{"id":17037,"date":"2025-04-08T20:01:18","date_gmt":"2025-04-08T17:01:18","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=17037"},"modified":"2025-04-08T20:01:18","modified_gmt":"2025-04-08T17:01:18","slug":"spektaklio-su-profesionaliais-sokejais-turinciais-negalia-choreografe-visi-esame-daug-panasesni-nei-gali-atrodyti","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2025\/04\/08\/spektaklio-su-profesionaliais-sokejais-turinciais-negalia-choreografe-visi-esame-daug-panasesni-nei-gali-atrodyti\/","title":{"rendered":"Spektaklio su profesionaliais \u0161ok\u0117jais, turin\u010diais negali\u0105, choreograf\u0117: Visi esame daug pana\u0161esni, nei gali atrodyti"},"content":{"rendered":"

Baland\u017eio 25\u201326 d. tarptautiniame \u0161iuolaikinio \u0161okio festivalyje NEW BALTIC DANCE \u017ei\u016brov\u0173 laukia vienas progresyviausi\u0173 darb\u0173 \u2013 Br\u0117meno teatro trup\u0117s \u201eUnusual Symptoms\u201c spektaklis HARMONIA. Jame negali\u0105 turintys ir neturintys profesional\u016bs \u0161ok\u0117jai <\/b>perm\u0105sto m\u016bs\u0173 k\u016bno samprat\u0105 ir aplink j\u012f sukurtas sistemas. Spektaklio choreograf\u0117s, vengr\u0117s Adrienn H\u00f3d, teigimu, scenoje \u0161okantys skirtingi k\u016bnai primena, kad \u017emogus yra paj\u0117gus padaryti daug daugiau, nei jam kartais atrodo. Ta\u010diau <\/b>HARMONIA<\/b> ne tik tyrin\u0117ja, bet ir kvie\u010dia d\u017eiaugtis gyvenimu.<\/b><\/p>\n

Su spektaklio choreografe Adrienn H\u00f3d kalb\u0117josi Aist\u0117 Audickait\u0117.<\/p>\n

Kaip kilo spektaklio HARMONIA id\u0117ja?<\/b><\/p>\n

Id\u0117ja at\u0117jo i\u0161 Br\u0117meno teatro pus\u0117s \u2013 jie sugalvojo, kad teatre veikianti trup\u0117 \u201eUnusual Symptoms\u201c kurs projekt\u0105, \u012f kur\u012f \u012ftrauks kviestinius atlik\u0117jus \u2013 profesionalius menininkus, turin\u010dius negali\u0105, o man pasi\u016bl\u0117 kurti spektakliui choreografij\u0105.<\/p>\n

Nors pati esu ne kart\u0105 lankiusis spektakliuose, kuriuose \u0161oka negali\u0105 turintys \u0161ok\u0117jai, man dirbti su tokia grupe buvo pirmas kartas. Tod\u0117l nuo pat prad\u017ei\u0173 prie projekto pakviet\u0117me prisijungti ekspert\u0105 Gustav\u0105 Filiakov\u0105, kuris pad\u0117jo savo \u017einiomis \u2013 supa\u017eindino, koks yra istorinis \u0161ios srities fonas ir dabartin\u0117 situacija, kaip negali\u0105 turintys \u017emon\u0117s veikia visuomen\u0117je ir k\u0105 kuria.<\/p>\n

K\u016brybos proces\u0105 prad\u0117jome dar per COVID laikotarp\u012f. \u0160ok\u0117j\u0173 atrankai paskelb\u0117me atvir\u0105 kvietim\u0105 ir, m\u016bs\u0173 nuostabai, sulauk\u0117me apie 200 parai\u0161k\u0173. Mums buvo svarbu pasirinkti tinkamus \u017emones, ta\u010diau proces\u0105 apsunkino tai, kad jis vyko internetu, tod\u0117l su kai kuriais \u0161ok\u0117jais sureng\u0117me nuotolines sesijas. Vis d\u0117lto galiausiai mums pavyko suburti puiki\u0105 \u0161ok\u0117j\u0173 trup\u0119.<\/p>\n

