{"id":16877,"date":"2025-02-03T12:49:24","date_gmt":"2025-02-03T10:49:24","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=16877"},"modified":"2025-02-04T10:14:27","modified_gmt":"2025-02-04T08:14:27","slug":"vienudu-demesingumo-praktika-ir-permainingas-rysys","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/02\/03\/vienudu-demesingumo-praktika-ir-permainingas-rysys\/","title":{"rendered":"\u201eVienudu\u201c: d\u0117mesingumo praktika ir permainingas ry\u0161ys"},"content":{"rendered":"

Pla\u010diais mediniais laiptais pakilus \u012f antr\u0105 auk\u0161t\u0105 kiek pastoviniuosit hole su did\u017eiuliais langais ir pro juos \u017eybsin\u010diais vakariniais parko \u017eibintais. Lukter\u0117jus \u012feisit \u012f erdv\u0119, kurios sienos alsuoja praeities \u017eym\u0117mis. Sien\u0173 sluoksniai nu\u017eenklinti r\u016bm\u0173 didyb\u0119 menan\u010diais ir negandas patyrusiais laikais. \u010cia viskas prasid\u0117jo nuo LDK, kai didikai Sapiegos suman\u0117 pastatyti rezidencij\u0105, atliepian\u010di\u0105 baroko architekt\u016bros principus. \u0160iandien Sapieg\u0173 r\u016bmai \u2013 laiko \u017eenklas, apjungiantis dabart\u012f su paveldu, vadinasi, praeitimi ir perduota tradicija. Kaip \u0161ie r\u016bmai kalbasi su atskirais meno k\u016briniais, ir kaip meno k\u016briniai kalbasi su r\u016bmais? Ar \u010dia yra koki\u0173 atsikartojim\u0173, o galb\u016bt principini\u0173 d\u0117sni\u0173, susiejan\u010di\u0173 erdv\u0119 su, pavyzd\u017eiui, \u017emogaus, sakykim, \u0161ok\u0117jo k\u016bnu? Koki\u0105 istorin\u0119 atmint\u012f toks \u0161ok\u0117jo k\u016bnas gal\u0117t\u0173 perteikti, i\u0161transliuoti tokioje erdv\u0117je? Kok\u012f minties svor\u012f \u012fne\u0161ti, kad \u017ei\u016brin\u010diojo nei\u0161g\u0105sdint\u0173, bet atskleist\u0173 tok\u012f klod\u0105, kurio nepavyks atvaizduoti negyv\u0173, ta\u010diau vizualiai kalban\u010di\u0173 sien\u0173 sluoksniuose?<\/p>\n

Du \u0161ok\u0117j\u0173 k\u016bnai \u017eengia ratu. Visad palaikant vienod\u0105 atstum\u0105, vienas prie\u0161 vien\u0105, nenuleid\u017eiant \u017evilgsni\u0173. Sukaupt\u0105, l\u0117t\u0105, rituali\u0161k\u0105 \u0117jim\u0105 papildo garsinis liaudi\u0161kos sutartin\u0117s (galb\u016bt godos, ar lop\u0161in\u0117s?) motyvas, sumi\u0161\u0119s su atmosferin\u0117s muzikos elementais. \u0160ok\u0117j\u0173 k\u016bnai, kaip ir \u017evilgsniai, skirtingi: liaunas prie\u0161 tvirt\u0105, ramus prie\u0161 pasitikint\u012f. Ratas traukiasi, k\u016bnai art\u0117ja. Sustojus pa\u017eindinasi \u017evilgsniu, atsargiai vienas kitam duoda rank\u0105, netrukus jau susikimba u\u017e j\u0173. Rankos viena kit\u0105 paleid\u017eia tik retkar\u010diais, kai to pareikalauja sukiniai: jos pinasi, kei\u010diasi, kyla ir leid\u017eiasi, apkabina ir \u012fsitempia. Sukinius papildo koj\u0173 \u0161oktel\u0117jimai. Pana\u0161iai liaudi\u0161kus porinius \u0161okius \u0161oko m\u016bs\u0173 seneliai ir proseneliai. Tiesa, sukinius jie dar\u0117 grei\u010diau, kaip ir reikiamus \u0161uolius. Sapieg\u0173 r\u016bm\u0173 sal\u0117je \u2013 prie\u0161ingai \u2013 viskas sul\u0117t\u0117j\u0119: \u017eingsnis ir ritmas, judesys ir \u017evilgsnis. Visam judesiui palikta vietos, kaip ir \u017ei\u016brovo laikui, skuba \u010dia nereikalinga: auk\u0161tos r\u016bm\u0173 lubos salei suteikia erdvi\u0161kumo, o i\u0161lauktas, itin d\u0117mesingas ir l\u0117tas judesys \u017ei\u016brovo vaizduotei taip pat atveria minties erdves, \u0161i aplinka kvie\u010dia perm\u0105styti, k\u0105 mes \u017einome apie judes\u012f ir k\u016bn\u0173 betarpi\u0161kum\u0105.<\/p>\n

