0161viesos \u0161altinio. Scena ir scenografija buvo ap\u0161viestos ry\u0161kiai, netgi \u2013 per ry\u0161kiai, n\u0117 kiek neflirtuojant su ap\u0161viet\u0117ju. Lietuvoje vis dar \u012fprasta spektakl\u012f pirm\u0105 kart\u0105 ap\u0161viesti kone premjeros i\u0161vakar\u0117se. \u0160okio k\u016br\u0117jai vis dar per aplaid\u017eiai \u017ei\u016bri \u012f mil\u017eini\u0161k\u0105 potencial\u0105 talpinant\u012f ap\u0161viet\u0117jo pult\u0105. Vis dar negaliu pamir\u0161ti \u0161iuolaikinio \u0161okio ir cirko k\u016br\u0117jo Aurelieno Bory, kuris savo spektakliuose, naudodamas tik pat\u012f elementariausi\u0105 vienspalv\u012f pro\u017eektori\u0173, i\u0161 jo i\u0161gauna i\u0161tisus magi\u0161kus pasaulius, nes repetuoja su \u0161vies\u0173 dailininku ir su dramaturgu nuo pirm\u0173j\u0173 spektaklio k\u016brimo minu\u010di\u0173. <\/p>\n<p>Visgi gr\u012f\u017ekime prie spektaklio \u201eKlubas\u201c pagrindin\u0117s minties \u2013 moters. Choreografas P. Lisauskas tarsi si\u016blo nubraukti ant gyvenimo prekystalio i\u0161d\u0117liotus \u012fprastus moters vaidmenis ir pasikuitus pas\u0105mon\u0117s sand\u0117liuke i\u0161sitraukti ir apsivilkti moters-vilk\u0117s kostium\u0105. Kaip jau netrukote suprasti, tai aliuzija \u012f \u0161iuo metu tarp moter\u0173 populiari\u0105 mokslinink\u0117s, poet\u0117s, cantadoros (sen\u0173j\u0173 tradicini\u0173 Lotyn\u0173 Amerikos pasakojim\u0173 saugotojos) ir psichoanaliz\u0117s specialist\u0117s Dr. Clarissos Pinkolos Estesos knyg\u0105 \u201eB\u0117gan\u010dios su vilkais\u201c. Ji teigia, kad sveika moteris pana\u0161i \u012f sveik\u0105 vilk\u0119: \u017eaisminga, atsidavusi, pasi\u017eyminti a\u0161triais poj\u016b\u010diais, smalsi, stipri ir i\u0161tverminga, sugebanti greitai prisitaikyti prie besikei\u010dian\u010di\u0173 aplinkybi\u0173. Puikus apra\u0161ymas, ar ne? Ta\u010diau tai jau knygos sufleruojama kryptis, bet ne spektaklio. \u0160is, tuo tarpu, baigiasi ten, kur ir prasid\u0117jo \u2013 vidini\u0173 ir i\u0161orini\u0173 rib\u0173 voratinklyje, kit\u0173 ir savo pa\u010dios l\u016bkes\u010di\u0173 pinkl\u0117se. Puiki paskutin\u0117 spektaklio scena \u2013 \u012ftamp\u0173 gniutule skausmingai ma\u017ea trajektorija juda balerina \u2013 lau\u017eoma ir l\u016b\u017etanti. Beval\u0117s pla\u0161tak\u0117s mirties giesm\u0117. Graudu, stipru, gra\u017eu. Ta\u010diau \u2013 na ir kas? Na ir k\u0105 tu, vyre, si\u016blai man, moteriai? Kod\u0117l neklausi ir neleidi man, \u0161iuo atveju \u2013 mums, keturioms skirtingo am\u017eiaus, patirties, charakterio, i\u0161vaizdos ir sieki\u0173 moterims, klausti \u2013 o kas u\u017e t\u0173 rib\u0173, u\u017e t\u0173 gum\u0173? Kas jas \u012ftemp\u0117 b\u016btent taip, kas \u012fstat\u0117 mus \u012f j\u0173 tarpus? Kod\u0117l palikai kapanotis baltame aktyviame vyri\u0161kame \u201ejang\u201c tarsi operacin\u0117je, izoliuotoje nuo bet kokio mums b\u016bdingo tamsiojo \u201ein\u201c? Kod\u0117l sakai, kad nori kalb\u0117ti apie harmonij\u0105, bet nulau\u017ei kit\u0105 svarstykli\u0173 pus\u0119, kad jos net teori\u0161kai nebegal\u0117t\u0173 b\u016bti i\u0161tiesintos? Kam atjungi mus nuo pasaulio, gamtos, kult\u016bros, vyr\u0173, vaik\u0173, dievo? Nes m\u016bs\u0173 pasekm\u0117s, netek\u0119 prie\u017eas\u010di\u0173, nieko apie mus nebepasako. Neu\u017etenka tik nufotografuoti mus kertant fini\u0161\u0105, dar b\u016bt\u0173 nepro\u0161al nupaveiksluoti mus m\u016bs\u0173 starto akimirk\u0105 ir palyginti. Tik tada, turint du polius galima sukurti \u012ftamp\u0105.