Po ilgo pasiruo\u0161imo ir aktori\u0173 paie\u0161k\u0173 pagaliau atsid\u016br\u0117me studijoje. Vis\u0105 proces\u0105 tur\u0117jau daug ko i\u0161mokti \u2013 nuo organizacini\u0173 klausim\u0173, kaip \u0161i grup\u0117 gali patekti \u012f erdv\u0119, iki j\u0173 fizini\u0173 galimybi\u0173 rib\u0173. Man buvo svarbu juos pa\u017einti, ir tai nebuvo lengva.<\/p>\n

\"\"<\/a>Spektaklis HARMONIA, Joerg Landsberg nuotr.<\/em><\/p>\n

Kas jums buvo svarbu renkantis \u0161ok\u0117jus?\u00a0<\/b><\/p>\n

Kartu su komanda ilgai diskutavome, koki\u0105 grup\u0119 norime suburti, kol galiausiai nusprend\u0117me orientuotis \u012f \u0161ok\u0117jus su fizine negalia. Taigi, grup\u0117je n\u0117ra \u017emoni\u0173, turin\u010di\u0173 psichikos sutrikim\u0173 ar mokymosi sunkum\u0173 \u2013 visi dalyviai turi tik fizin\u0119 negali\u0105. \u017dinoma, steng\u0117m\u0117s, kad atranka b\u016bt\u0173 kuo profesionalesn\u0117: dom\u0117jom\u0117s j\u0173 ankstesne darbo scenoje patirtimi, taikomais darbo metodais ir interesais. \u017dinojome, kad ie\u0161kome \u017emoni\u0173, geban\u010di\u0173 dirbti pasitelkiant improvizacij\u0105, nes tokiu b\u016bdu a\u0161 dirbu su visomis trup\u0117mis. Taip pat buvo ai\u0161ku, kad tai n\u0117ra terapinis projektas \u2013 mes siek\u0117me sukurti pilnavert\u012f menin\u012f darb\u0105.<\/p>\n

Spektaklyje \u0161oka profesional\u016bs \u0161ok\u0117jai \u2013 tiek turintys negali\u0105, tiek ne. Kaip jums sek\u0117si subalansuoti darb\u0105 tokioje mi\u0161rioje grup\u0117je?<\/b><\/p>\n

Per \u0161\u012f proces\u0105 kartu su dramaturgu Gregor Runge dom\u0117jom\u0117s darbo su mi\u0161riomis grup\u0117mis metodais. Nusprend\u0117me, jog mums tinkamiausias \u2013 \u201ehorizontalios skal\u0117s\u201c principas, kuris nurodo, jog svarbiausia rasti pusiausvyr\u0105. \u017dmon\u0117s, turintys skirting\u0105 fizin\u012f pasirengim\u0105 ir jud\u0117jimo galimybes, gali kartu dalintis erdve, \u012fkv\u0117pti vienas kitus ir mokytis vieni i\u0161 kit\u0173.<\/p>\n

Nuo pat prad\u017ei\u0173 repeticijos tur\u0117jo strukt\u016br\u0105 \u2013 kiekvien\u0105 dien\u0105 dar\u0117me ap\u0161ilimus, kuriuos vesdavo vis kitas \u017emogus \u2013 mokytojas i\u0161 \u0161alies arba vienas i\u0161 \u0161ok\u0117j\u0173. A\u0161 ap\u0161ilim\u0105 da\u017enai steb\u0117davau i\u0161 \u0161ono, kad maty\u010diau kaip jie juda, m\u0105sto, i\u0161rei\u0161kia save, dalinasi patirtimi, bendrauja tarpusavyje, kokie j\u0173 geb\u0117jimai. Man \u0161is steb\u0117jimas suteik\u0117 informacijos, kuri\u0105 panaudojau kurdama choreografij\u0105.<\/p>\n

Apskritai, ap\u0161ilimo dalis ilgainiui tapo neatsiejama paties proceso dalimi. Nebuvo taip, kad ateidavome ir i\u0161 karto imdavom\u0117s ka\u017eko rimto \u2013 daug \u017eaid\u0117me ir tokiu b\u016bdu pa\u017einome vieni kitus. Pavyzd\u017eiui, daviau jiems u\u017eduot\u012f: \u0161ok\u0117jai i\u0161sid\u0117st\u0117 scenoje toliau vieni nuo kit\u0173, o j\u0173 tikslas buvo susijungti \u2013 be \u017eod\u017ei\u0173, be vizualinio kontakto, tik per lyt\u0117jim\u0105. \u0160is procesas truko pusantros ar net dvi valandas. Taip pat atlikome daug partneriavimo u\u017eduo\u010di\u0173 \u2013 judesio palaikymo, kai vienas padeda kitam jud\u0117ti. Buvo ir toki\u0173 moment\u0173, kai \u0161ok\u0117jai \u012f repeticijas atsine\u0161davo savo id\u0117jas \u2013 tai, k\u0105 nori parodyti scenoje, kas jiems \u012fdomu.<\/p>\n