\"\"<\/a>Spektaklis \u201eVienudu\u201c, Ilm\u0117s Vy\u0161niauskait\u0117s nuotr.<\/em><\/p>\n

Urbanistinio \u0161okio teatro \u201eLow Air\u201c Sapieg\u0173 r\u016bm\u0173 erdves prapl\u0117t\u0117 \u0161okio spektakliu \u201eVienudu\u201c (id\u0117jos autor\u0117, choreograf\u0117 Airida Gudait\u0117, choreografai ir \u0161ok\u0117jai Laurynas \u017dakevi\u010dius, Rokas \u0160altenis), r\u016bm\u0173 istorij\u0105 papildydama lietuvi\u0173 liaudies ir breiko judesio motyvais. \u201eVienudu\u201c \u2013 intymus, daugialypis dviej\u0173 vyr\u0173 ir j\u0173 k\u016bn\u0173 susid\u016brimas aik\u0161tel\u0117je. Sukauptu, sul\u0117t\u0117jusiu judesiu jie kantriai dekonstruoja, atveria \u017eingsneli\u0173, \u0161okio kompozicij\u0173 pirmin\u012f prad\u0105. \u010cia matome \u012fvair\u0173 tradiciniams poriniams \u0161okiams b\u016bding\u0173 pyn\u0117s motyv\u0173, bei, pavyzd\u017eiui, tradicines dueto \u201es\u016bpynes\u201c. \u201eLow Air\u201c spektakliuose tai n\u0117ra visi\u0161kai nauja tema: etno motyv\u0173, tradicinio \u0161okio paie\u0161k\u0173 b\u016bta beveik prie\u0161 de\u0161imtmet\u012f kurtame \u0161okio spektaklyje \u201e\u0160ventasis pavasaris\u201c (2016). \u201eVienudu\u201c atveju prireikia pus\u0117s spektaklio, kad \u0161ioje neskubroje \u0161ok\u0117jai organi\u0161kai pereit\u0173 prie breiko \u017eingsneli\u0173. \u0160ie taip pat sul\u0117t\u0117j\u0119, atliekami \u012fgauna visai kitus atspalvius, nei patirtume juos tradiciniame breiko pasirodyme: \u010dia matome rate vykstan\u010dias, bene \u0161amani\u0161kas apeigas, o kartais \u0161ie k\u016bnai supana\u0161\u0117ja \u012f gyv\u016bnus, susiremian\u010dius dvikovon. \u0160is susid\u016brimas \u012fd\u0117miai atsigr\u0119\u017eia \u012f vyri\u0161kumo tem\u0105, kuri\u0105 sul\u0117tinti k\u016bnai neskuba atrakinti: subtilus, niuansuotas santykis mainosi, kaip chameleonas: tai susiprie\u0161inantis ar prisitaikantis, nepastebimas, bet nuolat judantis kito santykio link. Kokiu b\u016bdu visas \u0161ias tir\u0161tas temas suvaldyti? L\u0117tumu. Tokiu tempu, kuris viena tem\u0105 gena, veja prie kitos, i\u0161taupytu judesiu i\u0161laukti (nors prakaitas la\u0161a ant grindinio).<\/p>\n