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Klubas_2_490x328.jpg\" width=\"490\" height=\"328\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Klubas_2.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>Sakoma, moteri\u0161kas filmas, moteri\u0161ka knyga, moteri\u0161ka tema. Norite \u017einoti, kas man i\u0161 ties\u0173 yra moteri\u0161ka? Virginia Woolf ir jos romanas \u201e\u012e \u0161vytur\u012f\u201c: \u201eKvadratin\u0117mis ir kubin\u0117mis \u0161aknimis, apie tai jie dabar kalb\u0117jo, apie Volter\u0105 ir madam de Stal, apie Napoleono charakter\u012f, apie pranc\u016bzi\u0161k\u0105 \u017eem\u0117s valdymo sistem\u0105, apie lord\u0105 Rouzber\u012f, apie Krivio atsiminimus: ji leidosi palaikoma ir stiprinama \u0161io pasig\u0117r\u0117tino audimo vyri\u0161ko proto, proto, judan\u010dio auk\u0161tyn \u017eemyn, skersai i\u0161ilgai, tarsi gele\u017ein\u0117mis sijomis sujungian\u010dio si\u016bbuojant\u012f audin\u012f, i\u0161laikan\u010dio pasaul\u012f, tad ji gal\u0117jo juo visi\u0161kai pasitik\u0117ti.\u201c Spektaklyje \u201eKlubas\u201c buvo pasi\u016blytos tvirtos baltos logi\u0161kos sijos, ta\u010diau audinys i\u0161\u0117jo perd\u0117m geometri\u0161kas, tvarkingas, taisyklingas, nusp\u0117jamai nub\u0117gantis \u012f tol\u012f. Dailus pie\u0161inys, tik per ma\u017eai spalv\u0173, iki galo \u012ftikinan\u010di\u0173, kad k\u0105 tik a\u0161 pati buvau \u010dia ant scenos visiems prie\u0161 akis sukurta, i\u0161spr\u0119sta ir paaukota.<\/p>\n<p><img loading=\"lazy\" src=\"http:\/\/dance.lt\/files\/images\/920077\/Klubas_3_490x326.jpg\" width=\"490\" height=\"326\" alt=\"\" data-large=\"http:\/\/dance.lt\/files\/images\/920077\/Klubas_3.jpg\" class=\"js-zoom-image\" \/><\/p>\n<p>Visgi pa\u017ei\u016br\u0117ti aki\u0173 tinklain\u0117je virpant\u012f moters pas\u0105mon\u0117s siuvin\u012f esamuoju laiku spektaklyje \u201eKlubas\u201c tikrai verta. Nes jis gra\u017eus, esteti\u0161kas, \u012ftraukiantis, provokuojantis galvoti ir diskutuoti. Nes jis dar kart\u0105 u\u017eduoda t\u0105 puik\u0173 klausim\u0105, kur\u012f prie\u0161 beveik \u0161imt\u0105 met\u0173 u\u017edav\u0117 V.Woolf \u201eKod\u0117l moterys yra&#8230; daug \u012fdomesn\u0117s vyrams, negu vyrai moterims?\u201c.<\/p>\n<p><em>Vytauto Petriko nuotraukos<\/em> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pro pilko m\u016bro dang\u0173 vien\u0105 kit\u0105 kart\u0105 \u0161yptel\u0117jus saulei moterys pasitrumpina paltukus, pasiplonina p\u0117dkelnes, atidengia galvas, pasiry\u0161kina l\u016bpas ir eina &#8230;<\/p>\n","protected":false},"author":1,"featured_media":1685,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Kod\u0117l moterys yra... daug \u012fdomesn\u0117s vyrams negu vyrai moterims? - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2015\/03\/09\/kodel-moterys-yra-daug-idomesnes-vyrams-negu-vyrai-moterims\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kod\u0117l moterys yra... daug \u012fdomesn\u0117s vyrams negu vyrai moterims? 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