V\u0117lesniame etape prad\u0117jome dirbti su tuo, kaip jie gali atsiverti publikai ir patirti malonum\u0105 dalindamiesi savo patirtimi per fizin\u012f veiksm\u0105. Visa tai \u012fgavo dramaturgin\u0119 krypt\u012f, kuri\u0105 atradome \u0161iame k\u016brybiniame procese.\u00a0<\/b><\/p>\n

\"\"<\/a>Spektaklis HARMONIA, Joerg Landsberg nuotr.<\/em><\/p>\n

Ko j\u016bs asmeni\u0161kai i\u0161mokote i\u0161 \u0161ios patirties?\u00a0<\/b><\/p>\n

Manau, kad dar geriau suprantu, kaip sukurti erdv\u0119, kurioje \u017emon\u0117s gal\u0117t\u0173 atsiverti, pasitik\u0117ti savimi, atrasti savo k\u016brybi\u0161kum\u0105 ir nuomon\u0119. Taip pat i\u0161mokau geriau planuoti savo laik\u0105. Po \u0161io proceso stengiuosi suteikti daugiau erdv\u0117s tam, kas vyksta, neplanuoti ir neskub\u0117ti.<\/p>\n

Kas buvo sunkiausia?<\/b><\/p>\n

Sunkiausia buvo i\u0161laikyti mano min\u0117t\u0105 \u201ehorizontalios skal\u0117s\u201c princip\u0105 grup\u0117je. Pavyzd\u017eiui, vienas \u017emogus gali b\u0117gti, \u0161okin\u0117ti ir pilnai i\u0161naudoti savo energij\u0105 erdv\u0117je, o kitas b\u016bti trapsenis, subtilesnis. Tad mano u\u017eduotis buvo rasti b\u016bd\u0105, kad \u0161is fizinis diapazonas \u2013 nuo stipraus iki subtilaus \u2013 gal\u0117t\u0173 egzistuoti ir veikti kartu, neslopindami vieni kit\u0173.<\/p>\n

Kaip jums tai pavyko?<\/b><\/p>\n

Buvo sunku ne tik techni\u0161kai, bet ir emoci\u0161kai \u2013 tiek man, tiek grup\u0117s nariams. M\u016bs\u0173 grup\u0119 sudar\u0117 skirtingi \u017emon\u0117s, turintys \u012fvairias patirtis, k\u016bnus ir po\u017ei\u016brius. D\u0117l to, mes daug diskutavome, steng\u0117m\u0117s sukurti erdv\u0119, kurioje b\u016bt\u0173 galima pasitik\u0117ti vieni kitais bei dalytis viskuo \u2013 net jei klausimas atrod\u0117 keistas ar nejaukus. Svarbiausia buvo atvirumas. \u017dinoma, visi tur\u0117jo ir teis\u0119 nesidalinti savo jausmais ar mintimis jei nenor\u0117jo.<\/p>\n

Spektaklis kvie\u010dia tyrin\u0117ti ir pa\u017einti skirtingus k\u016bnus. K\u0105, j\u016bs\u0173 manymu, \u017ei\u016brovai gali naujo atrasti apie k\u016bn\u0105 steb\u0117dami \u0161\u012f spektakl\u012f?<\/b><\/p>\n

Man sunku pasakyti, k\u0105 \u017emon\u0117s jau\u010dia steb\u0117dami \u0161\u012f spektakl\u012f, ta\u010diau i\u0161 to, k\u0105 gird\u0117jau ir matau visuomen\u0117je, suprantu, kad kiekvien\u0105 jis palie\u010dia skirtingai. Vieniems tai gali b\u016bti maloni patirtis, suteikianti \u0161iek tiek daugiau vidin\u0117s laisv\u0117s \u2013 \u017emogus pajunta, kad net jei jam atrodo, jog jo k\u016bnas ka\u017eko negali, jis yra paj\u0117gus. Manau, kad mes visi esame paj\u0117g\u016bs, jei pasitikime savimi ir esame palaikan\u010dioje aplinkoje.<\/p>\n