\"\"<\/a>Spektaklis \u201eVienudu\u201c, D. Matvejevo nuotr.<\/em><\/p>\n

Tradiciniai \u0161okio elementai \u010dia pat persipina su breiko judesiais ir sekdami vienas paskui kit\u0105 tyrin\u0117ja, ie\u0161ko s\u0105saj\u0173 bei skir\u010di\u0173. \u0160i sumi\u0161usi forma i\u0161gromuluoja ka\u017ekoki\u0105 sunkiai apib\u016bdinam\u0105 m\u016bs\u0173 kasdienyb\u0117s tikrov\u0119: kokius \u012fpro\u010dius\/ \u012ftakas\/ m\u0105stymo kelius ir kriterijus mes sugeriame, perimame, ir, ne kitaip, susluoksniuojame savo tapatyb\u0117je? Ta\u010diau ten visad gl\u016bdi ir m\u016bsi\u0161kis pradas, visai, kaip r\u016bm\u0173 sienose: nu\u017eym\u0117tas prot\u0117vi\u0173 ir promo\u010di\u0173 patirtimis bei tradicijomis.<\/p>\n

Matyt, tik \u0161itaip ir gali der\u0117ti liaudies \u0161okis \u0161alia i\u0161 u\u017e vandedynu mus skirian\u010dio urbanistinio \u0161okio tradicijos. Ir kuo toliau \u017ei\u016brint \u0161\u012f sul\u0117t\u0117jus\u012f \u201eVienudu\u201c judesio tyrin\u0117jim\u0105, kyla mintis: kas pasak\u0117, kad \u0161i \u2013 breiko \u2013 forma visada buvo urbanistin\u0117? Galb\u016bt breikas taip pat judesio skolinys, parne\u0161tas i\u0161 gilaus atminimo, perduotas i\u0161 kart\u0173 kartos: prot\u0117vi\u0173, j\u0173 susib\u016brim\u0173 ir apeig\u0173?<\/p>\n

\u201eVienudu\u201c d\u0117mesingumas, \u012ftampos ir prielankumo santykinumas, betarpi\u0161kas, niekada nenukrypstantis ir iki \u012ftampos sukoncentruotas \u017evilgsnis vienas \u012f kit\u0105 viso spektaklio metu (kai aplinkiniai net \u010dia pat ky\u0161tel\u0117jantys koj\u0105 neegzistuoja), man yra pats \u012fdomiausias: maksimaliai j\u012f i\u0161laikyti, tokiu koncentruotu d\u0117mesingumu vienas kitam i\u0161b\u016bti, man lyg yra svarbiausia \u0161ios spektaklio dedamoji.<\/p>\n