\u0160iuolaikinis \u0161okis apskritai yra puiki platforma atskleisti \u012fvairov\u0119 \u2013 jis leid\u017eia scenoje matyti skirtingus am\u017eius, k\u016bnus ir patirtis, nuo m\u0117g\u0117j\u0173 iki profesional\u0173. Ypa\u010d tod\u0117l, kad \u0161iuolaikin\u0117je scenoje n\u0117ra vienos \u201eteisingos\u201c technikos, kuri\u0105 visi tur\u0117t\u0173 pasiekti, ar \u201etinkamo\u201c k\u016bno, b\u016btino jai \u012fvaldyti. Ir kuo toliau, tuo labiau suprantu, kad visi esame daug pana\u0161esni, nei gali atrodyti. Man \u0161io spektaklio k\u016brimas ma\u017eai kuo skyr\u0117si nuo darbo su fizini\u0173 apribojim\u0173 neturin\u010diais atlik\u0117jais, nes tikiu, kad visomis aplinkyb\u0117mis gali rasti b\u016bd\u0105, kaip kartu kurti.<\/p>\n

\"\"<\/a>Spektaklis HARMONIA, Joerg Landsberg nuotr.<\/em><\/p>\n

Kaip manote, kod\u0117l teatras apskritai nusprend\u0117 kurti tok\u012f spektakl\u012f?\u00a0<\/b><\/p>\n

Vokietijoje \u012fprasta, kad dramaturgai kasmet susitinka aptarti aktuali\u0173 klausim\u0173 ir spr\u0119sti, kokioms temoms verta skirti daugiau d\u0117mesio. Viena i\u0161 pastaruoju metu vis labiau akcentuojam\u0173 tem\u0173 \u2013 \u012ftrauktis. Tai n\u0117ra vien tik apie \u017emones su negalia, bet apskritai apie platesnes galimybes visiems dalyvauti kult\u016briniame gyvenime.<\/p>\n

Kadangi \u201eUnusual Symptoms\u201c trup\u0117 dirba su \u0161okiu, jie prad\u0117jo kelti klausim\u0105: \u201eKas tur\u0117t\u0173 b\u016bti matomas \u0161iuolaikinio \u0161okio scenoje?\u201c \u0160io spektaklio k\u016brimas ne tik mane, bet ir teatr\u0105 paskatino perm\u0105styti tiek k\u016brybinius procesus, tiek praktinius aspektus \u2013 nuo darbo su atlik\u0117jais iki erdvi\u0173 pritaikymo. Svarbu ir tai, kad teatras nenori apsiriboti vienkartiniu projektu \u2013 jie planuoja t\u0119sti \u0161\u012f keli\u0105. Jau ruden\u012f numatytas naujas k\u016brinys kartu su kita Br\u0117mene veikian\u010dia trupe, \u0161\u012fkart \u012ftraukiant \u017emones su Dauno sindromu.\u00a0 Manau, jie i\u0161 ties\u0173 siekia atverti daugiau erdvi\u0173 ir suteikti bals\u0105 tiems, kurie da\u017enai lieka para\u0161t\u0117se.<\/p>\n","protected":false},"excerpt":{"rendered":"

Baland\u017eio 25\u201326 d. tarptautiniame \u0161iuolaikinio \u0161okio festivalyje NEW BALTIC DANCE \u017ei\u016brov\u0173 laukia vienas progresyviausi\u0173 darb\u0173 \u2013 Br\u0117meno teatro trup\u0117s \u201eUnusual …<\/p>\n","protected":false},"author":2,"featured_media":17041,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nSpektaklio su profesionaliais \u0161ok\u0117jais, turin\u010diais negali\u0105, choreograf\u0117: Visi esame daug pana\u0161esni, nei gali atrodyti - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2025\/04\/08\/spektaklio-su-profesionaliais-sokejais-turinciais-negalia-choreografe-visi-esame-daug-panasesni-nei-gali-atrodyti\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Spektaklio su profesionaliais \u0161ok\u0117jais, turin\u010diais negali\u0105, choreograf\u0117: Visi esame daug pana\u0161esni, nei gali atrodyti - 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