\"\"<\/a>Spektaklis \u201eVienudu\u201c, D. Matvejevo nuotr.<\/em><\/p>\n

Vienas motyvas, \u012fvairiausiomis formomis atsikartojantis spektaklio metu \u2013 ratas: taip suformuota \u0161okio aik\u0161tel\u0117, \u0161itaip krenta \u0161viesa, sudarydama nematom\u0105 \u201eu\u017euolaid\u0105\u201c tarp j\u0173, \u0161ok\u0117j\u0173, esan\u010di\u0173 \u0161viesoje, ir m\u016bs\u0173, visi\u0161kai \u010dia pat s\u0117din\u010di\u0173 \u0161e\u0161\u0117lyje (\u0161vies\u0173 dailininkas \u2013 Eugenijus Sabaliauskas). Ratas \u010dia ir dramaturginis sprendimas: taip mezgasi vieno santykis \u012f kit\u0105, vyksta jo u\u017egimimas ir pabaiga, u\u017esimezga naujas santykis… Fizinis ratas apsprend\u017eia vieno \u012f kit\u0105 \u017evilgsnio amplitud\u0119, jud\u0117jimo perimetr\u0105. Muzikin\u012f rat\u0105 atidaro bei u\u017edaro prad\u017eioje ir pabaigoje atsikartojantys judesio bei muzikiniai motyvai. Ypa\u010d daug atmosferi\u0161kumo \u010dia sukuria i\u0161dirbtas ir i\u0161sodrintas, tarsi i\u0161tapytas Agn\u0117s Matulevi\u010di\u016bt\u0117s ir Martos Finkel\u0161tein muzikinis takelis. Jis atsargus, kurtas su r\u016bpes\u010diu, neu\u017emir\u0161tant r\u016bm\u0173 istorijos ir viso j\u0173 erdvi\u0161kumo.<\/p>\n

Simboline prasme ratas yra viso kosmoso ir jo nuolatinio kitimo \u017eenklas, ratas \u2013 kurian\u010dioji dievyb\u0117, nuolat atnaujinanti pasaul\u012f. Azijos kult\u016brose ratas simbolizuoja atgimim\u0105 ir i\u0161silaisvinim\u0105 i\u0161 kan\u010di\u0173. Pasak k\u016br\u0117j\u0173, \u201eVienudu\u201c tur\u0117t\u0173 \u017eym\u0117ti sav\u0119s susitikim\u0105 su kitu \u201ea\u0161\u201c, ta\u010diau man \u0161is spektaklis yra apie gyvenimo cikli\u0161kum\u0105: jauk\u0173 ir naiv\u0173 susid\u016brim\u0105 su kitu vaikyst\u0117je, \u012ftamp\u0173 piln\u0105 santyk\u012f paauglyst\u0117je, nuo\u0161ird\u017eios brolyst\u0117s, draugyst\u0117s ir intymumo paie\u0161kas jaunyst\u0117je, i\u0161tikimyb\u0119 bei atsidavim\u0105 brandoje.<\/p>\n

\"\"<\/a>Spektaklis \u201eVienudu\u201c, D. Matvejevo nuotr.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Pla\u010diais mediniais laiptais pakilus \u012f antr\u0105 auk\u0161t\u0105 kiek pastoviniuosit hole su did\u017eiuliais langais ir pro juos \u017eybsin\u010diais vakariniais parko \u017eibintais. …<\/p>\n","protected":false},"author":2,"featured_media":16886,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\n\u201eVienudu\u201c: d\u0117mesingumo praktika ir permainingas ry\u0161ys - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2025\/02\/03\/vienudu-demesingumo-praktika-ir-permainingas-rysys\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eVienudu\u201c: d\u0117mesingumo praktika ir permainingas ry\u0161ys - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Pla\u010diais mediniais laiptais pakilus \u012f antr\u0105 auk\u0161t\u0105 kiek pastoviniuosit hole su did\u017eiuliais langais ir pro juos \u017eybsin\u010diais vakariniais parko \u017eibintais. ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2025\/02\/03\/vienudu-demesingumo-praktika-ir-permainingas-rysys\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2025-02-03T10:49:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-04T08:14:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2025\/02\/Vienudu-cc29-photo-D.Matvejev-1-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2025\/02\/03\/vienudu-demesingumo-praktika-ir-permainingas-rysys\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2025\/02\/Vienudu-cc29-photo-D.Matvejev-1-scaled.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2025\/02\/Vienudu-cc29-photo-D.Matvejev-1-scaled.jpg\",\"width\":2560,\"height\":1707},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2025\/02\/03\/vienudu-demesingumo-praktika-ir-permainingas-rysys\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2025\/02\/03\/vienudu-demesingumo-praktika-ir-permainingas-rysys\/\",\"name\":\"\\u201eVienudu\\u201c: d\\u0117mesingumo praktika ir permainingas ry\\u0161ys - 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